Fujifilm Camera X100t Owners Manual

							Select a shutter speed of [T] (time) or [B]  (bulb) for long time-exposures.
Use of a tripod is recommended to prevent the camera from moving during the
exposure.
Time (T)
Bulb ( B)
Rotate the shutter speed dial to  [T].1. 
Rotate the command dial to choose a shutter speed between 30  s and 2 s in steps of 1/3  
EV.2. 
Press the shutter button all the way down to ta ke a picture at the selected shutter speed.
A count-down timer will be displayed while the exposure is in progress.3. 
Long Time-Exposures (T/B)
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							Rotate the shutter speed dial to [B].1. 
Press the shutter button all the way down. The shutter will remain open for up to 60
minutes while the shutter button is pressed;  the display shows the time elapsed since the
exposure started.2. 
Selecting an aperture of  [A] fixes shutter speed at 30  s.
To reduce “noise” (mottling) in long time-exposures, select  [ON] for [LONG
EXPOSURE NR]  in the shooting menu. Note that th is may increase the time needed to
record images after shooting.
Long Time-Exposures (T/B)
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							Simulate the effects of different types of film, including sepia and black-and-white. Press the
selector left to display a me nu of film simulation types.
At default settings, film simulation is assigned to the left  button on the selector
(function button 3). For information on ch oosing the roles assigned to the function
buttons, see “The Function Buttons”.
Film simulation can also be selected in the shooting menu.
Film Simulation
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							 [PROVIA/STANDARD] [Velvia/VIVID] [ASTIA/SOFT]
 [CLASSIC CHROME]  [PRO Neg. Hi]
 [PRO Neg. Std]
 [MONOCHROME]
 [MONOCHROME+Ye FILTER]
 [MONOCHROME+R FILTER]
 [MONOCHROME+G FILTER]  [SEPIA]Standard color reproduction. Suited to a wide range
of subjects, from portraits to landscapes.
A high-contrast palette of saturated colors, suited to
nature photographs.
A soft-toned palette of less saturated colors.
Soft color and enhanced shadow contrast for a calm
look.
Offers slightly more contrast than   (PRO Neg.
Std). Recommended for outdoor portrait
photography.
A soft-toned palette. The range of hues available for
skin tones is enhanced, making this a good choice for
studio portrait photography.
Take pictures in black and white.
Take black-and-white pictures with slightly increased
contrast. This setting also slightly tones down the
brightness of the sky.
Take black-and-white pictures with increased
contrast. This setting also tones down the brightness
of the sky.
Soften skin tones in black-and-white portraits.
Take pictures in sepia.
See Also
The Function Buttons
 ([Fn] (Function) Buttons)
[FILM SIMULATION] (The Shooting Menu)
Film Simulation
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							Adjust colors to match the light source.Press the selector right to display white balance options.
At default settings, white balance is assi gned to the right button on the selector
(function button 4). For information on ch oosing the roles assigned to the function
buttons, see “The Function Buttons”.
White balance can also be selected in the shooting menu.
1. 
White Balance
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							AUTO
Press the selector up or down to highlight the desired option.
White balance adjusted automatically.
Measure a value for white balance.
Choose a color temperature.
For subjects in direct sunlight.
For subjects in the shade.
Use under “daylight” fluorescent lights.
Use under “warm white” fluorescent lights.
Use under “cool white” fluorescent lights.
Use under incandescent lighting.
Reduces the blue cast typically associated with underwater lighting.
2. 
Press [MENU/OK] . The dialog shown below will be  displayed; use the selector to
fine-tune white balance and press  [MENU/OK] to select, or press  [DISP/BACK] to exit
without fine-tuning.3. 
Results vary with shooting conditions. Play pictures back after shooting to check colors.
Custom White Balance
Color Temperature
White Balance
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							Choose   to adjust white balance for unusual lighting conditions. White balance measurement
options will be displayed; frame a white object so that it fills the display and press the shutter
button all the way down to measure white balance (to select the most recent custom value and
exit without measuring white balance, press  [DISP/BACK], or press [MENU/OK] to select
the most recent value and display the fine-tuning dialog).
If “COMPLETED!” is displayed , press [MENU/OK]  to set white balance to the
measured value.
If “UNDER” is displayed , raise exposure compensation and try again.
If “OVER” is displayed, lower exposure compensation and try again.
Color temperature is an objective measure of th e color of a light source, expressed in Kelvin
(K). Light sources with a color temperature close  to that of direct sunlight appear white; light
sources with a lower color temperature have a yellow or red cast, while those with a higher
color temperature are tinged with blue. You can match color temperature to the light source as
shown in the following table, or choose options that differ sharply from  the color of the light
source to make pictures “warmer” or “colder”.
See Also
The Function Buttons  ([Fn] (Function) Buttons)
[WHITE BALANCE] (The Shooting Menu)
Choose for redder light sources or “colder”
pictures Choose for bluer light sources or “warmer”
pictures
2000  K
Candlelight 5000
 K
Direct sunlight 15000
 K
Blue sky
 Sunset/sunrise Shade  
White Balance
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							 [TOY CAMERA] [MINIATURE]
 [POP COLOR]  [HIGH-KEY] [LOW-KEY]
 [DYNAMIC TONE]  [SOFT FOCUS]
 [PARTIAL COLOR (RED)]
[PARTIAL COLOR (ORANGE)] [PARTIAL COLOR (YELLOW)] [PARTIAL COLOR (GREEN)] [PARTIAL COLOR (BLUE)]
[PARTIAL COLOR (PURPLE)] [OFF]
Take photos with filter effects. Select  [ADVANCED FILTER] in the shooting menu and choose
from the following options:
Choose for a retro toy camera effect.
The tops and bottoms of pictures are blurred for a
diorama effect.
Create high-contrast images with saturated colors.
Create bright, low-contrast images.
Create uniformly dark tones with few areas of
emphasized highlights.
Dynamic tone expression is used for a fantasy effect.
Create a look that is evenly soft throughout the
whole image.
Reds are recorded in colo r, while other colors are
recorded in black and white.
Orange objects are recorded in color, while other
colors are recorded in black and white.
Yellows are recorded in color, while other colors are
recorded in black and white.
Greens are recorded in color, while other colors are
recorded in black and white.
Blues are recorded in color, while other colors are
recorded in black and white.
Purples are recorded in color, while other colors are
recorded in black and white.
Advanced filters off.
Depending on the subject and camera settings , images may in some cases be grainy or
vary in brightness and hue.
Selecting an advanced filter sets the  [SCREEN SET-UP] > [IMAGE DISP.]  option in
the setup menu to  [0.5 SEC].
Advanced Filters
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							Using the Shooting Menu
Factory Defaults—Shooting Menu
[AUTOFOCUS SETTING]
[ISO]
[IMAGE SIZE]
[IMAGE QUALITY]
[DYNAMIC RANGE]
[FILM SIMULATION]
[FILM SIMULATION BKT]
[ND FILTER]
[COLOR]
[SHARPNESS]
[HIGHLIGHT TONE]
[SHADOW TONE]
[NOISE REDUCTION]
[LONG EXPOSURE NR]
[WHITE BALANCE]
[SELECT CUSTOM SETTING]
[EDIT/SAVE CUSTOM SETTING]
[FUNCTION (Fn) SETTING]
[DISP. CUSTOM SETTING]
[CONVERSION LENS]
[MF ASSIST]
[ADVANCED FILTER]
[INTERVAL TIMER SHOOTING]
[SELF-TIMER]
[AE/AF-LOCK MODE]
[AE/AF-LOCK BUTTON]
[PHOTOMETRY]
[INTERLOCK SPOT AE & FOCUS AREA]
[RED EYE REMOVAL]
[SAVE ORG IMAGE]
[FLASH MODE]
[FLASH COMPENSATION]
The Shooting Menu
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							[SHUTTER TYPE]
[MOVIE SET-UP]
[WIRELESS COMMUNICATION]
The Shooting Menu
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