Canon Eos Rebel T5i 700d Instruction Manual

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3 Lens Peripheral Illumination / Chromatic Aberration Correction
The camera already contains lens  peripheral illumination correction 
data and chromatic aberration correction data for approx. 25 lenses. If 
you select [ Enable], the peripheral illumination correction and 
chromatic aberration correction will  be applied automatically for any 
lens whose correction data is registered in the camera.
With EOS Utility (provided software),  you can check which lenses have 
their correction data registered in the camera. You can also register the 
correction data for unregistered lenses. For details, refer to the 
Software Instruction Manual (CD-ROM) for EOS Utility (p.367).
Notes for Peripheral Illumination Co rrection and Chromatic Aberration 
Correction
About the Lens Correction Data
  Peripheral illumination correction and chromatic aberration correction 
cannot be applied to JPEG images already taken.
  When using a non-Canon lens, setting the corrections to [ Disable] is 
recommended, even if [ Correction data available ] is displayed.
  If you use the magnified view during  Live View shooting, the peripheral 
illumination correction and chromatic aberration correction will not be 
reflected in the image shown on the screen.
  If the effect of the correction is not visible, magnify the image and check 
it.
  Corrections can be applied even when an Extender or Life-size 
Converter is attached.
  If the correction data for the attached lens is not registered to the 
camera, the result will be the same as  when the correction is set to 
[ Disable ].
  If the lens does not have distance information, the correction amount will 
be lower.
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You can customize a Picture Style by adjusting individual parameters 
such as [Sharpness ] and [Contrast ]. To see the resulting effects, take 
test shots. To customize [ Monochrome], see page 134.
1Press the  button.
2Select a Picture Style.
 Select a Picture Style, then press the 
 button.
X The Detail setting screen will appear.
3Select a parameter.
  Select a parameter such as 
[Sharpness ], then press < 0>.
4Set the parameter.
  Press the < U> key to adjust the 
parameter as desired, then press 
< 0 >.
  Press the < M> button to save the 
adjusted parameters. The Picture 
Style selection screen will reappear.
X Any parameter settings different from 
the default will be displayed in blue.
A  Customizing Imag e CharacteristicsN
 By selecting [ Default set.] in step 3, you can revert the respective 
Picture Style to its default parameter settings.
  To shoot with the Picture Style you modified, follow step 2 on page 95 to 
select the modified Picture Style and then shoot.
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A Customizing Image Characteristics N
 Sharpness
Adjusts the sharpness of the image.
To make it less sharp, set it toward the  E end. The closer it is to E , 
the softer the image will look.
To make it sharper, set it toward the  F end. The closer it is to  F, the 
sharper the image will look.
 Contrast Adjusts the image contrast and the vividness of colors.
To decrease the contrast, set it towa rd the minus end. The closer it is 
to G , the more muted the image will look.
To increase the contrast, set it toward  the plus end. The closer it is to 
H , the crisper the image will look.
 Saturation The image’s color saturation can be adjusted.
To decrease the color saturation, set it toward the minus end. The 
closer it is to  G, the more diluted the colors will look.
To increase the color saturation, set it toward the plus end. The 
closer it is to  H, the bolder the colors will look.
 Color tone The skin tones can be adjusted.
To make the skin tone redder, set it toward the minus end. The 
closer it is to  G, the redder the skin tone will look.
To make the skin tone less red, set it toward the plus end. The closer 
it is to H , the more yellow the skin tone will look.
Parameter Settings and Effects
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A Customizing Image Characteristics N
For Monochrome, you can also set [ Filter effect] and [Toning effect ] in 
addition to [Sharpness] and [Contrast ] explained on the preceding 
page.
kFilter Effect
With a filter effect applied to a 
monochrome image, you can make 
white clouds or green trees stand out 
more. 
l Toning Effect
By applying a toning effect, you can 
create a monochrome image in that 
color. It can make the image look more 
impressive.
The following can be selected: [ N:None], 
[S:Sepia ], [B:Blue ], [P:Purple ] or 
[G:Green ].
V Monochrome Adjustment
FilterSample Effects
N : NoneNormal black-and-white image with no filter effects.
Ye :  Ye l l o wThe blue sky will look more natural, and the white clouds will look 
crisper.
Or : Orange The blue sky will look slightly darker. The sunset will look more 
brilliant.
R: RedThe blue sky will look quite dark. Fall leaves will look crisper and 
brighter.
G: GreenSkin tones and lips will appear muted. Tree leaves will look 
crisper and brighter.
Increasing the [
Contrast] will make the filter effect more pronounced.
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You can select a base Picture Style such as [Portrait] or [Landscape], 
adjust its parameters as desired and register it under [ User Def. 1], 
[User Def. 2], or [ User Def. 3].
You can create multiple Picture Styl es whose parameter settings such 
as sharpness and contrast are different.
You can also adjust the parameters of a Picture Style that has been 
registered to the camera with EOS Utility (provided software, p.364).
1Press the  button.
2Select [User Def.*].
 Select a [ User Def.* ] style, then press 
< B >.
X The Detail setting screen will appear.
3Press < 0>.
 With [ Picture Style] selected, press 
< 0 >.
4Select the base Picture Style.
  Press the < S> key or turn the < 6> 
dial to select the base Picture Style, 
then press < 0>.
  To adjust the parameters of a Picture 
Style that has been registered to the 
camera with EOS Utility (provided 
software), select the Picture Style 
here.
A Registering Preferred Image CharacteristicsN
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A Registering Preferred Image Characteristics N
5Select a parameter.
 Select a parameter such as 
[Sharpness ], then press < 0>.
6Set the parameter.
  Press the < U> key to adjust the 
parameter as desired, then press 
< 0 >. For details, see “Customizing 
Image Characteristics” on pages 132-
134.
  Press the < M> button to register 
the modified Picture Style. The 
Picture Style selection screen will 
then reappear.
X The base Picture Style will be 
indicated on the right of [ User Def.*].
 If a Picture Style has already been registered under [ User Def.*], 
changing the base Picture Style in  step 4 will nullify the parameter 
settings of the registered Picture Style.
  If you execute [ Clear all camera settings ] (p.214), all the [User Def.*] 
settings will revert to their defaults. Picture Styles registered via EOS 
Utility (provided software) will have only their modified parameters 
reverted to their default settings.
  To shoot with a registered Picture Style, follow step 2 on page 95 to 
select [ User Def.* ], then shoot.
  For the procedure to register a Picture Style file to the camera, refer to 
the EOS Utility Instructions (p.367).
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The function adjusting the color tone so that white objects look white in 
the picture is called white balance (WB). Normally, the  (Auto) 
setting will obtain the correct whit e balance. If natural-looking colors 
cannot be obtained with < Q>, you can select the white balance that 
matches the light source or set it  manually by shooting a white object. 
1Press the  button.
X[White balance ] will appear.
2Select the white balance.
 Press the < U> key or turn the 
< 6 > dial to select the desired white 
balance, then press < 0>.
  The “Approx. ****K” (K: Kelvin) 
displayed for the white balance 
settings < W>, , ,  
or < U> is the respective color 
temperature.
Custom white balance enables you to manually set the white balance 
for a specific light source for better accuracy. Perform this procedure 
under the actual light source to be used.
1Photograph a white object.
  The plain, white object should fill the 
spot metering circle.
  Focus manually and set the standard 
exposure for the white object.
  You can set any white balance.
B : Matching the Light Source N
O Custom White Balance
Spot metering circle
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B: Matching the Light Source N
2Select [Custom White Balance].
 Under the [z 2] tab, select [Custom 
White Balance ], then press .
X The custom white balance selection 
screen will appear.
3Import the white balance data.
  Select the image that was captured in 
step 1, then press < 0>.
X On the dialog screen that appears, 
select [OK ] and the data will be 
imported.
  When the menu reappears, press the 
 button to exit the menu.
4Select the custom white balance.
 Press the  button.
  Select < O>, then press .
 If the exposure obtained in step 1 differs greatly from the standard 
exposure, a correct white balance may not be obtained.
  An image captured while the Picture Style was set to [ Monochrome] 
(p.96) or an image processed with a Creative filter cannot be selected in 
step 3.
  Instead of a white object, an 18% gray card (commercially available) can 
produce a more accurate white balance.
  The personal white balance registered with EOS Utility (provided 
software, p.364) will be registered under < O>. If you perform step 3, 
the data for the registered perso nal white balance will be erased.
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You can correct the white balance that has been set. This adjustment 
will have the same effect as using a commercially-available color 
temperature conversion filter or color compensating filter. Each color 
can be corrected to one of nine levels.
This function is for advanced users who are familiar with using color 
temperature conversion or color compensating filters.
1Select [WB Shift/Bkt.].
 Under the [z 2] tab, select [WB 
Shift/Bkt. ], then press < 0>.
X The WB correction/WB bracketing 
screen will appear.
2Set the white balance correction.
  Press the < S> key to move the “ ” 
mark to the desired position.
  B is for blue, A for amber, M for 
magenta, and G for green. The color 
in the respective direction will be 
corrected.
  On the upper right, “ SHIFT” indicates 
the direction and correction amount.
  Pressing the < L> button will cancel 
all the [ WB Shift/Bkt. ] settings.
  Press < 0> to exit the setting and 
return to the menu.
u Adjusting the Color Tone for the Light SourceN
White Balance Correction
Sample setting: A2, G1
  When the white balance is corrected, < u> will be displayed in the 
viewfinder and on the LCD monitor.
  One level of the blue/amber correction is equivalent to approx. 5 mireds 
of a color temperature conversion filter. (Mired: Measuring unit indicating 
the density of a color temperature conversion filter.)
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u Adjusting the Color Tone for the Light Source N
With just one shot, three images having a different color balance can be 
recorded simultaneously. Based on the color temperature of the current white 
balance setting, the image will be br acketed with a blue/amber bias or 
magenta/green bias. This is called white balance bracketing (WB-BKT). White 
balance bracketing is possible up to ±3 levels in single-level increments.
Set the white balance bracketing amount.
  In step 2 for white balance correction, 
when you turn the < 6> dial, the “ ” 
mark on the screen will change to 
“   ” (3 points).
 Turning the dial to the 
right sets the B/A bracketing, and turning 
it to the left sets the M/G bracketing.
X On the right, “ Bracket” indicates the 
bracketing direction and correction 
amount.
  Pressing the < L> button will cancel 
all the [ WB Shift/Bkt. ] settings.
  Press < 0> to exit the setting and 
return to the menu.
Bracketing Sequence
The images will be bracketed in the following sequence: 1. Standard 
white balance, 2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard 
white balance, 2. Magenta (M) bias, and 3. Green (G) bias.
White Balance Auto Bracketing
B/A bias ±3 levels
  During WB bracketing, the maximum burst for continuous shooting will 
be lower and the number of possible shots will also decrease to approx. 
one-third the normal number.
  You can also set white balance correction and AEB together with white 
balance bracketing. If you set AEB in combination with white balance 
bracketing, a total of nine images  will be recorded for a single shot.
  Since three images are recorded for one shot, it takes longer to record 
the shot to the card.
  “Bkt. ” stands for bracketing.
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