Nikon Camera D7100 Users Manual
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83 Z V Exposure Choose how the camera sets exposure in P, S, A , and M modes (in other modes, the camera selects the metering method automatically). To choose a metering option, press the Z (Q ) button and rotate the main command dial until the desired setting is displayed in the control panel. Metering OptionDescription a Matrix : Produces natural results in most situations. Camera meters a wide area of the frame and set exposure according to tone di stribution, color, composition, and, with type G or D lenses ( 0296), distance information (3D color matrix metering II; with other CPU lenses, camera uses color matrix metering II, which does not include 3D distance information). With non-CPU lenses, camera uses color matrix metering if focal length and maximum aperture are specified using Non-CPU lens data option in setup menu ( 0150); otherwise camera uses center-weighted metering. Z Center-weighted : Camera meters entire frame but assigns greatest weight to center area (if CPU lens is attached, size of area can be selected using Custom Setting b4, Center- weighted area , 0 236; if non-CPU lens is attached, area is 8 mm in diameter). Classic meter for portraits; recommended when using filters with an exposure factor (filter factor) over 1×. * b Spot : Camera meters circle 3.5 mm (0.14 in.) in diameter (approximately 2.5% of frame). Circle is centered on current focus point, making it possible to meter off-center subjects (if non-CPU lens is used or if auto-area AF is in effect, camera will meter center focus point). Ensures that subject will be correctly exposed, even when background is much brighter or darker.* * For improved precision with non-CPU lenses, specify lens focal length and maximum aperture in Non-CPU lens data menu (0150). ASee Also For information on making separate adjustme nts to optimal exposure for each metering method, see Custom Setting b5 ( Fine-tune optimal exposure, 0 236). (P, S, A, and M Modes Only) Z (Q ) button Main command dialControl panel
84 V Autoexposure Lock Use autoexposure lock to recompose photographs after using center-weighted metering and spot metering to meter exposure. Note that matrix metering will not produce the desired results. 1Lock exposure. Position the subject in the selected focus point and press the shutter-release button halfway. With the shutter-release button pressed halfway and the subject positioned in the focus point, press the AAE-L/AF-L button to lock exposure (if you are using autofocus, focus will also lock; confirm that the in-focus indicator ( I) appears in the vie wfinder). While exposure lock is in effect, an f indicator will appear in the viewfinder. 2Recompose the photograph. Keeping the AAE-L/AF-L button pressed, recompose the photograph and shoot. Shutter-release button A AE-L/AF-L button
85 V AMetered Area In spot metering, exposure will be locked at the value metered in a 3.5-mm (0.14 in.) circle centered on the selected focus point. In cent er-weighted metering, exposure will be locked at the value metered in a 8-mm circle in the center of the viewfinder. AAdjusting Shutter Speed and Aperture While exposure lock is in effect, the following settings can be adjusted without altering the metered value for exposure: ModeSetting P Shutter speed and aperture (flexible program; 048) S Shutter speed A Aperture The new values can be confirmed in the viewfinder and control panel. Note that metering can not be changed while exposure lock is in effect. ASee Also If On is selected for Custom Setting c1 ( Shutter-release button AE-L, 0 236), exposure will lock when the shutter-release button is pressed halfway. For information on changing the role of the AAE-L/AF-L button, see Custom Setting f4 ( Assign AE-L/AF-L button, 0 256).
86 V Exposure Compensation Exposure compensation is used to alter exposure from the value suggested by the camera, making pictures brighter or darker. It is most effective when used with center-weighted or spot metering ( 083). Choose from values between –5 EV (underexposure) and +5 EV (overexposure) in increments of 1/3EV. In general, positive values make the subject brighter while negative values make it darker. To choose a value for exposure compensation, press the E button and rotate the main command dial until the desired value is displayed in the control panel or viewfinder. At values other than ±0.0, the 0 at the center of the exposure indicators will flash (modes P, S , and A only) and a E icon will be displayed in the control panel and viewfinder after you release the E button. The current value for exposure compensation can be confirmed in the exposu re indicator by pressing the E button. Normal exposure can be restored by setting exposure compensation to ±0. Exposure compensation is not reset when the camera is turned off, but is reset if you select another mode after choosing %. –1 EV No exposure compensation +1 EV ±0 EV ( E button pressed) –0.3 EV +2.0 EV (P, S, A, M and % Modes Only) E button Main command dia l
87 V AMode M In mode M, exposure compensation affects only the exposure indicator; shutter speed and aperture do not change. AUsing a Flash When a flash is used, exposure compensation affects both flash level and exposure, altering the brightness of both the main subject and the background. Custom Setting e4 ( Exposure comp. for flash , 0 250) can be used to restrict the effe cts of exposure compensation to the background only. ASee Also For information on choosing the size of the increments available for exposure compensation, see Custom Setting b2 ( EV steps for exposure cntrl, 0 234). For information on making adjustments to expo sure compensation without pressing the E button, see Custom Setting b3 ( Easy exposure compensation, 0 235). For information on automatically varying exposure, flash level, white balance, or Active D-Lighting, see page 133.
89 r r White Balance White balance ensures that colors are unaffected by the color of the light source. In modes other than P, S, A , and M, white balance is set automatically by the camera. Auto white balance is recommended for most light sources in P, S , A , and M modes, but other values can be selected if necessa ry according to the type of source: White balance is set by pressing the L (U ) button and rotating the main command dial until the desired setting is displayed in the control panel. OptionColor temp.* Description v Auto 3500– 8000 K White balance is adjusted automatically. For best results, use type G or D lens. If built-in or optional flash fires, results are adjusted for flash. Normal Keep warm lighting colors J Incandescent 3000 K Use under incandescent lighting. I Fluorescent Use with: Sodium-vapor lamps 2700 K•Sodium-vapor lighting (found in sports venues). Warm-white fluorescent 3000 K•Warm-white fluorescent lights. White fluorescent 3700 K•White fluorescent lights. Cool-white fluorescent 4200 K•Cool-white fluorescent lights. Day white fluorescent 5000 K•Daylight white fluorescent lights. Daylight fluorescent 6500 K•Daylight fluorescent lights. High temp. mercury-vapor 7200 K• High color temperature light sources (e.g. mercury-vapor lamps). H Direct sunlight 5200 K Use with subjects lit by direct sunlight. N Flash 5400 K Use with built-in or optional flash. G Cloudy 6000 K Use in daylight under overcast skies. M Shade 8000 K Use in daylight with subjects in the shade. K Choose color temp. 2500– 10000 K Choose color temperature from list of values ( 0 94). L Preset manual —Use subject, light source, or existing photograph as reference for white balance ( 095). * All values are approximate and do no t reflect fine-tuning (if applicable). (P, S, A, and M Modes Only) L (U ) button Main command dialControl panel
90 r AThe Shooting Menu White balance can also be adjusted using the White balance option in the shooting menu ( 0224), which also ca n be used to fine-tune white balance ( 091) or measure a value for preset white balance ( 095). The Auto option in the White balance menu offers a choice of Normal and Keep warm lighting colors , which preserves the warm colors produced by incandescent lighting, while the IFluorescent option can be used to select the light source from the bulb types. AStudio Flash Lighting Auto white balance may not produce the desired results with large studio flash units. Use preset white balance or set white balance to Flash and use fine tuning to adjust white balance. AColor Temperature The perceived color of a light source varies with the viewer and other conditions. Color temperature is an objective measure of the color of a light source, defined with reference to the temperature to which an object would have to be heated to radiate light in the same wavelengths. While light sources with a color temp erature in the neighborhood of 5000– 5500 K appear white, light sources with a lowe r color temperature, such as incandescent light bulbs, appear slightly yellow or red. Light sources with a higher color temperature appear tinged with blue. The camera white balance options are adapted to the following color temperatures (all figures are approximate): • I (sodium-vapor lamps): 2700 K • J (incandescent)/ I (warm-white fluorescent): 3000 K • I (white fluorescent): 3700 K • I (cool-white fluorescent): 4200 K • I (day white fluorescent): 5000 K• H (direct sunlight): 5200 K • N (flash): 5400 K • G (cloudy): 6000 K • I (daylight fluorescent): 6500 K • I (high temp. mercury-vapor): 7200 K • M (shade): 8000 K ASee Also When WB bracketing is selected for Custom Setting e6 ( Auto bracketing set, 0 251), the camera will create several images each time the shutter is released. White balance will be varied with each image, “bracketing” the value currently selected for white balance ( 0137).
91 r Fine-Tuning White Balance White balance can be “fine-tuned” to compensate for variations in the color of the light source or to introduce a deliberate color cast into an image. White balance is fine-tuned using the White balance option in the shooting menu or by pressing the L (U ) button and rotating the sub-command dial. ❚❚The White Balance Menu 1Select a white balance option in the shooting menu. To display the menus, press the G button. Select White balance in the shooting menu, then highlight a white balance option and press 2. If an option other than Auto, Fluorescent , Choose color temp. , or Preset manual is selected, proceed to Step 2. If Auto , Fluorescent , or Choose color temp. is selected, highlight the desired setting and press 2. For information on fine-tuning preset white balance, see page 101. 2Fine tune white balance. Use the multi selector to fine-tune white balance. White balance can be fine-tuned on the amber (A)–blue (B) axis and the green (G)–magenta (M) axis. The horizontal (amber-blue) axis corresponds to color temperature, with each increment equivalent to about 5 mired ( 093). The vertical (green-magenta) axis has the similar effects to the corresponding color c ompensation (CC) filters. G button Coordinates Adjustmen t Increase green Increase magenta Increase blue Increase amber Green (G) Magenta (M) Blue (B)Amber (A)
92 r 3Press J. Press J to save settings and return to the shooting menu. If white balance has been fine-tuned, an asterisk (“ E”) will be displayed in the control panel. ❚❚ The L (U ) Button At settings other than K (Choose color temp. ) and L (Preset manual ), the L (U ) button can be used to fine-tune white balance on the amber (A)– blue (B) axis ( 091; to fine-tune white balance when K or L is selected, use the shooting menu as described on page 91). Six settings in both directions are available; each increment is equivalent to about 5 mired ( 093). Press the L (U ) button and rotate the sub-command dial until the desired value is displayed in the control panel. Rotating the sub- command dial to the left increases the amount of amber (A). Rotating the sub-command dial to the right increases the am ount of blue (B). At settings other than 0, an asterisk (“ E”) appears in the control panel. L (U ) button Sub-command dial Control panel