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Canon Eos Rebel T5i 700d Instruction Manual

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    The range of reproducible colors is called the color space. With this 
    camera, the color space for captured images can be set to sRGB or 
    Adobe RGB. For normal shooting, sRGB is recommended.
    In Basic Zone modes, sRGB is set automatically.
    1Select [Color space].
      Under the [z 2] tab, select [Color 
    space], then press < 0>.
    2Set the desired color space.
      Select [ sRGB] or [Adobe RGB ], then 
    press < 0>.
    This color space is mainly used for commercial printing and other 
    industrial uses. This setting is not  recommended if you do not know 
    about image processing, Adobe RGB, and Design rule for Camera File 
    System 2.0 (Exif 2.21 or higher). T he image will look very subdued in a 
    sRGB personal computer environment and with printers not compatible 
    with Design rule for Camera File System 2.0 (Exif 2.21 or higher). Post-
    processing of the image with software will therefore be required.
    3 Setting the Color Reproduction RangeN
    About Adobe RGB
      If the captured still photo was shot in the Adobe RGB color space, the 
    first character in the file name will be an underscore “_”.
     
    The ICC profile is not appended. Refer to explanations about the ICC 
    profile in the Software Instruction Manual (p.367) on the CD-ROM.
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    The camera’s mechanical shake caused by the reflex mirror action can 
    blur images taken with a super tel ephoto lens or close-up (macro) lens. 
    In such cases, mirror lockup is effective.
    Mirror lockup is enabled by setting [5: Mirror lockup] to [1: Enable] 
    in the [ 54: Custom Functions (C.Fn)]  (p.300).
    1Focus the subject, then press the shutter button 
    completely.
    XThe mirror will swing up.
    2Press the shutter button completely again.
    XThe picture is taken and the mirror goes back down.
      After taking the picture, set [ 5: Mirror lockup] to [0: Disable ].
      Using the self-timer < Q>, < l> with mirror lockup
    When you press the shutter button completely, the mirror locks up, 
    then the picture is taken 10 sec. or 2 sec. later.
      Remote control shooting
    Since you do not touch the camera when the picture is taken, remote 
    control shooting together with mi rror lockup can further prevent 
    camera shake (p.307). With Remote Controller RC-6 (sold 
    separately) set to a 2-sec. delay, press the transmit button and the 
    mirror will lockup before the picture is taken 2 sec. later.
    Mirror Lockup to Reduce Camera ShakeN
    Shooting Tips
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    Mirror Lockup to Reduce Camera ShakeN
     In very bright light such as at t he beach or a ski slope on a sunny day, 
    take the picture promptly after mirror lockup.
      Do not point the camera toward the sun. The sun’s heat can damage the 
    camera’s internal components.
      If you use the self-timer and bulb exposure in combination with a mirror 
    lockup, keep pressing the shutter button completely (self-timer delay 
    time + bulb exposure time). If you let go of the shutter button during the 
    self-timer countdown, there will be  a shutter-release sound, but no 
    picture will be taken.
      Even if < i> or < q> is set for drive mode, single shooting will take 
    effect.
      When [ z3: High ISO speed NR ] is set to [Multi Shot Noise 
    Reduction], four continuous shots will be taken for the single picture 
    regardless of the [ 5: Mirror lockup] setting.
      If 30 seconds elapse after the mirror has locked up, it will go back down 
    automatically. Pressing the shutter button completely again locks up the 
    mirror again.
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    5
    Shooting with the LCD Monitor
    (Live View Shooting)
    You can shoot while viewing the image on the camera’s 
    LCD monitor. This is called “Live View shooting”.
    If you handhold the camera and shoot while viewing the 
    LCD monitor, camera shake can cause blurred images. 
    Using a tripod is recommended.
    About Remote Live View ShootingWith EOS Utility (provided software, p.364) installed in your 
    computer, you can connect the camera to the computer and shoot 
    remotely while viewing the computer screen. For details, refer to 
    the Software Instruction Manual (p.367) on the CD-ROM.
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    1Display the Live View image.
     Press the < A> button.
    X The Live View image will appear on 
    the LCD monitor. In the  mode, 
    the scene icon for the scene detected 
    by the camera is displayed on the 
    upper left (p.149).
      By default, Continuous AF (p.156) will 
    take effect.
      The Live View image will closely 
    reflect the brightness level of the 
    actual image you capture.
    2Focus the subject.
     When you press the shutter button 
    halfway, the camera will focus with 
    the current AF method (p.159).
    3Take the picture.
     Press the shutter button completely.
    XThe picture will be taken and the captured 
    image is displayed on the LCD monitor.
    X After the image review ends, the 
    camera will return to Live View 
    shooting automatically.
      Press the < A> button to exit Live 
    View shooting.
    A  Shooting with  the LCD Monitor
     The image’s field of view is approx. 99% (when the image-recording 
    quality is set to JPEG  73).
      In Creative Zone modes, you can check the depth of field by pressing the 
    depth-of-field preview button.
      During continuous shooting , the exposure set for the first shot will also 
    be applied to subsequent shots.
      You can also tap the subject on the LCD monitor to focus (p.159-167) 
    and shoot (p.168).
     
    You can also use a remote controller (sold separately, p.307) for Live View shooting.
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    A Shooting with the LCD Monitor
    Set [ A: Live View shoot. ] to [Enable].
    Battery Life with Live View Shooting [Approx. number of shots]
     The figures above are based on a fully-charged Battery Pack LP-E8 and CIPA 
    (Camera & Imaging Products Association) testing standards.
      With a fully-charged Battery Pack LP-E8,  continuous Live View shooting is 
    possible as for approx. 1 hr. 30 min. at 23°C / 73°F.
    Enabling Live Vi ew Shooting
    TemperatureShooting Conditions
    No Flash 50% Flash Use
    At 23°C / 73°F200180
    At 0°C / 32°F 170150
     In the < F> and < G> shooting modes, the picture area will be smaller 
    than with other shooting modes.
      Do not point the camera toward an intense light source, such as the sun 
    on a sunny day or an intense artificial light source. Doing so may 
    damage the image sensor or the camera’s internal components.
      Cautions for using Live View shooting are on pages 171-172.
     When flash is used, there will be two shutter sounds, but only one shot 
    will be taken. Also, the time it takes to take the picture after you press the 
    shutter button completely will be slightly longer than with viewfinder 
    shooting.
      If the camera is not operated for a prolonged period, the power will turn 
    off automatically as set with [ 52: Auto power off ] (p.205). If [52: Auto 
    power off ] is set to [ Disable], Live View shooting will end automatically 
    after approx. 30 min. (camera power remains on).
      With the stereo AV cable AVC-DC400ST (sold separately) or HDMI cable 
    HTC-100 (sold separately), you can display the Live View image on a TV 
    (p.262, 265).
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    A Shooting with the LCD Monitor
     Each time you press the < B> button, the information display will 
    change.
    Information Display
    ISO speedExposure level indicator/AEB range
    Aperture
    Shutter speed Picture Style
    Battery check
    Exposure 
    simulation
    Image-recording
    quality White balance
    AF point (Quick AF)
    Histogram
    Drive mode
    AE lock
    D  Flash-ready
    b  Flash off Auto Lighting 
    Optimizer
    AF method
    Possible shots
    Eye-Fi card 
    transmission 
    status
    Shooting mode
    Touch shutter
    GPS connection indicator
    Switch to auto
    selection (AF point)
    Digital compass
    AEB/FEB/
    Multi Shot Noise 
    ReductionMagnified viewQuick Control
    Metering mode
    Built-in flash settings
    Highlight tone priority
    Creative filters
    Flash exposure compensation
     When < g> is displayed in white, it indi cates that the Live View image 
    brightness is close to what the captured image will look like.
      If  is blinking, it indicates that the Live View image is displayed at 
    a brightness that differs from the actual shooting result because of low- 
    or bright-light conditions. However,  the actual image recorded will reflect 
    the exposure setting. Note that noise may be more noticeable than the 
    actual image recorded.
     
    If you use the < F > or  shooting mode, bulb exposure, or flash, the  icon and histogram will be grayed out (for your reference). The 
    histogram may not be properly displayed in low- or bright-light conditions.
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    A Shooting with the LCD Monitor
    During Live View shooting in the < A> mode, an icon representing the 
    scene detected by the camera will be  displayed and the shooting will be 
    adapted to that scene. For certain scenes or shooting conditions, the 
    icon displayed may not match the actual scene.
    *1: Displayed only when the AF method is set to [ u+Tracking ]. If another AF method is 
    set, the “Non-Portrait” icon will be displayed even if a person is detected.
    *2: Displayed when the attached lens has distance information. With an Extension Tube  or Closeup Lens, the icon displayed may not match the actual scene.
    *3: The icon suiting the scene detected will be displayed.
    *4: Displayed when all the following conditions apply: The shooting scene is dark, it is a  night scene, and the camera is mounted on a tripod.
    
    Scene Icons
    SubjectPortrait*1Non-PortraitBackground 
    ColorBackgroundMovementNature and 
    Outdoor SceneMovementClose*2
    BrightGrayBacklit
    Blue sky 
    included
    Light blueBacklit
    Sunset*3*3Orange
    Spotlight
    Dark blueDark
    With tripod*4*5*3*4*5*3
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    A Shooting with the LCD Monitor
    *5: Displayed with any of the lenses below:
    • EF-S18-55mm f/3.5-5.6 IS II • EF-S55-250mm f/4-5.6 IS II
    • EF300mm f/2.8L IS II USM • EF400mm f/2.8L IS II USM
    • Image Stabilizer lenses marketed in 2012 or later.
    *4*5: If the conditions in both *4 and *5 apply, the shutter speed will become slow.
    The final image simulation reflects the effects of the Picture Style, white 
    balance, etc., in the Live View im age so you can see how the captured 
    image will look like.
    During shooting, the Live View image will automatically reflect the 
    function settings listed below.
    Final Image Simulation During Live View Shooting
      Picture Style
    * All settings such as sharpness, contrast, color saturation, and color tone will 
    be reflected.
      White balance
      White balance correction
      Ambience-based shots
      Light/scene-based shots
      Creative filters
      Metering mode
      Exposure
      Depth of field (with depth-of-field preview button ON)
      Auto Lighting Optimizer
      Peripheral illumination correction
      Highlight tone priority
      Aspect ratio (image area confirmation)
    Final Image Simulation
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