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Canon EOS 5D Mk.4 Manual

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    3 Correction of Lens Aberrations due to Optical Characteristics N
    1Select [Distortion correction].
    2Select [Enable].
     Check that [ Correction data 
    available ] is displayed for the 
    attached lens.
      Select [ Enable], then press < 0>.
    3Take the picture.
      The image will be recorded with the 
    distortion corrected.
    Distortion Correction
      When distortion correction is enabled, the camera records an image 
    range narrower than the one seen through the viewfinder. (The image 
    periphery is slightly trimmed and the resolution looks slightly lowered.)
      During movie shooting, [ Distortion correction] will not be displayed 
    (correction is not possible).
      Using distortion correction during Li ve View shooting will slightly affect 
    the angle of view.
      When you magnify the image during Live View shooting, distortion 
    correction is not applied to the image displayed. Therefore, magnifying 
    the periphery of the image may display parts of the image that will not be 
    recorded.
      Images with distortion correction app lied will not have the Dust Delete 
    Data (p.460) appended. Also, the AF point(s) will not be displayed 
    (p.402) for image playback. 
    						
    							
    3 Correction of Lens Aberrations due to Optical Characteristics N
    210
    1Select [Digital Lens Optimizer].
    2Select [Enable].
     Check that [ Correction data 
    available ] is displayed for the 
    attached lens.
      Select [ Enable], then press < 0>.
    3Take the picture.
      The image will be recorded with the 
    following being corrected: lens 
    aberrations, diffraction phenomenon, 
    and the deterioration of resolution 
    caused by the low-pass filter.
    Digital Lens Optimizer
      Depending on shooting conditions, noise may be intensified with the 
    effects of correction. Also, stronger application of outline emphasis may 
    result. In such a case, adjust the Pi cture Style’s Sharpness as necessary.
      The higher the ISO speed, the lower the correction amount will be.
     
    If the image-recording quality is set to 41 or 61 and you set [Digital 
    Lens Optimizer] to [Enable], the image-recording quality will be 1. If [Digital Lens Optimizer] is set to [Enable], the continuous shooting speed 
    will greatly decrease. Also, 41 and 61 cannot be set for the image-
    recording quality. If a correction is made during Live View shooting, [BUSY] 
    will be displayed and the Live View image will not be displayed until the 
    correction process is completed. (Another Live View shooting is not possible.)
      If [Digital Lens Optimizer ] is set to [Enable], and you set [ Dual Pixel 
    RAW ] to [Enable ], [Digital Lens Optimizer ] will not function. (The 
    setting will be switched to [ Disable].)
      During movie shooting, [ Digital Lens Optimizer] will not be displayed 
    (correction is not possible).
      If [Digital Lens Optimizer ] is set to [Enable], Multi Shot Noise 
    Reduction cannot be set. Also, even if you assign a button to switch the 
    image-recording quality to  41 or 61  with [One-touch image 
    quality setting ] or [One-touch image quality (hold) ] in Custom 
    Controls, that Custom Control  function will not take effect. 
    						
    							
    211
    3 Correction of Lens Aberrations due to Optical Characteristics N
    1Select [Chromatic aberr corr].
    2Select [Enable].
     Check that [ Correction data 
    available ] is displayed for the 
    attached lens.
      Select [ Enable], then press < 0>.
    3Take the picture.
      The image will be recorded with the 
    chromatic aberration corrected.
    Chromatic Aberration Correction
     When [Digital Lens Optimizer] is set to [Enable], [Chromatic aberr 
    corr] and [Diffraction correction] will not be displayed, but both will be 
    set to [Enable] for shooting. The  icon can be displayed in the  viewfinder (p.84) by adding a 
    checkmark [X] to [Digital Lens Optimizer] in [Viewfinder display].  The Digital Lens Optimizer’s correctio n data for newly released lenses 
    can be added with EOS Utility (EOS software, p.598).
      If [Invalid correction data for Digital Lens Optimizer. ] is displayed, 
    use EOS Utility (EOS software) to add the correction data for the Digital 
    Lens Optimizer to the camera.
    If [ Digital Lens Optimizer ] is set to [Enable], [Chromatic aberr corr ] will 
    not be displayed. 
    						
    							
    3 Correction of Lens Aberrations due to Optical Characteristics N
    212
    1Select [Diffraction correction].
    2Select [Enable].
     Select [ Enable], then press < 0>.
    3Take the picture.
      The image will be recorded with the 
    diffraction corrected.
    Diffraction Correction
      Depending on shooting conditions, noise may be intensified with the 
    effects of correction.
      The higher the ISO speed, the lower the correction amount will be.
      For movie shooting, [ Diffraction correction ] will not appear (correction 
    is not possible).
     With “Diffraction correction”, degraded resolution due to the low-pass filter, 
    etc. is corrected in addition to diffraction. Therefore, correction is effective 
    even near the maximum aperture.
      If [Digital Lens Optimizer ] is set to [Enable], [Diffraction correction ] 
    will not be displayed. 
    						
    							
    213
    3 Correction of Lens Aberrations due to Optical Characteristics N
    The lens correction data for lens aberration corrections is registered 
    (stored) in the camera. With [ Enable] selected, the peripheral 
    illumination correction, distortion  correction, Digital Lens Optimizer, 
    chromatic aberration correction, and  diffraction correction will be 
    applied automatically.
    With EOS Utility (EOS software,  p.598), you can check which lenses 
    have their correction data registered in the camera. You can also 
    register the correction data for unregistered lenses. For details, refer to 
    the EOS Utility Instruction Manual (p.600).
    For lenses incorporating the correction data, it is not necessary to 
    register the correction data to the camera.
    Lens Correction Data 
    						
    							
    3 Correction of Lens Aberrations due to Optical Characteristics N
    214
    Cautions for Lens Correction
     Peripheral illumination correction, distortion correction, chromatic 
    aberration correction, and diffraction correction cannot be applied to 
    JPEG images already taken.
      When using a non-Canon lens, setting the corrections to [ Disable] is 
    recommended even if [ Correction data available ] is displayed.
      If you use magnified view during Live View shooting, the peripheral 
    illumination correction and distortion  correction will not be reflected in the 
    image on the screen. Note that the Digital Lens Optimizer and diffraction 
    correction will not be applied to the Live View image.
      The correction amount will be less (except  for diffraction correction) if the 
    lens used does not have distance information.
    Notes for Lens Correction
      The effect of the lens aberration corr ection varies depending on the lens 
    used and shooting conditions. Also, the effect may be difficult to discern 
    depending on the lens used, shooting conditions, etc.
      If the correction is difficult to disc ern, magnifying and checking the image 
    after shooting is recommended.
      Corrections can be applied even when  an extender or life-size converter 
    is attached.
      If the correction data for the attached lens is not registered to the 
    camera, the result will be the same as  when the correction is set to 
    [ Disable ] (except for diffraction correction). 
    						
    							
    215
    If you shoot an image with a fast shutter speed under a light source 
    such as fluorescent light, the blinking of the light source causes flicker 
    and the image may be vertically  unevenly exposed. If continuous 
    shooting is used under these condi tions, uneven exposures or colors 
    across the images may result. W hen you use this feature during 
    viewfinder shooting, the camera detects the flickering frequency of the 
    light source and takes the picture when the flicker causes less effect on 
    exposure or color tone.
    1Select [Anti-flicker shoot.].
      Under the [ z4] tab, select [ Anti-
    flicker shoot. ], then press < 0>.
    2Select [Enable].
    3Take the picture.
      The image will be taken with reduced 
    unevenness of exposure or color tone 
    caused by the flicker.
    3  Reducing Flicker N
     When [Enable] is set and you shoot under a flickering light source, the 
    shutter-release time lag may become longer. Also, the continuous shooting 
    speed may become slower, and the shooting interval may become irregular.
      This function does not work with mirro r lockup, Live View shooting, or 
    movie shooting.
     
    In the  or  mode, if the shutter speed changes during continuous 
    shooting or if you shoot multiple shots of the same scene at different shutter 
    speeds, the color tone may be inconsistent. To avoid inconsistent color 
    tones, use the <
    s> or  mode at a fixed shutter speed.  The color tone of the captured images when [ Anti-flicker shoot.] is set 
    to [ Enable ] may look different from when [ Disable] is set.
      Flicker at a frequency other than 100 Hz or 120 Hz cannot be detected. 
    Also, if the flickering frequency of the light source changes during 
    continuous shooting, effects of the flicker cannot be reduced. 
    						
    							
    3 Reducing Flicker N
    216
     If the subject is against a dark background or if there is a bright light in 
    the image, flicker may not be properly detected.
      Under certain special types of lighting, the camera may not be able to 
    reduce the effects of the flicker even when < G> is displayed.
      Depending on the light source, flicker may not be detected properly.
      If you recompose a shot, < G> may appear and disappear 
    intermittently.
      Depending on the light sources or shooting conditions, the expected 
    result may not be obtained even if you use this function.
     Taking test shots in advance is recommended.
      If  is not displayed in the viewfinder, add a checkmark to 
    [ Flicker detection ] in [Show/hide in viewfinder ] (p.84). If you shoot 
    with flicker reduction, < G> will light up. Under a light source which 
    does not flicker, or if no flicker is detected, < G> will not be 
    displayed.
      If a checkmark is added to [ Flicker detection] and [z4: Anti-flicker 
    shoot. ] is set to [ Disable], metering under a flickering light source will 
    cause < G > to blink in the viewfinder as a warning. Setting to 
    [ Enable ] before shooting is recommended.
      In the < A> mode, < G> will not be displayed, but the picture will 
    be taken with flicker reduction.
      Flicker reduction also works with flash. However, the expected result 
    may not be obtained for wireless flash shooting. 
    						
    							
    217
    The range of reproducible colors is called “color space”. With this 
    camera, you can set the color space for captured images to sRGB or 
    Adobe RGB. For normal shooting, sRGB is recommended.
    In the < A> mode, the color space is set automatically to [ sRGB].
    1Select [Color space].
     Under the [ z2] tab, select [ Color 
    space ], then press < 0>.
    2Set the desired color space.
      Select [ sRGB] or [Adobe RGB ], then 
    press < 0>.
    This color space is mainly used for commercial printing and other 
    industrial uses. This setting is not  recommended if you are not familiar 
    with image processing, Adobe RGB, and Design rule for Camera File 
    System 2.0 (Exif 2.21 or higher). T he image will look very subdued in a 
    sRGB computer environment and with  printers not compliant to Design 
    rule for Camera File System 2.0 (Exif 2.21 or higher). Post-processing 
    of the image with computer software will therefore be required.
    3  Setting the Color Space N
    Adobe RGB
     If the captured still photo was shot in the Adobe RGB color space, the 
    first character in the file name will be an underscore “_”.
     
    The ICC profile is not appended. For explanations about the ICC profile, 
    refer to the Digital Photo Professional Instruction Manual (p.600). 
    						
    							
    218
    You can freely create and select the folder where the captured images 
    are to be saved.
    This operation is optional since a folder will be created automatically for 
    saving captured images.
    1Select [Record func+card/folder 
    sel.].
     Under the [ 51] tab, select [ Record 
    func+card/folder sel. ], then press 
    < 0 >.
    2Select [Folder].
    3Select [Create folder].
    4Select [OK].
    XA new folder with the folder number 
    increased by one is created.
    3  Creating and Selecting a Folder
    Creating a Folder 
    						
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