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Digital Projection Projector HIGHlite Cine 330 3D Series User Manual

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    							page 93
    Reference Guide
    APPENDIX B: SUPPORTED SIGNAL INPUT MODES
    3D input modes
    StandardResolution
    Vertical Frequency (Hz)Total number of linesHorizontal  Frequency 
    (kHz)HDMIDual Pipe
    SXGA60 Dual Pipe1280 x 102460.02106663.98ü
    SXGA+60 Dual Pipe1400 x 1050 60.00108965.34ü
    SXGA+60 Frame Sequential1400 x 105060.00108965.34ü
    UXGA60 Dual Pipe1600 x 120060.00125075.00ü
    WSXGA+60 Dual Pipe1680 x 105059.94108965.27ü
    WSXGA+60 Frame 
    Sequential
    1680 x 105059.94108965.27ü
    WUXGA60 Dual Pipe1920 x 120060.00123574.10ü
    720p50 Frame Packing1280 x 72050.0075037.50ü
    720p60 Frame Packing1280 x 72060.0075045.00ü
    720p50 Side-by-Side (Half)1280 x 72050.0075037.50ü
    720p60 Side-by-Side (Half)1280 x 72060.0075045.00ü
    720p50 Top-and-Bottom1280 x 72050.0075037.50ü
    720p60 Top-and-Bottom1280 x 72060.0075045.00ü
    720p50 Dual Pipe1280 x 72050.0075037.50ü
    720p60 Dual Pipe1280 x 72060.0075045.00ü
    720p50 Frame Sequential1280 x 72060.0075045.00ü
    720p60 Frame Sequential1280 x 72060.0075045.00ü
    1080i50 Side-by-Side (Half)1920 x 108050.00112556.25ü
    1080i60 Side-by-Side (Half)1920 x 108060.00112567.50ü
    1080p23 Frame Packing1920 x 108023.98112526.98ü
    1080p23 Side-by-Side1920 x 108023.98112526.98ü
    1080p23 Top and Bottom1920 x 108023.98112526.98ü
    Notes
       
        
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    Reference Guide
    APPENDIX B: SUPPORTED SIGNAL INPUT MODES
    StandardResolution
    Vertical Frequency (Hz)Total number of linesHorizontal  Frequency 
    (kHz)HDMIDual Pipe
    1080p23 Dual Pipe1920 x 108023.98112526.98ü
    1080p24 Frame Packing1920 x 108024.00112527.00ü
    1080p24 Side-by-Side (Half)1920 x 108024.00112527.00ü
    1080p24 Top and Bottom1920 x 108024.00112527.00ü
    1080p24 Dual Pipe1920 x 108024.00112527.00ü
    1080p30 Frame Packing1920 x 108030.00112533.75ü
    1080p30 Side-by-Side (Half)1920 x 108030.00112533.75ü
    1080p30 Top and Bottom1920 x 108030.00112533.75ü
    1080p30 Dual Pipe1920 x 108030.00112533.75ü
    1080p50 Side-by-Side (Half)1920 x 108050.00112556.25ü
    1080p50 Top and Bottom1920 x 108050.00112556.25ü
    1080p50 Dual Pipe1920 x 108050.00112556.25ü
    1080p50 Frame Sequential1920 x 108050.00112556.25ü
    1080p60 Side-by-Side (Half)1920 x 108060.00112567.50ü
    1080p60 Top and Bottom1920 x 108060.00112567.50ü
    1080p60 Dual Pipe1920 x 108060.00112567.50ü
    1080p60 Frame Sequential1920 x 108060.00112567.50ü
    Notes
       
        
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    Reference Guide
    APPENDIX C: GLOSSARY OF TERMS
    Appendix C: Glossar y Of  Terms
    1080p
    An HDTV resolution which corresponds to 1920 x 1080 pixels (a widescreen aspect ratio of 16:9).
    3D active glasses
    Wireless battery-powered glasses with LCD shutters. Synchronization info\
    rmation is communicated to the glasses by means of an infrared 
    (IR) or radio frequency (RF) emitter which is connected to the Sync \
    Out terminal on the projector. IR or RF pulses are transmitted by the 
    emitter to signal when the left eye and right eye images are being displ\
    ayed. The glasses incorporate a sensor which detects the emitter’s 
    signal and synchronises the left and right eye shutters with the project\
    ed image.
    3D passive glasses
    Passive glasses do not require a power source to work. Light with left-h\
    and polarisation can pass through the left lens and light with right-
    hand polarisation can pass through the right-hand lens. These glasses are used in conjunction with another device which polarize\
    s the image, 
    such as a ZScreen.
    Anamorphic lens
    A special lens which, when used with the TheaterScope aspect ratio, allows watching 2.35:1 content packed in a 16:9 source.
    Aspect ratio
    The proportional relationship between the width and the height of the projected image. It is represented by two numbers separated by a colon, 
    indicating the ratio of image width and height respectively: for example\
    , 16:9 or 2.35:1.
    Not to be confused with resolution.
    Blanking (projection)
    The ability to intentionally turn off, that is, set to black, areas around the edges of the projected image.\
     It is sometimes referred to as “curtains” 
    since it can be used to blank an area of image that literally falls on t\
    he curtains at the side of the screen in a movie theater. Usually no image 
    resizing or geometric correction takes place and the “blanked” par\
    t of the image is lost.
    Not to be confused with horizontal and vertical blanking (video signal).
    NotesNotes
       
        
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    APPENDIX C: GLOSSARY OF TERMS
    Blanking (video signal)
    The section of the video signal where there is no active video data.
    Not to be confused with blanking (projection).
    Brightness (electronic control)
    A control which adds a fixed intensity value to every pixel in the display, moving the entire range of displayed intensities up or down, and is 
    used to set the black point in the image (see Contrast). In S-Video and Component Video signals, brightness is the same as luminance.
    Brightness (optical)
    Describes how ‘bright’ an image that is projected onto a screen appears to an observer.
    C
    See Chrominance.
    Chrominance
    Also known as ‘C’, this is the component, or pair of components, of an S-Video or Component Video signal which describes color 
    difference information.
    Cold mirror
    A mirror that preferentially reflects or transmits infra-red light. In a projector, a cold mirror is used to reflect the visible component of the lamp 
    beam into the illumination optics and transmit the unwanted infrared rad\
    iation into an absorber.
    Color difference
    In S-Video or Component Video signals, the difference between specified colors and the luminance component. Color difference is zero for 
    monochrome images.
    Color gamut
    The spectrum of color available to be displayed.
    NotesNotes
       
        
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    Reference Guide
    APPENDIX C: GLOSSARY OF TERMS
    Color temperature
    The position along the black body curve on the chromaticity diagram, nor\
    mally quoted in Kelvin. It takes into account the preset values for 
    color balance in the service set-up to take up the variations in the pri\
    sm. The projector allows you to adjust this temperature (i.e. adjust the 
    picture color temperature).
    Component video
    A three or four wire video interface that carries the signal split into i\
    ts basic RGB components or luminance (brightness) and two-color-
    difference signals (YUV) and synchronization signals.
    Composite video
    A signal line that carries luminance, chrominance, synchronization pulses and blanking.
    Contrast (electronic control)
    The adjustment of the white point of the image without affecting the black point. This increases the intensity range of the displayed image.
    Contrast (optical)
    The intensity difference between the darkest and lightest areas of the screen.
    Cr, Cb
    Color difference signals used with ‘Y’ for digital Component Video inputs. They provide information about the signal color. Not to be 
    confused with Pr, Pb.
    Crop
    Remove part of the projected image.
    Alternatively, fit an image into a frame with a different aspect ratio by removing part of the image. The image is resized so that either its 
    length or its width equals the length or width of the frame, while the o\
    ther dimension has moved outside the frame; the excess area is then cut \
    out.
    Notes
       
        
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    APPENDIX C: GLOSSARY OF TERMS
    Dark time
    The time inserted between frames when using 3D active glasses, to avoid ghosting caused by switching time between left and right eye.
    DDC (Display Data Channel)
    A communications link between the source and projector. DDC is used on the HDMI, DVI and VGA inputs. The link is used by the source to 
    read the EDID stored in the projector.
    Deinterlacing
    The process of converting interlaced video signals into progressive ones.
    DHCP (Dynamic Host Configuration Protocol)
    A network protocol that is used to configure network devices so that they can communicate on an IP network, for example by allocating an IP 
    address.
    DMD™ (Digital Micromirror Device™)
    The optical tool that transforms the electronic signal from the input so\
    urce into an optical image projected on the screen. The DMD™ of a 
    projector has a fixed resolution, which affects the aspect ratio of the projected image.
    A Digital Micromirror Device™ (DMD™) consists of moving microscop\
    ic mirrors. Each mirror, which acts as a pixel, is suspended between 
    two posts by a thin torsion hinge. It can be tilted to produce either a \
    bright or dark pixel.
    EDID (Extended Display Identification Data)
    Information stored in the projector that can be read by the source.
    EDID is used on the HDMI, DVI and VGA inputs, allowing the source to automatically configure to the optimum display settings.
    EDTV (Enhanced Definition Television)
    A progressive digital television system with a lower resolution than HDTV.
    Notes
       
        
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    Reference Guide
    APPENDIX C: GLOSSARY OF TERMS
    Frame rate multiplication
    To stop low frame rate 3D images from flickering, frame rate multiplication can be used, which increases the displayed frame rate by two or 
    three times.
    Gamma
    A nonlinear operation used to code and decode luminance. It originates from the Cathode Ray Tube technology used in legacy television 
    sets.
    Ghosting
    An artifact in 3D image viewing. Ghosting occurs when an image intended \
    for one eye is partially seen by the other eye.
    Ghosting can be removed by optimizing the dark time and sync delay.
    HDCP (High-bandwidth Digital Content Protection)
    An encryption scheme used to protect video content.
    HDTV (High Definition Television)
    A television system with a higher resolution than SDTV and EDTV. It can be transmitted in various formats, notably 1080p and 720p.
    Hertz (Hz)
    Cycles per second.
    Horizontal Scan Rate
    The rate at which the lines of the incoming signal are refreshed. The rate is set by the horizontal synchronization from the source and 
    measured in Hertz.
    Hs + Vs
    Horizontal and vertical synchronization.
    Notes
       
        
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    APPENDIX C: GLOSSARY OF TERMS
    Hue
    The graduation (red/green balance) of color (applicable to NTSC).
    Interlacing
    A method of updating the image. The screen is divided in two fields, one containing every odd horizontal line, the other one containing the 
    even lines. The fields are then alternately updated. In analog TV interlacing was commonly used as a way of doubling the refresh rate without 
    consuming extra bandwidth.
    Interleaving
    The alternation between left and right eye images when displaying 3D.
    IRE
    A unit used to show the range from black to white in Composite Video signals.
    LED (Light Emitting Diode)
    An electronic component that emits light.
    Letterboxing
    Black margins at the top and bottom of the image. Letterboxing appears w\
    hen a wider image is packed into a narrower frame without 
    changing the original aspect ratio.
    Lumen
    A photometric unit of radiant power. For projectors, it is normally used to specify the total amount of emi\
    tted visible light.
    Luminance
    Also known as ‘Y’, this is the part of an S-Video or Component Video signal which affects the brightness, i.e. the black and white part.
    Notes
       
        
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    APPENDIX C: GLOSSARY OF TERMS
    Noise
    Electrical interference displayed on the screen.
    NTSC (National Television Standards Committee)
    The United States standard for television - 525 lines transmitted at 60 \
    interlaced fields per second.
    OSD (on-screen display)
    The projector menus allowing you to adjust various settings.
    PAL (Phase Alternate Line)
    The television system used in the UK, Australia and other countries - 625 lines transmitted at 50 interlaced fields per second.
    Pillarboxing
    Black margins at the left and right of the image. Pillarboxing appears w\
    hen a narrower image is packed into a wider frame without changing 
    the aspect ratio.
    Pr, Pb
    Color difference signals used with ‘Y’ for analog Component Video inputs. They provide information about the signal color. Not to be 
    confused with Cr, Cb.
    Progressive scanning
    A method of updating the image in which the lines of each frame are drawn\
     in a sequence, without interlacing.
    Resolution
    The number of pixels in an image, usually represented by the number of p\
    ixels per line and the number of lines (for example, 1920 x 1200).
    RGB (Red, Green and Blue)
    An uncompressed component video standard.
    Notes
       
        
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    APPENDIX C: GLOSSARY OF TERMS
    S-Video
    A video signal which has separate Y and C signals.
    Saturation
    The amount of color in an image.
    Scope
    An aspect ratio of 2.35:1.
    SDTV (Standard Definition Television)
    An interlaced television system with a lower resolution than HDTV. For PA L and SECAM signals, the resolution is 576i; for NTSC it is 480i.
    SECAM (Sequential Color with Memory)
    The television system used in France, Russia and some other countries - \
    625 lines transmitted at 50 interlaced fields per second.
    SPDIF
    Sony/Philips Digital Interface. A digital audio interface standard.
    SX+
    A display resolution of 1400x1050 pixels with a 4:3 screen aspect ratio. (Shortened from SXGA+, stands for Super Extended Graphics 
    Array Plus.)
    Synchronization
    A timing signal used to coordinate an action.
    TheaterScope
    An aspect ratio used in conjunction with a special anamorphic lens to display 2.35:1 images packed into a 16:9 frame.
    Notes
       
        
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