Yamaha Mo 8 Manual

							OWNER’S MANUAL
MUSIC PRODUCTION SYNTHESIZER
EN 
						

							SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where
anyone could walk on, trip over, or roll anything over power or
connecting cords of any kind. The use of an extension cord is
not recommended! If you must use an extension cord, the
minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The
smaller the AWG number, the larger the current handling
capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended by Yamaha. If a
cart, etc., is used, please observe all safety markings and
instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves the
right to change or modify any of the specifications without
notice or obligation to update existing units.
This product, either alone or in combination with an amplifier
and headphones or speaker/s, may be capable of producing
sound levels that could cause permanent hearing loss. DO NOT
operate for long periods of time at a high volume level or at a
level that is uncomfortable. If you experience any hearing loss
or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time
period before damage occurs.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches
are stable and any optional fixtures (where applicable) are well
secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No
other uses are recommended.
NOTICE: Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and
are therefore the owners responsibility. Please study this manual
carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:
Battery Notice: This product MAY contain a small non-rechargeable battery
which (if applicable) is soldered in place. The average life span
of this type of battery is approximately five years. When
replacement becomes necessary, contact a qualified service
representative to perform the replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended
for the battery being charged.
When installing batteries, do not mix batteries with new, or with
batteries of a different type. Batteries MUST be installed
correctly. Mismatches or incorrect installation may result in
overheating and battery case rupture.
Warning: Do not attempt to disassemble, or incinerate any battery. Keep
all batteries away from children. Dispose of used batteries
promptly and as regulated by the laws in your area. Note: Check
with any retailer of household type batteries in your area for
battery disposal information.
Disposal Notice: Should this product become damaged beyond repair, or for
some reason its useful life is considered to be at an end, please
observe all local, state, and federal regulations that relate to the
disposal of products that contain lead, batteries, plastics, etc. If
your dealer is unable to assist you, please contact Yamaha
directly.
NAME PLATE LOCATION: The name plate is located on the rear (MO8) or bottom (MO6) of
the product. The model number, serial number, power
requirements, etc., are located on this plate. You should record
the model number, serial number, and the date of purchase in
the spaces provided below and retain this manual as a
permanent record of your purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
MIDI
THRU OUT INUSBTO DEVICE       TO HOST
MO8
MO6 
						

							1.  IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not 
expressly approved by Yamaha may void your authority, granted by 
the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s 
supplied with this product MUST be used. Follow all installation 
instructions. Failure to follow instructions could void your FCC 
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the 
requirements listed in FCC Regulations, Part 15 for Class “B” digital 
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential 
environment will not result in harmful interference with other elec-
tronic devices. This equipment generates/uses radio frequencies 
and, if not installed and used according to the instructions found in 
the users manual, may cause interference harmful to the operation 
of other electronic devices. Compliance with FCC regulations does 
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.(class B)
not guarantee that interference will not occur in all installations. If 
this product is found to be the source of interference, which can be 
determined by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by 
the interference. 
Utilize power outlets that are on different branch (circuit breaker or 
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the 
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the 
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, 
please contact the local retailer authorized to distribute this type of 
product. If you can not locate the appropriate retailer, please con-
tact Yamaha Corporation of America, Electronic Service Division, 
6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by 
Yamaha Corporation of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
*This applies only to products distributed by 
YAMAHA CORPORATION OF AMERICA.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : MUSIC PRODUCTION SYNTHESIZER
Model Name : MO6, MO8
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference 
that may cause undesired operation.
See user manual instructions if interference to radio reception is sus-
pected.
(FCC DoC)
OBSERVERA!Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den 
ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, 
sålæenge netledningen siddr i en stikkontakt, som er t endt — også 
selvom der or slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko 
laitetta verkosta.
(standby) 
						

							(3)-9  1/2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
 WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical 
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
•Only use the voltage specified as correct for the instrument. The required 
voltage is printed on the name plate of the instrument.
•Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha) 
only. Using the wrong adaptor can result in damage to the instrument or 
overheating.
•Check the electric plug periodically and remove any dirt or dust which may have 
accumulated on it.
•Do not place the AC adaptor cord near heat sources such as heaters or radiators, 
and do not excessively bend or otherwise damage the cord, place heavy objects 
on it, or place it in a position where anyone could walk on, trip over, or roll 
anything over it.
•Do not open the instrument or attempt to disassemble the internal parts or 
modify them in any way. The instrument contains no user-serviceable parts. If it 
should appear to be malfunctioning, discontinue use immediately and have it 
inspected by qualified Yamaha service personnel.•Do not expose the instrument to rain, use it near water or in damp or wet 
conditions, or place containers on it containing liquids which might spill into 
any openings.
•Never insert or remove an electric plug with wet hands.
•Do not put burning items, such as candles, on the unit. 
A burning item may fall over and cause a fire.
•If the AC adaptor cord or plug becomes frayed or damaged, or if there is a 
sudden loss of sound during use of the instrument, or if any unusual smells or 
smoke should appear to be caused by it, immediately turn off the power switch, 
disconnect the adaptor plug from the outlet, and have the instrument inspected 
by qualified Yamaha service personnel.
 CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage 
to the instrument or other property. These precautions include, but are not limited to, the following:
•When removing the electric plug from the instrument or an outlet, always hold 
the plug itself and not the cord.
•Unplug the AC power adaptor when not using the instrument, or during 
electrical storms.
•Do not connect the instrument to an electrical outlet using a multiple-connector. 
Doing so can result in lower sound quality, or possibly cause overheating in the 
outlet.•Do not expose the instrument to excessive dust or vibrations, or extreme cold or 
heat (such as in direct sunlight, near a heater, or in a car during the day) to 
prevent the possibility of panel disfiguration or damage to the internal 
components.
•Do not use the instrument in the vicinity of a TV, radio, stereo equipment, 
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio 
may generate noise.
•Do not place the instrument in an unstable position where it might accidentally 
fall over.
•Before moving the instrument, remove all connected adaptor and other cables.
•When setting up the instrument, make sure that the AC outlet you are using is 
easily accessible. If some trouble or malfunction occurs, immediately turn off 
the power switch and disconnect the plug from the outlet.
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/AC power adaptorLocation 
						

							(3)-9  2/2
•Before connecting the instrument to other electronic components, turn off the 
power for all components. Before turning the power on or off for all 
components, set all volume levels to minimum. Also, be sure to set the volumes 
of all components at their minimum levels and gradually raise the volume 
controls while playing the instrument to set the desired listening level.
•When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, 
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
•Do not insert a finger or hand in any gaps on the instrument. 
•Never insert or drop paper, metallic, or other objects into the gaps on the panel 
or keyboard. If this happens, turn off the power immediately and unplug the 
power cord from the AC outlet. Then have the instrument inspected by qualifi ed 
Yamaha service personnel. 
•Do not place vinyl, plastic or rubber objects on the instrument, since this might 
discolor the panel or keyboard.
•Do not rest your weight on, or place heavy objects on the instrument, and do not 
use excessive force on the buttons, switches or connectors.
•Do not operate the instrument for a long period of time at a high or 
uncomfortable volume level, since this can cause permanent hearing loss. If you 
experience any hearing loss or ringing in the ears, consult a physician.Saving and backing up your data
•DRAM data (see page 150) is lost when you turn off the power to the instrument. 
Save the data to a USB storage device.
•Never attempt to turn off the power while data is being written to Flash ROM 
(while an “Executing...” or “Please keep power on” message is shown). Turning 
the power off in this state results in loss of all user data and may cause the 
system to freeze (due to corruption of data in the Flash ROM). This means that 
this synthesizer may not be able to start up properly, even when turning the 
power on next time.
Backing up the USB storage device
•To protect against data loss through media damage, we recommend that you 
save your important data onto two USB storage devices.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long 
time, make sure you unplug the AC power adaptor from the wall AC outlet.
Connections
Maintenance
Handling caution
Saving data 
						

							Introduction
6Owner’s Manual
Introduction
Congratulations and thank you for your purchase of the Yamaha MO Music Production Synthesizer!
You now own a fantastic-sounding, highly versatile keyboard—one that combines comprehensive synthesizer sound-
crafting controls and powerful performance/recording features in a total music production instrument.
Virtually all of our synthesizer technology and music making know-how went into the design of this instrument. The new MO 
not only gives you the latest and greatest sounds and rhythms (as well as the ability to create your own), it gives you 
powerful, easy-to-use tools for playing, combining and controlling these dynamic sounds/rhythms—in real time, as you 
perform!
Take time to look through this manual carefully. It’s packed with important information on how to get the most from this 
amazing instrument.
Dive in now and enjoy!
Accessories
The following items have been included with your MO. Check to see that you have everything listed here.
❏ Power adaptor (PA-5D)*
❏ Owner’s Manual (this document)
❏ Data List
* May not be included in your area. Please check with your Yamaha dealer.
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and 
may appear somewhat different from those on your instrument.
This product incorporates and bundles computer programs and contents in which Yamaha owns 
copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials 
include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and 
sound recordings. Any unauthorized use of such programs and contents outside of personal use is not 
permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, 
DISTRIBUTE OR USE ILLEGAL COPIES.
This device is capable of using various types/formats of music data, and it optimizes the data in advance 
to the proper format for use with the device. As a result, the data may not be played back precisely as the 
creators or composers originally intended.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio 
data is strictly prohibited except for your personal use.
• Windows is the registered trademarks of Microsoft
® Corporation.
• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
• The company names and product names in this Owner’s Manual are the trademarks or registered 
trademarks of their respective companies. 
						

							Main Features
7Owner’s Manual
Main Features
●Wide range of dynamic and authentic voices. Use the Category Search function to quickly call up the sounds you 
want, based on their instrument type.Page 42
●Performance mode lets you use four different voices together—in layers or in a keyboard split.Page 44
●Extensive effect processing, with Reverb (20 types), Chorus (49 types), three separate Insertion blocks each of which 
has two blocks (total 116 types), Master Effect (8 types), and a digital equalizer (3-band Part EQ and 5-band Master 
EQ). Page 140
●Comprehensive real-time control with four knobs and four sliders—letting you adjust filter, levels, effects, EG, and 
more, while you play.Page 51
●Pattern mode functions let you craft different rhythmic sections and riffs as individual elements—which you can easily 
and intuitively combine in real time to create full rhythm tracks.Page 73
●In addition to being able to create User voices in the Voice mode, you can create special Mixing voices for Songs and 
Patterns. These voices can be edited and stored in the Song/Pattern mode, making it exceptionally easy and convenient 
to create voices for use with Songs and Patterns.Page 78
●The versatile Arpeggio feature automatically plays a variety of sequenced phrases in response to the keys you play. This 
function is especially powerful with drum voices—letting you easily call up various rhythm patterns at the touch of a key, 
and providing instant inspiration for song creation and performance. When used with normal voices, the Arpeggio 
phrase changes harmonically and melodically with the chords you play, giving you intuitive control over the patterns as 
you compose or perform. Arpeggios can be triggered not only according to the keys you play, but also by how strongly 
you play them—for even greater performance power.Page 48
●Once you’ve collected all the MIDI data and patterns you need for your song, use Pattern Chain to arrange the pieces in 
real time. This hands-on approach makes it easier than ever to come up with great ideas and amazing songs.Page 84
●Song Scene is another powerful tool that lets you take “snapshots” of the sequencer track settings (such as pan, 
volume, track mute and so on). Then, during playback or recording, simply switch among the Scenes for instant, 
dynamic changes.Page 89
●Master mode—for using the MO as a master keyboard controller (with independent Zones), and for easily reconfiguring 
the instrument between Voice/Performance play and Song/Pattern play in live applications.Page 122
●Exceptionally easy-to-understand interface with two-tiered operation buttons: [F1] – [F6] and [SF1] – [SF5]Page 33
●Remote Control—for operating your favorite sequencing software from the panel controls. Mute tracks, control transport 
(Play, Stop, Record, etc.), mix both MIDI and audio tracks (up to 16) with this instrument’s knobs and sliders, pan the 
tracks, control EQ, and tweak effect sends—all without ever touching the mouse.Page 113
●The digital output jacks (DIGITAL) ensure completely noise-free, distortion-free sound output (44.1kHz, 24 bit).Page 103
●The instrument features two USB connectors—USB TO HOST for connecting to computer, and USB TO DEVICE for 
connecting to storage devices, such as a hard disk drive or flash disk.Page 31
●Compatibility with Yamaha’s powerful Voice Editor and Multi Part Editor software—featuring comprehensive, intuitive 
editing of all parameters from your computer.Page 112 
						

							How to use this manual
8Owner’s Manual
How to use this manual
Application Index ................................................................................................................ Page 9
This special index is organized not by single words, but by functions and applications—allowing you to quickly and 
easily find how to perform a particular operation or explore a topic of interest.
The Controls & Connectors ............................................................................................... Page 14
Use this section to find out about all of the buttons, controls and connectors of this instrument.
Setting Up and Playing ..................................................................................................... Page 20
Before going on to any other part of the manual, we strongly suggest you read this section first. It shows you how to get 
started playing and using your new instrument. 
Basic Operation.................................................................................................................. Page 27
This section introduces you to the basic operating conventions of this instrument, such as editing values and changing 
settings.
Quick Guide ........................................................................................................................ Page 40
In this tutorial section, you will take a guided tour through the various functions of this instrument, and get some 
hands-on experience in playing and using it.
Basic Structure .................................................................................................................Page 128
This section provides a detailed overview of all of the main functions and features of this instrument, and shows how 
they fit together.
Reference ......................................................................................................................... Page 151
The MO encyclopedia. This section explains all parameters, settings, functions, features, modes and operations in full detail.
Appendix .......................................................................................................................... Page 219
This section contains detailed information on the instrument, including the Specifications and an Alert Message List.
Troubleshooting............................................................................................................... Page 227
If this instrument does not function as expected or you have some problem with the sound or operation, refer to this 
section before calling your Yamaha dealer or service center. Most common problems and their solutions are covered 
here in a very simple and easy-to-understand way.
Data List (separate booklet)
This contains various important lists such as the Voice List, Preset Pattern Phrase List, Effect List, MIDI Data Format, 
and MIDI Implementation Chart.
Throughout this manual, arrows are used in the instructions, indicating in shorthand the process of calling up certain 
displays and functions. The example instructions below indicate to 1) press the [VOICE] button, 2) select a Normal 
Voice, 3) press the [EDIT] button, 4) select an Element, 5) press the [F1] OSC button, and 6) press the [SF2] OUTPUT 
button. 
  [VOICE] ➞ Normal Voice selection ➞ [EDIT] ➞ Element selection ➞ [F1] OSC ➞ [SF2] OUTPUT
nWhen a confirmation message (page 37) or Control Function window (page 51) is shown in the display, press the [EXIT] button to exit from 
that condition, then execute the instructions as in the above example. Likewise, press the [DAW REMOTE] button to exit from the Remote 
Control mode, then execute the instructions as in the above example when the MO is in the Remote Control mode.  
						

							Application Index
9Owner’s Manual
Listening to the MO
•Listening to the Demo Song/Pattern.............................................................................................................................................................. Page 73
•Listening to Song Chain playback.................................................................................................................................................................. Page 95
•Listening to Pattern Chain playback.............................................................................................................................................................. Page 84
•Listening to Arpeggio playback...................................................................................................................................................................... Page 48 
Playing the keyboard
•Selecting a Voice and playing the keyboard..................................................................................Pages 40 (Voice mode), 76 (Song/Pattern mode)
•Selecting a Performance and playing the keyboard..................................................................................................................................... Page 44
•Using the instrument as a Master Keyboard............................................................................................................................................... Page 122
•Sounding the metronome..................................... [SONG] or [PATTERN] → [UTILITY] → [F3] SEQ → [SF1] CLICK → Mode = all  .......... Page 206
•Splitting the keyboard—Setting upper and lower ranges for the Voices................................Pages 47 (Performance mode), 125 (Master mode)
•Layering two Voices (or Parts) together.....................................................................................Pages 46 (Performance mode), 125 (Master mode)
Selecting programs and making settings on the MO
•Selecting a Voice..............................................................................................................................Pages 40 (Voice mode), 76 (Song/Pattern mode)
Using the Category Search function.............................................................................................................................................................. Page 42
•Selecting a Performance................................................................................................................................................................................. Page 44
•Selecting a Song.............................................................................................................................................................................................. Page 74
•Selecting a Pattern........................................................................................................................................................................................... Page 75
Selecting a Section.......................................................................................................................................................................................... Page 75
Selecting a Phrase and assigning it to a Pattern track................................................................................................................................. Page 78
•Selecting a Mixing template for a Song/Pattern............................................................................................................................................ Page 77
•Selecting a Master.......................................................................................................................................................................................... Page 122
•Selecting an Arpeggio type....................................................................................... Pages 48 (Voice/Performance mode), 80 (Song/Pattern mode)
•Selecting a Filter type.................................................................................................................................................................................... Page 170
•Selecting an Effect type
Selecting a Reverb type/Chorus type/Insertion type
[VOICE] → Voice selection → [F3] EFFECT  ................................................................................................................................................... Page 151
[PERFORM] → Performance selection →  [F3] EFFECT → [SF1] CONNECT  ................................................................................................ Page 171
[SONG] or [PATTERN] → Song/Pattern selection→ [MIXING] → [F3] EFFECT → [SF1] CONNECT  ............................................................. Page 189
Selecting a Master Effect type
[VOICE] → [UTILITY] → [F3] VOICE → [SF2] MEF  ........................................................................................................................................ Page 206
[PERFORM] → Performance selection → [EDIT] → [COMMON] → [F2] OUT/MEF → [SF3] MEF  ................................................................ Page 172
[SONG] or [PATTERN] → Song/Pattern selection→ [MIXING] → [EDIT] → [COMMON] → [F2] MEQ/MEF → [SF2] MEF  ........................... Page 190
Selecting a Master EQ type
[VOICE] → [UTILITY] → [F3] VOICE → [SF1] MEQ  ....................................................................................................................................... Page 206
[PERFORM] → Performance selection→ [EDIT] → [COMMON] → [F2] OUT/MEF → [SF2] MEQ  ................................................................ Page 172
[SONG] or [PATTERN] → Song/Pattern selection→ [MIXING] → [EDIT] → [COMMON] → [F2] OUT/MEF → [SF1] MEQ  ........................... Page 190
Using controllers
•Understanding the organization and structure of the controllers........................................................................................................Pages 50, 69
•Assigning functions to the controllers for each Voice (Controller Set)...................................................................................................... Page 70
•Assigning Control Change numbers to each controller...............................................................................................................................Page 72
•Setting the Pitch Bend Range
[VOICE] → Voice selection→ [EDIT] → [COMMON] → [F1] GENERAL → [SF5] OTHER → PB Upper/PB Lower  ....................................... Page 154
[SONG] or [PATTERN] → Song/Pattern selection→ [MIXING] → [EDIT] → Part selection→ [F1] VOICE → [SF5] OTHER → PB Upper/PB Lower ........ Page 191
•Checking the currently assigned parameters for knob control.......... Pages 56 (Voice mode), 65 (Performance mode), 96 (Song/Pattern mode)
•Checking the currently assigned parameters for Control sliders control.................................................................................................. Page 52
•Starting/stopping a Song or Pattern by pressing a Footswitch...............................  [UTILITY] → [F4] CTL ASN → [SF3] FT SW  .......... Page 209
•Changing a Voice or a Performance by pressing a Footswitch................................  [UTILITY] → [F4] CTL ASN → [SF3] FT SW  .......... Page 209
•Turning Arpeggio playback on or off by pressing a Footswitch...............................  [UTILITY] → [F4] CTL ASN → [SF3] FT SW  .......... Page 209
•Keeping the effect of a controller (Modulation Wheel, etc.) the same, even when changing Voices
[UTILITY] → [F1] GENERAL → [SF4] OTHER → CtrlReset = hold ................................................................................................................. Page 206
Application Index 
						

							Application Index
10Owner’s Manual
Sounding only the specified Part or Voice
•Turning each element on or off in the Voice Edit mode.................................................................................................................................Page 55
•Determining whether each Element is used or not in the Voice Edit mode
[VOICE] → [EDIT] → Element selection → [F1] OSC → [SF1] WAVE → ElementSw = on/off  ........................................................................Page 158
•Determining whether each Part is used or not in the Performance mode
[PERFORM] → Performance selection→ [EDIT] → Part selection → [F1] VOICE → [SF1] VOICE → PartSw = on/off  ..................................Page 174
•Turning each track (Part) of a Song/Pattern on or off....................................................................................................................................Page 75
•Turning off or muting playback of a Song/Pattern Part, by setting the receive channel to off
[SONG] or [PATTERN] → Song/Pattern selection → [MIXING] → [EDIT] → part selection → [F1] VOICE → [SF2] MODE → ReceiveCh ............Page 191
Adjusting the volume or output level
•Overall
Adjusting the Master Volume output................................................................................................................ [MASTER VOLUME] .............Page 16
Adjusting the entire volume of the instrument’s internal tone generator block.....  [UTILITY] → [F1] GENERAL → [SF1] TG → Volume ...........Page 205
Adjusting the output gain of each Output connector........................................................................... [UTILITY] → [F2] OUTPUT  ...........Page  206
•In the Voice mode
Adjusting the volume balance of the Elements of a Normal Voice with the Control sliders
[VOICE] → Normal Voice selection → [EDIT] → Element selection→ [F4] AMP → [SF1] LVL/PAN → Level  ...................................................Page 56
Adjusting the entire volume for the selected Voice (common to all Elements/keys) 
[VOICE] → Voice selection→ [EDIT] → [COMMON] → [F2] OUTPUT → Volume  ..........................................................................................Page 154
•In the Performance mode
Adjusting the volume balance of the Parts of an edited Performance with the Control sliders
[PERFORM] → Performance selection → [EDIT] → Part selection → [F2] OUTPUT  → [SF1] VOL/PAN → Volume  .......................................Page 65
Adjusting the entire volume for the selected Performance (common to all Parts) 
[PERFORM]→ Performance selection → [EDIT] → [COMMON] → [F2] OUT/MEQ → [SF1] OUT → Volume  ...............................................Page 172
•In the Song mode/Pattern mode
Adjusting the volume balance of the Parts of an edited Song with the Control sliders
[SONG] or [PATTERN] → Song/Pattern selection → [MIXING] → Part Selection → [F1] VOL/PAN → VOLUME  .............................................Page 97
Creating Data
•Creating a Voice
Creating a Normal Voice in the Voice Edit mode............................................................................................................................................Page 53
Creating a Drum Voice in the Voice Edit mode...............................................................................................................................................Page 57
Creating a Mixing Voice especially for a Song or Pattern.............................................................................................................................Page 78
•Creating a Performance....................................................................................................................................................................................Page 63
•Creating a Song
Recording your keyboard performance to a Song track (Realtime Recording)..........................................................................................Page 88
Recording over (replacing) existing material in a Song track—Punch-in Recording
[SONG] → [REC] → [F1] SETUP → Type = punch  ...........................................................................................................................................Page 88
Recording additional material to an existing Song track (without erasing previous material)—Overdub Recording
[SONG] → [REC] → [F1] SETUP → Type = overdub  ........................................................................................................................................Page 80
Sounding the metronome during recording............................  [SONG] → [UTILITY] → [F3] SEQ → [SF1] CLICK → Mode = rec  ...........Page 206
Recording a Song by using a Performance ...................................................................................................................................................Page 89
Using the Step Recording function.....................................................................  [SONG] → [REC] → [F1] SETUP → Type = step  .............Page 80
Editing MIDI events for each track of an already-recorded Song ....................................... [SONG] → [EDIT] → Track selection  .............Page 90
Inserting Tempo change information in the middle of the Song.............................................  [SONG] → [EDIT] → [F4] TR SEL  .............Page 88
Inserting Voice change information 
[SONG] → [EDIT] → Track selection → Inserting a Bank Select MSB/LSB and Program Change  ................................................................Page 182
Editing Song Mixing settings, such as the volume of each Part.................................................................  [SONG] → [MIXING] .............Page 93
Using convenient “Jobs,” such as Copy, Clear, Quantize.......................................................  [SONG] → [JOB] → Job selection  .............Page 91
•Creating a Pattern
Assigning a Preset Phrase to each track of a Pattern (Patch function).......................................................................................................Page 78
Recording your keyboard performance to a Pattern track to create a Phrase............................................................................................Page 82
Recording a newly found Arpeggio rhythm pattern to a Pattern track........................................................................................................Page 80
Sounding the metronome during recording.......................  [PATTERN] → [UTILITY] → [F3] SEQ → [SF1] CLICK → Mode = rec  ...........Page 206
Using the Step Recording function................................................................  [PATTERN] → [REC] → [F1] SETUP → Type = step  .............Page 83
Editing MIDI events for each track of an already-recorded Pattern................................  [PATTERN] → [EDIT] → Track selection  .............Page 90
Editing Pattern Mixing settings, such as the volume of each Part.......................................................... [PATTERN] → [MIXING] .............Page 93
Using convenient “Jobs,” such as Copy, Clear, Quantize..................................................  [PATTERN] → [JOB] → Job selection  .............Page 91
Programming a sequence of a Section to create a Pattern Chain......................................................  [PATTERN] → [F6] CHAIN  .............Page  85
Converting a Pattern Chain to Song data....................... [PATTERN] → Pattern selection → [F6] CHAIN → [EDIT] → [F3] SONG  .............Page 86
•Creating a Master............................................................................................................................................................................................Page 122
•Creating an Arpeggio ......................................................................................................................................................................................Page 97