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							Using Fader Group Master151
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4Use the cursor buttons to select parameters, then use the Parameter wheel, 
INC/DEC buttons, or [ENTER] button to set the parameters.
•INPUT/OUTPUT FADER MASTER.... When this check box is checked, you can set the 
master levels for the Fader groups. The result-
ant Channel level equals the corresponding 
Channel fader level plus the Group Master 
level.
•ALL NOMINAL............ This button resets the master levels for all Fader groups to nom-
inal.
•ON/OFF......................... This turns each Input Fader group on or off. This function 
works like a VCA mute on an analog mixing console.
•Faders............................ These faders adjust the master levels of the Fader groups. Fader 
knobs are highlighted when faders are set to 0.0 dB. Press the 
[ENTER] button to set the currently-selected fader to 0.0 dB.
You can also control the parameters from the channel strips on the control surface as 
described below by using the User Assignable Layer of the Remote Layers. See page 272 for 
information on the User Assignable Layer.
•Encoders........................ The Encoders are not available.
•[AUTO] buttons........... These buttons are used to control the Fader Group Master 
On/Off and the master level during Automix.
•[SEL] buttons............... These buttons move the cursor on the In Master page or Out 
Master page.
•[SOLO] buttons........... These buttons turn the Solo function of each Fader group on 
and off. You can monitor all the channels in each Fader group.
•Channel Faders............ The channel faders enable you to set the master level for each 
Fader group.
 
						

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Using Mute Group Master
In addition to the Mute Group function that links the operation of channel [ON] buttons, 
the DM1000 features a Mute Group Master function that enables you to mute grouped 
channels using the Master Mute buttons in a manner similar to using a mute group on an 
analog mixing console. While this function is enabled, the [ON] buttons for grouped chan-
nels will not be linked.
1After you perform Step 5 in “Using Fader Groups and Mute Groups” on 
page 148, use the cursor buttons to select the INPUT MUTE MASTER check 
box or OUTPUT MUTE MASTER check box, then press [ENTER] to turn on 
the Mute Group Master function.
2When the Mute Master check box is checked, use the group MASTER MUTE 
buttons to mute or unmute the groups.
If channels are muted via the Mute Master function, the channel [ON] button indicators 
flash. It is useful if you assign the MASTER MUTE buttons to USER DEFINED KEYS but-
tons.
Linking EQ and Compressor Parameters
Follow the steps below to link EQ or compressor parameters for Input Channels or Output 
Channels (Bus Outs 1–8, Aux Outs 1–8). This function enables you to set EQ or compressor 
parameters for multiple channels to the same values simultaneously.
1Press the DISPLAY ACCESS [PAIR/GROUP] button repeatedly until one of the 
following pages appears.
-In EQ page
This page enables you to set EQ links (a–d) for Input Channels.
 
						

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-Out EQ page
This page enables you to set EQ links (e–h) for Bus Outs (1–8) and Aux Outs (1–8).
-In Comp page
This page enables you to set Compressor links (i–l) for Input Channels.
-Out Comp page
This page enables you to set Compressor links (m–p) for Bus Outs (1–8) and Aux Outs 
(1–8).
 
						

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2Press the up ( ) or down ( ) cursor button to select a link to which you want 
to add channels.
3Press the [SEL] button for a channel you wish to add to the EQ or Compressor 
link.
The selected channel is marked with “ ” and the channel is added to the link.
4In the same way, press the [SEL] button for other channels you wish to add 
to the link.
The EQ or compressor settings for the first channel added to the link are applied to all sub-
sequently-added channels.
5After all desired channels are added to the link, edit the EQ or compressor 
parameters for one of the linked channels.
The edits for the EQ or compressor parameters are applied to the rest of the linked channels.Tip:  
•If you add one channel from a pair to a link, the pair partner is automatically added to the 
link.
•You can also select a channel on another layer by switching layers.
Example: EQ link C for Input Channels is selected.
Example: Input Channels 1–4, 6, 9–10 and 14 have been 
added to EQ link C.
 
						

							Internal Effects155
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13  Internal Effects
This chapter describes how to use the DM1000’s internal effects processors.
About the Internal Effects
The DM1000 features four internal multi-effects processors that can be used via Aux Sends 
or by inserting them into specific channels.
These effects processors offer numerous types of effects, including reverbs, delays, modu-
lation-based effects, combination effects, and multi-channel effects designed especially 
for use with surround sound.
Processor inputs and outputs can be patched to various sources. For example, effects pro-
cessor inputs can be fed from the Aux Sends and output to Input Channels (effects 
send/return). Effects processors can also be inserted into Input Channels, Bus Outs, Aux 
Outs, or the Stereo Out.
Effects processor 1 creates 1-in/2-out, 2-in/2-out, or multi-channel surround effects.
Effects processors 2 through 4 create 1-in/2-out or 2-in/2-out effects.
The DM1000 also features the Effects library, which contains 61 preset programs (including 
Add-On Effects) and 67 user programs.
INPUT PATCH
AUX1-8
INSERT OUT 
EFFECT1 OUT 1-2
EFFECT2 OUT 1-2
EFFECT3 OUT 1-2
EFFECT4 OUT 1-2FX1 SEND
1-8 FX2 SEND
1-2 FX3 SEND
1-2 FX4 SEND
1-2EFFECT 1INPUT
OUTPUT
1
2
3
4
5
6
7
81
2
3
4
5
6
7
8
EFFECT 2INPUT
OUTPUT1
21
2
EFFECT 3INPUT
OUTPUT1
21
2
EFFECT 4INPUT
OUTPUT1
21
2
SELECT
 
						

							156Chapter 13—Internal Effects
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Using Effects Processors via Aux Sends
You can use effects processors via Aux Sends by patching effects processor inputs to Aux 
Outs, and effects processor outputs to Input Channels.
1Recall an effect program you wish to use.
See page 177 for more information on recalling effect programs.
2Press the DISPLAY ACCESS [INPUT PATCH] button repeatedly until the In 
Patch | Effect page appears.
This page enables you to patch all inputs and outputs of Effects processors 1–4.
This page contains the following parameters:
AIN
These parameter boxes select the signals to be fed to the effects processors.
BOUT
These parameter boxes select the destination of the signals output from the effects pro-
cessors.
CFOLLOW SURROUND
When surround effects (see page 161) are recalled to Effects processor 1, this button 
sorts the effect inputs and outputs displayed in the list according to the order specified 
on the Setup | Surr Bus page (see page 130). If the recalled surround effects are compat-
ible with 5.1 Channel systems, the surround bus setting for 5.1 surround mode will be 
used.
Dbutton
This button recalls the FX1 Edit–FX4 Edit pages, which enable you to adjust the effect 
parameters.
3To select a signal to be input to the effects processor, move the cursor to 
the desired In parameter box, rotate the Parameter wheel to select a signal 
from the following options, then press [ENTER].
•– ..................................... No assignment
•AUX1–8......................... Aux Outs 1–8
•INS CH1–48................. Input Channel 1–48 Insert Out
•INS BUS1–8.................. Bus Out 1–8 Insert Out
•INS AUX1–8................. Aux Out 1–8 Insert Out
•INS ST-L & INS ST-R.. Stereo Out L & R Insert Out
1234
 
						

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•FX1-1–FX4-2................ Other effects processor outputs
You cannot select outputs FX1–3 to FX1–8. In addition, you 
cannot select the output of the effects processor you are cur-
rently using.
To use the internal effects processors via Aux Sends, select Aux 1–8 (in most cases).
You can patch a different signal to the other input of 2-in/2-out effect programs.
4To patch a signal output from the effects processor, move the cursor to the 
desired OUT parameter box, rotate the Parameter wheel to select the signal 
destination from the following options, then press [ENTER].
•– ..................................... No assignment
•CH1–48......................... Input Channels 1–48
•INS CH1–48.................. Input Channel Insert In
•INS BUS1–8.................. Bus Out 1–8 Insert In
•INS AUX1–8.................. Aux Out 1–8 Insert In
•INS ST-L & INS ST-R... Stereo Out Insert In
•FX1-1–FX4-2................ Other effects processor inputs
You cannot select the input of the effects processor you are cur-
rently using.
To use the internal effects processors via Aux Sends, select CH 1–48 (in most cases). The 
channels you assign here will become the effects return channels.
You can patch a different channel to the other output of a 1-in/2-out or 2-in/2-out effect 
program to create stereo effects.
5Adjust the level of Aux Sends patched to the effects processor.
Refer to chapter 8 “Aux Sends” on page 93 for information on setting the Aux Sends.
6Adjust the level, pan, and EQ of the Input Channels patched to the effect 
outputs.Tip:  
•You can patch a signal to multiple effect inputs.
•Move the cursor to an IN parameter box and press the [ENTER] button. The Patch Select 
window appears. This window enables you to select the input source quickly.
Tip:  
•You can also use the Patch Select window to set the OUT parameter boxes, as explained in 
Step 3.
•The number of inputs and outputs available for each effect varies depending on the type of 
effect programs initially recalled.
Note:  You cannot select a channel as the destination of multiple effect signals. If you select a 
channel that is already selected in another OUT parameter box, that OUT parameter box 
switches its indicator to “–” (not assigned).
Note:  Do not raise the level of the Aux Sends (patched to the effects processor) on the effects 
return channels. Otherwise, the signal will return to the same channel, causing a signal loop 
and possibly damaging your speakers.
Tip:  Use the Master layer fader to adjust the final Aux Send output level. At this time, you 
can view the level on the Meter | Master page (see page 39).
Tip:  To mix the effects sound returned via the Aux Sends with the original dry sound, set the 
effect’s MIX BALANCE parameter to 100% (only the effects sound will be output).
 
						

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Inserting the Internal Effects into Channels
You can insert the internal effects into certain Input Channels or Output Channels (Bus 
Outs 1–8, Aux Outs 1–8, Stereo Out).
1Select an internal Effects processor (1–4), then recall the desired effect pro-
grams.
2Press the [SEL] button or move the fader of the Input Channel or Output 
Channel into which you want to insert the selected effects.
3Press the DISPLAY ACCESS [ /INSERT/DELAY] button repeatedly until the 
/Ins/Dly | Insert page appears.
4Select the effect insertion position using the INSERT button in the POSITION 
section.
5Move the cursor to the OUT parameter box in the INSERT section, then select 
the inputs of the effects processor selected in Step 1.
•FX1-1 through FX1-8.Inputs 1–8 of Internal Effects Processor 1 
•FX2-1 & FX2-2............. Inputs 1 & 2 of Internal Effects Processor 2 
•FX3-1 & FX3-2............. Inputs 1 & 2 of Internal Effects Processor 3 
•FX4-1 & FX4-2............. Inputs 1 & 2 of Internal Effects Processor 4 
6Press [ENTER] to confirm the setting.
7Move the cursor to the IN parameter box in the INSERT section, select the 
outputs of the effects processor selected in Step 5 and 6, then press [ENTER] 
to confirm the setting.
8Move the cursor to the ON/OFF button in the INSERT section, then press 
[ENTER] to turn on the button.
Effect insertion is now enabled.Note:  If effects are inserted in channels, you cannot use those effects via Aux Sends or insert 
them into other channels.
Tip:  Repeatedly pressing the STEREO [SEL] button toggles between the left and right Stereo 
Out channels.
Tip:  
•After inserting effects to channels, adjust the MIX BALANCE parameter for the effects, 
according to the purpose and effects type.
•Move the cursor to an empty IN or OUT parameter box and press the [ENTER] button. 
The Patch Select window appears, which enables you to quickly select available signal paths.
 
						

							Editing Effects159
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Editing Effects
To edit effect programs recalled to the internal Effects processors 1–4, press the DISPLAY 
ACCESS [EFFECT] button repeatedly until the Edit page for the effects processor you wish 
to edit appears.
Effects processors 1–4 correspond to the following pages:
•Effects Processor 1....... FX1 Edit page
•Effects Processor 2....... FX2 Edit page
•Effects Processor 3....... FX3 Edit page
•Effects Processor 4....... FX4 Edit page
These Edit pages contain the following effect parameters.
AEFFECT NAME
This parameter displays the name of the effect program currently used by the effects 
processor.
BTYPE
This parameter displays the type of effect program currently used by the effects proces-
sor. The I/O configuration of the effect program is displayed below this parameter.
Cbutton
Move the cursor to this parameter, then press [ENTER] to display the Library page for 
the selected effects processor.
Dbutton
Move the cursor to this button, then press [ENTER] to display the In Patch | Effect page, 
which enables you to assign signals to the inputs and outputs of Effects processors 1–4.
EMIX BALANCE
This parameter knob enables you to set the balance between wet and dry signals. When 
the parameter is set to 0%, only the dry signal is heard. When set to 100%, only the wet 
signal is heard. Turn on the BYPASS button to bypass the currently-selected effects pro-
cessor.
FTEMPO
This section displays the parameters that appear only when a delay effect type or a mod-
ulation-based effect type is selected. These TEMPO parameters calculate and set the 
delay time for delay effects, or the modulation frequency for modulation effects, relative 
to the specified tempo and note length. Use these parameters along with the SYNC or 
NOTE parameter located at the bottom of the display page.
1
2
5
4
3
7
6
 
						

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When you turn on the SYNC parameter, the DM1000 recalculates the delay time or 
modulation frequency based on the TEMPO parameter value (tempo) and the NOTE 
parameter value (note). For example, if the TEMPO parameter is set to 120BPM and the 
NOTE parameter is set to one eighth note, turning on the SYNC parameter sets the 
delay time to 250 msec and the modulation frequency to 0.25 Hz.
•TEMPO......................... This parameter control sets the TEMPO parameter value in 
BPM.
•MIDI CLK..................... Turning on the MIDI CLK by moving the cursor to this button 
and pressing [ENTER] updates the TEMPO data based on the 
MIDI Clock information received at the specified MIDI Rx 
port. (The TEMPO data is not updated if the MIDI Clock 
tempo is outside the range of 25 to 300 BPM.)
•TAP TEMPO................. You can also specify the tempo by moving the cursor to this 
button and double-clicking the [ENTER] button. The DM1000 
calculates the tempo based on the time interval between your 
two taps (clicks) on the [ENTER] button. (The TEMPO data is 
not updated if the tap tempo is outside the range of 25 to 
300 BPM.)
GMeters
These meters indicate the input or output levels of the currently-selected effects proces-
sor. Select the IN button or OUT button to display the input levels or output levels 
respectively. There are eight meters when Effects processor 1 is selected; two when 
Effects processors 2–4 are selected.
Move the cursor to a parameter you wish to change, and rotate the Parameter wheel or 
press the [INC]/[DEC] buttons to adjust the setting. You can store the edited settings as 
a new program in the Effects library (see page 177).Tip:  
•If you turn on the SYNC parameter and edit the TEMPO or NOTE parameter, the 
DM1000 recalculates the delay time or modulation frequency.
•If you turn on the SYNC parameter and edit the delay time or modulation frequency, 
the NOTE parameter value changes based on the TEMPO parameter setting.
Tip:  If the Freeze effect is selected, the TEMPO section displays the record and playback 
buttons for using the effect, the recording data condition, and a progress bar that indicates 
the current status.
Tip:  You can also view the input and output levels of the effects processors on the Meter | 
Effect 1–4 pages (see page 39).
Note:  You cannot change the effects type on this page. To change the effects type, recall a 
program that uses the desired effects type from the Effects library.