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Yamaha Motif 8 Owners Manual

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    							121MOTIF  ReferenceFunction Tree
    Reference  Voice mode
      
    Reference
    This section is devoted to explaining the function of every setting of every parameter in every display of the MOTIF. If you 
    have questions like “I wonder what this button does...” or “How does this parameter work?” — this is the section you should 
    refer to.The Reference section is divided according to the various modes of the MOTIF. As you use this section, please keep in 
    mind the following points:
    ●The section for each main mode (Voice, Performance, Song, Pattern, Sampling, Utility, File, and Master) begins 
    with a Function Tree chart. Each chart shows the various menus and parameter groups for the mode — exactly as 
    they are organized and appear in the display. Using these and the simplified chart of the modes on page 30, you 
    can easily understand the relationship of the various functions and parameters as they apply to the entire 
    operation of the MOTIF.
    ●At the beginning of the section of each mode, you’ll find “Basic Procedure” instructions. These briefly show you 
    the necessary operation steps for the relevant mode, and are applicable to all of the functions and parameters in 
    that mode. In other words, once you’ve mastered the Basic Procedure of the mode, you’ll be able to quickly and 
    easily work your way through any and all of the operations in the mode.
    Voice Mode
    Basic Structure (page 42)
    Function Tree
    This section is devoted to the Voice mode. To see how the Voice mode relates to the entire structure of the MOTIF 
    and its other modes and functions, see the simplified chart in “Basic Structure” on page 30. 
    The following detailed chart shows all of the display menus and parameter groups of the Voice modes — giving you a 
    quick, easy-to-understand overview of the voice-related functions of the MOTIF.Brackets around a word or phrase 
    (e.g., [F1]) indicate specific button names or panel operations.
    [INFORMATION]  VOICE INFORMATION
    [VOICE]  VOICE PLAY
    [F1]  VOICE PLAY
    [F2]  PLUG-IN BANK
    [F4]  VOICE PORTA
    [F5]  VOICE EG
    [F6]  VOICE ARPEGGIO
    [CATEGORY]  VOICE CATEGORY SEARCH
    [FAVORITE] 
    [EDIT]  VOICE EDIT (NORMAL)
    [COMMON]  NORMAL COMMON
    [F1]  NORMAL COMMON GENERAL
    [SF1]  NAME
    [SF2]  PLAYMODE
    [SF3]  MEQ OFFSET
    [SF4]  PORTA
    [SF5]  OTHER
    [F2]  NORMAL COMMON OUTPUT
    OUTPUT
    [F3]  NORMAL COMMON ARPEGGIO
    [SF1]  TYPE
    [SF2]  LIMIT
    [SF3]  PLAY FX
    [SF5]  CLEAR USER ARPEGGIO 
    [F4]  NORMAL COMMON CONTROLLER SET
    [SF1]  SET1/2
    [SF2]  SET3/4
    [SF3]  SET5/6
    [F5]  NORMAL COMMON LFO
    [SF1]  WAVE
    [SF2]  DELAY
    [SF3]  DESTINATION1
    [SF4]  DESTINATION2
    [SF5]  DESTINATION3
    [VOICE]
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 275
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 124
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 124
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 126
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 127
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 129
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 131
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 131
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 133
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 133
    . . . . . . . . . . . . . . . . . . . . . P. 132
    . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 135
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 135
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136 
    						
    							122MOTIF  Reference
    Function Tree  
    Reference  Voice mode
    [F6]  NORMAL COMMON EFFECT
    [SF1]  EFFECT CONNECT
    [SF2]  INSERTION1
    [SF3]  INSERTION2
    [SF4]  REVERB
    [SF5]  CHORUS
    [Element selection]  NORMAL ELEMENT 1-4
    [F1]  NORMAL ELEMENT OSCILLATOR
    [SF1]  WAVE
    [SF2]  OUTPUT
    [SF3]  LIMIT
    [F2]  NORMAL ELEMENT PITCH
    [SF1]  TUNE
    [SF2]  VELOCITY SENS
    [SF3]  PEG
    [SF4]  KEY FOLLOW
    [F3]  NORMAL ELEMENT FILETER
    [SF1]  TYPE
    [SF2]  VELOCITY SENS
    [SF3]  FEG
    [SF4]  KEY FOLLOW
    [SF5]  SCALING
    [F4]  NORMAL ELEMENT AMPLITUDE
    [SF1]  LEVEL/PAN
    [SF2]  VELOCITY SENS
    [SF3]  AEG
    [SF4]  KEY FOLLOW
    [SF5]  SCALING
    [F5]  NORMAL ELEMENT LFO
    [F6]  NORMAL ELEMENT EQ
    [EDIT]  VOICE EDIT (DRUM)
    [COMMON]  DRUM COMMON
    [F1]  DRUM COMMON GENERAL
    [SF1]  NAME
    [SF3]  MEQ OFFSET
    [SF5]  OTHER
    [F2]  DRUM COMMON OUTPUT
    OUTPUT
    [F3]  DRUM COMMON ARPEGGIO
    [SF1]  TYPE
    [SF2]  LIMIT
    [SF3]  PLAY FX
    [SF5]  CLEAR USER ARPEGGIO
    [F4]  DRUM COMMON CONTROLLER SET
    [SF1]  SET1/2
    [SF2]  SET3/4
    [SF3]  SET5/6
    [F6]  DRUM COMMON EFFECT
    [SF1]  EFFECT CONNECT
    [SF2]  INSERTION1
    [SF3]  INSERTION2
    [SF4]  REVERB
    [SF5]  CHORUS
    [Key selection]  DRUM KEY C0-C6
    [F1]  DRUM KEY OSCILLATOR
    [SF1]  WAVE
    [SF2]  OUTPUT
    [SF5]  OTHER
    [F2]  DRUM KEY PITCH
    [SF1]  TUNE
    [SF2]  VELOCITY SENS
    [F3]  DRUM KEY FILTER
    [SF1]  CUTOFF
    [SF2]  VELOCITY SENS
    [F4]  DRUM KEY AMPLITUDE
    [SF1]  LEVEL/PAN
    [SF2]  VELOCITY SENS
    [SF3]  AEG
    [F6]  DRUM KEY EQ
    [VOICE]
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 139
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 139
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 139
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 140
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 140
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 142
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 143
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 143
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 144
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 146
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 146
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 147
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 148
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 148
    . . . . . . .  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
     . . . .  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
    . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 
    						
    							123MOTIF  ReferenceFunction Tree
    Reference  Voice mode
    [EDIT]  VOICE EDIT (PLUG-IN)
    [COMMON]  PLUG-IN COMMON
    [F1]  PLUG-IN COMMON GENERAL
    [SF1]  NAME
    [SF2]  PLYMODE
    [SF3]  MEQ OFFSET
    [SF4]  PORTAMENTO
    [SF5]  OTHER
    [F2]  PLUG-IN COMMON OUTPUT
    OUTPUT
    [F3]  PLUG-IN COMMON ARPEGGIO
    [SF1]  TYPE
    [SF2]  LIMIT
    [SF3]  PLAY FX
    [SF5]  CLEAR USER ARPEGGIO
    [F4]  PLUG-IN COMMON CONTROLLER SET
    [SF1]  SET1/2
    [SF2]  MW
    [SF3]  AT
    [SF4]  AC
    [F6]  PLUG-IN COMMON EFFECT
    [SF1]  EFFECT CONNECT
    [SF2]  INSERTION1
    [SF3]  INSERTION2
    [SF4]  REVERB
    [SF5]  CHORUS
    [Element selection]  PLUG-IN ELEMENT
    [F1]  PLUG-IN ELEMENT OSCILLATOR
    [SF1]  WAVE
    [SF5]  OTHER
    [F2]  PLUG-IN ELEMENT PITCH
    [F3]  PLUG-IN ELEMENT FILETER
    [F4]  PLUG-IN ELEMENT NATIVE PARAMETER
    [F5]  PLUG-IN ELEMENT LFO
    [F6]  PLUG-IN ELEMENT EQ
    [EDIT]  VOICE COMPARE
    [JOB]  VOICE JOB
    [F1]  INITIALIZE
    [F2]  EDIT RECALL
    [F3]  COPY
    [F4]  BULK DUMP
    [STORE]  VOICE STORE
    [VOICE]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 153
          . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
    . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
     . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 157
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 157
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 129
     . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 159
    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 159 
    						
    							124MOTIF  Reference
    Voice Play mode  
    Reference  Voice mode
    Voice Play mode
    Basic Structure (page 30) · Quick Start Guide (page 80)
    In this mode, you can select and play individual Preset 
    and User voices, as well as Plug-in voices (when 
    installed).
    nFor details about voice types and memory (bank) 
    structure, see page 43. 
    ◆Basic Procedure
    1 Press the [VOICE] button to enter the Voice Play 
    mode. (The indicator lights.)
    ●Bank and Voice Program number
    ●Category and Voice name
    2Select a voice.
    3Set the Keyboard Octave or MIDI transmit 
    channel.
    4 Select the menu you wish to edit by pressing the 
    [F1] - [F6] buttons and edit the parameters in each 
    display.
    nWhen the Plug-in voice is selected (when the 
    Single part Plug-in board is installed), you can 
    press the [F2] button to call up the BANK display. 
    5Store the settings edited in step #4 to the User 
    Memory as required.
    6 Press any other mode button to exit from the Voice 
    Play mode.
    •  For detailed instructions on steps #2 - #4, see the 
    following explanations.
    •For details on step #5, refer to “Voice Store 
    mode” on page 159.
    Voice Selection
    The explanations here apply to step #2 of the Basic 
    Procedure described above. 
    There are four ways in which you can select a Voice. 
    •  Using the BANK, GROUP, NUMBER buttons
    •  Using the [INC/YES] and [DEC/NO] buttons
    •  Using the data dial
    •  Using the Category Search function 
    ■ Using the BANK, GROUP, NUMBER 
    buttons
    1Press any of the BANK buttons to select a Bank. 
    •  To select a Normal voice, press any of the 
    [PRE1] - [USER] buttons. 
    VOICEIndicates the Keyboard 
    MIDI transmit channel. 
    See page 127 for details. 
    Indicates the functions 
    assigned to the respective 
    Control knobs.  See pages 
    254 and 256 for details. Indicates Keyboard Octave 
    setting set via the [OCTAVE] 
    buttons. See page 127 for 
    details. 
    Indicates the current 
    selected voice.
    Number (selected via the 
    NUMBER [1]-[16] buttons)
    Group (selected via the 
    GROUP [A]-[H] buttons)
    Bank (selected via the BANK buttons)Voice Program number (corresponding to 
    Groups A to H and Numbers 01 to 16)
    Voice name Category
    nThe explanations here apply when 
    these four button indicators are off.
    1
    3  2PLG 2
    AB
    CD
    E
    FG
    H
    15CATEGORY
    SEARCH
    DRUM KITS
    FAVORITES
    PRE 1PRE 2
    PRE  3
    GMUSER PLG 1PLG  3
    A. PIANOKEYBOARD
    ORGANGUITAR /
    PLUCKEDBASSSTRINGSBRASS
    REED / PIPE
    SYN LEAD SYN PAD/
    CHOIRSYN COMP CHROMATIC
    PERCUSSIONDRUM /
    PERCUSSIONSE
    MUSICAL FX COMBI
    1
    234
    56
    7
    8
    91011
    12
    1314
    16SECTION
    TRACK
    SELECT
    MUTE
    SOLO
    BANK
    GROUP
    NUMBER
    COMMON
    ELEMENT / PERF. PART / ZONE
    PRE 1PRE 2PRE  3GM
    USER
    A. PIANOKEYBOARD
    ORGANGUITAR /
    PLUCKEDBASS 
    						
    							125MOTIF  Reference
    Voice Play mode
    Reference  Voice mode
    •  To select a Plug-in voice, press any of the 
    [PLG1] - [PLG3] buttons. 
    • To select a Drum voice, simultaneously hold the 
    [DRUM KITS] button and press the [PRE1], 
    [GM] or [USER] button.
    The following display (or one similar) appears.
    2Press any of the GROUP [A] - [H] buttons to select 
    a Group. 
    3Press any of the NUMBER [1] - [16] buttons to 
    select a Voice. The MOTIF returns back to the 
    Voice Play display. ●Voice program numbers and the corresponding 
    Group/Numbers
    PLG 2PLG 1
    PLG  3
    STRINGSBRASS
    REED / PIPE
    PRE 1PRE 2
    PRE  3GMUSER
    A. PIANOKEYBOARD
    ORGANGUITAR /
    PLUCKEDBASS
    DRUM KITS
    FAVORITESCOMMON
    Voice Program 
    NumberGroupNumberVoice Program 
    NumberGroupNumber
    001 A 1 065 E 1
    002 A 2 066 E 2
    003 A 3 067 E 3
    004 A 4 068 E 4
    005 A 5 069 E 5
    006 A 6 070 E 6
    007 A 7 071 E 7
    008 A 8 072 E 8
    009 A 9 073 E 9
    010 A 10 074 E 10
    011 A 11 075 E 11
    012 A 12 076 E 12
    013 A 13 077 E 13
    014 A 14 078 E 14
    015 A 15 079 E 15
    016 A 16 080 E 16
    017 B 1 081 F 1
    018 B 2 082 F 2
    019 B 3 083 F 3
    020 B 4 084 F 4
    021 B 5 085 F 5
    022 B 6 086 F 6
    023 B 7 087 F 7
    024 B 8 088 F 8
    025 B 9 089 F 9
    026 B 10 090 F 10
    027 B 11 091 F 11
    028 B 12 092 F 12
    029 B 13 093 F 13
    030 B 14 094 F 14
    031 B 15 095 F 15
    032 B 16 096 F 16
    033 C 1 097 G 1
    034 C 2 098 G 2
    035 C 3 099 G 3
    036 C 4 100 G 4
    037 C 5 101 G 5
    038 C 6 102 G 6
    039 C 7 103 G 7
    040 C 8 104 G 8
    041 C 9 105 G 9
    042 C 10 106 G 10
    043 C 11 107 G 11
    044 C 12 108 G 12
    045 C 13 109 G 13
    046 C 14 110 G 14
    047 C 15 111 G 15
    048 C 16 112 G 16
    049 D 1 113 H 1
    050 D 2 114 H 2
    051 D 3 115 H 3
    052 D 4 116 H 4
    053 D 5 117 H 5
    054 D 6 118 H 6
    055 D 7 119 H 7
    056 D 8 120 H 8
    057 D 9 121 H 9
    058 D 10 122 H 10
    059 D 11 123 H 11
    060 D 12 124 H 12
    061 D 13 125 H 13
    062 D 14 126 H 14
    063 D 15 127 H 15
    064 D 16 128 H 16 
    						
    							126MOTIF  Reference
    Voice Play mode  
    Reference  Voice mode
    ■Using the [INC/YES] and [DEC/NO] 
    buttons
    Pressing the [INC/YES] button increases the number by 1. 
    Pressing the [DEC/NO] button decreases the number by 1. 
    Use the [INC/YES] and [DEC/NO] buttons to step up 
    or down through the available voices. Naturally, this 
    also lets you switch to the next available Group, up or 
    down. For example, if the currently selected voice is 
    A16, pressing the [INC/YES] button selects Voice B01. 
    Hold either button down to continuously scroll 
    through the voices.
    ■Using the data dial
    Rotating the data dial to the right (clockwise) increases 
    voice number, while rotating it to the left (counter-
    clock wise) decreases it. This control works in the 
    same way as the [INC/YES] and [DEC/NO] buttons, 
    but lets you scroll through the voices more quickly.
    This convenient feature lets you select voices according 
    to their instrument type or application. The voices are 
    divided into sixteen different categories, and these 
    category keywords often give you a clear idea of the 
    characteristics of a voice that might not be apparent 
    from its name.
    ■Using the Category Search function
    Category Search lets you quickly locate the type of 
    voice you need, regardless of its bank location. For 
    example, by specifying the A. PIANO category, you can 
    instantly call up a list of all the available piano-type 
    voices contained in the MOTIF, and select the desired 
    piano voice from the list.
    The MOTIF also features a “Favorites” category, to 
    which you can assign your favorite voices. This is 
    convenient especially in live performance situations, 
    giving you quick access to often-used voices — no 
    matter what their particular category or bank.
    1Press the [CATEGORY SEARCH] button so that 
    its indicator lights. The following Voice category 
    display appears. 
    2Press any of the [PLG1] - [PLG3] and the [A] - [H] 
    buttons to select a Category. The first voice in the 
    selected category is called up by this operation. 
    nThe voice categories are printed below the [PLG1] - 
    [PLG3] and [A] - [H] buttons. 
    nSub categories are listed at the bottom of the Voice 
    category display. Pressing the [F1] - [F6] buttons 
    call up the first voice in the selected sub category. 
    3Press the Cursor [F] button to move the cursor 
    to the voice. 
    4Select a voice by using the data dial. 
    DEC/NO INC/ YES
    Decreases number Increases numbernThe explanations here apply when 
    these four button indicators are off.
    1
    2
    PLG 2
    AB
    CD
    E
    FG
    H
    15CATEGORY
    SEARCH
    DRUM KITS
    FAVORITES
    PRE 1PRE 2
    PRE  3
    GMUSER PLG 1PLG  3
    A. PIANOKEYBOARD
    ORGANGUITAR /
    PLUCKEDBASSSTRINGSBRASS
    REED / PIPE
    SYN LEAD SYN PAD/
    CHOIRSYN COMP CHROMATIC
    PERCUSSIONDRUM /
    PERCUSSIONSE
    MUSICAL FX COMBI
    1
    234
    56
    7
    8
    91011
    12
    1314
    16SECTION
    TRACK
    SELECT
    MUTE
    SOLO
    BANK
    GROUP
    NUMBER
    COMMON
    ELEMENT / PERF. PART / ZONE
    Category Voice
    Sub category
    Category Voice
    Sub category 
    						
    							127MOTIF  Reference
    Voice Play mode
    Reference  Voice mode
    ●Favorite Category
    1~4 Use the same operation as in “Using the 
    Category Search function” above.
    5Select your favorite voice and press the [F5] button 
    to assign it to the Favorite Category. 
    nTo remove the selected voice from the Favorite 
    Category, simply press the [F5] button again.
    6Set other voices to the Favorite Category as 
    required. 
    7Press the [FAVORITE] button to see the voices set 
    to the Favorite Category in steps #5 - 6. 
    Keyboard Octave and Keyboard 
    MIDI transmit channel settings
    The explanations here apply to step #3 of the Basic 
    Procedure on page 124.
    The two parameters set here affect all selected voices. 
    However, these parameters cannot be stored to the 
    voice by using the Voice Store mode (page 159).
    ■Keyboard octave setting
    The [OCTAVE] buttons allow the keyboard to be 
    transposed up or down by one octave. Pressing the [UP] and the [DOWN] buttons together at the same 
    time will return the setting to the initial value (0).  
    nThe MOTIF 8 has no [OCTAVE] buttons.
    ■Keyboard MIDI transmit channel setting
    Press the [TRACK SELECT] button so that its indicator 
    lights, and press any of the NUMBER [1] - [16] buttons 
    to change the Keyboard MIDI transmit channel. 
    nYou can set this parameter also in the Utility mode 
    (page 258). This parameter cannot be stored in the Voice 
    Store mode. 
    Voice editing in the Voice Play mode
    The explanations here apply to step #4 of the Basic 
    Procedure on page 124. 
    The Voice Play mode lets you perform a variety of 
    general editing operations on the selected voice. For 
    more detailed and comprehensive editing operations, 
    use the Voice Edit mode.
    nWhen a Plug-in voice is selected, some parameters 
    cannot be edited. 
    nThe parameters that have the same name in the Voice 
    Play mode and in the Voice Edit mode have the same 
    functions and settings. 
    ◆The [ ] Indicator
    If you alter any parameters in the Voice Play mode, the 
    [] indicator will appear in the top left of the display. 
    This indicates that the current voice has been modified 
    but not yet stored. 
     
    If you select another voice during editing, the [ ] 
    indicator will disappear and all your edits will be lost. 
    It is a good idea to store the edited voice data from the 
    Voice Store mode (page 159). Even if you lose the voice 
    edited data, you can restore it by using the Edit Recall 
    function (page 158). 
    Category Voice
    Sub category
    DRUM KITS
    FAVORITESCOMMON
    Keyboard MIDI transmit channel
    Keyboard octave setting
    OCTAVE
    DOWNUP
    15
    1
    234
    56
    7
    8
    91011
    12
    1314
    16TRACK
    SELECT
    MUTE
    SOLO
    NUMBERELEMENT / PERF. PART / ZONE
    Edit indicator 
    						
    							128MOTIF  Reference
    Voice Play mode  
    Reference  Voice mode
    ●[F2] Voice Play   Plug-in Bank
    From this display you can select the particular bank 
    on the Plug-in board, and determine whether you 
    will be using a Plug-in voice or a “Board” voice. 
    Simply put, the difference between the two types of 
    voices is this:
    •  Board voices are unprocessed, unaltered voices 
    of the Plug-in board — the “raw material” for 
    Plug-in voices.
    •Plug-in voices are edited Board voices — voices 
    that have been specially programmed and 
    processed for optimum use with the MOTIF.
    For more details, see page 153.
    ❏ Settings When a Plug-in voice using the Plug-in 
    board installed to slot 1 is selected: 
    PLG1USR (User Plug-in voice), PLGPRE1 
    (Preset Plug-in voice), 032/000 ... (Indicates 
    the Bank Select MSB/LSB of the Board 
    voice. These values differ depending on the 
    installed Plug-in board)
    nThis display is available only when the Plug-in 
    board is installed to the MOTIF and the Plug-in 
    voice is selected. 
    ●[F4] Voice Play   Portamento
    From this display you can select monophonic or 
    polyphonic playback and set the Portamento 
    parameters.
    Portamento is used to create a smooth transition in 
    pitch from the first note played on the keyboard to 
    the next. 
    •Mono/Poly 
    Determines whether the Voice is played back 
    monophonically (single notes only) or polyphonically 
    (multiple simultaneous notes).
    ❏ Settings Mono, Poly
    • PortaSw 
    Determines whether Portamento is on or off.
    ❏Settings off, on
    • PortaTime 
    Determines the pitch transition time. Higher values result 
    in longer transition times. 
    ❏Settings 0 ~127
    •PortaMode 
    Determines the Portamento mode. The behavior of the 
    Portamento varies depending on whether Mono/Poly is set 
    to “mono” or “poly.”
    ❏Settings fingered, fulltime
    When Mono/Poly is set to “mono”:
    With the “fingered” setting, Portamento is only applied 
    when you play legato (playing the next note before 
    releasing the previous one). With the “fulltime” 
    setting, Portamento is always applied.
    When Mono/Poly is set to “poly”:
    This is the same as for “mono,” except that Portamento 
    is applied to multiple notes. 
    ●[F5] Voice Play   EG (Envelope Generator)
    Basic Structure (page 46)
    This display contains the basic EG settings, both 
    volume and filter, for the voice, as well as the filter’s 
    cutoff frequency and resonance settings. The 
    settings made here are applied as offsets to the AEG 
    and FEG settings in the Voice Edit mode.
    The full names of the available parameters are 
    shown in the chart below, as they appear in the 
    display.
    ❏Settings -64 ~ 0 ~ +63 (except --- above)
    ●[F6] Voice Play   Arpeggio
    Basic Structure (page 55)
    This display contains the basic settings for Arpeggio 
    playback, including Type and Tempo.
    •Bank 
    Determines the Bank.
    ❏Settings pre1, pre2, user
    •Type 
    Determines the Arpeggio type. The two-letter prefix before 
    the name indicates the general Arpeggio category.
    ATKDCY SUS REL DEPTH CUTOFF RESO
    AEG
    Attack 
    timeDecay 
    timeSustain 
    level
    Releas
    e Time--- --- ---
    FEG --- DepthCutoff 
    frequency
    Resonance 
    						
    							129MOTIF  Reference
    Voice Edit mode
    Reference  Voice mode
    •Tempo 
    Determines the Arpeggio Tempo. When MIDI sync 
    (page 258) is turned on, “MIDI” is displayed here and 
    cannot be set. 
    ❏Settings 1 ~ 300
    • Velocity Limit 
    Determines the lowest and highest velocity in the 
    Arpeggio’s velocity range. The Arpeggio plays when you 
    play the note with the velocity in this range. 
    ❏Settings 1 ~ 127
    nKeys played outside the set limit sound normally 
    without any Arpeggio.
    • Switch 
    Determines whether Arpeggio is on or off. You can also 
    turn Arpeggio on/off from the front panel with the 
    [ARPEGGIO ON/OFF] button.
    ❏Settings off, on
    • Hold 
    Determines whether the Arpeggio playback is “held” or 
    not. When this is set to “on,” the Arpeggio cycles 
    automatically, even if you release your fingers from the 
    keys, and it continues to cycle until the next key is pressed. 
    ❏Settings off, on
    Voice Edit mode
    In this mode, Normal Voices and Drum Voices can be 
    created and edited. 
    There are three kinds of Voices: Normal Voices, Drum 
    Voices and Plug-in Voices (if a Plug-in board has been 
    installed). The following section shows how to edit the 
    different kinds of voices and explains the parameters 
    available.
    ◆The [ ] Indicator
    If you alter any parameters in Voice Edit Mode, the [ ] 
    indicator will appear in the top left of the display. This 
    indicates that the current voice has been modified but 
    not yet stored.
    nEven if you exit to the Voice Play mode, your edited 
    settings for the current voice will be maintained — as 
    long as you don’t select another voice.
    nThe [ ] indicator is also displayed in the Voice Play 
    mode. 
    ◆The Compare Function
    This convenient function lets you switch between the 
    edited voice and its original, unedited condition — 
    allowing you to listen to the difference between the 
    two and better hear how your edits affect the sound.
    1In the Voice Edit mode, press the [COMPARE] 
    button so that its indicator flashes.
    The [ ] indicator is shown at the top of the 
    display (in place of the [ ] indicator), and the 
    original, unedited voice is restored for monitoring.
    2Press the [EDIT] button again to disable the 
    “Compare” function and restore the settings for 
    your edited Voice.
    nWhile Compare is active, you cannot make edits to 
    the voice.
    Normal Voice Edit
    ◆Common edit and Element edit
    A Voice can consist of up to four elements (page 42). 
    Use Common Edit to edit the settings common to all 
    four elements. There are two types of Voice Edit 
    displays: those for Common Edit, and those for editing 
    individual elements.
    EDIT
    COMPARE 
    						
    							130MOTIF  Reference
    Voice Edit mode  
    Reference  Voice mode
    ◆Basic Procedure
    1Press the [VOICE] button to enter the Voice Play 
    mode. (The indicator lights.)
    2Select a Normal voice to be edited.
    3Press the [EDIT] button to enter the Voice Edit 
    mode. (The indicator lights.)
    4Select an element to be edited. 
    •To edit parameters common to all four elements, 
    press the [DRUM KITS] button (which serves as 
    a “COMMON” button here).
    •To edit parameters of the individual elements, 
    select the desired element with the 
    corresponding NUMBER button ([1] - [4]).You can mute other elements (those you aren’t 
    editing and don’t wish to hear) by using the 
    NUMBER [9] - [12] buttons. Sounded elements 
    are indicated by lit buttons; the indicator of the 
    button corresponding to the sounded element 
    lights.
    5Select the menu you wish to edit by pressing the 
    [F1] - [F6] and [SF1] - [SF5] buttons.
    6Edit the parameters for the selected voice. 
    7Store the settings edited in step #6 to the User 
    Memory as required. 
    8Press the [EXIT] button to exit from the Voice Edit 
    mode. 
    •For details on step #2
    , refer to “Voice Play mode” 
    on page 124.
    •For detailed instructions on steps #5 - #6
    , see the 
    explanations below. 
    •For details on step #7
    , refer to “Voice Store 
    mode” on page 159.
    ■Common edit
    ● [F1]-[SF1] Normal Common   General   Name
    Basic operation (page 75)
    From this display you can assign the category (sub 
    and main) of the selected voice, and create a name 
    for the voice. The voice name can contain up to 10 
    characters. For detailed instructions on naming a 
    voice, see “Basic Operation” on page 75.
    ● [F1]-[SF2] Normal Common   General   
    Play mode
    From this display you can make various settings for 
    the tone generator of the MOTIF, and assign 
    different Micro Tuning settings.
    COMMONElement1
    Element2
    Element3
    Element4
    Indicates a display for editing Element 1.
    Indicates a Common Edit display.
    DRUM KITS
    FAVORITESCOMMON
    Element selection
    Element mute 
    setting
    1
    234
    91011
    12
    ELEMENT / PERF. PART / ZONE 
    						
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