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Yamaha Dvx 1000 Owners Manual

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    							Assigning Parameters to Control Changes for Real-time Control251
    DM1000 Version 2—Owner’s Manual
    MIDI
    18
    4Move the cursor to the MODE parameter’s TABLE button (1), then press 
    [ENTER].
    The MODE parameter determines which MIDI messages are transmitted when DM1000 
    parameters are adjusted. The following options are available for the MODE parameter:
    •TABLE............................ MIDI Control Change messages are transmitted in accordance 
    with the assignments on this page.
    •NRPN............................. The assignments on the Ctl Asgn page are ignored, and pre-
    defined NRPNs (Non Registered Parameter Numbers) are 
    transmitted for remote control.
    5Move the cursor to a parameter box in the No. (CH) column, then rotate the 
    Parameter wheel or press the [INC]/[DEC] buttons to select the Control 
    Changes to which you want to assign parameters.
    You can assign parameters to up to 16-channel Control Changes on the Ctl Asgn page, 
    regardless of the MIDI Channels currently selected for transmission and reception.
    Skip Steps 5 and 6 if you turned on the NRPN button in Step 4.
    6Select parameters in the parameter boxes in the three PARAMETER columns.
    Select a parameter group in the parameter box in the first PARAMETER column, and spec-
    ify the desired values in the parameter boxes in the second and third PARAMETER col-
    umns.
    The following parameters and values are available:Tip:  NRPNs are special MIDI messages that combine three different Control Changes. They 
    enable you to control many parameters on a single MIDI Channel.
    HIGH MID LOW
    NO ASSIGN
    ——
    FADER HCHANNEL INPUT1–48
    MASTER BUS1–8/AUX1–8/STEREO
    AUX1 SEND
    INPUT1–48 AUX2 SEND
    AUX3 SEND
    AUX4 SEND
    AUX5 SEND
    AUX6 SEND
    AUX7 SEND
    AUX8 SEND
    BUS TO ST BUS1–8
    FADER LCHANNEL INPUT1–48
    MASTER BUS1–8/AUX1–8/STEREO
    AUX1 SEND
    INPUT1–48 AUX2 SEND
    AUX3 SEND
    AUX4 SEND
    AUX5 SEND
    AUX6 SEND
    AUX7 SEND
    AUX8 SEND
    BUS TO ST BUS1–8
     
    						
    							252Chapter 18—MIDI
    DM1000 Version 2—Owner’s Manual
    ONCHANNEL INPUT1–48
    MASTER BUS1–8/AUX1–8/STEREO
    AUX1 SEND
    INPUT1–48 AUX2 SEND
    AUX3 SEND
    AUX4 SEND
    AUX5 SEND
    AUX6 SEND
    AUX7 SEND
    AUX8 SEND
    BUS TO ST BUS1–8
    PHASE
    CHANNEL INPUT1–48
    INSERT ONCHANNEL INPUT1–48
    MASTER BUS1–8/AUX1–8/STEREO
    PRE/POSTAUX1 SEND
    INPUT1–48 AUX2 SEND
    AUX3 SEND
    AUX4 SEND
    AUX5 SEND
    AUX6 SEND
    AUX7 SEND
    AUX8 SEND
    IN DELAYON
    INPUT1–48 TIME HIGH
    TIME MID
    TIME LOW
    MIX HIGH
    MIX LOW
    FB GAIN H
    FB GAIN L
    OUT DELAYON
    BUS1–8/AUX1–8/STEREO L, R TIME HIGH
    TIME MID
    TIME LOW HIGH MID LOW
     
    						
    							Assigning Parameters to Control Changes for Real-time Control253
    DM1000 Version 2—Owner’s Manual
    MIDI
    18
    EQON
    INPUT1–48/BUS1–8/AUX1–8/STEREO Q LOW
    F LOW
    G LOW H
    G LOW L
    Q LO-MID
    F LO-MID
    G LO-MID H
    G LO-MID L
    Q HI-MID
    F HI-MID
    G HI-MID H
    G HI-MID L
    Q HIGH
    F HIGH
    G HIGH H
    G HIGH L
    ATT H
    ATT L
    HPF ON
    LPF ON
    GATEON
    INPUT1–48 AT TA C K
    THRESH H
    THRESH L
    RANGE
    HOLD H
    HOLD L
    DECAY H
    DECAY L
    COMPON
    INPUT1–48/BUS1–8/AUX1–8/STEREO AT TA C K
    THRESH H
    THRESH L
    RELEASE H
    RELEASE L
    RATIO
    GAIN H
    GAIN L
    KNEE
    PA NCHANNEL
    INPUT1–48 AUX1–2
    AUX3–4
    AUX5–6
    AUX7–8
    BUS TO ST BUS1–8
    BALANCE
    MASTER STEREO HIGH MID LOW
     
    						
    							254Chapter 18—MIDI
    DM1000 Version 2—Owner’s Manual
    Parameters that feature a setting range of more than 128 steps (such as Fader and Delay 
    Time parameters) require two or more Control Change messages to specify the values.
    For example, if you wish to control Fader parameters on certain channels using Control 
    Changes, you must assign the same channel to two Control Change numbers, and select 
    “FADER H” and “FADER L” for the Control Changes in the parameter boxes in the first 
    PARAMETER column.
    SURROUNDLFE H
    INPUT1–48 LFE L
    DIV (F)
    DIV R
    LR
    FR
    WIDTH
    DEPTH
    OFS LR
    OFS FR
    EFFECTBYPASS
    EFFECT1–4 MIX
    PARAM1 H
    PARAM1 L
       :
    PARAM32 H
    PARAM32 L HIGH MID LOW
     
    						
    							Assigning Parameters to Control Changes for Real-time Control255
    DM1000 Version 2—Owner’s Manual
    MIDI
    18
    If you wish to control Delay Time parameters on certain channels using Control Changes, 
    you must assign the same channel Delay parameter to three Control Change numbers, and 
    select “TIME LOW,” “TIME MID,” and “TIME HIGH” for the Control Changes in the 
    parameter boxes in the second (middle) PARAMETER column.
    7Press the DISPLAY ACCESS [MIDI] button repeatedly until the MIDI | Setup 
    page appears, then specify MIDI Transmit and Receive Channels.
    8Turn on the CONTROL CHANGE Tx ON/OFF and Rx ON/OFF buttons.
    DM1000 parameters will now be set accordingly when the DM1000 receives corresponding 
    Control Changes. Also, when you adjust parameters on the DM1000, the DM1000 will 
    transmit corresponding Control Changes. Note:  Parameters that feature a setting range in excess of 128 steps require an appropriate 
    combination of range parameters for successful MIDI Control Change.
    Tip:  You can initialize the Parameter to Control Change assignment table by moving the cur-
    sor to the INITIALIZE button, then pressing [ENTER].
    Note:  Before controlling parameters using Control Changes, make sure that both Tx and Rx 
    ON/OFF buttons in the PARAMETER CHANGE row are turned off.
     
    						
    							256Chapter 18—MIDI
    DM1000 Version 2—Owner’s Manual
    Controlling Parameters by Using Parameter Changes
    You can control DM1000 parameters in real time by using Parameter Change messages that 
    are System Exclusive messages, instead of using MIDI Control Changes.
    See “MIDI Data Format” at the end of this Manual for detailed information on available 
    Parameter Changes.
    1Press the DISPLAY ACCESS [SETUP] button repeatedly until the Setup | 
    MIDI/Host page appears, then specify ports for transmission and reception 
    of MIDI messages (see page 246).
    2Make connections using the ports selected in Step 1 so that the DM1000 can 
    transmit and receive MIDI messages to and from the external device.
    3Press the DISPLAY ACCESS [MIDI] button repeatedly until the MIDI | Setup 
    page appears, then turn off the Tx and Rx ON/OFF buttons in the PARAM-
    ETER CHANGE row.
    The DM1000 will now set certain parameter values when it receives corresponding Param-
    eter Changes. Also, when you adjust certain parameters on the DM1000, it transmits corre-
    sponding Parameter Changes.
    Transmitting Parameter Settings via MIDI (Bulk Dump)
    You can back up data stored in the DM1000, such as libraries and Scenes, to an external 
    MIDI device by using MIDI Bulk Dump. In this way, you can later restore previous 
    DM1000 settings by transmitting this MIDI data back to the DM1000. 
    1Press the DISPLAY ACCESS [SETUP] button repeatedly until the Setup | 
    MIDI/Host page appears, then specify ports for transmission and reception 
    of MIDI messages (see page 246).
    2Make connections using the ports selected in Step 1 so that the DM1000 can 
    transmit and receive MIDI messages to and from the external device.
    3Press the DISPLAY ACCESS [MIDI] button, then press the [F4] button.Note:  When you control paramters using Parameter Changes, make sure that both buttons 
    in the CONTROL CHANGE section on the MIDI | SETUP page are turned off.
    Note:  Some of the data transmitted from the DM1000 to the sequence software may occa-
    sionally drop out during Bulk Dump transmission. To avoid this, we recommend that you use 
    the included Studio Manager software to store DM1000 data to an external device.
     
    						
    							Transmitting Parameter Settings via MIDI (Bulk Dump)257
    DM1000 Version 2—Owner’s Manual
    MIDI
    18
    The MIDI | Bulk page appears.
    The page includes the following parameters:
    ACATEGORY section
    This section enables you to select data for transmission and reception.
    BREQUEST
    Move the cursor to this button, then press [ENTER] to transmit messages from the 
    DM1000 that request a second DM1000 (connected to the first DM1000) to transmit 
    the data specified in the CATEGORY section. This button is used primarily when two 
    DM1000s are connected in cascade.
    CTRANSMIT
    Move the cursor to this button, then press [ENTER] to transmit data specified in the 
    CATEGORY section to an external MIDI device.
    DINTERVAL
    This parameter specifies the interval between data packets during bulk transmission in 
    50 millisecond steps. If the external device drops part of the bulk data, increase this 
    parameter value.
    4In the CATEGORY section, move the cursor to the button of the data type 
    you want to transmit, then press [ENTER].
    The following options are available:
    •ALL................................. This button selects all data available for bulk dump. When this 
    button is turned on, all other buttons in this section are turned 
    off.
    •SCENEMEM................. This button selects Scene memories. You can select Scenes you 
    wish to transmit in the parameter box next to the button.
    •AUTOMIX.................... This button selects Automix memories. You can select Auto-
    mixes you wish to transmit in the parameter box next to the 
    button.
    •LIBRARY....................... This button selects libraries. You can select the type of library in 
    the TYPE parameter box (next to the button), then specify the 
    library number in the parameter box on the right.
    •BANK............................. This parameter enables you to select the User Defined Key 
    banks (KEYS UDEF), User Defined Remote Layer banks (RMT 
    UDEF), or User Assignable Layer banks (USR LAYER) for bulk 
    dump. You can select one of these three types in the parameter 
    box next to the button, and select the banks in the parameter 
    box on the right.
    2
    3
    4
    1
     
    						
    							258Chapter 18—MIDI
    DM1000 Version 2—Owner’s Manual
    •SETUPMEM................. This button selects the DM1000 setup data (i.e., system set-
    tings).
    •PGM TABLE................. This button selects the MIDI | Pgm Asgn page settings.
    •CTL TABLE................... This button selects the MIDI | Ctl Asgn page settings.
    •PLUG-IN....................... This button selects the settings of any optional Y56K cards 
    installed in Slot #1 or #2. You can select Y56K card programs in 
    the parameter box next to the button.
    5If necessary, move the cursor to the parameter box next to the selected but-
    ton, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to 
    select the desired bulk dump data.
    6To start transmitting bulk data, move the cursor to the TRANSMIT button, 
    then press [ENTER].
    Bulk Dump is executed. During the operation, the Bulk Dump window appears, indicating 
    the current bulk dump status. To abort the bulk dump operation, move the cursor to the 
    CANCEL button in the window, then press [ENTER].
    7To receive bulk data, press the DISPLAY ACCESS [MIDI] button repeatedly 
    until the MIDI | Setup page appears, then turn on the Rx ON/OFF button in 
    the BULK row.
    Now, when the DM1000 receives bulk data, the corresponding internal data is updated. Note:  Data selected by the SETUPMEM button includes MIDI transmission and reception 
    port settings and message settings. After you store to an external device bulk dump data that 
    has its reception disabled, if the DM1000 later starts to receive this particular data, DM1000 
    bulk dump reception will be turned off immediately, and the DM1000 will be unable to receive 
    subsequent data. Therefore, before you store the data selected by the SETUPMEM button using 
    Bulk Dump, be sure to enable bulk data transmission and reception.
    Tip:  If you selected [ALL] in the parameter box, all data selected by the corresponding button 
    is transmitted as bulk dump data.
    Tip:  To transmit bulk dump request messages, move the cursor to the REQUEST button, then 
    press [ENTER]. If a second DM1000 is connected, it will transmit bulk data to the first 
    DM1000 in response to the request.
     
    						
    							Controlling the DM1000 from a Video Editor259
    DM1000 Version 2—Owner’s Manual
    Controlling the DM1000 
    from a Video Editor
    19
    19  Controlling the DM1000 from a 
    Video Editor
    This chapter describes the control functions, which enable you to control the DM1000 from 
    a video editor using the ESAM protocol.
    About ESAM
    ESAM (Editing Suite Audio Mixers) is the post-production standards for linking video edi-
    tor to a mixing console. You can automate audio crossfade and switching operations that 
    are linked to video editing operations.
    The DM1000 supports the ESAM Serial II Protocol (ESAM II) - Extended. For supported 
    commands, see page 264.
    Connection Example
    The following diagram illustrates an example of connecting a video editor and a VTR via 
    the DM1000. You need a dedicated cable to connect the DM1000’s REMOTE connector to 
    the video editor (page  264). For more information on the basic connections and setup, refer 
    to chapter 4 “Connections and Setup” on page 43.
    Note:  
    •Use control room monitoring (page 119) to monitor the signals. First, set the OMNI OUT 
    connectors signal routing to “CR-L/CR-R” using the Output Patch | Omni Out page 
    (page 113).
    •The maximum output level of the OMNI OUT connectors is +24 dB. If you are connecting 
    a device with the maximum input level of +18 dB to an OMNI OUT connector, attenuate 
    the output signal using the attenuators (page 90).
    AUX PA N DISPLAY
    ASSIGNENCODER MODE
    EQUALIZER
    LOW HIGHGAINQFREQUENCYLOWMIDHIGH MID
    ROUTING12
    34
    56
    78
    STEREO DIRECT DISPLAY DISPLAY
    SELECTED CHANNEL
    16BUS 8 32 4815BUS 7 31 4714BUS 6 30 4613BUS 5 29 4512BUS 4 28 4411BUS 3 27 431016 15 14 13 12 11 10
    20dB
    ON OFF+48V12
    345
    6
    78 1213 14 1516
    91011
    16 15 14 13 12 11 10 9 8 7 6 5 4 3 2
    PEAK
    SIGNAL
    1
    -16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN
    PEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPEAK
    SIGNALPA D20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB
    ON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48V
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 11 117 33
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 22 218 34
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 33 319 35
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 44 420 36
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 55 521 37
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 66 622 38
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 77 723 39
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    AUX 88 824 40
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    BUS 19 925 41
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSEL
    0
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    50
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    50
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    50
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    50
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    50
    5
    10
    15
    20
    30
    40
    50
    60
    70
    50 40 30 20 15 10
    +10
    5
    0
    5
    ON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSEL
    BUS 2 26 42
    AUTO
    ON SEL
    STEREO
    70 6050 40 30 2015 10
    5 0
    AUX2AUX3AUX4AUX6AUX5AUX7AUX8
    AUXSELECTDISPLAYAUX1FADER MODEFA D E R
    AUX
    DISPLAY ACCESSAUTOMIX DIO SETUP UTILITY
    MIDI REMOTE METER VIEW
    PA I R / GROUPINPUTOUTPUTEFFECT SURROUND DYNAMICS SCENE/PA N /INSERT/ DELAYPAT C HPAT C H
    GRABSCENE MEMORYSTORE RECALL
    DISPLAYUSER DEFINED 
         KEYS
    ENTERINC
    DEC
    TA L K B ACK LEVEL
    PHONES
    LEVEL010
    010PHONES
    MONITOR
    LEVEL SOLO CLE AR
    2TR D12TR D2
    DIMMERTA L K B AC K
    MONITOR
    STEREO
    SLOT
    BUS DISPLAY10 0
    F1F2F3F4
    0 OVE R
    -2
    -4
    -6
    -8
    -10
    -12
    -14
    -18
    -24
    -30
    -36
    -42
    -48
    -56
    -72 0 OVE R
    -2
    -4
    -6
    -8
    -10
    -1 2
    -14
    -18
    -24
    -30
    -36
    -42
    -48
    -56
    -72
    LR
    VTR1
    (REC)VTR2VTR3
    AES/EBU
    REMOTEESAM II
    Digital I/O card
    MY16-AE or MY8-AE
    Video editorVideo
    switcherRemote (D-sub 9-pin)
    (D-sub 9-pin)
     
    						
    							260Chapter 19—Controlling the DM1000 from a Video Editor
    DM1000 Version 2—Owner’s Manual
    Crossfade via ESAM Commands
    This section describes how to execute a crossfade (transition) using the DM1000’s ESAM 
    mode.
    1Press the DISPLAY ACCESS [SETUP] button repeatedly until the Setup | 
    Remote page appears.
    2Move the cursor to the REMOTE FUNCTION parameter, then select ESAM to 
    enter ESAM mode.
    A confirmation message appears. Move the cursor to the YES button, then press [ENTER] 
    to confirm.
    3Move the cursor to EVEN, ODD, or NONE in the ESAM PARITY section, then 
    press [ENTER] to set the Parity Flag for the REMOTE connector.
    Set the Parity Flag appropriate for your video editor. Normally, set this parameter to EVEN. 
    However, for some video editors, such as the Ampex ACE200, select ODD. Tip:  
    •It is useful to combine Input Channels from VTR1-3 and Output Channels (Bus Outs) to 
    VTR1 (REC) on the same layer. For more information, refer to “Creating a Custom Layer 
    by Combining Channels (User Assignable Layer)” on page 272.
    •Save the DM1000 Channel settings and Input and Output patches in scene memories 
    (page 163) and Input/Output Patch libraries (page 176, 177).
    •Use the Operation Lock function to prevent the DM1000 settings from being modified acci-
    dentally (page 280).
    Note:  You cannot switch to ESAM mode during Automix recording or playback.
    Note:  When the DM1000 enters ESAM mode, various settings will change as follows:
    •The Solo function will be enabled (page 120).
    •The Solo function’s MODE will be set to RECORDING (page 120).
    •The Solo function’s LISTEN will be set to AFTER PAN (page 120).
    •The Solo function’s SEL MODE will be set to MIX SOLO (page 120).
    •The Automix function will be disabled (page 190).
    •The Fader Group Master will be disabled (page 150).
    Note:  In ESAM mode, the Fade Time setting for Scene Recall is temporarily disabled 
    (page 168).
    Note:  If the Parity Flag is not set correctly and the video editor transmits the ESAM com-
    mands, an error message “REMOTE Parity Error” appears on the display.
     
    						
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