Steinberg Cubase 6 Manual
Have a look at the manual Steinberg Cubase 6 Manual online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 523 Steinberg manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.
651 Working with text 4.Adjust the positioning settings for the text: 5.Select a text attribute set for the text, or make manual settings for font, size, and style. 6.Click OK. The text is inserted. You can adjust the positioning manually by dragging the text block. Inserting variables When you enter the text, you can also insert special char- acters or “place holders” for different attributes. When the text is displayed, these characters are replaced by their actual values (e.g. page numbers). The following variables are available: For example, if you enter the text “%l, %r, Page %p”, these variables might be shown as “1st Violin, Quartet No.2, Page 12” in the score. Using the Score Settings (Text page) In the Score Settings dialog on the Text page, you can find a number of text-related settings. The symbol buttons cor - respond to the symbols found on the Other, Layout, and Project tabs of the Symbols Inspector, see “Symbol details” on page 634. •On the Layer pop-up menu, select the layer that you want to use. The text symbols available for this layer is displayed to the left of the pop- up menu. •You can use the text symbols in the same way as you would use symbols from the Inspector or a symbol palette. When you select a text symbol and move the mouse pointer over the score, the pointer changes to a pencil, and you can enter text at the po- sition you click on. The Notepad tab and the Selection tab Below the text symbols and the Layer pop-up menu, you can find two tabs with large text entry fields. •Use the Notepad tab to enter longer text passages. When you are happy with the text in terms of wording and length, select all or part of the text, and select a note in the score. Now, the Insert Lyrics button below the Notepad tab becomes available. When you click Insert Lyrics, the selected text is entered into the score, starting from the note you selected. •When you select text in the score and open the Selec- tion tab, the selected words are shown in the text field. You can now change the wording of the text, and use the text format options to the left to change the appearance of the selected text. When you are done, click Apply to apply your changes to the selected text in the score. OptionDescription Show on all pagesWhen this is activated, the text is shown on all pages. The “Except First” checkbox allows you to exclude the very first page. Show on first pageWhen this is selected, the text is only shown on the first page. LineThis determines how the text is aligned. For example, if you place several texts on “Top/Left”, you can sort them by entering the desired number of lines. Toggle PositionWhen the Left or Right position option is selected to the right, activating this checkbox makes the text alternate between left and right alignment on even/odd pages. Position buttonsDetermines where on the page you want the text, verti-cally (Top/Bottom) and horizontally (Left, Center, Right). Text to enterText that is displayed %pThe current page number. %l (lower case L)The long staff name. %sThe short staff name. %rThe name of the project.
652 Working with text Text functions The Words tab If you have certain words that you use a lot, you can “store” these as dedicated symbols on the Words tab. This saves time, since you do not have to type the same word over and over again. Storing a word 1.Open the Words symbol tab. This tab is hidden by default. See “Showing/Hiding Symbols Inspector tabs” on page 620 for information on how to display hidden Inspector tabs. 2.Double-click on an “empty” symbol. The Custom Text Editor dialog appears. 3.Type in the desired word(s) in the text field at the top of the dialog. 4.Specify the text type (regular text or lyrics) with the Type pop-up menu. 5.Make settings for font, size, and style. You can also use a text attribute set if you like. 6.Click Exit to close the dialog. The words that you entered appear in the selected symbol field on the Words tab. •Right-clicking one of the fields opens a context menu with a number of options: • Select “Edit…” to open the Custom Text Editor dialog. • Select “New” to add a new empty symbol to the Words tab. • Select “Remove” to delete any unwanted symbols from the Words tab. • Select “Open As Palette” to open the Words symbol palette. Inserting a word You insert words from the Words tab as you would insert any regular symbol, by selecting the appropriate word and clicking in the score. However, you can edit the word after inserting it, just as with text inserted by typing. Find and replace This function allows you to replace all occurrences of a certain word or group of words, with another word or group of words. The replacement is done once and for all, for all text symbol types, regardless of font, size, and style settings. Proceed as follows: 1.Pull down the Scores menu and select “Find and Re- place” from the Functions submenu. The Find and Replace dialog opens. 2.In the Find value field, enter the words to replace. 3.If you want all instances of the words to be replaced, regardless of upper/lower case, deactivate the “Case Sensitive” option. 4.If you do not want to replace the words if they are a part of another word, activate the “Entire Word” option. For example, if you want to replace the word “string” but not the word “stringendo”, you should activate “Entire Word”. 5.In the “Replace” field, enter the words that are to be used as replacement.
653 Working with text 6.Click OK. Now all occurrences of the “Find” words are replaced with the “Replace” words. Staff names You can make settings for staff names in several places: •In the Score Settings dialog on the Layout page, you specify whether the staff names are shown at all and whether to use the names of the actual edited tracks in the score. In a multi-track layout, you can choose for which tracks the staff names are shown by clicking in the “N” column for each track. •You specify a long and short staff name in the Score Settings dialog, on the Staff page (Main tab). These are used if you do not use the “From Tracks” option on the Layout page of the Score Settings dialog. The long name is displayed for the first system only, and the short name for the following systems. If you want a name at the top of the page only, leave the “Short” name field empty. To select a font for staff names, proceed as follows: 1.Open the Score Settings dialog on the Project page and select the Text Settings subpage. 2.Select the Project Text tab. 3.Use the “Font for” pop-up menu to select “Staff Names”. 4.Select font, size, and styles for the staff names (or use a text attribute set). 5.Click Apply and close the Score Settings dialog. Additional staff name settings •If you activate the “Show Track Names to Left of staff” option in the Score Settings dialog on the Project–Notation Style subpage (Staff Names category), the staff names are shown to the left of the staves, instead of above them. •You can define separate subnames for the upper and the lower staff in a polyphonic or split system, see “Staff names” on page 588. •You can fine-tune the vertical and horizontal position of staff names with some of the options on the Project– Spacing subpage of the Score Settings dialog. Bar Numbers Bar Number settings can be made in several places as well. General settings 1.Open the Score Settings dialog on the Project page and select the Notation Style subpage. 2.Scroll down the list to the “Bar Numbers” category. 3.Use the “Show every” setting to specify how often bar numbers are shown. The options are “First Bar” (bar numbers shown for the first bar on each staff), “Off” (no bar numbers shown) and any number. Click in the Status column and use the mouse wheel to select the desired option. 4.If you like, activate the “Show Range with Multi-Rests” option. When this is activated, and you have a multi-rest, the bar number at the beginning of the multi-rest shows a range, indicating the length of the multi-rest. 5.If you want the bar numbers to be displayed below the bar lines, activate the “Below Bar Lines” option. 6.Click Apply and close the Score Settings dialog. Text settings As with many of the other fixed text elements, you can se- lect a font, size, and style for bar numbers in the Score Settings dialog, on the Project–Text Settings subpage. Spacing On the Project–Spacings subpage of the Score Settings dialog, you can find four settings that relate to bar num - bers: !If the “Show Long Staff Names on new Pages” op- tion is activated in the Score Settings dialog on the Project–Notation Style subpage (Staff Names cate - gory), the long name is displayed for the first system on every page. OptionDescription First Bar Number – Horizontal OffsetSets the horizontal distance between the bar num-ber and the bar line for the first bar on each staff. First Bar Number – Vertical OffsetSets the vertical distance between the bar number and the bar line for the first bar on each staff. Other Bar Numbers – Horizontal OffsetSets the horizontal distance between the bar num-ber and the bar line for all other bars. Other Bar Numbers – Vertical OffsetSets the vertical distance between the bar number and the bar line for all other bars.
654 Working with text Offsetting bar numbers If you double-click on a bar number, a dialog appears, al- lowing you to skip a number of bars in the otherwise con- tinuous bar numbering. This is used for example when a section repeats. Say, you have a repeat of bar 7 and 8, and want the first bar after the repeat to have the number 11, not 9. To achieve this, you double-click on the “9” and insert an offset of “2”. It is also useful if the score starts with an upbeat, and you want the first “real” bar to be numbered 1. In that case you would specify an offset of “-1” for the second bar, and make sure that the bar number for the upbeat bar is hidden. •Bar number offsets belong to the Project layer and are shown for all tracks and layouts. Settings for other fixed text elements You can make text settings for virtually all text and num- bers that appear in the score. Proceed as follows: 1.Open the Score Settings dialog on the Project page and select the Text Settings subpage. 2.Select the Project Text tab. 3.Use the “Font For” pop-up menu to select a text type to make settings for. 4.Use the options in the dialog to change the settings. 5.Click Apply to apply the settings to all elements of the selected type. To close the dialog, click the close button at the top right of the dialog window. Bar Numbers before and after changing their text settings. •You can also define text attribute sets on the Text Set- tings subpage, as a means to quickly change text. Note that you can select a defined attribute set from the context menu opened when right-clicking on a text element (see “Text attribute sets” on page 647).
656 Working with layouts About this chapter In this chapter you will learn: • What layouts are and what they contain. • How to create layouts. • How to use layouts for opening combinations of tracks. • How to apply, load, save and delete layouts. • How to import and export layouts. • An example of how layouts can be used. Background: Layouts Layouts can be viewed as “presets” containing settings for the layout layer: staff spacing, bar lines, layout symbols, etc. When to use layouts •You need to format the score differently when you print the entire score and when you extract parts for single in - struments (or groups of instruments). Layouts allow you to keep different sets of “looks” for the same track or set of tracks. You might for example have one layout for each single instrument and one for the entire score. •By selecting another layout on the Layout page of the Score Settings dialog, you can switch to another combi - nation of tracks without having to leave the Score Editor. What makes up a layout? A layout contains the following items and properties: • The inserted Layout symbols (see “The available symbols” on page 621). • All settings on the Layout page of the Score Settings dialog. • The vertical spacing of the staves. • Bar line spacing. • Broken bar lines. ÖNote that Project symbols (see “The available symbols” on page 621), bar line types and bar number offsets are part of the Project layer, and appear in all layouts. How layouts are stored Layouts are created automatically when you edit a single track or a combination of tracks. They are an integral part of the specific track combination, which means you do not have to store them separately. Creating a layout Layouts are created automatically when you open a new combination of tracks for editing. Each track may have been edited before, individually or to- gether with other tracks, it does not matter. What matters is that you open precisely these tracks. For example, to create a layout for a string quartet, select parts on the cor - responding tracks and press [Ctrl]/[Command]-[R]. Opening a layout The “Open Layout” command on the Scores menu opens a dialog listing all available layouts for the Project. •Select the desired layout in the list and click OK to open the tracks contained in the layout in the Score Editor. This is a quick way for opening several tracks in the Score Editor directly from the Project window. Layout operations The Score Settings dialog contains a Layout page, where you can make settings for the different layouts. To the left of the dialog, all existing layouts in the project are listed (this is the same list as in the Open Layout dialog, see above). The layout currently used is highlighted in the list. !The order of the tracks does not matter – you can re- order them in the Project window without removing the layout. However, the spacing of the staves in the layout is related to the order of the tracks.
657 Working with layouts Opening the tracks in a layout To select another combination of tracks for editing, select the corresponding layout in the list. •You can keep the dialog open while you are editing, and use this function for selecting which tracks to edit. Importing layout symbols By selecting another layout and selecting “Get Form” from the Functions pop-up menu below the list, you import all Layout symbols (inserted from the Layout section in the Symbols Inspector) from the selected layout into the cur - rent layout. Managing layouts •To rename a layout, select it in the list and enter the de- sired name in the Name field to the right in the dialog. Initially, a layout gets the name of one of the edited tracks – it may be a good idea to give each layout a more informative name. •To remove a layout you no longer need, select it in the list and select “Remove” on the Functions pop-up menu. •To remove all layouts for which there no longer are track combinations, select “Clean Up” on the Functions pop-up menu. Importing and exporting layouts By selecting a layout and selecting “Export…” or “Import…” from the Functions pop-up menu below the list, you can ex - port or import a Layout. Note that all Staff settings are taken into account, when exporting or importing a layout. Working with Display Transpose You can specify for each staff in a layout whether it should use Display Transpose. In the Score Settings dialog on the Layout page, click in the D column to activate or deactivate the option. Note that this setting affects this layout only. Using layouts – an example The following text outlines the basic steps for extracting a musical part from a full score. 1.Prepare the entire score, including all formatting. This might include inserting project layer block text for the score title, set-ting the bar line type, etc. 2.Open the Score Settings dialog on the Layout page and enter the desired name in the Name field (for example “Full Score”). 3.Close the Score Editor. 4.Open a single track, for example a woodwind part. The Project layer settings automatically appear in the new single track layout. 5.Prepare a layout for the woodwind part. You might for example move bar lines, add endings, activate multiple rests, etc. •You can also import all layout symbols from the “Full Score” layout, by opening the Score Settings dialog on the Layout page, selecting the “Full Score” layout in the list to the left, and selecting “Get Form” from the Func - tions pop-up menu (see “Importing layout symbols” on page 657). 6.Enter the desired name for the new layout in the Name field on the Layout page of the Score Settings dialog and click “Apply”. !Be careful not to change any of the properties which are not part of the layout. This modifies the “Full Score”, too.
658 Working with layouts Marker Track to Form If you have created markers in the Project window which denote the start of each new “section” in your music (verse, bridge, chorus, etc.), you can automatically transfer these markers into the current layout: 1.Pull down the Scores menu, open the Advanced Lay- out submenu and select “Marker Track to Form”. Now, rehearsal marks and double bar lines are inserted in the score, at the position of each marker. 2.If you want the names of the markers shown as well, open the Advanced Layout submenu again and select “Display Markers”.
660 Working with MusicXML Introduction MusicXML is a music notation format developed by Recor- dare LLC in 2000 based primarily on two academic music formats. It allows the representation of scores in the current symbolic representation of western music notation, used since the 17th century. With Cubase you can now import and export MusicXML files created with version 1.1. This makes it possible to share and exchange sheet music with people who are using score writing programs such as Fi - nale and Sibelius. ÖAs MusicXML is supported to various degrees by differ- ent programs, you always have to do manual adjustments. What is MusicXML used for? The MusicXML file format can be used for the following purposes: • Representation and printing of sheet music • Exchange of sheet music between various score writing programs • Electronic distribution of musical scores • Storage and archiving of scores in an electronic format Notational representation vs. musical performance MusicXML is a music notation file format, that means it deals especially with the layout of music notation and the correct graphical representation, i.e. how a piece of music should look. However, MusicXML music data also contains elements that define how a piece of music should sound. For exam - ple, these are used when creating a MIDI file from Music- XML. This means that MusicXML has things in common with MIDI. MIDI is a music interchange format for performance appli- cations like Cubase or other sequencers. The MIDI file for- mat is designed for playback, i.e. the main focus of the MIDI file format lies in the performance, not in the notation. Is MusicXML better than MIDI? Advantages of MusicXML MIDI tracks hold MIDI notes and other MIDI data. A MIDI note in Cubase is only defined by its position, length, pitch and velocity. This is not enough to decide how the note will be displayed in a score. For a correct representation, Cubase also needs the following information: • Stem direction, beaming. • Expression marks (staccato, accent, ties and slurs). • Information about the instrument in the score. • Key and basic rhythm of the piece. • Grouping of notes, etc. MusicXML can store a great part of this information. How- ever, you have to adjust the scores with the tools available in the Score Editor. Advantages of MIDI Although MusicXML has obvious advantages in the repre- sentation of musical scores, there are also restrictions in sound. This is due to the fact that MusicXML as a music notation format has a graphical background and is de - signed for exchanging representation, not sound. When playing back MusicXML files in Cubase, the follow- ing parameters, among others, are not considered: • On and Off velocities •Dynamics • Controller data •SysEx • Standard MIDI file meta events •Audio • All Cubase-specific data like automation, MIDI effects, Input Transformer, etc.