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Antares AutoTune 7 user manual

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    							Owner’s Manual
    Auto-Tune
    ®
     7
    World Standard Profe\f\fional  
    Pitch and Ti\be Correction 
    						
    							©2011 Antares Audio Techno\fogies. 
    A\f\f rights reserved. \bertified Ising\fass-free.™ 
    Auto-Tune®, Antares®, AVOX® and Harmony Engine® are registered trademarks of 
    Antares Audio Techno\fogies. A\f\f trademarks are property of their respective owners. 
    www.antarestech.com
      
    P
    
    rinted in USA Rev 2.0 PN 23037-0311-M02 
    						
    							The Obligator\f Legal Mumbo-\bumbo 
    The Antares® Auto-Tune® 7 software and this 
    User’s Manua\f are protected by copyright 
    \faw. Making copies, adaptations, or derivative 
    works without the prior written authorization 
    of Antares Audio Techno\fogies, is prohibited by 
    \faw and constitutes a punishab\fe vio\fation of 
    the \faw. 
    Antares Audio Techno\fogies retains a\f\f 
    ownership rights to the Auto-Tune 7 software 
    and its documentation. Use of Auto-Tune 7 is 
    \fimited by the fo\f\fowing \ficense agreement. 
    P\fease carefu\f\fy read a\f\f the terms and 
    conditions of this \ficense agreement. At the 
    time of insta\f\fation of the Auto-Tune 7 software 
    you wi\f\f be presented with a copy of the 
    agreement and asked whether or not you agree 
    to it. \bontinuing with the insta\f\fation process 
    beyond that point constitutes such agreement.  Auto-Tune 7 License Agreement 
    Antares Audio Techno\fogies grants you a non-
    transferab\fe, non-exc\fusive \ficense to use Auto-
    Tune 7 under the terms and conditions stated 
    in this agreement. Use of Auto-Tune 7 indicates 
    your agreement to the fo\f\fowing terms and 
    conditions. 
    License 
    You may: 
     1
    
    .
     U
     se Auto-Tune 7 on on\fy one computer at a 
    time.
    You may not: 
     1
    
    . 
     M
     ake copies of Auto-Tune 7 or of the 
    user manua\f in who\fe or in part except as 
    express\fy provided for in this agreement. 
    Your right to copy Auto-Tune 7 and the 
    user manua\f is \fimited by copyright 
    \faw. Making copies, verba\f or media 
    trans\fations, adaptations, derivative works, 
    or te\fecommunication data transmission 
    of Auto-Tune 7 without prior written 
    authorization of Antares, is prohibited by 
    \faw and constitutes a punishab\fe vio\fation 
    of the \faw. 
     2
    
    . 
     M
     ake a\fteration or modifications to Auto-
    Tune 7 (or any copy) or disassemb\fe or 
    de-compi\fe Auto-Tune 7 (or any copy), or 
    attempt to discover the source code of 
    Auto-Tune 7. 
     3
    
    . 
     S
     ub-\ficense, \fease, \fend, rent, or grant other 
    rights in a\f\f or any portion of Auto-Tune 7 (or 
    any copy) to others. 
    						
    							Term of the Agreement 
    This agreement is effective unti\f terminated 
    by you or Antares. You may terminate the 
    agreement at any time by notifying Antares and 
    destroying a\f\f copies of the manua\f, and erasing 
    Auto-Tune 7 from a\f\f machine-readab\fe media, 
    whether on-\fine or on archiva\f copies. 
    In the event of breach of any of the terms of 
    this agreement, you sha\f\f pay the attorney’s 
    fees of Antares that are reasonab\fy necessary 
    to enforce the agreement p\fus resu\fting 
    damages. 
    Limite\f Warranty An\f \bisclaimer 
    AUTO-TUNE 7 AND A\b\bOMPANYING 
    MATERIALS ARE PROVIDED “AS IS” 
    WITHOUT WARRANTY OF ANY KIND, EITHER 
    EXPRESS OR IMPLIED, IN\bLUDING, BUT NOT 
    LIMITED TO, THE IMPLIED WARRANTIES OF 
    MER\bHANTABILITY AND FITNESS FOR A 
    PARTI\bULAR PURPOSE. 
    Antares Audio Techno\fogies does not warrant 
    that the functions contained in the program wi\f\f 
    meet your requirements. The entire risk as to the 
    use, qua\fity, and performance of Auto-Tune 7 is 
    with you. 
    SOME JURISDI\bTIONS DO NOT ALLOW 
    LIMITATIONS ON HOW LONG AN IMPLIED 
    WARRANTY LASTS, SO THE ABOVE 
    LIMITATION MAY NOT APPLY TO YOU. THIS 
    WARRANTY GIVES YOU SPE\bIFI\b LEGAL 
    RIGHTS. YOU MAY ALSO HAVE OTHER RIGHTS 
    WHI\bH VARY FROM JURISDI\bTION TO 
    JURISDI\bTION. 
    Limitation of Liability IN NO EVENT WILL ANTARES BE LIABLE 
    FOR ANY DAMAGES, IN\bLUDING LOSS OF 
    DATA, LOST PROFITS OR OTHER SPE\bIAL, 
    IN\bIDENTAL, \bONSEQUENTIAL OR INDIRE\bT 
    DAMAGES ARISING FROM THE USE OF AUTO-
    TUNE 7 OR A\b\bOMPANYING MATERIALS. 
    THIS LIMITATION WILL APPLY EVEN IF 
    ANTARES OR ITS AUTHORIZED AGENT HAS 
    BEEN ADVISED OF THE POSSIBILITY OF SU\bH 
    DAMAGE. YOU A\bKNOWLEDGE THAT THE 
    LI\bENSE FEE REFLE\bTS THIS ALLO\bATION OF 
    RISK. SOME JURISDI\bTIONS DO NOT ALLOW 
    LIMITATION OR EX\bLUSION OF LIABILITY FOR 
    IN\bIDENTAL OR \bONSEQUENTIAL DAMAGES, 
    SO THE ABOVE LIMITATION MAY NOT APPLY 
    TO YOU. 
    Whew! Now that that’s over, \fet’s get on to the 
    good stuff.  
    						
    							Contents
    Chapter 1 Getting Started  
    What’s \few in Auto\bTune 7 3
    I nstalling and Authorizing
     6
    T
    
    echnical Support
     6
    Chapter 2 I ntroducing Auto\bTune 7 
    Some background  7
    S o what exactly is Auto\bTune 7? 
     7
    A
    
     little bit about pitch
     7 
    Ho
    
    w Auto\bTune 7 detects pitch
     9
    Ho
    
    w Auto\bTune 7 corrects pitch 
     9
    A
    
    utomatic Mode
     1
     0
    Graphical Mode 
     1
    
    2
    Pitch Shifting and Formant Correction
     1
    
    3
    Time Shifting and Correction
     1
    
    4
    Chapter 3 Auto\bTune 7 Controls 
    Common Controls 1 7
    The Options Window
     2
     1
    Automatic Mode Controls
     2
    
    4
    Graphical Mode Pitch Controls
     3
    
    5
    Pen Tablet Input
     5
    
    2
    Graphical Mode Time Controls
     5
    
    3
    Chapter 4  Auto\bTune 7 Tutorial 
    Tutorial 1: Automatic Mode Basics 6 3
    Tutorial 2: Targeting Ignores Vibrato Function
     6
     4
    Tutorial 3: \fatural Vibrato Function
     6
    
    5
    Tutorial 4: MIDI Functions
     6
    
    5
    Tutorial 5: Transpose and Formant Control
     6
    
    6
    Tutorial 6: Graphical Mode Basics 
     6
    
    7
    Tutorial 7: Precision
     6
    
    8 
    						
    							vi
    Tutorial 8: Make Curve Function 69
    Tutorial 9: Import Auto Function
     7
     0
    Tutorial 10: Make \fotes Function
     7
    
    2
    Tutorial 11: Time: Error Correction
     7
    
    4
    Tutorial 12: Time: Creative Editing
     7
    
    5
    Chapter 5  The Auto\bTune Vocal Effect  7 7
    Chapter 6 
     T
     he Auto\bTune 7 Scales
     7
     9
     I
    
    ndex
     8
     1
       
    						
    							1
    Welcome!
    On beha\ff of everyone at Antares® Audio Techno\fogies, we’d \fike to offer both our 
    thanks and congratu\fations on your decision to purchase Auto-Tune® 7, the \fatest 
    (and indisputab\fy greatest) generation of the wor\fdwide standard in professiona\f 
    pitch correction. 
    Before you proceed any farther, we’d \fike to strong\fy encourage you to register and authorize your 
    copy of Auto-Tune 7. (You can skip ahead to the Authorization and Insta\f\fation instructions on page 
    6. We’\f\f wait.) A\fso, if you’re p\fanning on discarding that \fove\fy Auto-Tune 7 box, it’s probab\fy a good 
    idea to write down the seria\f number that appears on the bottom of the box for future reference. 
    (The inside cover of this manua\f wou\fd be a good p\face.) 
    At Antares, we are committed to exce\f\fence in qua\fity, customer service, and techno\fogica\f 
    innovation. With your purchase of Auto-Tune 7, you have created a re\fationship with Antares which 
    we hope wi\f\f be \fong and gratifying. Let us know what you think. You can count on us to \fisten.
    Again, thanks.
    The Who\fe Antares \brew
    It’\f about ti\be.  
    						
    							3
    Chapter 1: Getting Started
    Auto-Tune 7, with its new-from-the-ground-up time manipu\fation capabi\fities, 
    represents the most substantia\f advancement in functiona\fity since Auto-Tune’s 
    origina\f introduction in 1997. 
    If you are new to Auto-Tune, we encourage you to read this manua\f and work through the tutoria\fs in 
    \bhapter 4. It’s the quickest way to become fami\fiar with what Auto-Tune 7 does and how it does it.
    If you are upgrading from a previous version of Auto-Tune, you wi\f\f find that most of what you’re 
    a\fready doing wi\f\f continue to work in Auto-Tune 7, on\fy better. However, with the new time 
    manipu\fation functions, there’s more new stuff in Auto-Tune 7 than in any previous Auto-Tune 
    update. To get up to speed quick\fy, just check out the new feature overview be\fow and then refer to 
    re\fated sections of in \bhapter 3.
    O\fE BIG IMPORTA\fT \fOTE
    For those upgrading from o\fder versions of 
    Auto-Tune, is it critica\f to note the fo\f\fowing:
    Auto-Tune 7 will NOT open sessions cre\fted 
    with Auto-Tune E\bo.  (The addition of the time 
    manipu\fation capabi\fities wou\fd require you 
    to comp\fete\fy re-track your audio, effective\fy 
    negating any previous\fy made edits in the 
    session.)
    For that reason, we have configured Auto-Tune 
    7 such that it and Auto-Tune Evo can be active 
    in your DAW simu\ftaneous\fy.
     A
    
    dditiona\f\fy, 
    your Auto-Tune 7 \ficense inc\fudes a bund\fed 
    authorization for Auto-Tune Evo, so you can 
    continue to use it to open saved sessions.
    Auto-Tune 7 (like Auto-Tune E\bo before 
    it) will \flso NOT open sessions cre\fted 
    with Auto-Tune 5 or e\frlier \bersions.  The 
    improvements made to the core techno\fogy are 
    so extensive that it just won’t work. 
    For that reason, we have a\fso configured Auto-
    Tune 7 such that it and Auto-Tune 5 and a\f\f 
    ear\fier versions of Auto-Tune can be active in 
    your DAW simu\ftaneous\fy.
     
    H
    
    owever, it’s important to note that Auto-
    Tune 5 (and ear\fier versions) have \fong been 
    discontinued and we wi\f\f not be re\feasing  future updates to any of them. \bonsequent\fy, 
    it’s inevitab\fe that between computer OS 
    advancements and host updates, those ear\fier 
    versions wi\f\f eventua\f\fy stop working.
    If you have current saved sessions with 
    instances of Auto-Tune 5 or ear\fier that you may 
    need to access into the indefinite future, we 
    offer the fo\f\fowing suggestions:
    • If you are satisfied with the current Auto-
    Tune settings, use whatever method your 
    host offers (bouncing, offline editing, etc.) to 
    permanent\fy render the corrected tracks.
    • If you be\fieve you wi\f\f need to keep editing into the future, remove the instances of the 
    ear\fier versions of Auto-Tune and rep\face 
    them with instances of Auto-Tune 7.  
    						
    							4
    What’s new in Auto-Tune 7 
    The fo\f\fowing are the key new features that 
    have been added in Auto-Tune 7: 
    The secon\f generation of Evo
    ™ Voice 
    Processing Technology
    In 2008, Auto-Tune Evo introduced Antares’ 
    serious\fy evo\fved Evo Voice Processing 
    Techno\fogy, setting a new standard in pitch 
    detection, pitch shifting, and formant processing 
    performance. In the intervening years, Evo Voice 
    Processing Techno\fogy has been integrated 
    into Antares’ fu\f\f \fine of voca\f processing too\fs. 
    Now, with Auto-Tune 7, we are introducing the 
    second generation of Evo Voice Processing 
    Techno\fogy, offering even more natura\f (if you 
    want it to be) pitch shifting and throat mode\fing 
    over a wider transposition range. 
    An extremely high quality an\f easy-to-use 
    time correction an\f manipulation system 
    By far the most dramatic addition to Auto-
    Tune 7 is its entire\fy new time correction and 
    manipu\fation system. Auto-Tune 7’s time 
    contro\f capabi\fities combine an extreme\fy 
    high-qua\fity time shifting a\fgorithm with an 
    exceeding\fy intuitive user interface designed to 
    make it quick and easy to correct timing errors 
    or exercise your creative imagination.
    Auto-Tune 7’s time manipu\fation functions 
    inc\fude the abi\fity to move a point in time 
    within a se\fected range as we\f\f as move a 
    range in time within a \farger range. The time 
    functions have their own Undo/Redo contro\fs 
    independent of the pitch correction contro\fs 
    and an Enab\fe button that a\f\fows you to 
    instant\fy switch between your origina\f audio 
    and your time shifted audio.
    Enhance\f Amplitu\fe Envelope \bisplay
    Whenever time contro\f is enab\fed, the 
    Amp\fitude Enve\fope Disp\fay wi\f\f disp\fay both the 
    origina\f audio (in the \fower portion of the disp\fay) 
    and the time-shifted audio (in the upper portion). 
    \bata File Management System
    Since Auto-Tune 7’s time contro\f functions 
    require Auto-Tune to operate on a copy of the 
    audio you wish to manipu\fate, we’ve provided 
    a convenient data management dia\fog that  a\f\fows you to estab\fish or move the \focation of 
    the data fi\fes, rename their fo\fder, as we\f\f as 
    de\fete them if they are no \fonger necessary 
    (after bouncing the fina\f time-modified audio, 
    for examp\fe).
    The Fi\fe Management System wi\f\f a\fso a\fert 
    you if the data fi\fes are not where Auto-Tune 7 
    expects them to be and wi\f\f provide information 
    to he\fp you find them.
    The ability to a\fjust Throat Length on an 
    in\fivi\fual correction object basis
    To give you maximum contro\f over the timbre 
    of your voca\f tracks, Throat Length Adjustment 
    is now an independent property of each 
    individua\f correction object (\burve, Line or 
    Note). Whi\fe the overa\f\f Throat Length is sti\f\f 
    set by the master Throat Length knob, each 
    correction object can have its own independent 
    adjustment (either \fonger or shorter) as desired.
    Since each object can have its own Throat 
    Length adjustment setting, you wi\f\f no 
    \fonger need to automate Throat Length to 
    get the optimum timbre for each note of a 
    performance. 
    The ability to recor\f MI\bI note 
    information in Graphical Mo\fe an\f 
    create Note Objects from it
    When tracking pitch in Graphica\f Mode, Auto-
    Tune 7 wi\f\f record any MIDI note information 
    routed to it (either from another MIDI track 
    or \five from a MIDI contro\f\fer) and (optiona\f\fy) 
    disp\fay the data on the Pitch Graph Disp\fay. You 
    can then use the new Make Notes From MIDI 
    function to convert the MIDI information into 
    Note \borrection Objects.
    Enhance\f Graphical Mo\fe 
    A\fjust Vibrato function
    In previous versions of Auto-Tune, the Graphica\f 
    Mode Adjust Vibrato function wou\fd create 
    its own correction curve, rep\facing any other 
    correction object that had previous\fy been 
    created in the se\fected range. In Auto-Tune 7, 
    the Adjust Vibrato function is additive, acting on 
    any a\fready existing correction object, thereby 
    freeing you to work on pitch correction and 
    vibrato adjustment in any order desired.  
    						
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