Yamaha Dvx 1000 Owners Manual
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Effects Parameters321 DM1000 Version 2—Owner’s Manual Appendix COMP 5.1 Six input, six output compressor for 5.1 surround, with individual solo for each band, and gain reduc- tion metering of left and right (L+R), left surround and right surround (LS+RS), center (C), or LFE channels. COMPAND 5.1 Six input, six output compander for 5.1 surround, with individual solo for each band, and gain reduc- tion metering of left and right (L+R), left surround and right surround (LS+RS), center (C), or LFE channels. Other preset effects (COMP276, COMP276S, COMP260, COMP260S, EQUALIZER601, OPEN- DECK, REV-X HALL, REV-X ROOM, REV-X PLATE) are optional Add-On Effects. For more information on these effects, refer to the Owner’s Manual that came with the Add-On Effects pack- ages. Parameter Range Description LOW GAIN–96.0 to +12.0 dB Low band level MID GAIN–96.0 to +12.0 dB Mid band level HI. GAIN–96.0 to +12.0 dB High band level PRESENCE–10 to +10For positive values, the threshold of the high band is lowered and the threshold of the low band is increased. For negative values, the opposite will occur. When set to 0, all three bands are affected the same. THRE.–24.0 to 0.0 dB Compressor threshold RATIO1:1 to ∞:1 Compressor ratio AT TA C K0–120 ms Compressor attack RELEASE 1 1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)Compressor release time KNEE0–5 Compressor knee LOOKUP0.0–100.0 ms Lookup delay KEY LINK 2 2. 5.1: Key-in’s of all inputs are linked 5.0: Key-in’s of L, C, R, LS, and RS are linked (LFE is independent) 3+2: Key-in’s of L, C, and R, and key-ins of LS and RS, are linked respectively (LFE is independent) 2+2: Key-in’s of L and R, and key-ins of LS and RS, are linked respectively (C and LFE are independent)Key-in linking L–M XOVR21.2 Hz–8.00 kHz Low/mid crossover frequency M–H XOVR21.2 Hz–8.00 kHz Mid/high crossover frequency SLOPE–6 to –12 dB Filter slope CEILING–6.0 to 0.0 dB, OFFSpecifies the maximum output level SOLO LOWOFF, ONIf this is on, only the low-fre- quency band will be output. SOLO MIDOFF, ONIf this is on, only the mid-fre- quency band will be output. SOLO HIGHOFF, ONIf this is on, only the high-fre- quency band will be output. Parameter Range Description LOW GAIN–96.0 to +12.0 dB Low band level MID GAIN–96.0 to +12.0 dB Mid band level HI. GAIN–96.0 to +12.0 dB High band level PRESENCE–10 to +10For positive values, the threshold of the high band is lowered and the threshold of the low band is increased. For negative values, the opposite will occur. When set to 0, all three bands are affected the same. THRE.–24.0 to 0.0 dB Compressor threshold RATIO1:1 to 20:1 Compressor ratio AT TA C K0–120 ms Attack time RELEASE 1 1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)Release time WIDTH1–90 dBCompressor effect range and expander effect width TYPESoft, Hard Compander type LOOKUP0.0–100.0 ms Lookup delay KEY LINK 2 2. 5.1: Key-in’s of all inputs are linked 5.0: Key-in’s of L, C, R, LS, and RS are linked (LFE is independent) 3+2: Key-in’s of L, C, and R, and key-ins of LS and RS, are linked respectively (LFE is independent) 2+2: Key-in’s of L and R, and key-ins of LS and RS, are linked respectively (C and LFE are independent)Key-in linking L–M XOVR21.2 Hz–8.00 kHz Low/mid crossover frequency M–H XOVR21.2 Hz–8.00 kHz Mid/high crossover frequency SLOPE–6 to –12 dB Filter slope CEILING–6.0 to 0.0 dB, OFFSpecifies the maximum output level SOLO LOWOFF, ONIf this is on, only the low-fre- quency band will be output. SOLO MIDOFF, ONIf this is on, only the mid-fre- quency band will be output. SOLO HIGHOFF, ONIf this is on, only the high-fre- quency band will be output.
322Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual Effects and tempo synchronization Some of the DM2000’s effects allow you to synchronize the effect with the tempo. There are two such types of effect; delay-type effects and modulation-type effects. For delay-type effects, the delay time will change according to the tempo. For modulation-type effects, the frequency of the modulation signal will change according to the tempo. •Parameters related to tempo synchronization The following five parameters are related to tempo synchronization. 1) SYNC 2) NOTE 3) TEMPO 4) DELAY 5) FREQ. SYNC: .............................This is the on/off switch for tempo synchronization. NOTE and TEMPO: .....These are the basic parameters for tempo synchronization. DELAY and FREQ.: .......DELAY is the delay time, and FREQ. is the frequency of the modulation signal. These directly affect the way in which the effect sound will change. DELAY is relevant only for delay-type effects, and FREQ. is relevant only for modulation-type effects. •How the parameters are related Tempo synchronization uses TEMPO and NOTE to calculate a value that will be the basis for the tempo, and continues making adjustments so that this tempo basis stays essentially the same as the DELAY (or FREQ.). This means that when TEMPO, NOTE, and DELAY (or FREQ.) are synchronized, and you change any of these values, the other parameters will be re-set in order to maintain the correct relationship. The parameters that are re-set and the calculation method(*a) used are as follows. If you turn SYNC on → NOTE will be set If you edit DELAY (or FREQ.) → NOTE will be set In this case, the NOTE value is calculated as follows. NOTE = DELAY (or FREQ.)/(4 x (60/TEMPO)) If you edit NOTE → DELAY (or FREQ.) will be set In this case, the DELAY (or FREQ.) value is calculated as follows. DELAY (or FREQ.) = NOTE x 4 x (60/TEMPO) If you edit TEMPO → DELAY (or FREQ.) will be set In this case, the DELAY (or FREQ.) value is calculated as follows. DELAY (or FREQ.) = original DELAY (or FREQ.) x (previous TEMPO/new TEMPO) Example 1: When SYNC=ON, DELAY=250 ms, TEMPO=120, you change NOTE from 8th note to quarter note DELAY= new NOTE x 4 x (60/TEMPO) = (1/4) x 4 x (60/120) = 0.5 (sec) = 500 ms Thus, the DELAY will change from 250 ms to 500 ms. Example 2: When SYNC=ON, DELAY=250 ms, NOTE=8th note, you change TEMPO from 120 to 121 DELAY= original DELAY x (previous TEMPO/new TEMPO) = 250 x (120/121) = 247.9 (ms) Thus, the TEMPO will change from 250 ms to 247.9 ms. *a Rounded values are used for the calculation results. •Ranges of the NOTE and TEMPO values The ranges of the NOTE and TEMPO values are limited by the ranges of the DELAY or FREQ. values. You cannot set NOTE or TEMPO values that would cause DELAY or FREQ. to exceed their maximum possible values when synchronized to tempo. This limitation also applies even when SYNC is OFF. •Special characteristics of the TEMPO parameter The TEMPO parameter has the following characteristics that are unlike other parameters. •It is a common value shared by all effects •You cannot stored it to or recall it from the Effects Library. (You can store it to and recall it from a Scene.) This means that the TEMPO value may not necessarily be the same when an effect is recalled as when that effect was stored. Here is an example. Store the effect: TEMPO=120 → Change TEMPO to 60 → Recall the effect: TEMPO=60 Normally when you change the TEMPO, the DELAY (or FREQ.) will be re-set accordingly. However if the DELAY (or FREQ.) were changed, the effect would sound differently when recalled than when it was stored. To prevent the effect from changing in this way between store and recall, the DM2000 does not update the DELAY (or FREQ.) value when an effect is recalled, even if the TEMPO is no longer the same as when that effect was stored. * The NOTE parameter is calculated based on the following values. = 1/48 = 2/1 = 1/16 = 1/24 = 1/12 = 3/4 = 3/16 = 1/2= 3/32 = 1/6 = 1/4= 1/8 = 1/1 = 3/8
Preset EQ Parameters323 DM1000 Version 2—Owner’s Manual Appendix Preset EQ Parameters #TitleParameter LOW L-MID H-MID HIGH 01Bass Drum 1PEAKING PEAKING PEAKING H.SHELF G +3.5 dB –3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz Q 1.2 10 0.9 — 02Bass Drum 2PEAKING PEAKING PEAKING LPF G +8.0 dB –7.0 dB +6.0 dB ON F 80 Hz 400 Hz 2.50 kHz 12.5 kHz Q 1.4 4.5 2.2 — 03Snare Drum 1PEAKING PEAKING PEAKING H.SHELF G –0.5 dB 0.0 dB +3.0 dB +4.5 dB F 132 Hz 1.00 kHz 3.15 kHz 5.00 kHz Q 1.2 4.5 0.11 — 04Snare Drum 2L.SHELF PEAKING PEAKING PEAKING G +1.5 dB –8.5 dB +2.5 dB +4.0 dB F 180 Hz 335 Hz 2.36 kHz 4.00 kHz Q —100.7 0.1 05 Tom-tom 1PEAKING PEAKING PEAKING PEAKING G +2.0 dB –7.5 dB +2.0 dB +1.0 dB F 212 Hz 670 Hz 4.50 kHz 6.30 kHz Q 1.4 10 1.2 0.28 06 CymbalL.SHELF PEAKING PEAKING H.SHELF G –2.0 dB 0.0 dB 0.0 dB +3.0 dB F 106 Hz 425 Hz 1.06 kHz 13.2 kHz Q —80.9 — 07 High HatL.SHELF PEAKING PEAKING H.SHELF G –4.0 dB –2.5 dB +1.0 dB +0.5 dB F 95 Hz 425 Hz 2.80 kHz 7.50 kHz Q —0.5 1 — 08 PercussionL.SHELF PEAKING PEAKING H.SHELF G –4.5 dB 0.0 dB +2.0 dB 0.0 dB F 100 Hz 400 Hz 2.80 kHz 17.0 kHz Q —4.5 0.56 — 09 E. Bass 1L.SHELF PEAKING PEAKING H.SHELF G –7.5 dB +4.5 dB +2.5 dB 0.0 dB F 35.5 Hz 112 Hz 2.00 kHz 4.00 kHz Q —54.5 — 10 E. Bass 2PEAKING PEAKING PEAKING H.SHELF G +3.0 dB 0.0 dB +2.5 dB +0.5 dB F 112 Hz 112 Hz 2.24 kHz 4.00 kHz Q 0.1 5 6.3 — 11 Syn. Bass 1PEAKING PEAKING PEAKING H.SHELF G +3.5 dB +8.5 dB 0.0 dB 0.0 dB F 85 Hz 950 Hz 4.00 kHz 12.5 kHz Q 0.1 8 4.5 — 12 Syn. Bass 2PEAKING PEAKING PEAKING H.SHELF G +2.5 dB 0.0 dB +1.5 dB 0.0 dB F 125 Hz 180 Hz 1.12 kHz 12.5 kHz Q 1.6 8 2.2 — 13 Piano 1L.SHELF PEAKING PEAKING H.SHELF G –6.0 dB 0.0 dB +2.0 dB +4.0 dB F 95 Hz 950 Hz 3.15 kHz 7.50 kHz Q —80.9 — 14 Piano 2PEAKING PEAKING PEAKING H.SHELF G +3.5 dB –8.5 dB +1.5 dB +3.0 dB F 224 Hz 600 Hz 3.15 kHz 5.30 kHz Q 5.6 10 0.7 — 15 E. G. CleanPEAKING PEAKING PEAKING H.SHELF G +2.0 dB –5.5 dB +0.5 dB +2.5 dB F 265 Hz 400 Hz 1.32 kHz 4.50 kHz Q 0.18 10 6.3 — 16E. G. Crunch 1PEAKING PEAKING PEAKING PEAKING G +4.5 dB 0.0 dB +4.0 dB +2.0 dB F 140 Hz 1.00 kHz 1.90 kHz 5.60 kHz Q 84.5 0.63 9 17E. G. Crunch 2PEAKING PEAKING PEAKING H.SHELF G +2.5 dB +1.5 dB +2.5 dB 0.0 dB F 125 Hz 450 Hz 3.35 kHz 19.0 kHz Q 80.4 0.16 — 18 E. G. Dist. 1L.SHELF PEAKING PEAKING H.SHELF G +5.0 dB 0.0 dB +3.5 dB 0.0 dB F 355 Hz 950 Hz 3.35 kHz 12.5 kHz Q —910— 19 E. G. Dist. 2L.SHELF PEAKING PEAKING H.SHELF G +6.0 dB –8.5 dB +4.5 dB +4.0 dB F 315 Hz 1.06 kHz 4.25 kHz 12.5 kHz Q —10 4 — 20A. G. Stroke 1PEAKING PEAKING PEAKING H.SHELF G –2.0 dB 0.0 dB +1.0 dB +4.0 dB F 106 Hz 1.00 kHz 1.90 kHz 5.30 kHz Q 0.9 4.5 3.5 — 21A. G. Stroke 2L.SHELF PEAKING PEAKING H.SHELF G –3.5 dB –2.0 dB 0.0 dB +2.0 dB F 300 Hz 750 Hz 2.00 kHz 3.55 kHz Q —94.5 — 22A. G. Arpeg. 1L.SHELF PEAKING PEAKING PEAKING G –0.5 dB 0.0 dB 0.0 dB +2.0 dB F 224 Hz 1.00 kHz 4.00 kHz 6.70 kHz Q —4.5 4.5 0.12 23A. G. Arpeg. 2L.SHELF PEAKING PEAKING H.SHELF G 0.0 dB –5.5 dB 0.0 dB +4.0 dB F 180 Hz 355 Hz 4.00 kHz 4.25 kHz Q —74.5 — 24 Brass Sec.PEAKING PEAKING PEAKING PEAKING G –2.0 dB –1.0 dB +1.5 dB +3.0 dB F 90 Hz 850 Hz 2.12 kHz 4.50 kHz Q 2.8 2 0.7 7 25Male Vocal 1PEAKING PEAKING PEAKING PEAKING G –0.5 dB 0.0 dB +2.0 dB +3.5 dB F 190 Hz 1.00 kHz 2.00 kHz 6.70 kHz Q 0.11 4.5 0.56 0.11 26Male Vocal 2PEAKING PEAKING PEAKING H.SHELF G +2.0 dB –5.0 dB –2.5 dB +4.0 dB F 170 Hz 236 Hz 2.65 kHz 6.70 kHz Q 0.11 10 5.6 — #TitleParameter LOW L-MID H-MID HIGH
324Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual Preset Gate Parameters (fs = 44.1 kHz) 27Female Vo. 1PEAKING PEAKING PEAKING PEAKING G –1.0 dB +1.0 dB +1.5 dB +2.0 dB F 118 Hz 400 Hz 2.65 kHz 6.00 kHz Q 0.18 0.45 0.56 0.14 28Female Vo. 2L.SHELF PEAKING PEAKING H.SHELF G –7.0 dB +1.5 dB +1.5 dB +2.5 dB F 112 Hz 335 Hz 2.00 kHz 6.70 kHz Q —0.16 0.2 — 29Chorus & HarmoPEAKING PEAKING PEAKING PEAKING G –2.0 dB –1.0 dB +1.5 dB +3.0 dB F 90 Hz 850 Hz 2.12 kHz 4.50 kHz Q 2.8 2 0.7 7 30 Total EQ 1PEAKING PEAKING PEAKING H.SHELF G –0.5 dB 0.0 dB +3.0 dB +6.5 dB F 95 Hz 950 Hz 2.12 kHz 16.0 kHz Q 72.2 5.6 — 31 Total EQ 2PEAKING PEAKING PEAKING H.SHELF G +4.0 dB +1.5 dB +2.0 dB +6.0 dB F 95 Hz 750 Hz 1.80 kHz 18.0 kHz Q 72.8 5.6 — 32 Total EQ 3L.SHELF PEAKING PEAKING H.SHELF G +1.5 dB +0.5 dB +2.0 dB +4.0 dB F 67 Hz 850 Hz 1.90 kHz 15.0 kHz Q —0.28 0.7 — 33Bass Drum 3PEAKING PEAKING PEAKING PEAKING G +3.5 dB –10.0 dB +3.5 dB 0.0 dB F 118 Hz 315 Hz 4.25 kHz 20.0 kHz Q 2100.4 0.4 34Snare Drum 3L.SHELF PEAKING PEAKING PEAKING G 0.0 dB +2.0 dB +3.5 dB 0.0 dB F 224 Hz 560 Hz 4.25 kHz 4.00 kHz Q —4.5 2.8 0.1 35 Tom-tom 2L.SHELF PEAKING PEAKING H.SHELF G –9.0 dB +1.5 dB +2.0 dB 0.0 dB F 90 Hz 212 Hz 5.30 kHz 17.0 kHz Q —4.5 1.2 — 36 Piano 3PEAKING PEAKING PEAKING H.SHELF G +4.5 dB –13.0 dB +4.5 dB +2.5 dB F 100 Hz 475 Hz 2.36 kHz 10.0 kHz Q 8109 — 37 Piano LowPEAKING PEAKING PEAKING H.SHELF G –5.5 dB +1.5 dB +6.0 dB 0.0 dB F 190 Hz 400 Hz 6.70 kHz 12.5 kHz Q 10 6.3 2.2 — 38 Piano HighPEAKING PEAKING PEAKING PEAKING G –5.5 dB +1.5 dB +5.0 dB +3.0 dB F 190 Hz 400 Hz 6.70 kHz 5.60 kHz Q 10 6.3 2.2 0.1 39Fine-EQ CassL.SHELF PEAKING PEAKING H.SHELF G –1.5 dB 0.0 dB +1.0 dB +3.0 dB F 75 Hz 1.00 kHz 4.00 kHz 12.5 kHz Q —4.5 1.8 — 40 NarratorPEAKING PEAKING PEAKING H.SHELF G –4.0 dB –1.0 dB +2.0 dB 0.0 dB F 106 Hz 710 Hz 2.50 kHz 10.0 kHz Q 470.63 — #TitleParameter LOW L-MID H-MID HIGH#Title Type Parameter Value 1 GateGATEThreshold (dB) –26 Range (dB) –56 Attack (ms) 0 Hold (ms) 2.56 Decay (ms) 331 2 DuckingDUCKINGThreshold (dB) –19 Range (dB) –22 Attack (ms) 93 Hold (ms) 1.20 S Decay (ms) 6.32 S 3 A. Dr. BDGATEThreshold (dB) –11 Range (dB) –53 Attack (ms) 0 Hold (ms) 1.93 Decay (ms) 400 4 A. Dr. SNGATEThreshold (dB) –8 Range (dB) –23 Attack (ms) 1 Hold (ms) 0.63 Decay (ms) 238
Preset Compressor Parameters (fs = 44.1 kHz)325 DM1000 Version 2—Owner’s Manual Appendix Preset Compressor Parameters (fs = 44.1 kHz) #Title Type Parameter Value 1 CompCOMPThreshold (dB) –8 Ratio ( :1) 2.5 Attack (ms) 60 Out gain (dB) 0.0 Knee 2 Release (ms) 250 2 ExpandEXPANDThreshold (dB) –23 Ratio ( :1) 1.7 Attack (ms) 1 Out gain (dB) 3.5 Knee 2 Release (ms) 70 3Compander (H)COMPAND-HThreshold (dB) –10 Ratio ( :1) 3.5 Attack (ms) 1 Out gain (dB) 0.0 Width (dB) 6 Release (ms) 250 4Compander (S)COMPAND-SThreshold (dB) –8 Ratio ( :1) 4 Attack (ms) 25 Out gain (dB) 0.0 Width (dB) 24 Release (ms) 180 5 A. Dr. BDCOMPThreshold (dB) –24 Ratio ( :1) 3 Attack (ms) 9 Out gain (dB) 5.5 Knee 2 Release (ms) 58 6 A. Dr. BDCOMPAND-HThreshold (dB) –11 Ratio ( :1) 3.5 Attack (ms) 1 Out gain (dB) –1.5 Width (dB) 7 Release (ms) 192 7 A. Dr. SNCOMPThreshold (dB) –17 Ratio ( :1) 2.5 Attack (ms) 8 Out gain (dB) 3.5 Knee 2 Release (ms) 12 8 A. Dr. SNEXPANDThreshold (dB) –23 Ratio ( :1) 2 Attack (ms) 0 Out gain (dB) 0.5 Knee 2 Release (ms) 151 9 A. Dr. SNCOMPAND-SThreshold (dB) –8 Ratio ( :1) 1.7 Attack (ms) 11 Out gain (dB) 0.0 Width (dB) 10 Release (ms) 128 10 A. Dr. TomEXPANDThreshold (dB) –20 Ratio ( :1) 2 Attack (ms) 2 Out gain (dB) 5.0 Knee 2 Release (ms) 749 11A. Dr. OverTopCOMPAND-SThreshold (dB) –24 Ratio ( :1) 2 Attack (ms) 38 Out gain (dB) –3.5 Width (dB) 54 Release (ms) 842 12 E. B. FingerCOMPThreshold (dB) –12 Ratio ( :1) 2 Attack (ms) 15 Out gain (dB) 4.5 Knee 2 Release (ms) 470 13 E. B. SlapCOMPThreshold (dB) –12 Ratio ( :1) 1.7 Attack (ms) 6 Out gain (dB) 4.0 Knee hard Release (ms) 133 14 Syn. BassCOMPThreshold (dB) –10 Ratio ( :1) 3.5 Attack (ms) 9 Out gain (dB) 3.0 Knee hard Release (ms) 250 15 Piano1COMPThreshold (dB) –9 Ratio ( :1) 2.5 Attack (ms) 17 Out gain (dB) 1.0 Knee hard Release (ms) 238 16 Piano2COMPThreshold (dB) –18 Ratio ( :1) 3.5 Attack (ms) 7 Out gain (dB) 6.0 Knee 2 Release (ms) 174 17 E. GuitarCOMPThreshold (dB) –8 Ratio ( :1) 3.5 Attack (ms) 7 Out gain (dB) 2.5 Knee 4 Release (ms) 261 18 A. GuitarCOMPThreshold (dB) –10 Ratio ( :1) 2.5 Attack (ms) 5 Out gain (dB) 1.5 Knee 2 Release (ms) 238 19 Strings1COMPThreshold (dB) –11 Ratio ( :1) 2 Attack (ms) 33 Out gain (dB) 1.5 Knee 2 Release (ms) 749 20 Strings2COMPThreshold (dB) –12 Ratio ( :1) 1.5 Attack (ms) 93 Out gain (dB) 1.5 Knee 4 Release (ms) 1.35 S #Title Type Parameter Value
326Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual 21 Strings3COMPThreshold (dB) –17 Ratio ( :1) 1.5 Attack (ms) 76 Out gain (dB) 2.5 Knee 2 Release (ms) 186 22 BrassSectionCOMPThreshold (dB) –18 Ratio ( :1) 1.7 Attack (ms) 18 Out gain (dB) 4.0 Knee 1 Release (ms) 226 23 Syn. PadCOMPThreshold (dB) –13 Ratio ( :1) 2 Attack (ms) 58 Out gain (dB) 2.0 Knee 1 Release (ms) 238 24 SamplingPercCOMPAND-SThreshold (dB) –18 Ratio ( :1) 1.7 Attack (ms) 8 Out gain (dB) –2.5 Width (dB) 18 Release (ms) 238 25 Sampling BDCOMPThreshold (dB) –14 Ratio ( :1) 2 Attack (ms) 2 Out gain (dB) 3.5 Knee 4 Release (ms) 35 26 Sampling SNCOMPThreshold (dB) –18 Ratio ( :1) 4 Attack (ms) 8 Out gain (dB) 8.0 Knee hard Release (ms) 354 27 Hip CompCOMPAND-SThreshold (dB) –23 Ratio ( :1) 20 Attack (ms) 15 Out gain (dB) 0.0 Width (dB) 15 Release (ms) 163 28 Solo Vocal1COMPThreshold (dB) –20 Ratio ( :1) 2.5 Attack (ms) 31 Out gain (dB) 2.0 Knee 1 Release (ms) 342 29 Solo Vocal2COMPThreshold (dB) –8 Ratio ( :1) 2.5 Attack (ms) 26 Out gain (dB) 1.5 Knee 3 Release (ms) 331 30 ChorusCOMPThreshold (dB) –9 Ratio ( :1) 1.7 Attack (ms) 39 Out gain (dB) 2.5 Knee 2 Release (ms) 226 #Title Type Parameter Value31 Click EraseEXPANDThreshold (dB) –33 Ratio ( :1) 2 Attack (ms) 1 Out gain (dB) 2.0 Knee 2 Release (ms) 284 32 AnnouncerCOMPAND-HThreshold (dB) –14 Ratio ( :1) 2.5 Attack (ms) 1 Out gain (dB) –2.5 Width (dB) 18 Release (ms) 180 33 Limiter1COMPAND-SThreshold (dB) –9 Ratio ( :1) 3 Attack (ms) 20 Out gain (dB) –3.0 Width (dB) 90 Release (ms) 3.90 s 34 Limiter2COMPThreshold (dB) 0 Ratio ( :1)∞ Attack (ms) 0 Out gain (dB) 0.0 Knee hard Release (ms) 319 35 Total Comp1COMPThreshold (dB) –18 Ratio ( :1) 3.5 Attack (ms) 94 Out gain (dB) 2.5 Knee hard Release (ms) 447 36 Total Comp2COMPThreshold (dB) –16 Ratio ( :1) 6 Attack (ms) 11 Out gain (dB) 6.0 Knee 1 Release (ms) 180 #Title Type Parameter Value
Dynamics Parameters327 DM1000 Version 2—Owner’s Manual Appendix Dynamics Parameters The dynamics effects for each channel strip include a Gate section (only for Input Chan- nels) and a Comp section. The Gate section includes Gate and Ducking types. The Comp section includes Compressor, Expander, Compander Hard (COMP. (H)), and Compander Soft (COMP. (S)) types. GATE Section (Only for Input Channels) GATE A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE). Parameter Range Description THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level at which the gate effect is applied. RANGE (dB)–70 to 0 (71 points)This determines the amount of attenuation when the gate closes. ATTACK (ms)0–120 (121 points)This determines how fast the gate opens when the signal exceeds the threshold level. HOLD (ms)44.1kHz: 0.02 ms – 2.13 sec 48kHz: 0.02 ms – 1.96 sec 88.2kHz: 0.01 ms – 1.06 sec 96kHz: 0.01 ms – 981 ms (160 points)This determines how long the gate stays open once the trigger signal has fallen below the thresh- old. DECAY (ms)44.1kHz: 6 ms – 46.0 sec 48kHz: 5 ms – 42.3 sec 88.2kHz: 3 ms – 23.0 sec 96kHz: 3 ms – 21.1 sec (160 points)This determines how fast the gate closes once the hold time has expired. The value is expressed as the duration required for the level to change by 6 dB. Input Level Time Time Output Level Input Level Output Level I/O Characteristics Time Series Analysis RANGE THRESHOLD THRESHOLD RANGE Input Signal Output Signal ATTACK DECAYHOLD
328Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual DUCKING Ducking is commonly used for voice-over applications in which the background music level is reduced automatically when an announcer speaks. When the KEY IN source signal level exceeds the specified THRESHOLD, the output level is attenuated by a specified amount (RANGE). Parameter Range Description THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level of trigger signal (KEY IN) required to activate ducking. RANGE (dB)–70 to 0 (71 points)This determines the amount of attenuation when ducking is activated. ATTACK (ms)0–120 (121 points)This determines how soon the signal is ducked once the ducker has been triggered. HOLD (ms)44.1kHz: 0.02 ms – 2.13 sec 48kHz: 0.02 ms – 1.96 sec 88.2kHz: 0.01 ms – 1.06 sec 96kHz: 0.01 ms – 981 ms (160 points)This determines how long ducking remains active once the trigger signal has fallen below the THRESHOLD level. DECAY (ms)44.1kHz: 6 ms – 46.0 sec 48kHz: 5 ms – 42.3 sec 88.2kHz: 3 ms – 23.0 sec 96kHz: 3 ms – 21.1 sec (160 points)This determines how soon the ducker returns to its normal gain once the trigger signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. Input Level Time Time Output Level Input Level Output Level I/O Characteristics Time Series Analysis RANGE THRESHOLD THRESHOLD RANGE Input Signal Output Signal ATTACK DECAYHOLD
Dynamics Parameters329 DM1000 Version 2—Owner’s Manual Appendix COMP Section COMP The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the threshold. This means that the limiter’s output level never actually exceeds the threshold. Parameter Range Description THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level of input signal required to trigger the compressor. RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 8.0:1, 10:1, 20:1, ∞:1 (16 points)This determines the amount of compression, that is, the change in output signal level relative to change in input signal level. ATTACK (ms)0–120 (121 points)This determines how soon the signal will be com- pressed once the compressor has been triggered. RELEASE (ms)44.1kHz: 6 ms – 46.0 sec 48kHz: 5 ms – 42.3 sec 88.2kHz: 3 ms – 23.0 sec 96kHz: 3 ms – 21.1 sec (160 points)This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. OUT GAIN (dB)0.0 to +18.0 (180 points) This sets the compressors output signal level. KNEEHard, 1–5 (6 points)This determines how compression is applied at the threshold. For higher knee settings, compression is applied gradually as the signal exceeds the speci- fied threshold, creating a more natural sound. Input Level Time Time Output Level Input Level Output Level Time Series Analysis (RATIO=∞:1) RATIO THRESHOLD THRESHOLDInput signal Output Signal ATTACK RELEASE I/O Characteristics (KNEE=hard, OUT GAIN=0.0dB)
330Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual EXPAND An expander attenuates signals below a specified THRESHOLD by a specified RATIO. Parameter Range Description THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level of input signal required to trigger the expander. RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 8.0:1, 10:1, 20:1, ∞:1 (16 points)This determines the amount of expansion. ATTACK (ms)0–120 (121 points)This determines how soon the expander returns to its normal gain once the trigger signal level exceeds the threshold. RELEASE (ms)44.1kHz: 6 ms – 46.0 sec 48kHz: 5 ms – 42.3 sec 88.2kHz: 3 ms – 23.0 sec 96kHz: 3 ms – 21.1 sec (160 points)This determines how soon the signal is expanded once the signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. OUT GAIN (dB)0.0 to +18.0 (180 points) This sets the expanders output signal level. KNEEHard, 1–5 (6 points)This determines how expansion is applied at the threshold. For higher knee settings, expansion is applied gradually as the signal falls below the spec- ified threshold, creating a more natural sound. Input Level Time Time Output Level Input Level Output Level I/O Characteristics (KNEE=hard, OUT GAIN=0.0dB)Time Series Analysis (RATIO=∞:1) RATIOTHRESHOLD THRESHOLDInput Signal Output Signal ATTACK RELEASE