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Yamaha Promix 1 Manual

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    Cursor Buttons 
    13 
    ProMix 01 User’s Guide 
    Cursor Buttons 
    The cursor buttons are used to select parameters and options on the 
    LCD. The selected parameter or option appears highlighted. 
    The [ 
    Ã 
    ] and [ 
    ¨ 
    ] cursor buttons move the cursor left and right, and 
    the [ 
    ¹ 
    ] and [ 
      
    ] cursor buttons move the cursor up and down. 
    Cursor buttons are also used to position the cursor in a name when 
    naming mix scenes, user effects programs, user EQ programs, and 
    user dynamics programs. They are also used to select LCD functions 
    listed on the UTILITY and MIDI LCD function menus.
    When a display left or right icon appears at the left or right side of the 
    display, indicating that another display is available, the [ 
    Ã 
    ] and [ 
    ¨ 
    ] 
    cursor buttons are used to select the display. 
    PARAMETER Wheel 
    The PARAMETER wheel is used to adjust the parameter selected 
    using the cursor buttons. Its detented action gives it a positive feel, 
    allowing quick and accurate parameter adjustments. Turning it clock-
    wise increases the selected parameter value, or turns the parameter 
    ON. Turning it counterclockwise decreases the selected parameter 
    value, or turns the parameter OFF. The faster you turn it, the faster 
    the parameter value changes.
    The PARAMETER wheel is also used to scroll through mix scenes, 
    effects programs, EQ programs, and dynamics processor programs. 
    When naming mix scenes, user effects programs, user EQ programs, 
    and user dynamics programs, the PARAMETER wheel is used scroll 
    through the available characters. 
    ENTER Button 
    The [ENTER] button is used to confirm settings made using the 
    PARAMETER wheel and to toggle two-option parameters such as EQ 
    ON/OFF and Effect ON/OFF. It is also used to access LCD functions 
    listed on the UTILITY and MIDI LCD function menus. 
    Highlighted
    Display left–right icons.
    ENTER 
    						
    							 
    14 
    Chapter 2: User Interface 
    ProMix 01 User’s Guide 
    SEL Buttons 
    The [SEL] buttons are used in conjunction with the LCD functions. 
    To perform an action on a channel, first select it using a [SEL] button, 
    then choose a function using the function buttons to the left of the 
    LCD. This form of editing is similar to computer word processing. 
    First, you select your text, then execute a function. 
    The input channel, stereo input channel, and stereo output [SEL] 
    buttons select their respective channels. The RTN/SEND [SEL] but-
    ton, on the other hand, is used to select RTN1, RTN2, SEND3, and 
    SEND4. Pressing it repeatedly cycles through the options in the fol-
    lowing order: 
    RTN1—>RTN2—>SEND3—>SEND4—>
    When SEND3 and SEND4 are used as a stereo pair, SEND3 and 
    SEND4 are selected together. The order then becomes: 
    RTN1—>RTN2—>SEND3-4—>
    RTN1, RTN2, SEND3, and SEND4 are selected automatically when 
    the corresponding [SEND] button is pressed. For example, pressing 
    [SEND1] selects RTN1 and pressing [SEND3] selects SEND3.
    When a channel is selected, its [SEL] button LED lights up and its 
    name appears in the SEL CH area of the LCD. Stereo-pair channels 
    are selected together. The channel currently selected by the 
    RTN/SEND [SEL] button is indicated by the highlighted arrow head 
    at the right side of the LCD.
    SEL
    RTN1
    RTN2
    SEND3
    SEND4
    Selected channel
    Selected RTN/SEND channel 
    						
    							 
    LCD Functions 
    15 
    ProMix 01 User’s Guide 
    LCD Functions 
    ProMix 01 functions without dedicated controls are organized into 
    LCD functions. They are selected using the function buttons to the 
    left of the LCD. The name of the selected LCD function appears in 
    the FUNCTION area of the display. 
    The following table lists all LCD functions and explains what they do.  
    LCD Function Description
    UTILITY  
    Lists the utility functions: OSCILLATOR, SEND3, 4 CONFIGU-
    RATION, OUTPUT COMP PATCH POINT, MEMORY PROTECT, 
    and BATTERY CHECK.  
    MIDI  
    Lists the MIDI functions: MIDI SETUP, PROGRAM CHANGE AS-
    SIGN, CONTROL CHANGE ASSIGN, BULK DUMP/REQUEST, 
    LOCAL ON/OFF, and MEMORY CONTROL CHANGE OUT.  
    SCENE MEMORY  
    Store and recall mix scenes.  
    GROUP  
    Set up the four fader groups.  
    PAIR  
    Set up channel pairs.  
    METER  
    Meter CH1–16, ST IN, RTN1, RTN2, SEND3, and SEND4 levels. 
    There are two displays.  
    PAN/ 
    Æ 
    Set pan, balance, and phase. There are three displays.  
    COMP  
    Store, recall, and edit COMP1, COMP2, COMP3.  
    CUE  
    Set the CUE mode and display channel information.  
    SEND1  
    Store, recall, and edit effects programs for internal Effect 1.  
    SEND2  
    Store, recall, and edit effects programs for internal Effect 2.  
    SEND3  
    Set up SEND3.  
    SEND4  
    Set up SEND4.  
    SEND3-4  
    This LCD function appears instead of SEND3 and SEND4 in 
    SEND3-4 stereo mode. There are two displays. The second dis-
    play contains the channel-to-SEND3-4 pan controls.  
    EQ  
    Set the EQ.  
    LIBRARY  
    Store and recall EQ programs. 
    						
    							 
    16 
    Chapter 2: User Interface 
    ProMix 01 User’s Guide 
    						
    							 
    Mixer Functions 
    17 
    ProMix 01 User’s Guide 
    3 
    Mixer Functions 
    In this chapter... 
    Phantom Power   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   18
    Pad  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   18
    Gain  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   18
    Metering  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   19
    Phase  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   20
    EQ  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   21
    EQ Library   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   22
    EQ Presets  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   23
    Faders   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   25
    ON Buttons   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   25
    Pan and Balance  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   26
    Stereo Output Balance  . . . . . . . . . . . . . . . . . . . . . . . . .   26
    Stereo-Pair Pans  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   27
    Stereo Width  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   27 
    						
    							 
    18 
    Chapter 3: Mixer Functions 
    ProMix 01 User’s Guide 
    Phantom Power 
    Phantom power provides a +48V DC power source for condenser 
    type microphones. It is applied to XLR input channels 1 through 8. 
    The PHANTOM MASTER switch on the rear panel is used to turn it 
    ON and OFF. Phantom power is applied simultaneously to all eight 
    inputs. It cannot be set for individual inputs.
    With phantom power set to ON, non-phantom powered micro-
    phones, dynamic microphones, and balanced line-level sources can 
    still be connected to inputs 1 through 8. However, be careful with 
    unbalanced sources.  
    Pad 
    The Pad function attenuates input signals by 20dB. This is useful 
    when inputting high level signals that overload the input preamp. By 
    increasing the effective range of the GAIN control, high-level signals 
    can be adjusted accurately. Pad can be set individually for the 16 input 
    channels. The PAD switch at the top of each channel is used to turn 
    it ON and OFF: switch up for OFF, down for ON.  
    Gain 
    The GAIN controls are used to optimize the input channel signal lev-
    els. Use them with the METER LCD function, which shows the input 
    signal levels. Ideally the level should be set relatively high and it’s OK 
    for it to reach CLIP   
    occasionally  
    . If CLIP is reached often, however, 
    back off the GAIN control a little, otherwise signal distortion may 
    occur. The GAIN control should be set with some care, because if it 
    is set too low, the S/N performance will suffer, and if it is set too high, 
    unpleasant signal clipping and distortion may occur.
    PHANTOM
    MASTER
    CH1~8
    ON OFF
    (+48V)
    20dB
    PAD
    ±16 ±60GAIN 
    						
    							 
    Metering 
    19 
    ProMix 01 User’s Guide 
    1. Press [METER]. 
    The METER LCD function 
    appears. 
    2. To turn the Peak Hold func-
    tion ON and OFF, press 
    [ENTER] or use the PARAM-
    ETER wheel.
    3. Use the [ 
    Ã 
    ] [ 
    ¨ 
    ] cursor but-
    tons or press [ENTER] to 
    switch between the two 
    METER displays. 
    Metering 
    ProMix  01 features comprehensive signal level metering. Input chan-
    nels, the stereo input channel, RTN1, RTN2, SEND3, and SEND4 are 
    all metered using the METER LCD function. The stereo output is 
    metered using the dedicated 12-segment LED meters. Peak hold is 
    available for all meters.
    The METER LCD function consists of two displays. One shows the 
    16 input channels. The other, the stereo input (ST IN), RTN1, RTN2, 
    SEND3, and SEND4. Both displays are shown below.
    The Peak Hold function can be turned ON and OFF on either display. 
    Peak hold levels are cancelled when Peak Hold is turned OFF or 
    another LCD function is selected. The stereo output meter peak hold 
    is not affected when other LCD functions are selected.  
    The following table lists the meter signal source points. 
    When the stereo output meter’s 0dB LED lights up, the DIGITAL REC 
    OUT still has 20dB of headroom. 
    Note:  
    It’s OK for signal levels to reach CLIP occasionally. If CLIP is 
    reached often, however, back off the GAIN control a little, otherwise sig-
    nal distortion may occur. 
    Signal Source Point
    Input channel 
    Post GAIN and A/D converter—pre phase and EQ  
    Stereo input channel (ST IN) 
    Post GAIN and A/D converter—pre phase and EQ  
    Stereo output 
    Post fader and balance—pre D/A converter  
    RTN1, RTN2 
    Post internal effect—pre EQ and fader  
    SEND3, SEND4 
    Post fader—pre D/A converter 
    Note:  
    When the STEREO OUT XLRs are used with unbalanced con-
    nectors, their maximum output level is reduced by 6dB. This means that 
    the STEREO OUT signal actually clips when the 15dB LED lights up, 
    which is 5dB before the CLIP LED. 
    CLIP
    15
    12
    9
    6
    3
    0
    ±6
    ±12
    ±18
    ±24
    ±40
    LR
    Stereo output meters 
    						
    							 
    20 
    Chapter 3: Mixer Functions 
    ProMix 01 User’s Guide 
    1. Select a channel using the 
    [SEL] buttons.
    2. Press [PAN/ 
    Æ 
    ]. 
    The PHASE LCD function 
    appears. If the PAN display 
    appears, press  
    [PAN/ 
    Æ 
    ] 
     
    again. 
    3. To change the phase, press 
    [ENTER] or use the PARAM-
    ETER wheel. 
    Other channels can be 
    selected using the  
    [SEL] 
     but-
    tons or cursor buttons.  
    Phase 
    The Phase function reverses the polarity of the hot and cold feeds in 
    a balanced input (i.e. pins 2 and 3). The phase can be set for the input 
    channels and stereo input channel. It can be used to compensate for 
    incorrectly wired cables and connectors. It is also useful, for example, 
    when a snare drum is miked top and bottom. In this case the bottom 
    microphone signal needs to be phase reversed. 
    Shown below is the PHASE LCD function. 
    The parameters are: 
    N 
      
    —  
    normal phase. 
    R 
      
    —  
    reverse phase.
    Stereo-pair channels are controlled together, as shown below.  
    						
    							 
    EQ 
    21 
    ProMix 01 User’s Guide 
    1. Select a channel using the 
    [SEL] buttons.
    2. Press [EQ LOW], [MID], or 
    [HIGH]. 
    The EQ LCD function appears. 
    3. Press [EQ LOW], [MID], or 
    [HIGH] repeatedly to select 
    the parameters for each 
    band. 
    You can also use the cursor 
    buttons to select parameters. 
    4. To turn the EQ ON or OFF, 
    press [ENTER] or select the 
    ON/OFF parameter and use 
    the PARAMETER wheel. 
    EQ 
    ProMix 01 EQ is three-band fully parametric, with variable Q, fre-
    quency, gain, and ON/OFF parameters. Initially the EQ is configured 
    as a conventional three-band EQ, with shelving-type low and high 
    and peaking-type mid. However, high and low can also be configured 
    as peaking types. EQ can be applied to the inputs channels, stereo 
    input channel, RTN1, RTN2, and stereo output. Stereo-pair input 
    channels are controlled together.
    Shown below is the EQ LCD function. The top-half shows the EQ 
    response curve, the bottom-half, the EQ parameters. The vertical dot-
    ted line indicates the frequency of the selected band. 
    EQ parameters are:
    Q is stated in musically intuitive octave values. The following table 
    compares octave values with conventional decimal Q values.  
    LOW MID HIGH
    Q 
    1/6, 1/4, 1/3, 
    1/2, 3/4, 1, 3/2, 
    2, 3 oct, SHELF1/6, 1/4, 1/3, 
    1/2, 3/4, 1, 3/2, 
    2, 3 oct1/6, 1/4, 1/3, 
    1/2, 3/4, 1, 3/2, 
    2, 3 oct, SHELF9 steps  
    F 
    32 Hz–1 kHz 32 Hz–18 kHz 1 kHz–18 kHz 1/6 octave steps 
    G 
    ± 
    15 dB 
    ± 
    15 dB 
    ± 
    15 dB 1 dB steps  
    Octave Q 
    1/6 8.65
    1/4 5.76
    1/3 4.32
    1/2 2.87
    3/4 1.90
    1 1.41
    3/2 0.92
    2 0.67
    3 0.40 
    						
    							 
    22 
    Chapter 3: Mixer Functions 
    ProMix 01 User’s Guide 
    EQ Library 
    The EQ library is used to store EQ settings. Settings are stored as EQ 
    programs, and there are 30 preset programs (1–30) and 20 user pro-
    grams (31–50) for you to store your own EQ settings. When STORE 
    is selected on the LIBRARY LCD function, user program 31, the first 
    user program, is selected automatically. You cannot select preset pro-
    grams 1 through 30 while the STORE option is selected. User EQ pro-
    grams can be named for easy identification.
    Shown below is the LIBRARY LCD function. The response curve of 
    the selected EQ program is shown to the right. Library programs are 
    listed in the center and the name of the EQ program last recalled or 
    stored is highlighted. Also there is an equal symbol (=) between the 
    program’s name and number, not a period like the other programs. 
    The PARAMETER wheel is used to scroll through the program list. 
    When another program is selected, its name flashes. If it is recalled, 
    it stops flashing, appears highlighted, and the period between its 
    name and number changes to an equal symbol (=).
    Shown below is the MEMORY NAME LCD function. The selected 
    character in the name is highlighted. Available characters scroll 
    through the box in the center. Use the cursor buttons to position the 
    cursor in the name and the PARAMETER wheel to scroll through the 
    characters. 
    EQ program names can be up to 15 characters long and the following 
    characters are available.  
    Spaces are available between the above character rows. 
    ABCDEFGHIJKLMNOPQRSTUVWXYZ
    abcdefghijklmnopqrstuvwxyz
    ()[]{}#$%&@!?+-*/Ö=Ð ,.:;,
    ôó×
    0123456789
    Recalling EQ Programs
    1. Select a channel using the 
    [SEL] buttons.
    2. Press [LIBRARY].
    The LIBRARY LCD function 
    appears.
    3. Use the PARAMETER wheel 
    to select an EQ program.
    4. Press [ENTER] to recall.
    The EQ program is recalled.
    Storing EQ Programs
    1. Select STORE.
    2. Use the PARAMETER wheel 
    to select an EQ program.
    3. Press [ENTER].
    The LIBRARY NAME LCD func-
    tion appears.
    4. Use the [Ã] [¨] cursor but-
    tons and PARAMETER 
    wheel to name the pro-
    gram.
    If you want to cancel the store 
    operation, select CANCEL and 
    press [ENTER].
    5. Press [ENTER] to store.
    The EQ program is stored.
    ! The preset EQ programs pro-
    vide a good starting point and 
    reference for making adjust-
    ments.- - 
    						
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