Yamaha Motif 8 Owners Manual
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221MOTIF Reference Pattern Record mode Reference Pattern mode The methods for editing each event in the display above and for inserting/deleting events (by using the [F5]/[F6] buttons) are the same as in the Song Edit mode. See page 190. ● [F6]-[EDIT]-[F2] Copy Pressing the [SF3] button in the Pattern Chain Edit mode calls up the Copy display below, letting you copy all pattern chain events from a specified range of measures (source) to a destination location. Keep in mind that this overwrites any existing events at the destination. • Source range, Destination range (Measure) ❏Settings 001~999 • NumberOfTimes Specifies the number of times the data is copied. ❏Settings 01~99 This operation overwrites any events already existing at the destination. ● [F6]-[EDIT]-[F3] Convert This function converts the pattern chain data to song data (standard MIDI format) and places the results in the normal song tracks. Pressing the [SF4] button in the Pattern Chain Edit mode calls up the Convert display below. Specify the desired destination song and measure number to which the converted data is to be copied, then press the [SF5] button to execute. This operation overwrites any data already existing at the destination range. Pattern Record mode Quick Start Guide (page 102) The MOTIF features a wealth of preset phrases in a variety of music genres. It also features comprehensive phrase recording functions, that let you create your own phrases and use them to build your own original patterns. nFor details about recording methods, see page 53 . ◆ About the recording track When recording patterns, you’ll need to specify the track to be recorded — just as is done in Song recording. The operations differ depending on the specific phrase assignments, as described below. • If the preset phrase is assigned to the track... You cannot record. Even if you specify the track to which the preset phrase is assigned and try to record, an error message will appear. • If the user phrase is assigned to the track... The data of the user phrase assigned to the specified track is overwitten by recording. • If the phrase is not assigned to the track... Recording is donw to an empty user phrase. The newly created phrase is automatically assigned to the recording track. ◆ Basic Procedure 1 In the Pattern Play mode, select a pattern (style and section) to be recorded. 2 Press the [REC] button to enter the Pattern Record mode. (The indicator lights.) The Pattern Record Setup display shown below appears. 3 Set basic parameters for recording (e.g., recording track, type, tempo, and so on). Source range Destination range REC
222MOTIF Reference Pattern Record mode Reference Pattern mode nPlease note that the time signature can be set in the Pattern Play display. See page 217. nThe method for selecting the recording track is the same as in Pattern track selection (page 218). 4 Change the display by pressing the [F2] - [F3] buttons and set various parameters for recording. 5 Press the [F] button to start recording. • When any of the Realtime recording methods (any setting other than “step”) is selected in step #3, your keyboard playing and controller moves are automatically recorded. • When “step” is selected in step #3, compose your recording by entering each note individually. 6 After completing your performance (in Realtime recording) or completing step recording, press the [■] button to stop recording. 7 Press the [F] button to hear your newly recorded phrase. 8 Save the recorded phrase data to a memory card or a SCSI device connected to the MOTIF. The recorded (edited) phrase data resides temporarily in DRAM (page 64). Because data contained in DRAM is lost when the power is turned off, you should always store any data residing in DRAM to a memory card or an external SCSI device before turning off the power. • For detailed instructions on steps #3 - #4, see the following explanations. • For details on steps #5 - #6 , refer to “Quick Start Guide” on page 102. • For details on step #8 , refer to “File mode” on page 266. nThe following explanations apply to MIDI data recording (creating MIDI tracks). For instructions on recording audio data (creating sample tracks), see “Sampling mode” on page 233. Setting up before recording The explanations here apply to steps #3 - #4 of the Basic Procedure on page 221, page 222. ● [F1] Pattern Record Setup Basic Structure (page 51) When recording type is set to something other than “step”: When recording type is set to “step”: • Type (Recording type) Determines the recording method. ❏Settings: replace, overdub, step nUnlike in the Song Record mode, Punch recording is not available for pattern recording. • Loop Turns loop recording ON or OFF. When ON, the phrase will play repeatedly during real-time recording. This can be handy when recording drum parts, allowing you to add different instruments on each pass. When OFF recording stops after one pass through the phrase. ❏Settings: on, off REC To erase specific notes from the recording, simultaneously hold down the [F6] button and press the note you wish to delete. This is especially convenient when erasing specific instruments in a selected Drum voice.Tempo Time signature (set in the Pattern Play display) This lets you determine whether the Arpeggio playback data is recorded to the Pattern track or not. (Press the [F4] button.) When is indicated, the Arpeggio playback data is recorded to the Song track. This lets you turn the click sound (metronome) on/off for recording. (Press the [F5] button.) When is indicated, the click sounds. Tempo Time signature (set in the Pattern Play display).
223MOTIF Reference Pattern Record mode Reference Pattern mode • Quantize This convenient feature lets you automatically quantize the notes in real time, as you record. Quantize aligns the timing of note events to the nearest beat. This parameter determines whether real-time Quantize is on or not, and the resolution to which the notes will be aligned. ❏Settings: off, 60 (32nd note), 80 (16th note triplet), 120 (16th note), 160 (8th note triplet), 240 (8th note), 320 (1/4 note triplet), 480 (1/4 note) • Event This parameter is available when the Recording Type is set to “step.” This lets you specify the event type to be entered. ❏Settings: note, p.bend (pitch bend), CC#000~#119 (Control Change) • Tempo Determines the Pattern tempo. ❏Settings: 001.0 ~300.0 ● [F2] Pattern Record Voice From this display you can set voice-related parameters for the selected track. The settings made here affect the tone generator parts whose MIDI receive channels match the MIDI transmit channel of the song track. The voice set here becomes the phrase voice (page 52). Parameters are the same as in the Song Record mode. See page 188. ● [F3] Pattern Record Arpeggio From this display you can set various Arpeggio- related parameters for the selected track. Parameters are the same as in the Song Record mode. See page 189. Pattern Recording The explanations here apply to steps #5 - #6 of the Basic Procedure on page 222. ■ Realtime Recording See “Quick Start Guide” on page 103. ■ Step Recording If you press the [F] button in step #5 of the Basic Procedure on page 222 , the Event display appears and you can input individual events one by one. The method for inputting events is the same as in Step recording in the Song mode. See pages 183 ~ 186. Determines whether Arpeggio playback data is recorded to the track or not. (Press the [F4] button.)
224MOTIF Reference Pattern Edit mode Reference Pattern mode Pattern Edit mode This mode gives you comprehensive, detailed controls for editing the MIDI events of each phrase of the recorded pattern. MIDI events are messages (such as note on/off, note number, program change number, etc.) that make up the data of a recorded pattern. ◆ Basic Procedure Basic Operation (page 70) 1 In the Pattern Play mode, select a style and phrase to be edited. 2 Press the [EDIT] button to enter the Pattern Edit mode. (The indicator lights.) The Pattern Event List display shown below appears. 3 Revise, insert or delete the MIDI events as needed. If you find the display too cluttered, you can filter out certain event types with the View Filter. Simply press the [F2] button and select the event types you want to be displayed. 4 After completing editing, press the [PATTERN] button to return back to the Pattern Play mode. 5 Press the [F] button to hear your edited data. 6 Edit other Phrases as required. Repeat steps #2 through #5 as desired. 7 After editing, save your pattern data to a memory card or a SCSI device connected to the MOTIF in the File mode. • For detailed instructions on step #3 , see the following explanations. • For details on step #7 , refer to “File mode” on page 266. MIDI events that can be edited All MIDI events and parameters (edited in step #3 of the Basic Procedure above) are the same as those in the Song Edit mode. For details, see page 190. Event Editing/Inserting/Deleting All event editing operations and parameters (done in step #3 of the Basic Procedure above) are the same as those in the Song Edit mode. For details, see page 190. Event View Filter All Event View Filter operations and settings (done in step #3 of the Basic Procedure above) are the same as those in the Song Edit mode. For details, see page 192. Events Measure numberClock (480 clocks per quarter-note) Beat EDIT
225MOTIF Reference Pattern Job mode Reference Pattern mode Pattern Job mode The Pattern Job mode contains a comprehensive set of editing tools and functions you can use to change the sound of your original pattern, as created by the Pattern Patch function or from the Pattern Record mode. It also includes a variety of convenient operations, such as copying or erasing data. Most of these operations can be performed on either an entire track or a selected range of measures in the track. ◆ Basic Procedure 1In the Pattern Play mode, select a style and section you wish to execute the Job on. 2Press the [JOB] button to enter Pattern Job Mode. 3Select the desired Job menu by pressing the appropriate button, [F2] - [F6]. 4Use the CURSOR buttons to scroll to the desired Job. 5Press the [ENTER] button to go to the selected Job display. 6Set the relevant Job parameters. 7Press the [ENTER] button. (The display prompts you for confirmation.) 8Press the [INC/YES] button to execute the Job. After the Job has been completed, a “Completed” message appears and operation returns to the original display. nTo cancel the Job, press the [DEC/NO] button. For Jobs that take longer to process, you will see the message “Executing…” during processing. If you switch off the power of the MOTIF while this message is displayed, you risk corrupting your data. 9If you wish to undo the changes made in the steps above, press the [F1] button and (to select Undo/ Redo) and use the Undo function. 10Press the [PATTERN] button to exit from the Pattern Job mode and return to the Pattern Play mode. • For detailed instructions on steps #3 - #9 , see the explanations below. [F1] Undo/Redo The explanations here apply to step #9 of the Basic Procedure on see below. The operations are the same as in the Song Job mode. See page 193. Undo/Redo does not work with sample voice operations. [F2] Note data Job Press the [F2] button in step #3 of the Basic Procedure (see below), so that the Note data Job list appears on the display. Scroll the cursor to the desired Job and press the [ENTER] button to go to the display of the selected Job. The following explanations apply to step #6 of the Basic Procedure see above. nThe Note data Jobs in the Pattern mode are basically same as in the Song Job mode. However, unlike in the Song Job mode, Pattern Note data Jobs are applied to the phrases (001 - 256) and a selected range in the phrase (measure : beat : clock). ● [F2]-01 Quantize Same as in the Song Job mode. See page 194. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied.
226MOTIF Reference Pattern Job mode Reference Pattern mode ● [F2]-02 Modify Velocity Same as in the Song Job mode. See page 195. ● [F2]-03 Modify Gate Time Same as in the Song Job mode. See page 195. ● [F2]-04 Crescendo Same as in the Song Job mode. See page 196. ● [F2]-05 Transpose Same as in the Song Job mode. See page 196. ● [F2]-06 Glide Same as in the Song Job mode. See page 196. ● [F2]-07 Create Roll Same as in the Song Job mode. See page 196. ● [F2]-08 Sort Chord Same as in the Song Job mode. See page 197. ● [F2]-09 Separate Chord Same as in the Song Job mode. See page 198. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied.
227MOTIF Reference Pattern Job mode Reference Pattern mode [F3] Event Job Press the [F3] button in step #3 of the Basic Procedure on page 225 so that the Event Job list appears on the display. Scroll the cursor to the desired Job and press the [ENTER] button to go to the display of the selected Job. The following explanations apply to step #6 of the Basic Procedure on page 225. nThe Event Jobs in the Pattern mode are basically same as in the Song Job mode. However, unlike in the Song Job mode, Pattern Event Jobs are applied to the phrases (001 - 256) and a selected range in the phrase (measure : beat : clock). ● [F3]-01 Shift Clock Same as in the Song Job mode. See page 198. ● [F3]-02 Copy Event This job copies all data from a specified source range to a specified destination location. • Number Of Times Specifies the number of times the data is copied. ❏Settings 01~99 When Copy Event is executed any data already existing at the Destination location will be overwritten. ● [F3]-03 Erase Event Same as in the Song Job mode. See page 199. nUnlike in the Song Job mode, you cannot select “Tempo,” “Scene Memory,” or “Track Mute” as Event Types. ● [F3]-04 Extract Event Same as in the Song Job mode. See page 199. ● [F3]-05 Create Continuous Data Same as in the Song Job mode. See page 199. nUnlike in the Song Job mode, you cannot select “Tempo” as an Event Type. ● [F3]-06 Thin Out Same as in the Song Job mode. See page 200. nUnlike in the Song Job mode, you cannot select “All” as an Event Type. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase to which the job is applied. Set the range (in measures/beats/ clocks) from which the data will be copied. Specify the location to which the data will be copied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ eats/clocks) over which the Job is applied. Select the destination phrase. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied.
228MOTIF Reference Pattern Job mode Reference Pattern mode ● [F3]-07 Modify Control Data Same as in the Song Job mode. See page 200. nUnlike in the Song Job mode, you cannot select “Tempo” as an Event Type. ● [F3]-08 Beat Stretch Same as in the Song Job mode. See page 200. [F4] Phrase Job Press the [F4] button in step #3 of the Basic Procedure on page 225 so that the Phrase Job list appears on the display. Scroll the cursor to the desired Job and press the [ENTER] button to go to the display of the selected Job. The following explanations apply to step #6 of the Basic Procedure on page 225. ● [F4]-01 Copy Phrase This Job copies a selected phrase to the designated destination phrase. Any previous data in the copy destination will be overwritten. Undo/Redo (page 225) cannot be used to undo/redo a sample voice copy operation. nWhen there is no memory available in the destination style for sample voice data, an error message will appear on the display and the sample voice data will not be copied. If this occurs, use Sample Job 02 “Delete” to delete any unused sample voices, then try again. ● [F4]-02 Exchange Phrase This Job exchanges or “swaps” the contents of two specified phrases. nIf this Job is applied to phrases which use sample voices, the sample voices will not be exchanged. ● [F4]-03 Mix Phrase This Job mixes all data from two selected user phrases (“A” and “B”), and places the result in phrase B. One useful application for this would be to free up the data in phrase A, letting you record new data to it. nKeep in mind that applying this Job to phrases with sample voices does not mix the sample voices. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Specify the phrase and the range (in measures/ beats/clocks) over which the Job is applied. Selects the style and phrase to be copied. (Preset phrase also can be selected.) Specify the destination style and phrase. When this box is checkmarked, sample voices used by the source phrase are copied to the destination style as sample voices, and are assigned to the destination phrase. Target phrases for the Exchange operation Phrase B Mix Phrase Phrase B Phrase A
229MOTIF Reference Pattern Job mode Reference Pattern mode ● [F4]-04 Append Phrase This Job appends one phrase to the end of another to create one longer phrase. nIf this job is applied to phrases which use sample voices, the sample voices will not be appended. ● [F4]-05 Split Phrase This Job splits a selected phrase into two separate phrases. nWhen either Style or Phrase is set to “off”, the split Phrase B data is erased. • Meter Sets the meter of phrase B after the split operation. ❏Settings 1/16~16/16, 1/8~16/8, 1/4~16/4 The job overwrites any data already existing in destination phrase B. nIf this job is applied to phrases which use sample voices, the sample voices will not be split. ● [F4]-06 Get Phrase From Song This Job copies a segment of sequence-track data from a song into the designated destination phrase. The job overwrites any data already existing in the destination phrase. Undo/Redo (page 225) cannot be used to undo/redo a sample voice copy operation. nWhen there is no memory available in the destination style for sample voice data, an error message will appear on the display and the sample voice data will not be copied. If this occurs, use Sample Job 02 “Delete” to delete any unused samples, then try again. ● [F4]-07 Put Phrase To Song This Job copies a selected user phrase into a specified area of a selected song. The job overwrites any data already existing in the destination track. Undo/Redo (page 225) cannot be used to undo/redo a sample voice copy operation. nWhen there is no memory available in the destination song for sample voice data, an error message will appear on the display and the sample voice data will not be copied. If this occurs, use Sample Job “Delete” to delete any unused samples, then try again. Phrase BAppend Phrase Phrase A Phrase A is divided at the Split Point (the measure number set in the above display). Phrase A Phrase B Phrase A When this box is checkmarked, sample voices used by the source track are copied to the destination style as sample voices, and are assigned to destination phrase. This parameter has no effect when no sample voice is used by the source track. Source song, track, and range of measures to be copied Destination phrase Destination phrase When this box is checkmarked, sample voices used by the source track are copied to the destination style as sample voices, and are assigned to destination phrase. This parameter has no effect when no sample voice is used by the source track.Source song, track, and range of measures to be copied
230MOTIF Reference Pattern Job mode Reference Pattern mode ● [F4]-08 Clear Phrase This Job deletes all data from the selected phrase. Undo/Redo (page 225) cannot be used to undo/redo a Delete Sample operation. ● [F4]-09 Phrase Name Basic Operation (page 75) This Job lets you assign a name (of up to eight characters) to the selected phrase. See “Basic Operation” on page 75. [F5] Track Job Press the [F5] button in step #3 of the Basic Procedure on page 225 so that the Track Job list appears on the display. Scroll the cursor to the desired Job and press the [ENTER] button to go to the display of the selected Job. The following explanations apply to step #6 of the Basic Procedure on page 225. ● [F5]-01 Copy Track This Job copies all data of the selected type from specified source track to specified destination track. Same as in the Song Job mode. See page 202. ● [F5]-02 Exchange Track This Job exchanges or “swaps” the specified type of data between two specified tracks in the current style and section. Same as in the Song Job mode. See page 202. ● [F5]-03 Clear Track This Job deletes all data of the selected type from the selected pattern track. Same as in the Song Job mode. See page 202. ● [F5]-04 Normalize Play Effect This job rewrites the data in the selected track so that it incorporates the current Grid Groove settings. Same as in the Song Job mode. See page 203. Phrase to be cleared When this box is checkmarked, sample data assigned to the selected phrase will be deleted. This parameter has no effect when no sample voice is used by the selected phrase. Types of data to be copied Source style, ection, and track Destination style, section, and track Target tracks for the Exchange operation Types of data to be exchanged Types of data to be cleared Section and track from which data is to be cleared