Canon EOS 5D Mk.4 Manual
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209 3 Correction of Lens Aberrations due to Optical Characteristics N 1Select [Distortion correction]. 2Select [Enable]. Check that [ Correction data available ] is displayed for the attached lens. Select [ Enable], then press < 0>. 3Take the picture. The image will be recorded with the distortion corrected. Distortion Correction When distortion correction is enabled, the camera records an image range narrower than the one seen through the viewfinder. (The image periphery is slightly trimmed and the resolution looks slightly lowered.) During movie shooting, [ Distortion correction] will not be displayed (correction is not possible). Using distortion correction during Li ve View shooting will slightly affect the angle of view. When you magnify the image during Live View shooting, distortion correction is not applied to the image displayed. Therefore, magnifying the periphery of the image may display parts of the image that will not be recorded. Images with distortion correction app lied will not have the Dust Delete Data (p.460) appended. Also, the AF point(s) will not be displayed (p.402) for image playback.
3 Correction of Lens Aberrations due to Optical Characteristics N 210 1Select [Digital Lens Optimizer]. 2Select [Enable]. Check that [ Correction data available ] is displayed for the attached lens. Select [ Enable], then press < 0>. 3Take the picture. The image will be recorded with the following being corrected: lens aberrations, diffraction phenomenon, and the deterioration of resolution caused by the low-pass filter. Digital Lens Optimizer Depending on shooting conditions, noise may be intensified with the effects of correction. Also, stronger application of outline emphasis may result. In such a case, adjust the Pi cture Style’s Sharpness as necessary. The higher the ISO speed, the lower the correction amount will be. If the image-recording quality is set to 41 or 61 and you set [Digital Lens Optimizer] to [Enable], the image-recording quality will be 1. If [Digital Lens Optimizer] is set to [Enable], the continuous shooting speed will greatly decrease. Also, 41 and 61 cannot be set for the image- recording quality. If a correction is made during Live View shooting, [BUSY] will be displayed and the Live View image will not be displayed until the correction process is completed. (Another Live View shooting is not possible.) If [Digital Lens Optimizer ] is set to [Enable], and you set [ Dual Pixel RAW ] to [Enable ], [Digital Lens Optimizer ] will not function. (The setting will be switched to [ Disable].) During movie shooting, [ Digital Lens Optimizer] will not be displayed (correction is not possible). If [Digital Lens Optimizer ] is set to [Enable], Multi Shot Noise Reduction cannot be set. Also, even if you assign a button to switch the image-recording quality to 41 or 61 with [One-touch image quality setting ] or [One-touch image quality (hold) ] in Custom Controls, that Custom Control function will not take effect.
211 3 Correction of Lens Aberrations due to Optical Characteristics N 1Select [Chromatic aberr corr]. 2Select [Enable]. Check that [ Correction data available ] is displayed for the attached lens. Select [ Enable], then press < 0>. 3Take the picture. The image will be recorded with the chromatic aberration corrected. Chromatic Aberration Correction When [Digital Lens Optimizer] is set to [Enable], [Chromatic aberr corr] and [Diffraction correction] will not be displayed, but both will be set to [Enable] for shooting. The icon can be displayed in the viewfinder (p.84) by adding a checkmark [X] to [Digital Lens Optimizer] in [Viewfinder display]. The Digital Lens Optimizer’s correctio n data for newly released lenses can be added with EOS Utility (EOS software, p.598). If [Invalid correction data for Digital Lens Optimizer. ] is displayed, use EOS Utility (EOS software) to add the correction data for the Digital Lens Optimizer to the camera. If [ Digital Lens Optimizer ] is set to [Enable], [Chromatic aberr corr ] will not be displayed.
3 Correction of Lens Aberrations due to Optical Characteristics N 212 1Select [Diffraction correction]. 2Select [Enable]. Select [ Enable], then press < 0>. 3Take the picture. The image will be recorded with the diffraction corrected. Diffraction Correction Depending on shooting conditions, noise may be intensified with the effects of correction. The higher the ISO speed, the lower the correction amount will be. For movie shooting, [ Diffraction correction ] will not appear (correction is not possible). With “Diffraction correction”, degraded resolution due to the low-pass filter, etc. is corrected in addition to diffraction. Therefore, correction is effective even near the maximum aperture. If [Digital Lens Optimizer ] is set to [Enable], [Diffraction correction ] will not be displayed.
213 3 Correction of Lens Aberrations due to Optical Characteristics N The lens correction data for lens aberration corrections is registered (stored) in the camera. With [ Enable] selected, the peripheral illumination correction, distortion correction, Digital Lens Optimizer, chromatic aberration correction, and diffraction correction will be applied automatically. With EOS Utility (EOS software, p.598), you can check which lenses have their correction data registered in the camera. You can also register the correction data for unregistered lenses. For details, refer to the EOS Utility Instruction Manual (p.600). For lenses incorporating the correction data, it is not necessary to register the correction data to the camera. Lens Correction Data
3 Correction of Lens Aberrations due to Optical Characteristics N 214 Cautions for Lens Correction Peripheral illumination correction, distortion correction, chromatic aberration correction, and diffraction correction cannot be applied to JPEG images already taken. When using a non-Canon lens, setting the corrections to [ Disable] is recommended even if [ Correction data available ] is displayed. If you use magnified view during Live View shooting, the peripheral illumination correction and distortion correction will not be reflected in the image on the screen. Note that the Digital Lens Optimizer and diffraction correction will not be applied to the Live View image. The correction amount will be less (except for diffraction correction) if the lens used does not have distance information. Notes for Lens Correction The effect of the lens aberration corr ection varies depending on the lens used and shooting conditions. Also, the effect may be difficult to discern depending on the lens used, shooting conditions, etc. If the correction is difficult to disc ern, magnifying and checking the image after shooting is recommended. Corrections can be applied even when an extender or life-size converter is attached. If the correction data for the attached lens is not registered to the camera, the result will be the same as when the correction is set to [ Disable ] (except for diffraction correction).
215 If you shoot an image with a fast shutter speed under a light source such as fluorescent light, the blinking of the light source causes flicker and the image may be vertically unevenly exposed. If continuous shooting is used under these condi tions, uneven exposures or colors across the images may result. W hen you use this feature during viewfinder shooting, the camera detects the flickering frequency of the light source and takes the picture when the flicker causes less effect on exposure or color tone. 1Select [Anti-flicker shoot.]. Under the [ z4] tab, select [ Anti- flicker shoot. ], then press < 0>. 2Select [Enable]. 3Take the picture. The image will be taken with reduced unevenness of exposure or color tone caused by the flicker. 3 Reducing Flicker N When [Enable] is set and you shoot under a flickering light source, the shutter-release time lag may become longer. Also, the continuous shooting speed may become slower, and the shooting interval may become irregular. This function does not work with mirro r lockup, Live View shooting, or movie shooting. In the or mode, if the shutter speed changes during continuous shooting or if you shoot multiple shots of the same scene at different shutter speeds, the color tone may be inconsistent. To avoid inconsistent color tones, use the < s> or mode at a fixed shutter speed. The color tone of the captured images when [ Anti-flicker shoot.] is set to [ Enable ] may look different from when [ Disable] is set. Flicker at a frequency other than 100 Hz or 120 Hz cannot be detected. Also, if the flickering frequency of the light source changes during continuous shooting, effects of the flicker cannot be reduced.
3 Reducing Flicker N 216 If the subject is against a dark background or if there is a bright light in the image, flicker may not be properly detected. Under certain special types of lighting, the camera may not be able to reduce the effects of the flicker even when < G> is displayed. Depending on the light source, flicker may not be detected properly. If you recompose a shot, < G> may appear and disappear intermittently. Depending on the light sources or shooting conditions, the expected result may not be obtained even if you use this function. Taking test shots in advance is recommended. If is not displayed in the viewfinder, add a checkmark to [ Flicker detection ] in [Show/hide in viewfinder ] (p.84). If you shoot with flicker reduction, < G> will light up. Under a light source which does not flicker, or if no flicker is detected, < G> will not be displayed. If a checkmark is added to [ Flicker detection] and [z4: Anti-flicker shoot. ] is set to [ Disable], metering under a flickering light source will cause < G > to blink in the viewfinder as a warning. Setting to [ Enable ] before shooting is recommended. In the < A> mode, < G> will not be displayed, but the picture will be taken with flicker reduction. Flicker reduction also works with flash. However, the expected result may not be obtained for wireless flash shooting.
217 The range of reproducible colors is called “color space”. With this camera, you can set the color space for captured images to sRGB or Adobe RGB. For normal shooting, sRGB is recommended. In the < A> mode, the color space is set automatically to [ sRGB]. 1Select [Color space]. Under the [ z2] tab, select [ Color space ], then press < 0>. 2Set the desired color space. Select [ sRGB] or [Adobe RGB ], then press < 0>. This color space is mainly used for commercial printing and other industrial uses. This setting is not recommended if you are not familiar with image processing, Adobe RGB, and Design rule for Camera File System 2.0 (Exif 2.21 or higher). T he image will look very subdued in a sRGB computer environment and with printers not compliant to Design rule for Camera File System 2.0 (Exif 2.21 or higher). Post-processing of the image with computer software will therefore be required. 3 Setting the Color Space N Adobe RGB If the captured still photo was shot in the Adobe RGB color space, the first character in the file name will be an underscore “_”. The ICC profile is not appended. For explanations about the ICC profile, refer to the Digital Photo Professional Instruction Manual (p.600).
218 You can freely create and select the folder where the captured images are to be saved. This operation is optional since a folder will be created automatically for saving captured images. 1Select [Record func+card/folder sel.]. Under the [ 51] tab, select [ Record func+card/folder sel. ], then press < 0 >. 2Select [Folder]. 3Select [Create folder]. 4Select [OK]. XA new folder with the folder number increased by one is created. 3 Creating and Selecting a Folder Creating a Folder