Yamaha Motif 8 Owners Manual
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121MOTIF ReferenceFunction Tree Reference Voice mode Reference This section is devoted to explaining the function of every setting of every parameter in every display of the MOTIF. If you have questions like “I wonder what this button does...” or “How does this parameter work?” — this is the section you should refer to.The Reference section is divided according to the various modes of the MOTIF. As you use this section, please keep in mind the following points: ●The section for each main mode (Voice, Performance, Song, Pattern, Sampling, Utility, File, and Master) begins with a Function Tree chart. Each chart shows the various menus and parameter groups for the mode — exactly as they are organized and appear in the display. Using these and the simplified chart of the modes on page 30, you can easily understand the relationship of the various functions and parameters as they apply to the entire operation of the MOTIF. ●At the beginning of the section of each mode, you’ll find “Basic Procedure” instructions. These briefly show you the necessary operation steps for the relevant mode, and are applicable to all of the functions and parameters in that mode. In other words, once you’ve mastered the Basic Procedure of the mode, you’ll be able to quickly and easily work your way through any and all of the operations in the mode. Voice Mode Basic Structure (page 42) Function Tree This section is devoted to the Voice mode. To see how the Voice mode relates to the entire structure of the MOTIF and its other modes and functions, see the simplified chart in “Basic Structure” on page 30. The following detailed chart shows all of the display menus and parameter groups of the Voice modes — giving you a quick, easy-to-understand overview of the voice-related functions of the MOTIF.Brackets around a word or phrase (e.g., [F1]) indicate specific button names or panel operations. [INFORMATION] VOICE INFORMATION [VOICE] VOICE PLAY [F1] VOICE PLAY [F2] PLUG-IN BANK [F4] VOICE PORTA [F5] VOICE EG [F6] VOICE ARPEGGIO [CATEGORY] VOICE CATEGORY SEARCH [FAVORITE] [EDIT] VOICE EDIT (NORMAL) [COMMON] NORMAL COMMON [F1] NORMAL COMMON GENERAL [SF1] NAME [SF2] PLAYMODE [SF3] MEQ OFFSET [SF4] PORTA [SF5] OTHER [F2] NORMAL COMMON OUTPUT OUTPUT [F3] NORMAL COMMON ARPEGGIO [SF1] TYPE [SF2] LIMIT [SF3] PLAY FX [SF5] CLEAR USER ARPEGGIO [F4] NORMAL COMMON CONTROLLER SET [SF1] SET1/2 [SF2] SET3/4 [SF3] SET5/6 [F5] NORMAL COMMON LFO [SF1] WAVE [SF2] DELAY [SF3] DESTINATION1 [SF4] DESTINATION2 [SF5] DESTINATION3 [VOICE] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 124 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 124 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 128 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 126 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 127 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 129 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 130 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 131 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 131 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 133 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 133 . . . . . . . . . . . . . . . . . . . . . P. 132 . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 134 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 135 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 135 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 136
122MOTIF Reference Function Tree Reference Voice mode [F6] NORMAL COMMON EFFECT [SF1] EFFECT CONNECT [SF2] INSERTION1 [SF3] INSERTION2 [SF4] REVERB [SF5] CHORUS [Element selection] NORMAL ELEMENT 1-4 [F1] NORMAL ELEMENT OSCILLATOR [SF1] WAVE [SF2] OUTPUT [SF3] LIMIT [F2] NORMAL ELEMENT PITCH [SF1] TUNE [SF2] VELOCITY SENS [SF3] PEG [SF4] KEY FOLLOW [F3] NORMAL ELEMENT FILETER [SF1] TYPE [SF2] VELOCITY SENS [SF3] FEG [SF4] KEY FOLLOW [SF5] SCALING [F4] NORMAL ELEMENT AMPLITUDE [SF1] LEVEL/PAN [SF2] VELOCITY SENS [SF3] AEG [SF4] KEY FOLLOW [SF5] SCALING [F5] NORMAL ELEMENT LFO [F6] NORMAL ELEMENT EQ [EDIT] VOICE EDIT (DRUM) [COMMON] DRUM COMMON [F1] DRUM COMMON GENERAL [SF1] NAME [SF3] MEQ OFFSET [SF5] OTHER [F2] DRUM COMMON OUTPUT OUTPUT [F3] DRUM COMMON ARPEGGIO [SF1] TYPE [SF2] LIMIT [SF3] PLAY FX [SF5] CLEAR USER ARPEGGIO [F4] DRUM COMMON CONTROLLER SET [SF1] SET1/2 [SF2] SET3/4 [SF3] SET5/6 [F6] DRUM COMMON EFFECT [SF1] EFFECT CONNECT [SF2] INSERTION1 [SF3] INSERTION2 [SF4] REVERB [SF5] CHORUS [Key selection] DRUM KEY C0-C6 [F1] DRUM KEY OSCILLATOR [SF1] WAVE [SF2] OUTPUT [SF5] OTHER [F2] DRUM KEY PITCH [SF1] TUNE [SF2] VELOCITY SENS [F3] DRUM KEY FILTER [SF1] CUTOFF [SF2] VELOCITY SENS [F4] DRUM KEY AMPLITUDE [SF1] LEVEL/PAN [SF2] VELOCITY SENS [SF3] AEG [F6] DRUM KEY EQ [VOICE] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 138 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 139 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 139 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 139 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 142 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 143 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 143 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 144 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 146 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 146 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 147 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 149 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 150 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 152 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 137
123MOTIF ReferenceFunction Tree Reference Voice mode [EDIT] VOICE EDIT (PLUG-IN) [COMMON] PLUG-IN COMMON [F1] PLUG-IN COMMON GENERAL [SF1] NAME [SF2] PLYMODE [SF3] MEQ OFFSET [SF4] PORTAMENTO [SF5] OTHER [F2] PLUG-IN COMMON OUTPUT OUTPUT [F3] PLUG-IN COMMON ARPEGGIO [SF1] TYPE [SF2] LIMIT [SF3] PLAY FX [SF5] CLEAR USER ARPEGGIO [F4] PLUG-IN COMMON CONTROLLER SET [SF1] SET1/2 [SF2] MW [SF3] AT [SF4] AC [F6] PLUG-IN COMMON EFFECT [SF1] EFFECT CONNECT [SF2] INSERTION1 [SF3] INSERTION2 [SF4] REVERB [SF5] CHORUS [Element selection] PLUG-IN ELEMENT [F1] PLUG-IN ELEMENT OSCILLATOR [SF1] WAVE [SF5] OTHER [F2] PLUG-IN ELEMENT PITCH [F3] PLUG-IN ELEMENT FILETER [F4] PLUG-IN ELEMENT NATIVE PARAMETER [F5] PLUG-IN ELEMENT LFO [F6] PLUG-IN ELEMENT EQ [EDIT] VOICE COMPARE [JOB] VOICE JOB [F1] INITIALIZE [F2] EDIT RECALL [F3] COPY [F4] BULK DUMP [STORE] VOICE STORE [VOICE]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 153 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . P. 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 129 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 158 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 159 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 159
124MOTIF Reference Voice Play mode Reference Voice mode Voice Play mode Basic Structure (page 30) · Quick Start Guide (page 80) In this mode, you can select and play individual Preset and User voices, as well as Plug-in voices (when installed). nFor details about voice types and memory (bank) structure, see page 43. ◆Basic Procedure 1 Press the [VOICE] button to enter the Voice Play mode. (The indicator lights.) ●Bank and Voice Program number ●Category and Voice name 2Select a voice. 3Set the Keyboard Octave or MIDI transmit channel. 4 Select the menu you wish to edit by pressing the [F1] - [F6] buttons and edit the parameters in each display. nWhen the Plug-in voice is selected (when the Single part Plug-in board is installed), you can press the [F2] button to call up the BANK display. 5Store the settings edited in step #4 to the User Memory as required. 6 Press any other mode button to exit from the Voice Play mode. • For detailed instructions on steps #2 - #4, see the following explanations. •For details on step #5, refer to “Voice Store mode” on page 159. Voice Selection The explanations here apply to step #2 of the Basic Procedure described above. There are four ways in which you can select a Voice. • Using the BANK, GROUP, NUMBER buttons • Using the [INC/YES] and [DEC/NO] buttons • Using the data dial • Using the Category Search function ■ Using the BANK, GROUP, NUMBER buttons 1Press any of the BANK buttons to select a Bank. • To select a Normal voice, press any of the [PRE1] - [USER] buttons. VOICEIndicates the Keyboard MIDI transmit channel. See page 127 for details. Indicates the functions assigned to the respective Control knobs. See pages 254 and 256 for details. Indicates Keyboard Octave setting set via the [OCTAVE] buttons. See page 127 for details. Indicates the current selected voice. Number (selected via the NUMBER [1]-[16] buttons) Group (selected via the GROUP [A]-[H] buttons) Bank (selected via the BANK buttons)Voice Program number (corresponding to Groups A to H and Numbers 01 to 16) Voice name Category nThe explanations here apply when these four button indicators are off. 1 3 2PLG 2 AB CD E FG H 15CATEGORY SEARCH DRUM KITS FAVORITES PRE 1PRE 2 PRE 3 GMUSER PLG 1PLG 3 A. PIANOKEYBOARD ORGANGUITAR / PLUCKEDBASSSTRINGSBRASS REED / PIPE SYN LEAD SYN PAD/ CHOIRSYN COMP CHROMATIC PERCUSSIONDRUM / PERCUSSIONSE MUSICAL FX COMBI 1 234 56 7 8 91011 12 1314 16SECTION TRACK SELECT MUTE SOLO BANK GROUP NUMBER COMMON ELEMENT / PERF. PART / ZONE PRE 1PRE 2PRE 3GM USER A. PIANOKEYBOARD ORGANGUITAR / PLUCKEDBASS
125MOTIF Reference Voice Play mode Reference Voice mode • To select a Plug-in voice, press any of the [PLG1] - [PLG3] buttons. • To select a Drum voice, simultaneously hold the [DRUM KITS] button and press the [PRE1], [GM] or [USER] button. The following display (or one similar) appears. 2Press any of the GROUP [A] - [H] buttons to select a Group. 3Press any of the NUMBER [1] - [16] buttons to select a Voice. The MOTIF returns back to the Voice Play display. ●Voice program numbers and the corresponding Group/Numbers PLG 2PLG 1 PLG 3 STRINGSBRASS REED / PIPE PRE 1PRE 2 PRE 3GMUSER A. PIANOKEYBOARD ORGANGUITAR / PLUCKEDBASS DRUM KITS FAVORITESCOMMON Voice Program NumberGroupNumberVoice Program NumberGroupNumber 001 A 1 065 E 1 002 A 2 066 E 2 003 A 3 067 E 3 004 A 4 068 E 4 005 A 5 069 E 5 006 A 6 070 E 6 007 A 7 071 E 7 008 A 8 072 E 8 009 A 9 073 E 9 010 A 10 074 E 10 011 A 11 075 E 11 012 A 12 076 E 12 013 A 13 077 E 13 014 A 14 078 E 14 015 A 15 079 E 15 016 A 16 080 E 16 017 B 1 081 F 1 018 B 2 082 F 2 019 B 3 083 F 3 020 B 4 084 F 4 021 B 5 085 F 5 022 B 6 086 F 6 023 B 7 087 F 7 024 B 8 088 F 8 025 B 9 089 F 9 026 B 10 090 F 10 027 B 11 091 F 11 028 B 12 092 F 12 029 B 13 093 F 13 030 B 14 094 F 14 031 B 15 095 F 15 032 B 16 096 F 16 033 C 1 097 G 1 034 C 2 098 G 2 035 C 3 099 G 3 036 C 4 100 G 4 037 C 5 101 G 5 038 C 6 102 G 6 039 C 7 103 G 7 040 C 8 104 G 8 041 C 9 105 G 9 042 C 10 106 G 10 043 C 11 107 G 11 044 C 12 108 G 12 045 C 13 109 G 13 046 C 14 110 G 14 047 C 15 111 G 15 048 C 16 112 G 16 049 D 1 113 H 1 050 D 2 114 H 2 051 D 3 115 H 3 052 D 4 116 H 4 053 D 5 117 H 5 054 D 6 118 H 6 055 D 7 119 H 7 056 D 8 120 H 8 057 D 9 121 H 9 058 D 10 122 H 10 059 D 11 123 H 11 060 D 12 124 H 12 061 D 13 125 H 13 062 D 14 126 H 14 063 D 15 127 H 15 064 D 16 128 H 16
126MOTIF Reference Voice Play mode Reference Voice mode ■Using the [INC/YES] and [DEC/NO] buttons Pressing the [INC/YES] button increases the number by 1. Pressing the [DEC/NO] button decreases the number by 1. Use the [INC/YES] and [DEC/NO] buttons to step up or down through the available voices. Naturally, this also lets you switch to the next available Group, up or down. For example, if the currently selected voice is A16, pressing the [INC/YES] button selects Voice B01. Hold either button down to continuously scroll through the voices. ■Using the data dial Rotating the data dial to the right (clockwise) increases voice number, while rotating it to the left (counter- clock wise) decreases it. This control works in the same way as the [INC/YES] and [DEC/NO] buttons, but lets you scroll through the voices more quickly. This convenient feature lets you select voices according to their instrument type or application. The voices are divided into sixteen different categories, and these category keywords often give you a clear idea of the characteristics of a voice that might not be apparent from its name. ■Using the Category Search function Category Search lets you quickly locate the type of voice you need, regardless of its bank location. For example, by specifying the A. PIANO category, you can instantly call up a list of all the available piano-type voices contained in the MOTIF, and select the desired piano voice from the list. The MOTIF also features a “Favorites” category, to which you can assign your favorite voices. This is convenient especially in live performance situations, giving you quick access to often-used voices — no matter what their particular category or bank. 1Press the [CATEGORY SEARCH] button so that its indicator lights. The following Voice category display appears. 2Press any of the [PLG1] - [PLG3] and the [A] - [H] buttons to select a Category. The first voice in the selected category is called up by this operation. nThe voice categories are printed below the [PLG1] - [PLG3] and [A] - [H] buttons. nSub categories are listed at the bottom of the Voice category display. Pressing the [F1] - [F6] buttons call up the first voice in the selected sub category. 3Press the Cursor [F] button to move the cursor to the voice. 4Select a voice by using the data dial. DEC/NO INC/ YES Decreases number Increases numbernThe explanations here apply when these four button indicators are off. 1 2 PLG 2 AB CD E FG H 15CATEGORY SEARCH DRUM KITS FAVORITES PRE 1PRE 2 PRE 3 GMUSER PLG 1PLG 3 A. PIANOKEYBOARD ORGANGUITAR / PLUCKEDBASSSTRINGSBRASS REED / PIPE SYN LEAD SYN PAD/ CHOIRSYN COMP CHROMATIC PERCUSSIONDRUM / PERCUSSIONSE MUSICAL FX COMBI 1 234 56 7 8 91011 12 1314 16SECTION TRACK SELECT MUTE SOLO BANK GROUP NUMBER COMMON ELEMENT / PERF. PART / ZONE Category Voice Sub category Category Voice Sub category
127MOTIF Reference Voice Play mode Reference Voice mode ●Favorite Category 1~4 Use the same operation as in “Using the Category Search function” above. 5Select your favorite voice and press the [F5] button to assign it to the Favorite Category. nTo remove the selected voice from the Favorite Category, simply press the [F5] button again. 6Set other voices to the Favorite Category as required. 7Press the [FAVORITE] button to see the voices set to the Favorite Category in steps #5 - 6. Keyboard Octave and Keyboard MIDI transmit channel settings The explanations here apply to step #3 of the Basic Procedure on page 124. The two parameters set here affect all selected voices. However, these parameters cannot be stored to the voice by using the Voice Store mode (page 159). ■Keyboard octave setting The [OCTAVE] buttons allow the keyboard to be transposed up or down by one octave. Pressing the [UP] and the [DOWN] buttons together at the same time will return the setting to the initial value (0). nThe MOTIF 8 has no [OCTAVE] buttons. ■Keyboard MIDI transmit channel setting Press the [TRACK SELECT] button so that its indicator lights, and press any of the NUMBER [1] - [16] buttons to change the Keyboard MIDI transmit channel. nYou can set this parameter also in the Utility mode (page 258). This parameter cannot be stored in the Voice Store mode. Voice editing in the Voice Play mode The explanations here apply to step #4 of the Basic Procedure on page 124. The Voice Play mode lets you perform a variety of general editing operations on the selected voice. For more detailed and comprehensive editing operations, use the Voice Edit mode. nWhen a Plug-in voice is selected, some parameters cannot be edited. nThe parameters that have the same name in the Voice Play mode and in the Voice Edit mode have the same functions and settings. ◆The [ ] Indicator If you alter any parameters in the Voice Play mode, the [] indicator will appear in the top left of the display. This indicates that the current voice has been modified but not yet stored. If you select another voice during editing, the [ ] indicator will disappear and all your edits will be lost. It is a good idea to store the edited voice data from the Voice Store mode (page 159). Even if you lose the voice edited data, you can restore it by using the Edit Recall function (page 158). Category Voice Sub category DRUM KITS FAVORITESCOMMON Keyboard MIDI transmit channel Keyboard octave setting OCTAVE DOWNUP 15 1 234 56 7 8 91011 12 1314 16TRACK SELECT MUTE SOLO NUMBERELEMENT / PERF. PART / ZONE Edit indicator
128MOTIF Reference Voice Play mode Reference Voice mode ●[F2] Voice Play Plug-in Bank From this display you can select the particular bank on the Plug-in board, and determine whether you will be using a Plug-in voice or a “Board” voice. Simply put, the difference between the two types of voices is this: • Board voices are unprocessed, unaltered voices of the Plug-in board — the “raw material” for Plug-in voices. •Plug-in voices are edited Board voices — voices that have been specially programmed and processed for optimum use with the MOTIF. For more details, see page 153. ❏ Settings When a Plug-in voice using the Plug-in board installed to slot 1 is selected: PLG1USR (User Plug-in voice), PLGPRE1 (Preset Plug-in voice), 032/000 ... (Indicates the Bank Select MSB/LSB of the Board voice. These values differ depending on the installed Plug-in board) nThis display is available only when the Plug-in board is installed to the MOTIF and the Plug-in voice is selected. ●[F4] Voice Play Portamento From this display you can select monophonic or polyphonic playback and set the Portamento parameters. Portamento is used to create a smooth transition in pitch from the first note played on the keyboard to the next. •Mono/Poly Determines whether the Voice is played back monophonically (single notes only) or polyphonically (multiple simultaneous notes). ❏ Settings Mono, Poly • PortaSw Determines whether Portamento is on or off. ❏Settings off, on • PortaTime Determines the pitch transition time. Higher values result in longer transition times. ❏Settings 0 ~127 •PortaMode Determines the Portamento mode. The behavior of the Portamento varies depending on whether Mono/Poly is set to “mono” or “poly.” ❏Settings fingered, fulltime When Mono/Poly is set to “mono”: With the “fingered” setting, Portamento is only applied when you play legato (playing the next note before releasing the previous one). With the “fulltime” setting, Portamento is always applied. When Mono/Poly is set to “poly”: This is the same as for “mono,” except that Portamento is applied to multiple notes. ●[F5] Voice Play EG (Envelope Generator) Basic Structure (page 46) This display contains the basic EG settings, both volume and filter, for the voice, as well as the filter’s cutoff frequency and resonance settings. The settings made here are applied as offsets to the AEG and FEG settings in the Voice Edit mode. The full names of the available parameters are shown in the chart below, as they appear in the display. ❏Settings -64 ~ 0 ~ +63 (except --- above) ●[F6] Voice Play Arpeggio Basic Structure (page 55) This display contains the basic settings for Arpeggio playback, including Type and Tempo. •Bank Determines the Bank. ❏Settings pre1, pre2, user •Type Determines the Arpeggio type. The two-letter prefix before the name indicates the general Arpeggio category. ATKDCY SUS REL DEPTH CUTOFF RESO AEG Attack timeDecay timeSustain level Releas e Time--- --- --- FEG --- DepthCutoff frequency Resonance
129MOTIF Reference Voice Edit mode Reference Voice mode •Tempo Determines the Arpeggio Tempo. When MIDI sync (page 258) is turned on, “MIDI” is displayed here and cannot be set. ❏Settings 1 ~ 300 • Velocity Limit Determines the lowest and highest velocity in the Arpeggio’s velocity range. The Arpeggio plays when you play the note with the velocity in this range. ❏Settings 1 ~ 127 nKeys played outside the set limit sound normally without any Arpeggio. • Switch Determines whether Arpeggio is on or off. You can also turn Arpeggio on/off from the front panel with the [ARPEGGIO ON/OFF] button. ❏Settings off, on • Hold Determines whether the Arpeggio playback is “held” or not. When this is set to “on,” the Arpeggio cycles automatically, even if you release your fingers from the keys, and it continues to cycle until the next key is pressed. ❏Settings off, on Voice Edit mode In this mode, Normal Voices and Drum Voices can be created and edited. There are three kinds of Voices: Normal Voices, Drum Voices and Plug-in Voices (if a Plug-in board has been installed). The following section shows how to edit the different kinds of voices and explains the parameters available. ◆The [ ] Indicator If you alter any parameters in Voice Edit Mode, the [ ] indicator will appear in the top left of the display. This indicates that the current voice has been modified but not yet stored. nEven if you exit to the Voice Play mode, your edited settings for the current voice will be maintained — as long as you don’t select another voice. nThe [ ] indicator is also displayed in the Voice Play mode. ◆The Compare Function This convenient function lets you switch between the edited voice and its original, unedited condition — allowing you to listen to the difference between the two and better hear how your edits affect the sound. 1In the Voice Edit mode, press the [COMPARE] button so that its indicator flashes. The [ ] indicator is shown at the top of the display (in place of the [ ] indicator), and the original, unedited voice is restored for monitoring. 2Press the [EDIT] button again to disable the “Compare” function and restore the settings for your edited Voice. nWhile Compare is active, you cannot make edits to the voice. Normal Voice Edit ◆Common edit and Element edit A Voice can consist of up to four elements (page 42). Use Common Edit to edit the settings common to all four elements. There are two types of Voice Edit displays: those for Common Edit, and those for editing individual elements. EDIT COMPARE
130MOTIF Reference Voice Edit mode Reference Voice mode ◆Basic Procedure 1Press the [VOICE] button to enter the Voice Play mode. (The indicator lights.) 2Select a Normal voice to be edited. 3Press the [EDIT] button to enter the Voice Edit mode. (The indicator lights.) 4Select an element to be edited. •To edit parameters common to all four elements, press the [DRUM KITS] button (which serves as a “COMMON” button here). •To edit parameters of the individual elements, select the desired element with the corresponding NUMBER button ([1] - [4]).You can mute other elements (those you aren’t editing and don’t wish to hear) by using the NUMBER [9] - [12] buttons. Sounded elements are indicated by lit buttons; the indicator of the button corresponding to the sounded element lights. 5Select the menu you wish to edit by pressing the [F1] - [F6] and [SF1] - [SF5] buttons. 6Edit the parameters for the selected voice. 7Store the settings edited in step #6 to the User Memory as required. 8Press the [EXIT] button to exit from the Voice Edit mode. •For details on step #2 , refer to “Voice Play mode” on page 124. •For detailed instructions on steps #5 - #6 , see the explanations below. •For details on step #7 , refer to “Voice Store mode” on page 159. ■Common edit ● [F1]-[SF1] Normal Common General Name Basic operation (page 75) From this display you can assign the category (sub and main) of the selected voice, and create a name for the voice. The voice name can contain up to 10 characters. For detailed instructions on naming a voice, see “Basic Operation” on page 75. ● [F1]-[SF2] Normal Common General Play mode From this display you can make various settings for the tone generator of the MOTIF, and assign different Micro Tuning settings. COMMONElement1 Element2 Element3 Element4 Indicates a display for editing Element 1. Indicates a Common Edit display. DRUM KITS FAVORITESCOMMON Element selection Element mute setting 1 234 91011 12 ELEMENT / PERF. PART / ZONE