Barco Projector Cineversum 110 Quickstart Manual

							8. Image Menu
How to change the Noise reduction ?
1. PressMENUto activate the menu bar. (image 8-11)
2. Press→to select theImageitem.
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectsettings.
5. Press→to pull down the menu.
6. Use↓or↑to selectNoise reduction.
7. PressENTER.
A slider box appears
8. Use←or→to change the noise level.
The higher the value, the higher the noise reduction.
Or,
click in the input box and enter the desired value with the numeric keys.
Image 8-11
8.3 Aspect ratio
Aspect ratio is greyed out when theFull Screen Representationfunction inDisplay Setupis switched ON or
when theShow Native Resolutionfunction inImageis switched ON.
What can be done ?
The aspect ratio setting forces the projector to project an image using a defined aspect ratio
Aspect ratioDescription
AutoCalculates an aspect ratio based on the information stored in the images files.
4:3Standard television format
16:9Wide screen television format / anamorphic format
5:4Workstation format
2.35Cine Scope 35 mm
2.88
1.78Wide screen television format / anamorphic format
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Aspect ratioDescription
LetterboxTo display normal television formats which contain 16 to 9 signal information
Custom...To set up custom formats
Selecting Auto in case of a Video source may shrink the image horizontally or vertically
Some examples:
The first column shows the aspect ratios for a standard television signal with 4:3 image information. The only correct aspect ratio is
4:3. In all other cases the image is transformed.
The second column shows the aspect ratios for a standard television signal with 16:9 image information. The only correct aspect
ratio is “Letterbox”. In all other cases the image is transformed.
Image 8-12
Different views for some typical input signals
(1) Standard television signal with 4:3 image information
(2) Standard television signal with 16:9 image information
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How to change the Aspect ratio ?
1. PressMENUto activate the menu bar. (image 8-13)
2. Press→to selectImage.
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectAspect ratio.
5. Press↓to select the desired aspect ratio.
6. PressENTERto confirm.
Image 8-13
How to set up a custom Aspect ratio ?
1. PressMENUto activate the menu bar. (image 8-14)
2. Press→to selectImage.
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectAspect ratio.
5. Press↓to selectcustom....
6. PressENTERto confirm.
The Custom aspect ratio dialog box will be displayed. (image 8-15)
7. Use←or→to selectHorizontalorVertical.
8. Use↑or↓to adjust until the desired aspect ratio is obtained.
Or,
pressENTERand enter the desired value with the digit keys.
Image 8-14
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Aspect ratio
Horizontal
Use 
← and → to select9 Vertical
16
Use 
↑ and ↓ to adjust
Image 8-15
8.4 Show native resolution
Show native resolutionoverrules theFull Screen Representationfunction inDisplay Setup.
Show native resolutionis greyed out for video signals.
DMD
Digital Micromirror Device
What can be done
The aim here is to always show the resolution of the source independently of the resolution of the DMD panels.
Image 8-16
When theshow native resolutionfunction is in the ON position, the projector handles the source as follows:
SourceProjected image
NameRatioResolutionRatioResolution
XGA4:31024x7684:31024x768Up and down, a few lines
missing. Image scroll
possible.
Left and right black bars.
SXGA5:41280x10245:41280x1024part of the image displayed,
image scroll possible
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SourceProjected image
SXGA+4:31400x10504:31400x1050part of the image displayed,
image scroll possible
UXGA4:31600x12004:31600x1200part of the image displayed,
image scroll possible
720p16:91280x72016:91280x720normal image projected
When the Full Screen Representation function is in the ON position, it forces to use the complete native res-
olution of the DMD panels, except when the Show native resolution function is switched ON.
How to enable the “Show native resolution” function?
1. PressMENUto activate the menu bar.
2. Press→to select theImageitem.
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectShow native resolution. (image 8-17)
5. Press→to pull down the menu.
6. Use↓or↑to selectOn.
7. PressENTER.
A white bullet shows the selection.
Image 8-17
WhenShow Native Resolutionis in the ON position, scrolling of the image is possible with the arrow keys on
the remote control.
8.5 Color Temperature
What can be done ?
The color temperature can be selected according to the type of source:
There are 5 different preset color temperatures:
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							8. Image Menu
• Projector white
• computer : 9300 K
• Video : 6500 K
• Film : 5400 K
• Broadcast : 3200 K
These calibrated presets can be selected and will provide optimum color tracking, the projector allows however the setting of a
personal color temperature, this is done incustom
Projector white will provide maximum projector light output.
How to select a preset color temperature ?
1. PressMENUto activate the menu bar.
2. Press→to select theImageitem. (image 8-18)
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectColor temperature.
5. Press→to pull down the menu.
6. Use↓or↑to select the desired preset color temperature.
7. PressENTERto confirm.
The color temperature of the image is adapted and a white bullet shows the active setting in the menu bar.
Image 8-18
How to start up the custom color temperature ?
1. PressMENUto activate the menu bar.
2. Press→to select theImageitem. (image 8-19)
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectColor temperature.
5. Press→to pull down the menu.
6. Use↓or↑to selectcustom.
7. PressENTERto confirm.
A slider box for the x-coordinate is displayed as well as a wizard text box in the lower part of the screen. (image 8-20)
Adjust firstxand theny.UseColorbutton to toggle between x and y. (image 8-21, image 8-22, image 8-23)
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Image 8-19
x
200
0
1000
Image 8-20
Change between x and y with Image 8-21
Koordinatewahl x und y mit 
Image 8-22
Cambie entre x y y con Image 8-23
the x and y coordinate changes between 0.00 and 1.00. For practical reasons, the values on the slider box are
multiplied by 1000.
8.6 Color space
Color space
A color space is a mathematical representation for a color. For example, the RGB color space is based on a Cartesian
coordinate system.
What can be adjusted ?
The color space (gamut), the collection of colors which can be reproduced by the projector, can be adjusted to 3 predefined stored
values (one projector specific and 2 international standards). Acustom adjustment is possible. The maximum color space which
can be displayed is the projector color space. This color space is measured at the factory and stored inside the projector.
How to switch the color space ?
1. PressMENUto activate the menu bar.
2. Press→to select theImageitem. (image 8-24)
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectColor space.
5. Press→to pull down the menu.
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6. Use↓or↑to select the desired color space.
EBU
European Broadcasting Union. This organization defines a European standard.
ANSIAmerican standard.
Projector Maximum color space
Custom The user can define the x and y coordinates for red, green and blue which forms the corners of the color space.
By changing the coordinates, the color reproduction can be changed.
7. PressENTER.
A white bullet shows the active setting.
Image 8-24
How to change the custom color space ?
1. PressMENUto activate the menu bar.
2. Press→to select theImageitem. (image 8-25)
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectColor space.
5. Press→to pull down the menu.
6. Use↓or↑to select theCustom.
7. PressENTER.
A slide box for Red x-coordinate will be displayed as well as a wizard text box in the lower part of the screen. (image 8-26)
Adjust first Red x to the desired value. UseCOLORto switch to the next adjustment. The adjustment order is Red x→Red y
→Green x→Green y→Blue x→Blue y.
Image 8-25
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							8. Image Menu
Red x
200
0
1000
Image 8-26
the x and y coordinate changes between 0.00 and 1.00. For practical reasons, the values on the slider box are
multiplied by 1000.
8.7 Filmmode detection
What can be done ?
Some sources like common DVD material are derived from cinema 24 Hz sources (2/2 or 3/2 pull down method).
The filmmode detection insures that these converted signals are shown without artefacts.
This function may cause undesired effects on standard sources, therefore it can be disabled (OFF) at any time
2:2 pull-down
The process of transferring 24-frames/sec film format into video by repeating each frame (used for PAL DVD’s) as two
video fields. ( AD )
3:2 pull-down
Method used to map the 24 fps of film onto the 30 fps (60 fields) or 25 fps (50 fields), so that one film frame occupies
three video fields, the next two, etc. It means the two fields of every other video frame come from different film frames
making operations such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can
unravel the 3:2 sequence to allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence
repeats every fivevideo frames and four film frames, the latter identified as A-D. Only film frame A is fully on a video
frame and so exists at one time code only, making it the editable point of the video sequence.
Artefacts
Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be
eliminated in order to achieve a high-quality picture. Most common in analog are cross color and cross luminance.
Most common in digital are macroblocks, which resemble pixelation of the video image.
Enabling/disabling the filmmode detection
1. PressMENUto activate the menu bar.
2. Press→to select theImageitem. (image 8-27)
3. Press↓to pull down theImagemenu.
4. Use↑or↓to selectFilmmode detection.
5. Press→to pull down the menu.
6. Use↓or↑to enable or disable the Filmmode detection.
7. PressENTER.
A white bullet shows the active setting.
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Image 8-27
8.8 Input Balance
Overview
• Introduction to Input Balance
• Adjusting the input balance
• Input balance for YPrPb signals
8.8.1 Introduction to Input Balance
Introduction: Unbalanced color signals
When transporting signals, there is always a risk of deterioration of the information contained in the signals.
In case of information contained in the amplitude of the signals which is the case of data color signals (R, G, B),image 8-28 , we are
quite sure that the amplitude of these color signals is subject to alterations.
An example of alteration may be a DC component added to the signal, in the form of a DC offset repositioning the black level, since
thisblack level(“brightness”) will become crucial later on (clamping circuit) it will result in “black not being black”.
Another value that is subject to alteration is the amplitude of the signal, resulting in an altered “Gain” of the signal (“white level”or
contrast).
The alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced, image 8-29
B
Black leve
0.7V
Image 8-28
Black leve
∆G∆Β
∆R RG
B
Image 8-29
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