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Yamaha Motif 8 Owners Manual

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    							221MOTIF  Reference
    Pattern Record mode
    Reference  Pattern mode
    The methods for editing each event in the display 
    above and for inserting/deleting events (by using the 
    [F5]/[F6] buttons) are the same as in the Song Edit 
    mode. See page 190.  
    ● [F6]-[EDIT]-[F2] Copy
    Pressing the [SF3] button in the Pattern Chain Edit 
    mode calls up the Copy display below, letting you 
    copy all pattern chain events from a specified range 
    of measures (source) to a destination location.  Keep 
    in mind that this overwrites any existing events at 
    the destination.
    • Source range, Destination range (Measure)
    ❏Settings 001~999 
    • NumberOfTimes
     Specifies the number of times the data is copied.
    ❏Settings 01~99
    This operation overwrites any events already existing at 
    the destination.
    ● [F6]-[EDIT]-[F3] Convert
    This function converts the pattern chain data to 
    song data (standard MIDI format) and places the 
    results in the normal song tracks.
    Pressing the [SF4] button in the Pattern Chain Edit 
    mode calls up the Convert display below.  Specify 
    the desired destination song and measure number 
    to which the converted data is to be copied, then 
    press the [SF5] button to execute.
    This operation overwrites any data already existing at the 
    destination range.
    Pattern Record mode
    Quick Start Guide (page 102)
    The MOTIF features a wealth of preset phrases in a 
    variety of music genres.  It also features comprehensive 
    phrase recording functions, that let you create your 
    own phrases and use them to build your own original 
    patterns.
    nFor details about recording methods, see page 53 .
    ◆ About the recording track
    When recording patterns, you’ll need to specify the 
    track to be recorded — just as is done in Song 
    recording.  The operations differ depending on the 
    specific phrase assignments, as described below.
    • If the preset phrase is assigned to the track...
    You cannot record. Even if you specify the track to which 
    the preset phrase is assigned and try to record, an error 
    message will appear. 
    • If the user phrase is assigned to the track...
    The data of the user phrase assigned to the specified track 
    is overwitten by recording. 
    • If the phrase is not assigned to the track...
    Recording is donw to an empty user phrase.  The newly 
    created phrase is automatically assigned to the recording 
    track. 
    ◆ Basic Procedure
    1   In the Pattern Play mode, select a pattern (style 
    and section) to be recorded. 
    2 Press the [REC] button to enter the Pattern Record 
    mode.  (The indicator lights.)  The Pattern Record 
    Setup display shown below appears.
    3 Set basic parameters for recording (e.g., recording 
    track, type, tempo, and so on).
    Source range
    Destination range
    REC 
    						
    							222MOTIF  Reference
    Pattern Record mode  
    Reference  Pattern mode
    nPlease note that the time signature can be set in the 
    Pattern Play display. See page 217.
    nThe method for selecting the recording track is the 
    same as in Pattern track selection (page 218).
    4 Change the display by pressing the [F2] - [F3] 
    buttons and set various parameters for recording. 
    5 Press the [F] button to start recording.
    • When any of the Realtime recording methods 
    (any setting other than “step”) is selected in step 
    #3, your keyboard playing and controller moves 
    are automatically recorded.
    • When “step” is selected in step #3, compose your 
    recording by entering each note individually.
    6 After completing your performance (in Realtime 
    recording) or completing step recording, press the 
    [■] button to stop recording. 
    7 Press the [F] button to hear your newly 
    recorded phrase. 
    8 Save the recorded phrase data to a memory card or 
    a SCSI device connected to the MOTIF. 
    The recorded (edited) phrase data resides temporarily in 
    DRAM (page 64). Because data contained in DRAM is 
    lost when the power is turned off, you should always store 
    any data residing in DRAM to a memory card or an 
    external SCSI device before turning off the power.
    • For detailed instructions on steps #3 - #4, see the 
    following explanations. 
    • For details on steps #5 - #6
    , refer to “Quick Start 
    Guide” on page 102.
    • For details on step #8
    , refer to “File mode” on 
    page 266.
    nThe following explanations apply to MIDI data 
    recording (creating MIDI tracks).  For instructions 
    on recording audio data (creating sample tracks), 
    see “Sampling mode” on page 233.
    Setting up before recording
    The explanations here apply to steps #3 - #4 of the 
    Basic Procedure on page 221, page 222.
    ● [F1] Pattern Record Setup
    Basic Structure (page 51)
    When recording type is set to something other 
    than “step”: 
    When recording type is set to “step”: 
    • Type (Recording type)
    Determines the recording method.
    ❏Settings:  replace, overdub, step
    nUnlike in the Song Record mode, Punch recording 
    is not available for pattern recording.
    • Loop
    Turns loop recording ON or OFF.
    When ON, the phrase will play repeatedly during real-time 
    recording. This can be handy when recording drum parts, 
    allowing you to add different instruments on each pass.
    When OFF recording stops after one pass through the 
    phrase.
    ❏Settings: on, off
    REC
    To erase specific notes from the recording, simultaneously
    hold down the [F6] button and press the note you wish to
    delete. This is especially convenient when erasing specific
    instruments in a selected Drum voice.Tempo Time signature (set in the Pattern Play display)
    This lets you determine whether the Arpeggio 
    playback data is recorded to the Pattern track or 
    not. (Press the [F4] button.) When    is indicated, 
    the Arpeggio playback data is recorded to the 
    Song track.
    This lets you turn the click sound 
    (metronome) on/off for recording. 
    (Press the [F5] button.) When      
    is indicated, the click sounds.
    Tempo Time signature 
    (set in the Pattern Play display). 
    						
    							223MOTIF  Reference
    Pattern Record mode
    Reference  Pattern mode
    • Quantize
    This convenient feature lets you automatically quantize 
    the notes in real time, as you record. Quantize aligns the 
    timing of note events to the nearest beat. This parameter 
    determines whether real-time Quantize is on or not, and 
    the resolution to which the notes will be aligned.
    ❏Settings: off, 60 (32nd note), 80 (16th note triplet), 120 
    (16th note), 160 (8th note triplet), 240 (8th 
    note), 320 (1/4 note triplet), 480 (1/4 note)
    • Event
    This parameter is available when the Recording Type is set 
    to “step.” This lets you specify the event type to be 
    entered. 
    ❏Settings:  note, p.bend (pitch bend), CC#000~#119 
    (Control Change)
    • Tempo
    Determines the Pattern tempo. 
    ❏Settings: 001.0 ~300.0
    ● [F2] Pattern Record  Voice
    From this display you can set voice-related 
    parameters for the selected track.  The settings 
    made here affect the tone generator parts whose 
    MIDI receive channels match the MIDI transmit 
    channel of the song track.  The voice set here 
    becomes the phrase voice (page 52).
    Parameters are the same as in the Song Record 
    mode. See page 188. 
    ● [F3] Pattern Record Arpeggio
    From this display you can set various Arpeggio-
    related parameters for the selected track.
    Parameters are the same as in the Song Record mode. 
    See page 189. 
    Pattern Recording
    The explanations here apply to steps #5 - #6 of the 
    Basic Procedure on page 222.
    ■ Realtime Recording
    See “Quick Start Guide” on page 103. 
    ■ Step Recording
    If you press the [F] button in step #5 of the Basic 
    Procedure on page 222 , the Event display appears and 
    you can input individual events one by one.  The 
    method for inputting events is the same as in Step 
    recording in the Song mode. See pages 183 ~ 186. 
    Determines whether Arpeggio playback
    data is recorded to the track or not. 
    (Press the [F4] button.) 
    						
    							224MOTIF  Reference
    Pattern Edit mode  
    Reference  Pattern mode
    Pattern Edit mode
    This mode gives you comprehensive, detailed controls 
    for editing the MIDI events of each phrase of the 
    recorded pattern.  MIDI events are messages (such as 
    note on/off, note number, program change number, 
    etc.) that make up the data of a recorded pattern.
    ◆ Basic Procedure
    Basic Operation (page 70)
    1 In the Pattern Play mode, select a style and phrase 
    to be edited. 
    2 Press the [EDIT] button to enter the Pattern Edit 
    mode.  (The indicator lights.)  The Pattern Event 
    List display shown below appears.
    3 Revise, insert or delete the MIDI events as needed.  
    If you find the display too cluttered, you can filter 
    out certain event types with the View Filter.  
    Simply press the [F2] button and select the event 
    types you want to be displayed.
    4 After completing editing, press the [PATTERN] 
    button to return back to the Pattern Play mode. 
    5 Press the [F] button to hear your edited data. 
    6 Edit other Phrases as required. Repeat steps #2 
    through #5 as desired. 
    7 After editing, save your pattern data to a memory 
    card or a SCSI device connected to the MOTIF in 
    the File mode. 
    • For detailed instructions on step #3
    , see the 
    following explanations. 
    • For details on step #7
    , refer to “File mode” on 
    page 266.
    MIDI events that can be edited
    All MIDI events and parameters (edited in step #3 of 
    the Basic Procedure above) are the same as those in the 
    Song Edit mode. For details, see page 190. 
    Event Editing/Inserting/Deleting
    All event editing operations and parameters (done in 
    step #3 of the Basic Procedure above) are the same as 
    those in the Song Edit mode. For details, see page 190. 
    Event View Filter
    All Event View Filter operations and settings (done  in 
    step #3 of the Basic Procedure above) are the same as 
    those in the Song Edit mode. For details, see page 192.
    Events Measure
    numberClock
    (480 clocks
    per quarter-note) Beat
    EDIT 
    						
    							225MOTIF  Reference
    Pattern Job mode
    Reference  Pattern mode
    Pattern Job mode
    The Pattern Job mode contains a comprehensive set of 
    editing tools and functions you can use to change the 
    sound of your original pattern, as created by the 
    Pattern Patch function or from the Pattern Record 
    mode.  It also includes a variety of convenient 
    operations, such as copying or erasing data.  Most of 
    these operations can be performed on either an entire 
    track or a selected range of measures in the track.
    ◆ Basic Procedure
    1In the Pattern Play mode, select a style and section 
    you wish to execute the Job on. 
    2Press the [JOB] button to enter Pattern Job Mode.
     
    3Select the desired Job menu by pressing the 
    appropriate button, [F2] - [F6].
    4Use the CURSOR buttons to scroll to the desired 
    Job. 
    5Press the [ENTER] button to go to the selected Job 
    display. 
    6Set the relevant Job parameters.
    7Press the [ENTER] button.  (The display prompts 
    you for confirmation.)
    8Press the [INC/YES] button to execute the Job. 
    After the Job has been completed, a “Completed” 
    message appears and operation returns to the 
    original display.
    nTo cancel the Job, press the [DEC/NO] button.
    For Jobs that take longer to process, you will see the 
    message “Executing…” during processing. If you switch 
    off the power of the MOTIF  while this message is 
    displayed, you risk corrupting your data. 
    9If you wish to undo the changes made in the steps 
    above, press the [F1] button and (to select Undo/
    Redo) and use the Undo function.
    10Press the [PATTERN] button to exit from the 
    Pattern Job mode and return to the Pattern Play 
    mode. 
    • For detailed instructions on steps #3 - #9
    , see the 
    explanations below. 
    [F1] Undo/Redo
    The explanations here apply to step #9 of the Basic 
    Procedure on see below. 
    The operations are the same as in the Song Job mode. 
    See page 193. 
    Undo/Redo does not work with sample voice operations.
    [F2] Note data Job
    Press the [F2] button in step #3 of the Basic Procedure 
    (see below), so that the Note data Job list appears on 
    the display. Scroll the cursor to the desired Job and 
    press the [ENTER] button to go to the display of the 
    selected Job. 
    The following explanations apply to step #6 of the 
    Basic Procedure see above. 
    nThe Note data Jobs in the Pattern mode are basically 
    same as in the Song Job mode. However, unlike in the 
    Song Job mode, Pattern Note data Jobs are applied to the 
    phrases (001 - 256) and a selected range in the phrase 
    (measure : beat : clock).
    ● [F2]-01 Quantize
    Same as in the Song Job mode. See page 194. 
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied. 
    						
    							226MOTIF  Reference
    Pattern Job mode  
    Reference  Pattern mode
    ● [F2]-02 Modify Velocity
    Same as in the Song Job mode. See page 195. 
    ● [F2]-03 Modify Gate Time
    Same as in the Song Job mode. See page 195. 
    ● [F2]-04 Crescendo
    Same as in the Song Job mode. See page 196. 
    ● [F2]-05 Transpose
    Same as in the Song Job mode. See page 196. 
    ● [F2]-06 Glide
    Same as in the Song Job mode. See page 196. 
    ● [F2]-07 Create Roll
    Same as in the Song Job mode. See page 196. 
    ● [F2]-08 Sort Chord 
    Same as in the Song Job mode. See page 197. 
    ● [F2]-09 Separate Chord 
    Same as in the Song Job mode. See page 198. 
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied. 
    						
    							227MOTIF  Reference
    Pattern Job mode
    Reference  Pattern mode
    [F3] Event Job
    Press the [F3] button in step #3 of the Basic Procedure 
    on page 225 so that the Event Job list appears on the 
    display. Scroll the cursor to the desired Job and press the 
    [ENTER] button to go to the display of the selected Job. 
    The following explanations apply to step #6 of the 
    Basic Procedure on page 225. 
    nThe Event Jobs in the Pattern mode are basically same as 
    in the Song Job mode. However, unlike in the Song Job 
    mode, Pattern Event Jobs are applied to the phrases (001 - 
    256) and a selected range in the phrase (measure : beat : 
    clock).
    ● [F3]-01 Shift Clock
    Same as in the Song Job mode. See page 198. 
    ● [F3]-02 Copy Event
    This job copies all data from a specified source 
    range to a specified destination location.
    • Number Of Times
    Specifies the number of times the data is copied.
    ❏Settings 01~99
    When Copy Event is executed any data already existing at 
    the Destination location will be overwritten.
    ● [F3]-03 Erase Event
    Same as in the Song Job mode. See page 199. 
    nUnlike in the Song Job mode, you cannot select 
    “Tempo,” “Scene Memory,” or “Track Mute” as 
    Event Types.
    ● [F3]-04 Extract Event
    Same as in the Song Job mode. See page 199. 
    ● [F3]-05 Create Continuous Data
    Same as in the Song Job mode. See page 199. 
    nUnlike in the Song Job mode, you cannot select 
    “Tempo” as an Event Type. 
    ● [F3]-06 Thin Out
    Same as in the Song Job mode. See page 200. 
    nUnlike in the Song Job mode, you cannot select 
    “All” as an Event Type. 
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase to which 
    the job is applied.
    Set the range (in measures/beats/
    clocks) from which the data will be copied.
    Specify the location to which
    the data will be copied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    eats/clocks) over which the Job is applied.
    Select the destination phrase.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied. 
    						
    							228MOTIF  Reference
    Pattern Job mode  
    Reference  Pattern mode
    ● [F3]-07 Modify Control Data
    Same as in the Song Job mode. See page 200. 
    nUnlike in the Song Job mode, you cannot select 
    “Tempo” as an Event Type. 
    ● [F3]-08 Beat Stretch
    Same as in the Song Job mode. See page 200. 
    [F4] Phrase Job
    Press the [F4] button in step #3 of the Basic Procedure 
    on page 225 so that the Phrase Job list appears on the 
    display. Scroll the cursor to the desired Job and press the 
    [ENTER] button to go to the display of the selected Job. 
    The following explanations apply to step #6 of the 
    Basic Procedure on page 225. 
    ● [F4]-01 Copy Phrase
    This Job copies a selected phrase to the designated 
    destination phrase.
    Any previous data in the copy destination will be 
    overwritten.
    Undo/Redo (page 225) cannot be used to undo/redo a 
    sample voice copy operation.
    nWhen there is no memory available in the 
    destination style for sample voice data, an error 
    message will appear on the display and the sample 
    voice data will not be copied. If this occurs, use 
    Sample Job 02 “Delete” to delete any unused 
    sample voices, then try again.
    ● [F4]-02 Exchange Phrase
    This Job exchanges or “swaps” the contents of two 
    specified phrases.
    nIf this Job is applied to phrases which use sample 
    voices, the sample voices will not be exchanged.
    ● [F4]-03 Mix Phrase
    This Job mixes all data from two selected user 
    phrases (“A” and “B”), and places the result in 
    phrase B.  One useful application for this would be 
    to free up the data in phrase A, letting you record 
    new data to it.
    nKeep in mind that applying this Job to phrases with 
    sample voices does not mix the sample voices.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Specify the phrase and the range (in measures/
    beats/clocks) over which the Job is applied.
    Selects the style and phrase to be copied.
    (Preset phrase also can be selected.) Specify the destination
    style and phrase.
    When this box is checkmarked, sample voices used by the 
    source phrase are copied to the destination style as
    sample voices, and are assigned to the destination phrase.
    Target phrases for the Exchange operation
    Phrase B
    Mix Phrase
    Phrase B Phrase A 
    						
    							229MOTIF  Reference
    Pattern Job mode
    Reference  Pattern mode
    ● [F4]-04 Append Phrase
    This Job appends one phrase to the end of another 
    to create one longer phrase.
    nIf this job is applied to phrases which use sample 
    voices, the sample voices will not be appended.
    ● [F4]-05 Split Phrase
    This Job splits a selected phrase into two separate 
    phrases.
    nWhen either Style or Phrase is set to “off”, the split 
    Phrase B data is erased.
    • Meter 
    Sets the meter of phrase B after the split operation.
    ❏Settings 1/16~16/16, 1/8~16/8, 1/4~16/4
    The job overwrites any data already existing in destination 
    phrase B.
    nIf this job is applied to phrases which use sample 
    voices, the sample voices will not be split. 
    ● [F4]-06 Get Phrase From Song
    This Job copies a segment of sequence-track data 
    from a song into the designated destination phrase.
    The job overwrites any data already existing in the 
    destination phrase.
    Undo/Redo (page 225) cannot be used to undo/redo a 
    sample voice copy operation.
    nWhen there is no memory available in the 
    destination style for sample voice data, an error 
    message will appear on the display and the sample 
    voice data will not be copied. If this occurs, use 
    Sample Job 02 “Delete” to delete any unused 
    samples, then try again.
    ● [F4]-07 Put Phrase To Song
    This Job copies a selected user phrase into a 
    specified area of a selected song.
    The job overwrites any data already existing in the 
    destination track. 
    Undo/Redo (page 225) cannot be used to undo/redo a 
    sample voice copy operation.
    nWhen there is no memory available in the 
    destination song for sample voice data, an error 
    message will appear on the display and the sample 
    voice data will not be copied. If this occurs, use 
    Sample Job “Delete” to delete any unused samples, 
    then try again.
    Phrase BAppend Phrase Phrase A
    Phrase A is divided at the Split Point (the
    measure number set in the above display).
    Phrase A
    Phrase B
    Phrase A
    When this box is checkmarked, sample voices used by the source track 
    are copied to the destination style as sample voices, and are assigned 
    to destination phrase. This parameter has no effect when no sample
    voice is used by the source track.
    Source song, track, and range of
    measures to be copied
    Destination phrase
    Destination phrase
    When this box is checkmarked, sample voices used by the source track 
    are copied to the destination style as sample voices, and are assigned 
    to destination phrase. This parameter has no effect when no sample
    voice is used by the source track.Source song, track, and range of
    measures to be copied 
    						
    							230MOTIF  Reference
    Pattern Job mode  
    Reference  Pattern mode
    ● [F4]-08 Clear Phrase
    This Job deletes all data from the selected phrase.
    Undo/Redo (page 225) cannot be used to undo/redo a 
    Delete Sample operation.
    ● [F4]-09 Phrase Name
    Basic Operation (page 75)
    This Job lets you assign a name (of up to eight 
    characters) to the selected phrase.
    See “Basic Operation” on page 75. 
    [F5] Track Job
    Press the [F5] button in step #3 of the Basic Procedure 
    on page 225 so that the Track Job list appears on the 
    display. Scroll the cursor to the desired Job and press 
    the [ENTER] button to go to the display of the selected 
    Job. 
    The following explanations apply to step #6 of the 
    Basic Procedure on page 225. 
    ● [F5]-01 Copy Track
    This Job copies all data of the selected type from 
    specified source track to specified destination track.
    Same as in the Song Job mode. See page 202. 
    ● [F5]-02 Exchange Track
    This Job exchanges or “swaps” the specified type of 
    data between two specified tracks in the current 
    style and section.
    Same as in the Song Job mode. See page 202. 
    ● [F5]-03 Clear Track
    This Job deletes all data of the selected type from 
    the selected pattern track.
    Same as in the Song Job mode. See page 202. 
    ● [F5]-04 Normalize Play Effect
    This job rewrites the data in the selected track so 
    that it incorporates the current Grid Groove 
    settings.
    Same as in the Song Job mode. See page 203. 
    Phrase to be cleared
    When this box is checkmarked, sample data
    assigned to the selected phrase will be deleted.
    This parameter has no effect when no sample
    voice is used by the selected phrase.
    Types of data to be copied
    Source style, ection, and track
    Destination style, section, and track
    Target tracks for the Exchange operation
    Types of data to be exchanged
    Types of data to be cleared Section and track from which data is to be cleared 
    						
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