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Digital Projection Projector HIGHlite Cine 330 3D Series User Manual
Digital Projection Projector HIGHlite Cine 330 3D Series User Manual
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![Page 89
page 81
Reference Guide
POSITIONING THE IMAGE
Positioning The Image
The normal position for the projector is at the centre of the screen. Ho\
wever, you can set the projector above or below the centre, or to one side,
and adjust the image using the Lens shift feature (known as rising and falling front) to maintain a geometrically correct image.
Notes
For more information on shifting
the lens, see Control menu in the
Operating Guide .
Whenever possible, position the
projector so that the lens is...](http://img.usermanuals.tech/thumb/5761/99241/w64_projector_manual_7331_d-88.png "Page 89
page 81
Reference Guide
POSITIONING THE IMAGE
Positioning The Image
The normal position for the projector is at the centre of the screen. Ho\
wever, you can set the projector above or below the centre, or to one side,
and adjust the image using the Lens shift feature (known as rising and falling front) to maintain a geometrically correct image.
Notes
For more information on shifting
the lens, see Control menu in the
Operating Guide .
Whenever possible, position the
projector so that the lens is...")
![Page 90
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Reference Guide
POSITIONING THE IMAGE
Positioning The Image (continued)
Any single adjustment outside the ranges specified on the following page may result in an unacceptable level of distortion, particularly at the
corners of the image, due to the image passing through the periphery of \
the lens optics.
If the lens is to be shifted in two directions combined, the maximum ran\
ge without distortion will be somewhat less, as can be seen in the
illustrations below.
Notes
For more information on...](http://img.usermanuals.tech/thumb/5761/99241/w64_projector_manual_7331_d-89.png "Page 90
page 82
Reference Guide
POSITIONING THE IMAGE
Positioning The Image (continued)
Any single adjustment outside the ranges specified on the following page may result in an unacceptable level of distortion, particularly at the
corners of the image, due to the image passing through the periphery of \
the lens optics.
If the lens is to be shifted in two directions combined, the maximum ran\
ge without distortion will be somewhat less, as can be seen in the
illustrations below.
Notes
For more information on...")
![Page 91
page 83
Reference Guide
POSITIONING THE IMAGE
Maximum offset range
The maximum offset range available with no distortion or vignetting is dependent on wh\
ich lens is used. Shifting the lens beyond its
undistorted limits may be physically possible, however you may experienc\
e some vignetting or distortion.
for 1080p projectorsvertical
(pixels)
horizontal
(pixels)
vertical
(frames)
horizontal
(frames)
0.77 : 1 and 1.16:1 fixed lens±216±96±0.2±0.05
all zoom lens±648±288±0.6±0.15
Notes
For more...](http://img.usermanuals.tech/thumb/5761/99241/w64_projector_manual_7331_d-90.png "Page 91
page 83
Reference Guide
POSITIONING THE IMAGE
Maximum offset range
The maximum offset range available with no distortion or vignetting is dependent on wh\
ich lens is used. Shifting the lens beyond its
undistorted limits may be physically possible, however you may experienc\
e some vignetting or distortion.
for 1080p projectorsvertical
(pixels)
horizontal
(pixels)
vertical
(frames)
horizontal
(frames)
0.77 : 1 and 1.16:1 fixed lens±216±96±0.2±0.05
all zoom lens±648±288±0.6±0.15
Notes
For more...")
![Page 92
page 84
Reference Guide
INPUT CONNECTIONS
Input Connections
To get the best possible image from a source it is important to use the h\
ighest quality connection. The following lists show the inputs sorted by
highest quality connection first:
Computer source
• HDMI 1 & 2
Receives digital signal from HDMI-compliant devices.
• RGB
Receives analog signal from a computer. When using this input, it is best to use a fully wired VGA cable to connect the source to the
projector. This will allow the source to...](http://img.usermanuals.tech/thumb/5761/99241/w64_projector_manual_7331_d-91.png "Page 92
page 84
Reference Guide
INPUT CONNECTIONS
Input Connections
To get the best possible image from a source it is important to use the h\
ighest quality connection. The following lists show the inputs sorted by
highest quality connection first:
Computer source
• HDMI 1 & 2
Receives digital signal from HDMI-compliant devices.
• RGB
Receives analog signal from a computer. When using this input, it is best to use a fully wired VGA cable to connect the source to the
projector. This will allow the source to...")
![Page 95
page 87
Reference Guide
3D SETUP
3D Setup
In most situations you can use the Auto setting to have the projector automatically detect the format. Otherwis\
e, consider the notes below to
help you set up the 3D input manually.
The following 3D formats are supported:
• Side by Side (Half): interlaced and progressive, 50 and 60Hz
The side-by-side image will be de-interlaced (if appropriate), resized\
and then sequentially
displayed at 100 or 120Hz. The left eye / right eye dominance will be...](http://img.usermanuals.tech/thumb/5761/99241/w64_projector_manual_7331_d-94.png "Page 95
page 87
Reference Guide
3D SETUP
3D Setup
In most situations you can use the Auto setting to have the projector automatically detect the format. Otherwis\
e, consider the notes below to
help you set up the 3D input manually.
The following 3D formats are supported:
• Side by Side (Half): interlaced and progressive, 50 and 60Hz
The side-by-side image will be de-interlaced (if appropriate), resized\
and then sequentially
displayed at 100 or 120Hz. The left eye / right eye dominance will be...")
![Page 96
page 88
Reference Guide
3D SETUP
• Frame Sequential
The HDMI inputs will accept frame rates up to 60Hz and multiply the fram\
e rate for display. An example would be 60Hz (30 frames per
eye in Left-Right sequence (L1, R1, L2, R2…), which is frame double\
d, resulting in a displayed sequence at 120Hz (L1, R1, L1, R1, L2,
R2, L2, R2…).
For sequential 3D, an external sync is required to identify left and rig\
ht frames. If no sync is available from the sequential source, the
projector will generate an...](http://img.usermanuals.tech/thumb/5761/99241/w64_projector_manual_7331_d-95.png "Page 96
page 88
Reference Guide
3D SETUP
• Frame Sequential
The HDMI inputs will accept frame rates up to 60Hz and multiply the fram\
e rate for display. An example would be 60Hz (30 frames per
eye in Left-Right sequence (L1, R1, L2, R2…), which is frame double\
d, resulting in a displayed sequence at 120Hz (L1, R1, L1, R1, L2,
R2, L2, R2…).
For sequential 3D, an external sync is required to identify left and rig\
ht frames. If no sync is available from the sequential source, the
projector will generate an...")
page 83
Reference Guide
POSITIONING THE IMAGE
Maximum offset range
The maximum offset range available with no distortion or vignetting is dependent on wh\
ich lens is used. Shifting the lens beyond its
undistorted limits may be physically possible, however you may experienc\
e some vignetting or distortion.
for 1080p projectorsvertical
(pixels)
horizontal
(pixels)
vertical
(frames)
horizontal
(frames)
0.77 : 1 and 1.16:1 fixed lens±216±96±0.2±0.05
all zoom lens±648±288±0.6±0.15
Notes
For more information on shifting
the lens, see Control menu in the
Operating Guide
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 84
Reference Guide
INPUT CONNECTIONS
Input Connections
To get the best possible image from a source it is important to use the h\
ighest quality connection. The following lists show the inputs sorted by
highest quality connection first:
Computer source
• HDMI 1 & 2
Receives digital signal from HDMI-compliant devices.
• RGB
Receives analog signal from a computer. When using this input, it is best to use a fully wired VGA cable to connect the source to the
projector. This will allow the source to determine the projector’s capabilities via DDC and show an optimized image. Such cables can be
identified as they have a blue connector shell.
Video source
• Component 1 & 2
RGsB or YPbPr/YCbCr
EDID on the RGB input
If you are using a computer DVI card or another source that obeys the EDID protocol, the source will automatically configure itself to suit the
projector.
Otherwise please refer to the documentation supplied with the source to \
manually set the resolution to the DMD™ resolution of the projector
or the nearest suitable setting. Switch off the source, connect to the projector, then switch the source back on again.
Using HDMI/DVI switchers with the projector
When using an HDMI/DVI source switcher with the projector, it is important to set the switcher so that it passes the projector ED\
ID through to
the source devices. If this is not done, the projector may not be able t\
o lock to the source or display the source correctly as its video output\
timings may not be compatible with those of the projector. Sometimes this is called transparent, pass-through or clone mode. Plea\
se see your
switcher’s manual for information on how to set this mode.
1Sources
2Switcher
3Projector
Notes
The EDIDs in the switcher should be the same as the one in the projector\
.
EDID
EDID
EDIDEDID
132
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 85
Reference Guide
CONTROL CONNECTIONS
Control Connections
LAN connection
The projector’s features can be controlled via a LAN connection.
Hub or LANComputer
Projector
Projector
Un-crossed LAN cables
Notes
For more information, see the
Remote Communications Guide
Connection panel1
Projector
Computer
Crossed
LAN cable
1LAN
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 86
Reference Guide
CONTROL CONNECTIONS
RS232 connectionNotes
For more information, see the
Remote Communications Guide
Connection panel
1
1RS232
Projector
Computer
Straight-through
cable
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 87
Reference Guide
3D SETUP
3D Setup
In most situations you can use the Auto setting to have the projector automatically detect the format. Otherwis\
e, consider the notes below to
help you set up the 3D input manually.
The following 3D formats are supported:
• Side by Side (Half): interlaced and progressive, 50 and 60Hz
The side-by-side image will be de-interlaced (if appropriate), resized\
and then sequentially
displayed at 100 or 120Hz. The left eye / right eye dominance will be automatically
extracted from the video data, however you will need to optimize Dark Time and Sync
Delay manually to suit your chosen switching glasses.
When 3D is disabled, 1080i will be treated conventionally. For a 60Hz Side by Side (Half)
source the two halves of the image will automatically be extracted to cr\
eate a displayed rate
of twice the input rate.
• Top and Bottom
Sets the projector to reformat the video frames and map them to the disp\
lay with the left
eye / right eye dominance automatically extracted from the video data. You need to optimize
Dark Time and Sync Delay manually to suit your chosen switching glasses. For a 60Hz
Top and Bottom source, the two halves of the image will automatically be extracted to \
create a displayed rate of twice the input rate.
• Dual-Pipe (HDMI 1 and HDMI 2)
The left and right eye images are delivered on two separate HDMI links, \
which the projector
will interleave for 3D display.
Notes
LR
Side by Side (Half)
L
R
Top and Bottom
L
R
Dual-Pipe
HDMI 1
HDMI 2
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 88
Reference Guide
3D SETUP
• Frame Sequential
The HDMI inputs will accept frame rates up to 60Hz and multiply the fram\
e rate for display. An example would be 60Hz (30 frames per
eye in Left-Right sequence (L1, R1, L2, R2…), which is frame double\
d, resulting in a displayed sequence at 120Hz (L1, R1, L1, R1, L2,
R2, L2, R2…).
For sequential 3D, an external sync is required to identify left and rig\
ht frames. If no sync is available from the sequential source, the
projector will generate an output sync, but it may then be necessary to \
manually reset the dominance each time the player is started.
• Frame Packing
This format will be detected, re-synchronised, frame-multiplied and disp\
layed at 144Hz with the left eye / right eye dominance
automatically extracted from the video data. You need to optimize Dark Time and Sync Delay manually to suit your chosen switching
glasses.
Dark Time and Sync Delay need to be set only once, to optimize the image for the glasses in use.\
Notes
LRLR
Frame Sequential
L
R
Frame Packing
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
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Reference Guide
3D SETUP
Some 3D settings explained
Dark Time
Ghosting can be caused by the left and right images overlapping
during the time that the ZScreen or 3D glasses are switching.
Dark Time allows you to minimize this effect.
3D Swap
The outgoing 3D frames are in pairs - the dominant frame being
presented first. You can determine which frame should be the
dominant one.
By convention the default setting is Normal.
Sync Delay
The sync signal from the 3D server will be in phase with the frames gene\
rated by its graphics card. However, to compensate for processing
delays in the projector, Sync Delay introduces a delay to the sync output signal sent to the ZScreen or 3D \
glasses.
Fully onFully off Left
Right
Dark time Dark
time Dark
time
Normal
Swap
LEFT 1 RIGHT 1 LEFT 2RIGHT 2 LEFT 3RIGHT 3
LEFT 3
RIGHT 1 LEFT 1RIGHT 2 LEFT 2RIGHT 3
Incoming
video
Incoming
sync signal
Video signal with
processing delays (and dark time adjustment)
Sync output signal
after delay adjustment
Notes
In order to achieve maximum light
output and a smooth grayscale,
whilst eliminating ghosting,
the following procedure is
recommended:
1. Set the Dark Time to a value
appropriate to the glasses or
ZScreen, say 0.65 ms or 1.3ms.
2. Adjust the Sync Delay time to
eliminate ghosting and achieve a
smooth grayscale.
3. Repeat steps 1 and 2 until the best
result is obtained.
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 90
Reference Guide
APPENDIX A: LENS PART NUMBERS
Appendix A: Lens Part Numbers
Throw ratios Part number
for High Brightness lens
Part number
for High Contrast lens
Throw distance range
0.77 : 1 fixed lens110-808110-0221.3 - 2.5 m (4.3 - 8.2 ft)
1.16 : 1 fixed lens110-809110-0231.4 - 6.2 m (4.6 - 20.3 ft)
1.45 - 1.74 : 1 zoom lens110-803110-0171.8 - 9.3 m (5.9 - 30.5 ft)
1.74 - 2.17 : 1 zoom lens110-804110-0182.2 - 11.8 m (7.2 - 38.7 ft)
2.17 - 2.90 : 1 zoom lens110-805110-0192.7 - 15.4 m (8.9 - 50.5 ft)
2.90 - 4.34 : 1 zoom lens110-806110-0203.6 - 22.5 m (11.8 - 73.8 ft)
4.34 - 6.76 : 1 zoom lens110-807110-0215.5 - 35 m (18 - 115 ft)
Notes
The Throw ratio for a particular lens
is fixed, but assumes that the image
fills the width of the DMD.
For images that do not fill the width
of the DMD, the throw ratio is
effectively increased. To correct for
this in these calculations, a throw
ratio factor (TRF) is used.
Throw distance calculations are
based on the distance from the outer
end of the lens, which will vary from
lens to lens.
The High Brightness lenses are
recommended for the HB model, for
maximum light output.
The High Contrast lenses are
recommended for the HC model, for
maximum contrast.
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 91
Reference Guide
APPENDIX B: SUPPORTED SIGNAL INPUT MODES
Appendix B: Suppor ted Signal Input Modes
2D input modes
StandardResolutionVertical
Frequency (Hz)Total number of
lines
Horizontal
Frequency (kHz)
Component
VGAHDMI
SDTV480i720 x 48059.9452515.73ü
576i720 x 57650.0062515.63ü
EDTV480p59720 x 48059.9452531.47üü
480p60720 x 48060.0052531.50üü
576p50720 x 57650.0062531.25üü
HDTV720p501280 x 72050.0075037.50üü
720p591280 x 72059.9475044.96üü
720p601280 x 72060.0075045.00üü
1080p231920 x 108023.98112526.97üü
1080p241920 x 108024.00112527.00üü
1080p251920 x 108025.00112528.13üü
1080p291920 x 108029.97112533.72üü
1080p301920 x 108030.00112533.75üü
1080i501920 x 108050.00112528.13üü
1080p501920 x 108050.00112556.25üü
1080i601920 x 108060.00112533.75üü
1080p601920 x 108060.00112567.50üü
Notes
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014
page 92
Reference Guide
APPENDIX B: SUPPORTED SIGNAL INPUT MODES
StandardResolutionVertical
Frequency (Hz)Total number of
lines
Horizontal
Frequency (kHz)
Component
VGAHDMI
COMPUTERVGA59640 x 48059.9452531.47üü
VGA60640 x 48060.0052531.50üü
MACI640 x 48066.6752535.00üü
VGA75640 x 48075.0050037.50üü
SVGA50800 x 60049.9262131.00üü
SVGA60800 x 60060.3262837.88üü
SVGA75800 x 60075.0062546.88üü
XGA601024 x 76860.0080648.36üü
XGA701024 x 76870.0780656.48üü
XGA751024 x 76875.0380060.02üü
XGA+751152 x 86475.0090067.50üü
WXGA501280 x 72049.8374437.07üü
WXGA601280 x 72059.8674844.77üü
WXGA601280 x 76859.8779847.78üü
SXGA-601280 x 96060.00100060.00üü
SXGA601280 x 102460.02106663.98üü
SXGA751280 x 102475.02106679.98üü
HD601360 x 76859.8079844.72ü
SXGA+601400 x 105059.98108965.32üü
WSXGA601536 x 96059.9199659.67ü
UXGA601600 x 120060.00125075.00üü
WSXGA+601680 x 105059.95108965.29üü
FHD501920 x 108049.92111 455.62üü
FHD601920 x 108059.93112566.59üü
WUXGA601920 x 120059.95123574.04üü
Notes
Digital Projection HIGHlite Cine 330 3D Series
Rev E August 2014