Yamaha Dvx 1000 Owners Manual
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Effects Parameters311 DM1000 Version 2—Owner’s Manual Appendix MOD. DELAY One input, two output basic repeat delay with mod- ulation. DELAY LCR One input, two output 3-tap delay (left, center, right). ECHO Two input, two output stereo delay with crossed feedback loop. CHORUS Two input, two output chorus effect. Parameter Range Description DELAY0.0–2725.0 ms Delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) HI. RATIO0.1–1.0 High-frequency feedback ratio FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth WAVESine, Tri Modulation waveform HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency SYNCOFF, ON Tempo parameter sync on/off DLY.NOTE 1 1. ( Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine DELAY MOD.NOTE 2 2.Used in conjunction with TEMPO to determine FREQ ParameterRange Description DELAY L0.0–2730.0 ms Left channel delay time DELAY C0.0–2730.0 ms Center channel delay time DELAY R0.0–2730.0 ms Right channel delay time FB. DLY0.0–2730.0 ms Feedback delay time LEVEL L–100 to +100% Left channel delay level LEVEL C–100 to +100% Center channel delay level LEVEL R–100 to +100% Right channel delay level FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) HI. RATIO0.1–1.0 High-frequency feedback ratio HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency SYNCOFF, ON Tempo parameter sync on/off NOTE L 1 1. ( Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine DELAY L NOTE C 1Used in conjunction with TEMPO to determine DELAY C NOTE R 1Used in conjunction with TEMPO to determine DELAY R NOTE FB 1Used in conjunction with TEMPO to determine FB. DLY Parameter Range Description DELAY L0.0–1350.0 ms Left channel delay time DELAY R0.0–1350.0 ms Right channel delay time FB.DLY L0.0–1350.0 ms Left channel feedback delay time FB.DLY R0.0–1350.0 msRight channel feedback delay time FB. G L–99 to +99%Left channel feedback gain (plus values for normal-phase feed- back, minus values for reverse-phase feedback) FB. G R–99 to +99%Right channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) L->R FBG–99 to +99%Left to right channel feedback gain (plus values for nor- mal-phase feedback, minus val- ues for reverse-phase feedback) R->L FBG–99 to +99%Right to left channel feedback gain (plus values for nor- mal-phase feedback, minus val- ues for reverse-phase feedback) HI. RATIO0.1–1.0 High-frequency feedback ratio HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency SYNCOFF, ON Tempo parameter sync on/off NOTE L 1 1. (Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine DELAY L NOTE R 1Used in conjunction with TEMPO to determine DELAY R NOTE FBL 1Used in conjunction with TEMPO to determine FB.DLY L NOTE FBR 1Used in conjunction with TEMPO to determine FB.DLY R Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed AM DEPTH0–100% Amplitude modulation depth PM DEPTH0–100% Pitch modulation depth MOD. DLY0.0–500.0 ms Modulation delay time WAVESine, Tri Modulation waveform LSH F21.2 Hz–8.00 kHz Low shelving filter frequency LSH G–12.0 to +12.0 dB Low shelving filter gain EQ F100 Hz–8.00 kHz EQ (peaking type) frequency EQ G–12.0 to +12.0 dB EQ (peaking type) gain EQ Q10.0–0.10 EQ (peaking type) bandwidth HSH F50.0 Hz–16.0 kHz High shelving filter frequency HSH G–12.0 to +12.0 dB High shelving filter gain SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ.
312Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual FLANGE Two input, two output flange effect. SYMPHONIC Two input, two output symphonic effect. PHASER Two input, two output 16-stage phaser. AUTO PAN Two input, two output autopanner. TREMOLO Two input, two output tremolo effect. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–500.0 ms Modulation delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) WAVESine, Tri Modulation waveform LSH F21.2 Hz–8.00 kHz Low shelving filter frequency LSH G–12.0 to +12.0 dB Low shelving filter gain EQ F100 Hz–8.00 kHz EQ (peaking type) frequency EQ G–12.0 to +12.0 dB EQ (peaking type) gain EQ Q10.0–0.10 EQ (peaking type) bandwidth HSH F50.0 Hz–16.0 kHz High shelving filter frequency HSH G–12.0 to +12.0 dB High shelving filter gain SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–500.0 ms Modulation delay time WAVESine, Tri Modulation waveform LSH F21.2 Hz–8.00 kHz Low shelving filter frequency LSH G–12.0 to +12.0 dB Low shelving filter gain EQ F100 Hz–8.00 kHz EQ (peaking type) frequency EQ G–12.0 to +12.0 dB EQ (peaking type) gain EQ Q10.0–0.10 EQ (peaking type) bandwidth HSH F50.0 Hz–16.0 kHz High shelving filter frequency HSH G–12.0 to +12.0 dB High shelving filter gain SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) OFFSET0–100Lowest phase-shifted frequency offset PHASE0.00–354.38 degreesLeft and right modulation phase balance STAGE2, 4, 6, 8, 10, 12, 14, 16Number of phase shift stages LSH F21.2 Hz–8.00 kHz Low shelving filter frequency LSH G–12.0 to +12.0 dB Low shelving filter gain HSH F50.0 Hz–16.0 kHz High shelving filter frequency HSH G–12.0 to +12.0 dB High shelving filter gain SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth DIR. 1 1. LR, L—>R, L
Effects Parameters313 DM1000 Version 2—Owner’s Manual Appendix HQ. PITCH One input, two output high-quality pitch shifter. DUAL PITCH Two input, two output pitch shifter. ROTARY One input, two output rotary speaker simulator. RING MOD. Two input, two output ring modulator. MOD. FILTER Two input, two output modulation filter. DISTORTION One input, two output distortion effect. Parameter Range Description PITCH–12 to +12 semi- tonesPitch shift FINE–50 to +50 cents Pitch shift fine DELAY0.0–1000.0 ms Delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) MODE1–10 Pitch shift precision SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1. (Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine DELAY Parameter Range Description PITCH 1–24 to +24 semi- tonesChannel #1 pitch shift FINE 1–50 to +50 cents Channel #1 pitch shift fine LEVEL 1–100 to +100%Channel #1 level (plus values for normal phase, minus values for reverse phase) PAN 1L63 to R63 Channel #1 pan DELAY 10.0–1000.0 ms Channel #1 delay time FB. G 1–99 to +99%Channel #1 feedback gain (plus values for normal-phase feed- back, minus values for reverse-phase feedback) PITCH 2–24 to +24 semi- tonesChannel #2 pitch shift FINE 2–50 to +50 cents Channel #2 pitch shift fine LEVEL 2–100 to +100%Channel #2 level (plus values for normal phase, minus values for reverse phase) PAN 2L63 to R63 Channel #2 pan DELAY 20.0–1000.0 ms Channel #2 delay time FB. G 2–99 to +99%Channel #2 feedback gain (plus values for normal-phase feed- back, minus values for reverse-phase feedback) MODE1–10 Pitch shift precision SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1 1. (Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine Channel #1 delay NOTE 2 1Used in conjunction with TEMPO to determine Channel #2 delay Parameter Range Description ROTAT ESTOP, START Rotation stop, start SPEEDSLOW, FASTRotation speed (see SLOW and FAST parameters) SLOW0.05–10.00 Hz SLOW rotation speed FAST0.05–10.00 Hz FAST rotation speed DRIVE0–100 Overdrive level ACCEL0–10 Acceleration at speed changes LOW0–100 Low-frequency filter HIGH0–100 High-frequency filter Parameter Range Description SOURCEOSC, SELFModulation source: oscillator or input signal OSC FREQ0.0–5000.0 Hz Oscillator frequency FM FREQ.0.05–40.00 HzOscillator frequency modulation speed FM DEPTH0–100%Oscillator frequency modulation depth SYNCOFF, ON Tempo parameter sync on/off NOTE FM 1 1.Used in conjunction with TEMPO to determine FM FREQ Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth PHASE0.00–354.38 degreesLeft-channel modulation and right-channel modulation phase difference TYPELPF, HPF, BPFFilter type: low pass, high pass, band pass OFFSET0–100 Filter frequency offset RESO.0–20 Filter resonance LEVEL0–100 Output level SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ Parameter Range Description DST TYPEDST1, DST2, OVD1, OVD2, CRUNCHDistortion type (DST = distor- tion, OVD = overdrive) DRIVE0–100 Distortion drive MASTER0–100 Master volume TONE–10 to +10 Tone N. GATE0–20 Noise reduction
314Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual AMP SIMULATE One input, two output guitar amp simulator. DYNA. FILTER Two input, two output dynamically controlled filter. DYNA. FLANGE Two input, two output dynamically controlled flanger. DYNA. PHASER Two input, two output dynamically controlled phaser. REV+CHORUS One input, two output reverb and chorus effects in parallel. Parameter Range Description AMP TYPE 1 1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLATGuitar amp simulation type DST TYPEDST1, DST2, OVD1, OVD2, CRUNCHDistortion type (DST = distor- tion, OVD = overdrive) DRIVE0–100 Distortion drive MASTER0–100 Master volume BASS0–100 Bass tone control MIDDLE0–100 Middle tone control TREBLE0–100 High tone control CAB DEP0–100%Speaker cabinet simulation depth EQ F100–8.00 kHz Parametric equalizer frequency EQ G–12.0 to +12.0 dB Parametric equalizer gain EQ Q10.0–0.10 Parametric equalizer bandwidth N. GATE0–20 Noise reduction Parameter Range Description SOURCEINPUT, MIDIControl source: input signal or MIDI Note On velocity SENSE0–100 Sensitivity DIR.UP, DOWNUpward or downward fre- quency change DECAY 1 1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)Filter frequency change decay speed TYPELPF, HPF, BPF Filter type OFFSET0–100 Filter frequency offset RESO.0–20 Filter resonance LEVEL0–100 Output Level Parameter Range Description SOURCEINPUT, MIDIControl source: input signal or MIDI Note On velocity SENSE0–100 Sensitivity DIR.UP, DOWNUpward or downward fre- quency change DECAY 1 1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)Decay speed OFFSET0–100 Delay time offset FB.GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) LSH F21.2 Hz–8.00 kHz Low shelving filter frequency LSH G–12.0 to +12.0 dB Low shelving filter gain EQ F100 Hz–8.00 kHz EQ (peaking type) frequency EQ G–12.0 to +12.0 dB EQ (peaking type) gain EQ Q10.0–0.10 EQ (peaking type) bandwidth HSH F50.0 Hz–16.0 kHz High shelving filter frequency HSH G–12.0 to +12.0 dB High shelving filter gain Parameter Range Description SOURCEINPUT, MIDIControl source: input signal or MIDI Note On velocity SENSE0–100 Sensitivity DIR.UP, DOWNUpward or downward fre- quency change DECAY 1 1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)Decay speed OFFSET0–100Lowest phase-shifted frequency offset FB.GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) STAGE2, 4, 6, 8, 10, 12, 14, 16Number of phase shift stages LSH F21.2 Hz–8.00 kHz Low shelving filter frequency LSH G–12.0 to +12.0 dB Low shelving filter gain HSH F50.0 Hz–16.0 kHz High shelving filter frequency HSH G–12.0 to +12.0 dB High shelving filter gain Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV/CHO0–100%Reverb and chorus balance (0% = all reverb, 100% = all chorus) FREQ.0.05–40.00 Hz Modulation speed AM DEPTH0–100% Amplitude modulation depth PM DEPTH0–100% Pitch modulation depth MOD. DLY0.0–500.0 ms Modulation delay time WAVESine, Tri Modulation waveform SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ.
Effects Parameters315 DM1000 Version 2—Owner’s Manual Appendix REV->CHORUS One input, two output reverb and chorus effects in series. REV+FLANGE One input, two output reverb and flanger effects in parallel. REV->FLANGE One input, two output reverb and flanger effects in series. REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV.BAL0–100%Reverb and chorused reverb bal- ance (0% = all chorused reverb, 100% = all reverb) FREQ.0.05–40.00 Hz Modulation speed AM DEPTH0–100% Amplitude modulation depth PM DEPTH0–100% Pitch modulation depth MOD. DLY0.0–500.0 ms Modulation delay time WAVESine, Tri Modulation waveform SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV/FLG0–100%Reverb and flange balance (0% = all reverb, 100% = all flange) FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–500.0 ms Modulation delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) WAVESine, Tri Modulation waveform SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV.BAL0–100%Reverb and flanged reverb bal- ance (0% = all flanged reverb, 100% = all reverb) FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–500.0 ms Modulation delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) WAVESine, Tri Modulation waveform SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV/SYM0–100%Reverb and symphonic balance (0% = all reverb, 100% = all symphonic) FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–500.0 ms Modulation delay time WAVESine, Tri Modulation waveform SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ.
316Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual REV->SYMPHO. One input, two output reverb and symphonic effects in series. REV->PAN One input, two output reverb and autopan effects in parallel. DELAY+ER. One input, two output delay and early reflections effects in parallel. Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV.BAL0–100%Reverb and symphonic reverb balance (0% = all symphonic reverb, 100% = all reverb) FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–500.0 ms Modulation delay time WAVESine, Tri Modulation waveform SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency REV.BAL0–100%Reverb and panned reverb bal- ance (0% = all panned reverb, 100% = all reverb) FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth DIR. 1 1. LR, L–>R, L
Effects Parameters317 DM1000 Version 2—Owner’s Manual Appendix DELAY->ER. One input, two output delay and early reflections effects in series. DELAY+REV One input, two output delay and reverb effects in parallel. Parameter Range Description DELAY L0.0–1000.0 ms Left channel delay time DELAY R0.0–1000.0 ms Right channel delay time FB. DLY0.0–1000.0 ms Feedback delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) HI. RATIO0.1–1.0 High-frequency feedback ratio HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency DLY.BAL0–100%Delay and early reflected delay balance (0% = all early reflected delay, 100% = all delay) TYPES-Hall, L-Hall, Ran- dom, Revers, Plate, SpringType of early reflection simula- tion ROOMSIZE0.1–20.0 Reflection spacing LIVENESS0–10Early reflections decay character- istics (0 = dead, 10 = live) INI. DLY0.0–500.0 ms Initial delay before reverb begins DIFF.0–10 Spread DENSITY0–100% Reverb density ER NUM.1–19 Number of early reflections SYNCOFF, ON Tempo parameter sync on/off NOTE L 1 1. (Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine left chan- nel DELAY L NOTE R 1Used in conjunction with TEMPO to determine right chan- nel DELAY R NOTE FB 1Used in conjunction with TEMPO to determine FB. DLY Parameter Range Description DELAY L0.0–1000.0 ms Left channel delay time DELAY R0.0–1000.0 ms Right channel delay time FB. DLY0.0–1000.0 ms Feedback delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) DELAY HI0.1–1.0Delay high-frequency feedback ratio HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency DLY.BAL0–100%Delay and reverb balance (0% = all delay, 100% = all reverb) REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins REV HI0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density SYNCOFF, ON Tempo parameter sync on/off NOTE L 1 1. (Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine left chan- nel DELAY L NOTE R 1Used in conjunction with TEMPO to determine right chan- nel DELAY R NOTE FB 1Used in conjunction with TEMPO to determine FB. DLY
318Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual DELAY->REV One input, two output delay and reverb effects in series. DIST->DELAY One input, two output distortion and delay effects in series. MULTI FILTER Two input, two output 3-band multi-filter (24 dB/octave). FREEZE One input, one output basic sampler. Parameter Range Description DELAY L0.0–1000.0 ms Left channel delay time DELAY R0.0–1000.0 ms Right channel delay time FB. DLY0.0–1000.0 ms Feedback delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) DELAY HI0.1–1.0Delay high-frequency feedback ratio HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency DLY.BAL0–100%Delay and delayed reverb bal- ance (0% = all delayed reverb, 100% = all delay) REV TIME0.3–99.0 s Reverb time INI. DLY0.0–500.0 ms Initial delay before reverb begins REV HI0.1–1.0 High-frequency reverb time ratio DIFF.0–10 Spread DENSITY0–100% Reverb density SYNCOFF, ON Tempo parameter sync on/off NOTE L 1 1. (Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine left chan- nel DELAY L NOTE R*1Used in conjunction with TEMPO to determine right chan- nel DELAY R NOTE FB*1Used in conjunction with TEMPO to determine FB. DLY Parameter Range Description DST TYPEDST1, DST2, OVD1, OVD2, CRUNCHDistortion type (DST = distor- tion, OVD = overdrive) DRIVE0–100 Distortion drive MASTER0–100 Master volume TONE–10 to +10 Tone control N. GATE0–20 Noise reduction DELAY0.0–2725.0 ms Delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) HI. RATIO0.1–1.0 High-frequency feedback ratio FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth DLY.BAL0–100%Distortion and delay balance (0% = all distortion, 100% = all delayed distortion) SYNCOFF, ON Tempo parameter sync on/off DLY.NOTE 1 1. ( Maximum value depends on the tempo setting)Used in conjunction with TEMPO to determine DELAY MOD.NOTE 2 2.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description TYPE 1HPF, LPF, BPFFilter 1 type: high pass, low pass, band pass TYPE 2HPF, LPF, BPFFilter 2 type: high pass, low pass, band pass TYPE 3HPF, LPF, BPFFilter 3 type: high pass, low pass, band pass FREQ. 128.0 Hz–16.0 kHz Filter 1 frequency FREQ. 228.0 Hz–16.0 kHz Filter 2 frequency FREQ. 328.0 Hz–16.0 kHz Filter 3 frequency LEVEL 10–100 Filter 1 level LEVEL 20–100 Filter 2 level LEVEL 30–100 Filter 3 level RESO. 10–20 Filter 1 resonance RESO. 20–20 Filter 2 resonance RESO. 30–20 Filter 3 resonance Parameter Range Description REC MODEMANUAL, INPUTIn MANUAL mode, recording is started by pressing the REC and PLAY buttons. In INPUT mode, Record-Ready mode is engaged by pressing the REC button, and actual recording is triggered by the input signal. REC DLY–1000 to +1000 msRecording delay. For plus values, recording starts after the trigger is received. For minus values, recording starts before the trigger is received. TRG LVL–60 to 0 dBInput trigger level (i.e., the signal level required to trigger record- ing or playback) TRG MASK0–1000 msOnce playback has been trig- gered, subsequent triggers are ignored for the duration of the TRG MASK time. PLY MODEMOMENT, CONTI., INPUTIn MOMENT mode, the sample plays only while the that the PLAY button is pressed. In CONT mode, playback continues once the PLAY button has been pressed. The number of times the sample plays is set using the LOOP NUM parameter. In INPUT mode, play- back is triggered by the input sig- nal. START 1 1. 0.0–5941.0 ms (fs=44.1 kHz), 0.0 ms–5458.3 ms (fs=48 kHz), 0.0–2970.5 ms (fs=88.2 kHz), 0.0 ms–2729.2 ms (fs=96 kHz)Playback start point in millisec- onds END 1Playback end point in milliseconds LOOP 1Loop start point in milliseconds LOOP NUM0–100 Number of times the sample plays START [SAMPLE]0–262000 Playback start point in samples END [SAMPLE]0–262000 Playback end point in samples LOOP [SAMPLE]0–262000 Loop start point in samples PITCH–12 to +12 semi- tonesPlayback pitch shift FINE–50 to +50 cents Playback pitch shift fine MIDI TRGOFF, C1–C6, ALLPLAY button can be triggered by using MIDI Note on/off messages.
Effects Parameters319 DM1000 Version 2—Owner’s Manual Appendix ST REVERB Two input, two output stereo reverb. REVERB 5.1 One input, six output reverb for 5.1 surround, with surround panning. OCTA REVERB Eight input, eight output reverb. AUTO PAN 5.1 Six input, six output autopanner for 5.1 surround. •When you press the RESET button, the phase will be initialized to the setting of the OFFSET parameter. Parameter Range Description REV TIME0.3–99.0 s Reverb time REV TYPEHall, Room, Stage, PlateReverb type INI. DLY0.0–100.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio LO. RATIO0.1–2.4 Low-frequency reverb time ratio DIFF.0–10Reverb diffusion (left–right reverb spread) DENSITY0–100% Reverb density E/R BAL.0–100%Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency Parameter Range Description REV TIME0.3–99.0 s Reverb time REV TYPEHall, Room, Stage, PlateReverb type HI. RATIO0.1–1.0 High-frequency reverb time ratio DIFF.0–10Reverb diffusion (left–right reverb spread) DENSITY0–100% Reverb density HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency DIV.0–100%Divergence determines how the front center signal is fed to the Left, Right, and Center channels. When set to 0%, it’s fed only to the Left and Right channels (i.e., Phantom Center). When set to 50%, it’s fed equally to the Left, Right, and Center channels. When set to 100%, it’s fed to only the Center channel (i.e., Real Center). ROOMSIZE0.1–20.0 Size of simulated room’s reverb POS L/RL63–R63 Left/right listening position POS F/RF63–R63 Front/rear listening position POS CTRLOFF, NOR, INV 1 1. When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL PAN/SURROUND [EFFECT] button’s indicator is on. When set to INV, the Joystick will work inversely. When set to OFF, Joystick control is off. ER L/RL63–R63 Left/right early reflections position ER F/RF63–R63Front/rear early reflections posi- tion ER LVL0–100% Early reflections level ER CTRLOFF, NOR, INV 1 REV L/RL63–R63 Left/right reverb position REV F/RF63–R63 Front/rear reverb position REV LVL0–100% Reverb level REV CTRLOFF, NOR, INV 1 POS RAD.0–63 Radius of the panning track at the listening position ER RAD. 0–63Radius of the panning track for early reflections REV RAD. 0–63Radius of the panning track for reverb Parameter Range Description REV TIME0.3–99.0 s Reverb time REV TYPEHall, Room, Stage, PlateReverb type INI. DLY0.0–100.0 ms Initial delay before reverb begins HI. RATIO0.1–1.0 High-frequency reverb time ratio LO. RATIO0.1–2.4 Low-frequency reverb time ratio DIFF.0–10Reverb diffusion (left–right reverb spread) DENSITY0–100% Reverb density E/R BAL.0–100%Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency Parameter Range Description SOURCEOFF, HOLD, INPUT1, INPUT2, INPUT3, INPUT4, INPUT5, INPUT6, MIDISource specifies the trigger that will initiate auto pan. When you press the TRIGGER button in the screen, auto pan will begin regardless of the setting of this parameter. OFF: No trigger is specified. Auto pan will always be off. HOLD: No trigger is specified. Auto pan will always be on. INPUT 1-6: The input signal to effect inputs 1-6 will be the trig- ger. MIDI: MIDI note-on messages will be the trigger. TRG LVL –60 to 0 dBIf SOURCE is set to INPUT, any signal with a level greater than the setting of this parameter will be detected as a trigger. TRG MASK0–1000 ms Trigger Mask specifies the time from when a trigger is received until the next trigger will be accepted. TIME0.1 s–10.0 sThe time after which autopan starts once it’s been triggered SPEED0.05–40.00 Hz Autopan speed DIR.Turn L, Turn R Autopan direction OFFSET–180 to +180 degreesPan offset HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency
320Appendix A: Parameter Lists DM1000 Version 2—Owner’s Manual CHORUS 5.1 Six input, six output chorus for 5.1 surround. FLANGE 5.1 Six input, six output flanger for 5.1 surround. SYMPHO. 5.1 Six input, six output symphonic effect for 5.1 sur- round. M.BAND DYNA. Two input, two output 3-band dynamics processor, with individual solo and gain reduction metering for each band. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed AM DEPTH0–100% Amplitude modulation depth PM DEPTH0–100% Pitch modulation depth MOD. DLY0.0–400.0 ms Modulation delay time WAVESine, Tri Modulation waveform HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–400.0 ms Modulation delay time FB. GAIN–99 to +99%Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feed- back) WAVESine, Tri Modulation waveform HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description FREQ.0.05–40.00 Hz Modulation speed DEPTH0–100% Modulation depth MOD. DLY0.0–400.0 ms Modulation delay time WAVESine, Tri Modulation waveform HPFTHRU, 21.2 Hz–8.00 kHzHigh-pass filter cutoff frequency LPF50.0 Hz–16.0 kHz, THRULow-pass filter cutoff frequency SYNCOFF, ON Tempo parameter sync on/off NOTE 1 1.Used in conjunction with TEMPO to determine FREQ. Parameter Range Description LOW GAIN–96.0 to +12.0 dB Low band level MID GAIN–96.0 to +12.0 dB Mid band level HI. GAIN–96.0 to +12.0 dB High band level PRESENCE–10 to +10For positive values, the threshold of the high band is lowered and the threshold of the low band is increased. For negative values, the opposite will occur. When set to 0, all three bands are affected the same. CMP. THRE24.0 to 0.0 dB Compressor threshold CMP. RAT1:1 to 20:1 Compressor ratio CMP. ATK0–120 ms Compressor attack CMP. REL 1Compressor release time CMP. KNEE0–5 Compressor knee LOOKUP0.0–100.0 ms Lookup delay CMP. BYPOFF, ON Compressor bypass L–M XOVR21.2 Hz–8.00 kHz Low/mid crossover frequency M–H XOVR21.2 Hz–8.00 kHz Mid/high crossover frequency SLOPE–6 to –12 dB Filter slope CEILING–6.0 to 0.0 dB, OFFSpecifies the maximum output level EXP. THRE–54.0 to –24.0 dB Expander threshold EXP. RAT1:1 to ∞:1 Expander ratio EXP. REL 1 1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)Expander release time EXP. BYPOFF, ON Expander bypass LIM. THRE–12.0 to 0.0 dB Limiter threshold LIM. ATK0–120 ms Limiter attack LIM. REL 1Limiter release time LIM. BYPOFF, ON Limiter bypass LIM. KNEE0–5 Limiter knee SOLO LOWOFF, ONIf this is on, only the low-fre- quency band will be output. SOLO MIDOFF, ONIf this is on, only the mid-fre- quency band will be output. SOLO HIGHOFF, ONIf this is on, only the high-fre- quency band will be output.