Canon Eos Rebel T5i 700d Instruction Manual
Have a look at the manual Canon Eos Rebel T5i 700d Instruction Manual online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 1335 Canon manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.
121 This feature takes exposure compensation a step further by varying the exposure automatically (up to ±2 stops in 1/3-stop increments) with three shots as shown below. You can then choose the best exposure. This is called AEB (Auto Exposure Bracketing). 1Select [Expo.comp./AEB]. Under the [z 2] tab, select [Expo.comp./AEB], then press . 2Set the AEB range. Turn the < 6> dial to set the AEB range. Press the < U> key to set the exposure compensation amount. If AEB is combined with exposure compensation, AEB will be applied centering on the exposure compensation amount. Press < 0> to set it. When you press the < M> button to exit the menu, the AEB range will be displayed on the LCD monitor. 3Take the picture. Focus and press the shutter button completely. The three bracketed shots will be taken in this sequence: standard exposure, decreased exposure, and increased exposure. 3 Auto Exposure BracketingN Standard exposure Darker exposure (Decreased exposure) Brighter exposure (Increased exposure) AEB range COPY
122 3 Auto Exposure Bracketing N Follow steps 1 and 2 to turn off the AEB level display. The AEB setting will also be canceled automatically if the power switch is set to < 2>, flash recycling is completed, etc. Using AEB with continuous shooting If continuous shooting (p.104) is set and you press the shutter button completely, the three bracketed shots will be taken continuously in this sequence: standard exposure, decreased exposure, and increased exposure. Using AEB with < u> single shooting Press the shutter button three times to take the three bracketed shots. The three bracketed shots will be exposed in the following sequence: standard exposure, decr eased exposure, and increased exposure. Using AEB with the self-timer or a remote controller (sold separately) With the self-timer or a remote control shooting (< Q> or < l>), you can take three continuous shots after a 10-sec. or 2-sec. delay. With < q> (p.106) set, the number of continuous shots will be three times the number set. Canceling AEB Shooting Tips AEB cannot be used with flash, Multi Shot Noise Reduction, Creative filters, or bulb exposures. If [z 2: Auto Lighting Optimizer] (p.125) is set to any setting other than [ Disable ], the AEB’s effect may be minimal. COPY
123 You can lock the exposure when the area of focus is to be different from the exposure metering area or when you want to take multiple shots at the same exposure setting. Press the < A> button to lock the exposure, then recompose and take the shot. This is called AE lock. It is effective for backlit subjects. 1Focus the subject. Press the shutter button halfway. X The exposure setting will be displayed. 2Press the button. (0 ) X The < A> icon lights up in the viewfinder to indicate that the exposure setting is locked (AE lock). Each time you press the < A> button, the current autoexposure setting is locked. 3Recompose and take the picture. If you want to maintain the AE lock while taking more shots, hold down the < A> button and press the shutter button to take another shot. * When the lens’ focus mode switch is set to < MF>, AE lock is applied at the center AF point. A Locking the Exposure N AE Lock Effects Metering Mode (p.117)AF Point Selection Method (p.100) Automatic SelectionManual Selection q*AE lock is applied at the AF point that achieved focus.AE lock is applied at the selected AF point. wreAE lock is applied at the center AF point. COPY
124 If the subject is on the side of the frame and you use flash, the subject may turn out to be too bright or dark depending on the background, etc. This is when you should use FE lock. After setting the proper flash exposure for the subject, you can recompose (put the subject toward the side) and shoot. This feature can also be used with a Canon EX-series Speedlite. * FE stands for Flash Exposure. 1Press the button. XThe built-in flash will rise. Press the shutter button halfway and look in the viewfinder to check that the < D> icon is lit. 2Focus the subject. 3Press the button. (8 ) Aim the spot metering circle over the subject, then press the < A> button. X The flash will fire a preflash and the required flash output is calculated and retained in memory. X In the viewfinder, “ FEL” is displayed for a moment and < d> will light up. Each time you press the button, a preflash is fired and the required flash output is calculated and retained in memory. 4Take the picture. Compose the shot and press the shutter button completely. X The flash is fired when the picture is taken. A Locking the Flash Exposure N Spot metering circle If the subject is too far away and beyond the effective range of the flash, the < D> icon will blink. Get closer to the subject and repeat steps 2 to 4. FE lock cannot be used during Live View shooting. COPY
125 If the image comes out dark or the contrast is low, the brightness and contrast can be corrected automatical ly. This function is called Auto Lighting Optimizer. The default setting is [ Standard]. With JPEG images, the correction is done when the image is captured. In Basic Zone modes, [ Standard] is set automatically. 1Select [Auto Lighting Optimizer]. Under the [z 2] tab, select [Auto Lighting Optimizer ], then press < 0 >. 2Select the setting. Select the desired setting, then press . 3Take the picture. The image will be recorded with the brightness and contrast corrected if necessary. 3 Auto Correction of Brightness and ContrastN Under [ 54: Custom Functions (C.Fn)], if [ 3: Highlight tone priority] is set to [1: Enable ], the Auto Lighting Optimizer will be set automatically to [ Disable ] and the setting cannot be changed. If a setting other than [ Disable] is set and y ou use exposure compensation or flash exposure compensation to darken the exposure, the image may still come out bright. If you want a darker exposure, set this function to [ Disable]. Depending on the shooting conditions, noise may increase. In step 2, if you press the < B> button and uncheck < X> the [ Disable during man expo ] setting, the Auto Lighting Optimizer can be set in the < a > mode. COPY
126 This function reduces the noise generated in the image. Although noise reduction is applied at all ISO speeds, it is particularly effective at high ISO speeds. At low ISO speeds, the noise in the darker parts of the image (shadow areas) is further reduced. Change the setting to suit the noise level. 1Select [High ISO speed NR]. Under the [z 3] tab, select [High ISO speed NR ], then press < 0>. 2Set the setting. Select the desired setting, then press . X The setting screen closes and the menu will reappear. [M: Multi Shot Noise Reduction] Noise reduction with higher image quality than when [ High] is applied. For a single photo, four shots are taken continuously and aligned and merged automatically into a single JPEG image. 3Take the picture. The image will be recorded with noise reduction applied. 3 Noise Reduction Settings N High ISO Speed Noise Reduction With [High] or [Multi Shot Noise Reduction ], the maximum burst for continuous shooting will greatly decrease. COPY
127 3 Noise Reduction Settings N You can reduce noise in long exposures. 1Select [Long exp. noise reduction]. Under the [z 3] tab, select [Long exp. noise reduction ], then press < 0 >. Long Exposure Noise Reduction About [Multi Shot Noise Reduction] The following functions cannot be set: AEB, WB bracketing, [ z3: Long exp. noise reduction ], 1 +73 /1 . If any of these has already been set, [ Multi Shot Noise Reduction] cannot be set. Flash shooting is not possible. The AF-assist beam will be emitted according to the [5 4: Custom Functions (C.Fn)]’s [4: AF-assist beam firing] setting. You cannot set [Multi Shot Noise Reduction ] for bulb exposures. If you turn off the power or change the shooting mode to a Basic Zone mode, movie shooting, or bulb, the setting will change to [ Standard]. If the images are greatly misaligned due to camera shake or if there is a moving subject, the noise reduction effect may be minimal. If you are handholding the camera, keep it steady to prevent camera shake. Using a tripod is recommended. The image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images. Recording the image to the card will take longer than with normal shooting. During the processing of the images, “ BUSY” will be displayed and you cannot take another picture until the processing is completed. [z 3: Dust Delete Data ] cannot be set. If [Multi Shot Noise Reduction] is set, direct printing (p.280) is not possible. If you play back a 1+73 or 1 image with the camera or print an image directly, the effect of the high ISO speed noise reduction may look minimal. Check the noise reduction effect or print noise-reduced images with Digital Photo Professional (provided software, p.364). COPY
128 3 Noise Reduction Settings N 2Set the setting. Select the desired setting, then press . X The setting screen closes and the menu will reappear. [Auto] For 1 sec. or longer exposures, noise reduction is performed automatically if noise typical of long exposures is detected. This [Auto ] setting is effective in most cases. [Enable] Noise reduction is performed for all exposures of 1 sec. or longer. The [ Enable] setting may be able to reduce noise that otherwise cannot be detected with the [ Auto] setting. 3Take the picture. The image will be recorded with noise reduction applied. With [ Auto] and [ Enable ], the noise reduction process after the picture is taken may take the same amount of time as the exposure. You cannot take another picture until the noise reduction process is completed. Images taken at ISO 1600 or higher may look grainier with the [ Enable] setting than with the [ Disable] or [Auto ] setting. With [Auto ] and [Enable ], if a long exposure is shot with the Live View image displayed, “BUSY ” will be displayed during the noise reduction process. The Live View display will not reappear until the noise reduction is completed. (You cannot take another picture.) COPY
129 Peripheral light fall-off is a phenomenon that makes the image corners look darker due to the lens characteristics. Color fringing along subject outlines is another chromatic aberra tion. Both lens aberrations can be corrected. 1 images can be corrected with Digital Photo Professional (provided software, p.364). 1Select [Lens aberration correction]. Under the [z 1] tab, select [Lens aberration correction ], then press < 0 >. 2Select the setting. Check that [ Correction data available ] is displayed for the attached lens. Select [ Peripheral illumin. ], then press < 0>. Select [ Enable], then press < 0>. If [Correction data not available ] is displayed, see “About the Lens Correction Data” on page 131. 3Take the picture. The image will be recorded with the peripheral illumination corrected. 3 Lens Peripheral Illumination / Chromatic Aberration Correction Peripheral Illumination Correction Depending on shooting conditions, noise may appear on the image periphery. The correction amount applied will be slightly lower than the maximum correction amount settable with Digital Photo Professional (provided software). The higher the ISO speed, the lower the correction amount will be. COPY
130 3 Lens Peripheral Illumination / Chromatic Aberration Correction 1Select the setting. Check that [ Correction data available ] is displayed for the attached lens. Select [ Chromatic aberration ], then press < 0>. Select [ Enable], then press < 0>. If [Correction data not available ] is displayed, see “About the Lens Correction Data” on the next page. 2Take the picture. The image will be recorded with the chromatic aberration corrected. Chromatic Aberration Correction With [Enable ], the maximum burst for continuous shooting will greatly decrease. If you play back a 1 image shot with the chromatic aberration corrected, the image will be displayed on the camera without the chromatic aberration correction applied. Check the chromatic aberration correction with Digital Photo Professional (provided software, p.364). COPY