Yamaha Dvx 1000 Owners Manual
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Metering41 DM1000 Version 2—Owner’s Manual 3 Operating Basics 5If you selected the Stereo page, use the METER MODE parameter to select one of the following two metering signal types: •C-R................................. Control Room Monitor output signal •STEREO......................... Stereo Out signal This parameter setting affects the meters on the Meter | Master page, the ST meter on the Stereo page, and the stereo meter on the right side of the display. 6To activate the Peak Hold function, move the cursor to the PEAK HOLD but- ton, then press [ENTER]. The PEAK HOLD button turns on, and the peak level is held on the meters on the page and on the Peak Meter Bridge. To cancel the Peak Hold function, turn the PEAK HOLD button off. If an optional MB1000 Peak Meter Bridge is installed, its Peak Hold function switches in unison with the DM1000 meters.
42Chapter 3—Operating Basics DM1000 Version 2—Owner’s Manual
Connections and Setup43 DM1000 Version 2—Owner’s Manual 4 Connections and Setup 4 Connections and Setup This chapter explains how to connect and set up your DM1000. Connections The following section explains three typical ways to connect the DM1000 to external equip- ment, although there are numerous others. ■Configuring an analog 32-channel mixing system In this system, the DM1000, with optional AD cards (MY8-AD, MY8-AD96, etc.) installed in Slots 1 and 2, is used as a keyboard mixer or sound re-enforcement mixer. Up to 32 ana- log channels, including Inputs 1–16 and line inputs on the AD cards, are available for mix- ing. Tip: You can adjust the gain of the AD card channels by setting the DIP switches on the cards. For more information, see your AD card documentation. AUX PA N DISPLAY ASSIGNENCODER MODE EQUALIZER LOW HIGHGAINQFREQUENCYLOWMIDHIGH MID ROUTING12 34 56 78 STEREO DIRECT DISPLAYDISPLAY SELECTED CHANNEL 16BUS 8 32 4815BUS 7 31 4714BUS 6 30 4613BUS 5 29 4512BUS 4 28 4411BUS 3 27 431016 15 14 13 12 11 10 20dB ON OFF+48V12 345 6 78 1213 14 1516 91011 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 PEAK SIGNAL 1 -16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN PEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPA D20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB ON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48V 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 11 117 33 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 22 218 34 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 33 319 35 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 44 420 36 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 55 521 37 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 66 622 38 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 77 723 39 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 88 824 40 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL BUS 19 925 41 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSEL BUS 2 26 42 AUTO ON SEL STEREO 70 6050 40 30 2015 10 5 0 AUX2AUX3AUX4AUX6AUX5AU X7AUX8 AUXSELECTDISPLAYAUX1FADER MODEFADER AU X DISPLAY ACCESSAUTOMIX DIO SETUP UTILITY MIDI REMOTE METER VIEW PA I R / GROUPINPUTOUTPUTEFFECT SURROUND DYNAMICS SCENE/PA N /INSERT/ DELAYPAT C HPAT C H GRABSCENE MEMORYSTORE RECALL DISPLAYUSER DEFINED KEYS ENTERINC DEC TALKBACK LEVEL PHONES LEVEL010 010PHONES MONITOR LEVEL SOLO CLEAR 2TR D12TR D2 DIMMERTA L K B AC K MONITOR STEREO SLOT BUS DISPLAY10 0 F1F2F3F4 0 OV ER -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 0 OV ER -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 LR RECSONG SCENEMUSIC PRODUCTIONSYNTHESIZERIntegratedSamplingSequencer Real-time External Control Sur face Modular Synthesis Plug-in System RECSONG SCENEMUSIC PRODUCTIONSYNTHESIZERIntegratedSamplingSequencer Real-time External Control Sur face Modular Synthesis Plug-in System 88 VOLVOL Synthesizer Synthesizer MY8-AD96 etc. Effects processorMaster recorder Monitoring system Guitar SLOT 1 SLOT 2 OMNI IN connector OMNI OUT connector2TR IN DIGITAL connector 2TR OUT DIGITAL connector OMNI OUT connectors 11–12 PHONES jack INPUT connector INPUT connector MY8-AD96 etc.
44Chapter 4—Connections and Setup DM1000 Version 2—Owner’s Manual ■Configuring a recording system with a hard disk recorder In this system, the DM1000, with optional I/O cards (MY8-AT, MY16-AT, MY8-TD, etc.) installed in Slots 1 and 2, is one component in a system that includes a digital MTR, such as a hard disk recorder. This system will support track recording, overdubbing, track bounc- ing, and mixdown. You can also control the hard disk recorder’s transport section by send- ing MMC commands from the DM1000 to the recorder. AUX PA N DISPLAY ASSIGNENCODER MODE EQUALIZER LOW HIGHGAINQFREQUENCYLOWMIDHIGH MID ROUTING12 34 56 78 STEREO DIRECT DISPLAYDISPLAY SELECTED CHANNEL 16BUS 8 32 4815BUS 7 31 4714BUS 6 30 4613BUS 5 29 4512BUS 4 28 4411BUS 3 27 431016 15 14 13 12 11 10 20dB ON OFF+48V12 345 6 78 1213 14 1516 91011 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 PEAK SIGNAL 1 -16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN PEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPA D20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB ON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48V 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 11 117 33 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 22 218 34 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 33 319 35 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 44 420 36 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 55 521 37 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 66 622 38 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 77 723 39 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 88 824 40 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL BUS 19 925 41 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSEL BUS 2 26 42 AU TO ON SEL STEREO 70 6050 40 30 2015 10 5 0 AUX2AUX3AUX4AU X6AUX5AUX7AUX8 AUXSELECTDISPLAYAUX1FADER MODEFADER AUX DISPLAY ACCESSAUTOMIX DIO SETUP UTILITY MIDI REMOTE METER VIEW PA I R/GROUPINPUTOUTPUTEFFECT SURROUND DYNAMICS SCENE/PA N /INSERT/ DELAYPATCHPAT C H GRABSCENE MEMORYSTORE RECALL DISPLAYUSER DEFINED KEYS ENTERINC DEC TALKBACK LEVEL PHONES LEVEL010 010PHONES MONITOR LEVEL SOLO CLEAR 2TR D12TR D2 DIMMERTA L KBACK MONITOR STEREO SLOT BUS DISPLAY10 0 F1F2F3F4 0 OV ER -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 0 OVE R -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 LR RECSONG SCENEMUSIC PRODUCTIONSYNTHESIZERIntegratedSamplingSequencer Real-time External Control Sur face Modular Synthesis Plug-in System 88 VOLVOL SynthesizerComputer MY8-AT etc. Effects processorHDR (Hard Disk Recorder) MIDI IN MIDI OUT WORD CLOCK OUT connector TO HOST USB port MIDI OUT MIDI IN WORD CLOCK IN connector IN OUT IN OUT Monitoring system Master recorder SLOT 1 SLOT 2 OMNI IN connector OMNI OUT connector2TR IN DIGITAL connector 2TR OUT DIGITAL connector OMNI OUT connectors 11–12 PHONES jack INPUT connector INPUT connector MY8-AT etc.
Connections45 DM1000 Version 2—Owner’s Manual 4 Connections and Setup ■Configuring a recording system that uses a DAW (Digital Audio Workstation) In this system, the DM1000, with optional I/O cards (MY8-AT, MY16-AT, MY8-AE, etc.) installed in Slots 1 and 2, is connected to a computer-based DAW (Digital Audio Worksta- tion). The DM1000 can provide audio input and output for the DAW. If you connect the DM1000 and the computer via USB, the DM1000’s Remote function enables you to control the DAW’s locate and transport functions and change the parameters. RECSONG SCENEMUSIC PRODUCTIONSYNTHESIZERIntegratedSamplingSequencer Real-time External Control Sur face Modular Synthesis Plug-in System AU X PA N DISPLAY ASSIGNENCODER MODE EQUALIZER LOW HIGHGAINQFREQUENCYLOWMIDHIGH MID ROUTING12 34 56 78 STEREO DIRECT DISPLAY DISPLAY SELECTED CHANNEL 16BUS 8 32 4815BUS 7 31 4714BUS 6 30 4613BUS 5 29 4512BUS 4 28 4411BUS 3 27 431016 15 14 13 12 11 10 20dB ON OFF+48V12 345 6 78 1213 14 1516 91011 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 PEAK SIGNAL 1 -16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN PEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPA D20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB ON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48V 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 11 117 33 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 22 218 34 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 33 319 35 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 44 420 36 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 55 521 37 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 66 622 38 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 77 723 39 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 88 824 40 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL BUS 19 925 41 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSEL BUS 2 26 42 AUTO ON SEL STEREO 70 6050 40 30 2015 10 5 0 AUX2AUX3AU X4AUX6AUX5AUX7AUX8 AUXSELECTDISPLAYAUX1FADER MODEFADER AUX DISPLAY ACCESSAUTOMIX DIO SETUP UTILITY MIDI REMOTE METER VIEW PA I R/GROUPINPUTOUTPUTEFFECT SURROUND DYNAMICS SCENE/PAN/INSERT/ DELAYPAT C HPAT C H GRABSCENE MEMORYSTORE RECALL DISPLAYUSER DEFINED KEYS ENTERINC DEC TA L K B ACK LEVEL PHONES LEVEL010 010PHONES MONITOR LEVEL SOLO CLE AR 2TR D12TR D2 DIMMERTALKBACK MONITOR STEREO SLOT BUS DISPLAY10 0 F1F2F3F4 0 OVE R -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 0 OVER -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 LR 88 VOLVOL SynthesizerComputer MY-16AT etc. Effects processorAudio interface MIDI IN MIDI OUT WORD CLOCK OUT connector MIDI interface Monitoring system IN OUT IN OUT Master recorder SLOT 1 SLOT 2 OMNI IN connector OMNI OUT connector2TR IN DIGITAL connector 2TR OUT DIGITAL connector OMNI OUT connectors 11–12 PHONES jack INPUT connector INPUT connectorTO HOST USB port MIDI OUT MIDI IN WORD CLOCK IN connector MY-16AT etc.
46Chapter 4—Connections and Setup DM1000 Version 2—Owner’s Manual Wordclock Connections and Settings About wordclock Digital audio equipment must be synchronized when digital audio signals are transferred from one device to another. Even if both devices use identical sampling rates, digital signals may not transfer correctly, or audible noise or unwanted clicks may occur if the digital audio processing circuits inside each digital audio device are not synchronized with each other. Wordclocks are signals that enable digital audio processing circuits to synchronize with each other. In a typical digital audio system, one device operates as the wordclock master, trans- mitting wordclock signals, and the other devices operate as wordclock slaves, synchronizing to the wordclock master. If you are digitally connecting the DM1000 to other equipment, you must decide which device to use as the wordclock master and which devices to use as slaves, then set up all the devices accordingly. The DM1000 can be used as the wordclock master running at either 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz, or slaved to an external wordclock source. Wordclock connections To establish wordclock synchronization between the DM1000 and external devices, you can distribute wordclock signals independently via dedicated cables, or you can use clock infor- mation derived from digital audio connections. The WORD CLOCK IN and OUT connectors transmit and receive wordclock signals inde- pendently on the DM1000. The following examples show two ways in which wordclock sig- nals can be distributed and received via the WORD CLOCK IN and OUT connectors. •Daisy Chain Distribution In this example, the wordclock signal is distributed in a “daisy-chain” fashion, with each device feeding the wordclock signal from the wordclock out connector on to the wordclock in connector of the next device. This method of distribution is not recommended for larger systems. •Star Distribution In this example, a dedicated wordclock distribution box is used to supply wordclock signals from the wordclock master to each wordclock slave individually. WC IN (BNC)WC OUT (BNC) WC OUT (BNC)WC IN (BNC)WC IN (BNC) WC OUT (BNC) Wordclock master Device A Wordclock slaveDevice B Wordclock slaveDevice C Wordclock slave WC OUT (BNC) WC IN (BNC) WC IN (BNC) WC IN (BNC) WC IN (BNC)Wordclock master Device A Wordclock slaveDevice B Wordclock slaveDevice D Wordclock slave Device C Wordclock slave Wordclock distribution box
Wordclock Connections and Settings47 DM1000 Version 2—Owner’s Manual 4 Connections and Setup If the external devices do not have wordclock in and out connectors, you can use the clock information included in the digital audio signals. In this case, digital audio signals and wordclock signals are transferred via the 2TR OUT DIGITAL and 2TR IN DIGITAL jacks or via the digital I/O cards installed in the rear panel slots. Specifying the Wordclock Source To digitally connect the DM1000 to external devices, you must specify the wordclock source for the system. Follow the steps below. 1Press the DISPLAY ACCESS [DIO] button, then press the [F1] (WORD CLOCK) button. The Word Clock page appears. On this page, you can view the current synchronization sta- tus of input signals at each slot and connector.Note: When you change the wordclock settings on any device in your digital audio system, some devices may output noise due to being out of synchronization. Be sure to turn down your monitoring device before changing wordclock settings. AUX PA N DISPLAY ASSIGNENCODER MODE EQUALIZER LOW HIGHGAINQFREQUENCYLOWMIDHIGH MID ROUTING12 34 56 78 STEREO DIRECT DISPLAYDISPLAY SELECTED CHANNEL 16BUS 8 32 4815BUS 7 31 4714BUS 6 30 4613BUS 5 29 4512BUS 4 28 4411BUS 3 27 431016 15 14 13 12 11 10 20dB ON OFF+48V12 345 6 78 1213 14 1516 91011 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 PEAK SIGNAL 1 -16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN PEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPEAK SIGNALPA D20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB ON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48V 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 11 117 33 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 22 218 34 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 33 319 35 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 44 420 36 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 55 521 37 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 66 622 38 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 77 723 39 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL AUX 88 824 40 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL BUS 19 925 41 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSEL 0 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 50 5 10 15 20 30 40 50 60 70 50 40 30 20 15 10 +10 5 0 5 ON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSEL BUS 2 26 42 AU TO ON SEL STEREO 70 6050 40 30 2015 10 5 0 AU X2AUX3AUX4AUX6AUX5AU X7AUX8 AUXSELECTDISPLAYAUX1FADER MODEFA D E R AU X DISPLAY ACCESSAUTOMIX DIO SETUP UTILITY MIDI REMOTE METER VIEW PA I R/GROUPINPUTOUTPUTEFFECT SURROUND DYNAMICS SCENE/PAN/INSERT/ DELAYPAT C HPAT C H GRABSCENE MEMORYSTORE RECALL DISPLAYUSER DEFINED KEYS ENTERINC DEC TALKBACK LEVEL PHONES LEVEL010 010PHONES MONITOR LEVEL SOLO CLEAR 2TR D12TR D2 DIMMERTALKBACK MONITOR STEREO SLOT BUS DISPLAY10 0 F1F2F3F4 0 OVER -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 0 OV ER -2 -4 -6 -8 -10 -12 -14 -18 -24 -30 -36 -42 -48 -56 -72 LR Digital I/O cardExternal device Digital audio signal + Wordclock signal
48Chapter 4—Connections and Setup DM1000 Version 2—Owner’s Manual The source select button indicators are explained below: A usable wordclock signal is present at this input, and it is in sync with the current DM1000 internal clock. No wordclock signal is present at this input. A usable wordclock signal is present at this input, but it is out of sync with the current DM1000 internal clock. This input is the currently-selected wordclock source. This input was selected as the wordclock source, but no usable signal was received. This input cannot be selected as the wordclock source because (a) a wordclock signal cannot be sourced from this input on this type of I/O card, or (b) no I/O card is installed. 2Use the cursor buttons to move the cursor to a source, then press [ENTER]. The following are possible wordclock sources: •SLOT1/SLOT2.............. These buttons select the inputs from the digital I/O cards installed in Slots 1 and 2 as the wordclock source. Inputs are selected in pairs (odd and even numbers in this order). The SLOT TYPE column displays the names of any installed I/O cards. The number of pairs depends on the type of I/O card installed. •WC I N............................ This button selects the wordclock signal input at the WORD CLOCK IN connector on the rear panel. •2TRD1........................... This button selects the 2TR IN DIGITAL 1 input as the word- clock source. •2TRD2........................... This button selects the 2TR IN DIGITAL 2 input as the word- clock source. •INT 44.1k, INT 48k, INT 88.2, INT 96k........ These buttons select the internal clock generator as the word- clock source. The DM1000 will function as the wordclock mas- ter. Tip: •The FS box displays the sampling frequency at which the DM1000 is currently operating. •The SLOT TYPE column displays the names of any installed I/O cards. •The IN and OUT columns indicate the number of input and output channels available for each installed I/O card. Note: To transfer data at higher sampling frequencies (88.2 kHz or 96 kHz) between the DM1000 and connected external devices, you need to set the data transfer format. See page 59 for more information. Tip: If the wordclock signal is interrupted while the DM1000 is syncing to an external device, the DM1000 will automatically switch to an internal clock (INT 44.1k/ INT 48k/INT 88.2k/INT 96k) that is closest to the interrupted clock.
Input and Output Patching49 DM1000 Version 2—Owner’s Manual 4 Connections and Setup Input and Output Patching The DM1000 is designed to enable you to patch (assign) signals to Inputs and Outputs. This section explains how to view the signals patched to Inputs and Outputs and change the assignment. Patching Input Channels By default, the Input Channels are patched as follows: •INPUT connectors 1–16.................... Input Channels 1–16 •Channels 1–8 of Slot 1....................... Input Channels 17–24 •Channels 1–8 of Slot 2....................... Input Channels 25–32 •Outputs 1–2 of Internal Effects Processor 1–4...................................... Input Channels 33–40 •L&R of 2TR IN DIGITAL connectors 1–2.................................... Input Channels 41–44 •OMNI IN connectors 1–4.................. Input Channels 45–48 Follow the steps below to view or change the patching. 1Press the DISPLAY ACCESS [INPUT PATCH] button repeatedly until the fol- lowing page appears. Inputs and Slot channels that are currently assigned to Input Channels are shown in the parameter boxes ( 1) beneath the channel numbers. The parameter indicators are explained below: •– ..................................... No assignment •AD1–AD16.................... INPUT connectors 1–16 •OMN1–OMN4............. OMNI IN connectors 1–4 •S1-1–S116...................... Channels 1–16 of Slot 1 •S2-1–S216...................... Channels 1–16 of Slot 2 •FX1-1–FX1-8................ Outputs 1–8 of Internal Effects Processor 1 •FX2-1–FX2-2................ Outputs 1–2 of Internal Effects Processor 2 •FX3-1–FX3-2................ Outputs 1–2 of Internal Effects Processor 3 •FX4-1–FX4-2................ Outputs 1–2 of Internal Effects Processor 4 •2D1L & 2D1R............... 2TR DIGITAL IN 1 (L/R) Tip: If the data from a connected instrument fails to be input, or if you are unable to monitor an OMNI OUT, check the I/O patching, as explained below: 1
50Chapter 4—Connections and Setup DM1000 Version 2—Owner’s Manual •2D2L & 2D2R............... 2TR DIGITAL IN 2 (L/R) •BUS1–8.......................... Bus 1–8 Outputs •AUX1–8......................... Aux Send 1–8 Outputs 2Use the cursor buttons to move the cursor to a patch parameter ( 1) for which you want to change the assignment, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the patching. 3Press [ENTER] to confirm the change. Patching Omni Outs By default, the Omni Outs are patched as follows: •OMNI OUT connectors 1–8..............Aux Sends 1–8 •OMNI OUT connectors 9–10............Stereo Bus L & R •OMNI OUT connectors 11–12..........Control Room Monitor L & R Follow the steps below to view or change the patching. 1Press the DISPLAY ACCESS [OUTPUT PATCH] button repeatedly until the fol- lowing page appears. Signals that are currently assigned to the OMNI OUT connectors are shown in the param- eter boxes ( 1) underneath the connector numbers. The parameter indicators are explained below: •– .............................................................No assignment •BUS1–BUS8..........................................Bus 1–8 signals •AUX1–AUX8........................................Aux Send 1–8 Signals •ST L/R....................................................Stereo Bus signals •INS CH1–INS CH48...........................Input Channels 1–48 Insert Outs •INS BUS1–INS BUS8..........................Bus 1–8 Insert Outs •INS AUX1–INS AUX8.........................Aux Send 1–8 Insert Outs •INS ST-L/ST-R......................................Stereo Bus Insert Outs Tip: •By default, you can also use the Encoders to select Input Channel sources. Rotate the Encoders to display the In Patch/In Patch page and select sources. Press the Encoder push switches to confirm the changes. •To restore the default patching, recall Input Patch memory #00 (see page 176). 1