Yamaha Promix 1 Manual
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Add-8 ProMix 01 User’s Guide 144 48 1Channel Input 5 to Send3/4 Panpot(Configuration=Stereo) 33 145 49 Channel Input 6 to Send3/4 Panpot(Configuration=Stereo) 146 50 Channel Input 7 to Send3/4 Panpot(Configuration=Stereo) 147 51 Channel Input 8 to Send3/4 Panpot(Configuration=Stereo) 148 52 Channel Input 9 to Send3/4 Panpot(Configuration=Stereo) 149 53 Channel Input 10 to Send3/4 Panpot(Configuration=Stereo) 150 54 Channel Input 11 to Send3/4 Panpot(Configuration=Stereo) 151 55 Channel Input 12 to Send3/4 Panpot(Configuration=Stereo) 152 56 Channel Input 13 to Send3/4 Panpot(Configuration=Stereo) 153 57 Channel Input 14 to Send3/4 Panpot(Configuration=Stereo) 154 58 Channel Input 15 to Send3/4 Panpot(Configuration=Stereo) 155 59 Channel Input 16 to Send3/4 Panpot(Configuration=Stereo) 156 60 Stereo Input to Send3/4 Balance(Configuration=Stereo) 157 -- --Channel Input 1 to Cue On/Off 2 158 -- Channel Input 2 to Cue On/Off 159 -- Channel Input 3 to Cue On/Off 160 -- Channel Input 4 to Cue On/Off 161 -- Channel Input 5 to Cue On/Off 162 -- Channel Input 6 to Cue On/Off 163 -- Channel Input 7 to Cue On/Off 164 -- Channel Input 8 to Cue On/Off 165 -- Channel Input 9 to Cue On/Off 166 -- Channel Input 10 to Cue On/Off 167 -- Channel Input 11 to Cue On/Off 168 -- Channel Input 12 to Cue On/Off 169 -- Channel Input 13 to Cue On/Off 170 -- Channel Input 14 to Cue On/Off 171 -- Channel Input 15 to Cue On/Off 172 -- Channel Input 16 to Cue On/Off 173 -- Stereo Input to Cue On/Off 174 -- Effect Return 1 to Cue On/Off 175 -- Effect Return 2 to Cue On/Off 176 -- Send 3 to Cue On/Off 177 -- Send 4 to Cue On/Off 178 -- Stereo Output to Cue On/Off 179 83 1Channel Input 1 Phase 180 84 Channel Input 2 Phase 181 85 Channel Input 3 Phase 182 86 Channel Input 4 Phase 183 87 Channel Input 5 Phase 184 88 Channel Input 6 Phase 185 89 Channel Input 7 Phase 186 90 Channel Input 8 Phase 187 91 Channel Input 9 Phase 188 92 Channel Input 10 Phase 189 93 Channel Input 11 Phase 190 94 Channel Input 12 Phase 191 95 Channel Input 13 Phase Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank
Add-9 ProMix 01 User’s Guide Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank 192 0 2Channel Input 14 Phase 2 193 1 Channel Input 15 Phase 194 2 Channel Input 16 Phase 195 3 Stereo Input Phase 196 4 Channel Input 1 Equalizer On/Off 197 5 Channel Input 2 Equalizer On/Off 198 6 Channel Input 3 Equalizer On/Off 199 7 Channel Input 4 Equalizer On/Off 200 8 Channel Input 5 Equalizer On/Off 201 9 Channel Input 6 Equalizer On/Off 202 10 Channel Input 7 Equalizer On/Off 203 11 Channel Input 8 Equalizer On/Off 204 12 Channel Input 9 Equalizer On/Off 205 13 Channel Input 10 Equalizer On/Off 206 14 Channel Input 11 Equalizer On/Off 207 15 Channel Input 12 Equalizer On/Off 208 16 Channel Input 13 Equalizer On/Off 209 17 Channel Input 14 Equalizer On/Off 210 18 Channel Input 15 Equalizer On/Off 211 19 Channel Input 16 Equalizer On/Off 212 20 Stereo Input Equalizer On/Off 213 21 Effect Return 1 Equalizer On/Off 214 22 Effect Return 2 Equalizer On/Off 215 23 Stereo Output Equalizer On/Off 216 24 Channel Input 1 Low Equalizer Frequency 31 217 25 Channel Input 2 Low Equalizer Frequency 218 26 Channel Input 3 Low Equalizer Frequency 219 27 Channel Input 4 Low Equalizer Frequency 220 28 Channel Input 5 Low Equalizer Frequency 221 29 Channel Input 6 Low Equalizer Frequency 222 30 Channel Input 7 Low Equalizer Frequency 223 31 Channel Input 8 Low Equalizer Frequency 224 32 Channel Input 9 Low Equalizer Frequency 225 33 Channel Input 10 Low Equalizer Frequency 226 34 Channel Input 11 Low Equalizer Frequency 227 35 Channel Input 12 Low Equalizer Frequency 228 36 Channel Input 13 Low Equalizer Frequency 229 37 Channel Input 14 Low Equalizer Frequency 230 38 Channel Input 15 Low Equalizer Frequency 231 39 Channel Input 16 Low Equalizer Frequency 232 40 Stereo Input Low Equalizer Frequency 233 41 Effect Return 1 Low Equalizer Frequency 234 42 Effect Return 2 Low Equalizer Frequency 235 43 Stereo Output Low Equalizer Frequency 236 44 Channel Input 1 Low Equalizer Gain 237 45 Channel Input 2 Low Equalizer Gain 238 46 Channel Input 3 Low Equalizer Gain 239 47 Channel Input 4 Low Equalizer Gain
Add-10 ProMix 01 User’s Guide 240 48 2Channel Input 5 Low Equalizer Gain 31 241 49 Channel Input 6 Low Equalizer Gain 242 50 Channel Input 7 Low Equalizer Gain 243 51 Channel Input 8 Low Equalizer Gain 244 52 Channel Input 9 Low Equalizer Gain 245 53 Channel Input 10 Low Equalizer Gain 246 54 Channel Input 11 Low Equalizer Gain 247 55 Channel Input 12 Low Equalizer Gain 248 56 Channel Input 13 Low Equalizer Gain 249 57 Channel Input 14 Low Equalizer Gain 250 58 Channel Input 15 Low Equalizer Gain 251 59 Channel Input 16 Low Equalizer Gain 252 60 Stereo Input Low Equalizer Gain 253 61 Effect Return 1 Low Equalizer Gain 254 62 Effect Return 2 Low Equalizer Gain 255 63 Stereo Output Low Equalizer Gain 256 64 Channel Input 1 Low Equalizer Q/Shelf 10 257 65 Channel Input 2 Low Equalizer Q/Shelf 258 66 Channel Input 3 Low Equalizer Q/Shelf 259 67 Channel Input 4 Low Equalizer Q/Shelf 260 68 Channel Input 5 Low Equalizer Q/Shelf 261 69 Channel Input 6 Low Equalizer Q/Shelf 262 70 Channel Input 7 Low Equalizer Q/Shelf 263 71 Channel Input 8 Low Equalizer Q/Shelf 264 72 Channel Input 9 Low Equalizer Q/Shelf 265 73 Channel Input 10 Low Equalizer Q/Shelf 266 74 Channel Input 11 Low Equalizer Q/Shelf 267 75 Channel Input 12 Low Equalizer Q/Shelf 268 76 Channel Input 13 Low Equalizer Q/Shelf 269 77 Channel Input 14 Low Equalizer Q/Shelf 270 78 Channel Input 15 Low Equalizer Q/Shelf 271 79 Channel Input 16 Low Equalizer Q/Shelf 272 80 Stereo Input Low Equalizer Q/Shelf 273 81 Effect Return 1 Low Equalizer Q/Shelf 274 82 Effect Return 2 Low Equalizer Q/Shelf 275 83 Stereo Output Low Equalizer Q/Shelf 276 84 Channel Input 1 Mid Equalizer Frequency 56 277 85 Channel Input 2 Mid Equalizer Frequency 278 86 Channel Input 3 Mid Equalizer Frequency 279 87 Channel Input 4 Mid Equalizer Frequency 280 88 Channel Input 5 Mid Equalizer Frequency 281 89 Channel Input 6 Mid Equalizer Frequency 282 90 Channel Input 7 Mid Equalizer Frequency 283 91 Channel Input 8 Mid Equalizer Frequency 284 92 Channel Input 9 Mid Equalizer Frequency 285 93 Channel Input 10 Mid Equalizer Frequency 286 94 Channel Input 11 Mid Equalizer Frequency 287 95 Channel Input 12 Mid Equalizer Frequency Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank
Add-11 ProMix 01 User’s Guide Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank 288 0 3Channel Input 13 Mid Equalizer Frequency 56 289 1 Channel Input 14 Mid Equalizer Frequency 290 2 Channel Input 15 Mid Equalizer Frequency 291 3 Channel Input 16 Mid Equalizer Frequency 292 4 Stereo Input Mid Equalizer Frequency 293 5 Effect Return 1 Mid Equalizer Frequency 294 6 Effect Return 2 Mid Equalizer Frequency 295 7 Stereo Output Mid Equalizer Frequency 296 8 Channel Input 1 Mid Equalizer Gain 31 297 9 Channel Input 2 Mid Equalizer Gain 298 10 Channel Input 3 Mid Equalizer Gain 299 11 Channel Input 4 Mid Equalizer Gain 300 12 Channel Input 5 Mid Equalizer Gain 301 13 Channel Input 6 Mid Equalizer Gain 302 14 Channel Input 7 Mid Equalizer Gain 303 15 Channel Input 8 Mid Equalizer Gain 304 16 Channel Input 9 Mid Equalizer Gain 305 17 Channel Input 10 Mid Equalizer Gain 306 18 Channel Input 11 Mid Equalizer Gain 307 19 Channel Input 12 Mid Equalizer Gain 308 20 Channel Input 13 Mid Equalizer Gain 309 21 Channel Input 14 Mid Equalizer Gain 310 22 Channel Input 15 Mid Equalizer Gain 311 23 Channel Input 16 Mid Equalizer Gain 312 24 Stereo Input Mid Equalizer Gain 313 25 Effect Return 1 Mid Equalizer Gain 314 26 Effect Return 2 Mid Equalizer Gain 315 27 Stereo Output Mid Equalizer Gain 316 28 Channel Input 1 Mid Equalizer Q 9 317 29 Channel Input 2 Mid Equalizer Q 318 30 Channel Input 3 Mid Equalizer Q 319 31 Channel Input 4 Mid Equalizer Q 320 32 Channel Input 5 Mid Equalizer Q 321 23 Channel Input 6 Mid Equalizer Q 322 24 Channel Input 7 Mid Equalizer Q 323 25 Channel Input 8 Mid Equalizer Q 324 26 Channel Input 9 Mid Equalizer Q 325 27 Channel Input 10 Mid Equalizer Q 326 38 Channel Input 11 Mid Equalizer Q 327 39 Channel Input 12 Mid Equalizer Q 328 40 Channel Input 13 Mid Equalizer Q 329 41 Channel Input 14 Mid Equalizer Q 330 42 Channel Input 15 Mid Equalizer Q 331 43 Channel Input 16 Mid Equalizer Q 332 44 Stereo Input Mid Equalizer Q 333 45 Effect Return 1 Mid Equalizer Q 334 46 Effect Return 2 Mid Equalizer Q 335 47 Stereo Output Mid Equalizer Q 336 48 Channel Input 1 High Equalizer Frequency 25
Add-12 ProMix 01 User’s Guide 337 49 3Channel Input 2 High Equalizer Frequency 26 338 50 Channel Input 3 High Equalizer Frequency 339 51 Channel Input 4 High Equalizer Frequency 340 52 Channel Input 5 High Equalizer Frequency 341 53 Channel Input 6 High Equalizer Frequency 342 54 Channel Input 7 High Equalizer Frequency 343 55 Channel Input 8 High Equalizer Frequency 344 56 Channel Input 9 High Equalizer Frequency 345 57 Channel Input 10 High Equalizer Frequency 346 58 Channel Input 11 High Equalizer Frequency 347 59 Channel Input 12 High Equalizer Frequency 348 60 Channel Input 13 High Equalizer Frequency 349 61 Channel Input 14 High Equalizer Frequency 350 62 Channel Input 15 High Equalizer Frequency 351 63 Channel Input 16 High Equalizer Frequency 352 64 Stereo Input HighEqualizer Frequency 353 65 Effect Return 1 High Equalizer Frequency 354 66 Effect Return 2 High Equalizer Frequency 355 67 Stereo Output High Equalizer Frequency 356 68 Channel Input 1 High Equalizer Gain 31 357 69 Channel Input 2 High Equalizer Gain 358 70 Channel Input 3 High Equalizer Gain 359 71 Channel Input 4 High Equalizer Gain 360 72 Channel Input 5 High Equalizer Gain 361 73 Channel Input 6 High Equalizer Gain 362 74 Channel Input 7 High Equalizer Gain 363 75 Channel Input 8 High Equalizer Gain 364 76 Channel Input 9 High Equalizer Gain 365 77 Channel Input 10 High Equalizer Gain 366 78 Channel Input 11 High Equalizer Gain 367 79 Channel Input 12 High Equalizer Gain 368 80 Channel Input 13 High Equalizer Gain 369 81 Channel Input 14 High Equalizer Gain 370 82 Channel Input 15 High Equalizer Gain 371 83 Channel Input 16 High Equalizer Gain 372 84 Stereo Input High Equalizer Gain 373 85 Effect Return 1 High Equalizer Gain 374 86 Effect Return 2 High Equalizer Gain 375 87 Stereo Output High Equalizer Gain 376 88 Channel Input 1 High Equalizer Q/Shelf 10 377 89 Channel Input 2 High Equalizer Q/Shelf 378 90 Channel Input 3 High Equalizer Q/Shelf 379 91 Channel Input 4 High Equalizer Q/Shelf 380 92 Channel Input 5 High Equalizer Q/Shelf 381 93 Channel Input 6 High Equalizer Q/Shelf 382 94 Channel Input 7 High Equalizer Q/Shelf 383 95 Channel Input 8 High Equalizer Q/Shelf Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank
Add-13 ProMix 01 User’s Guide Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank 384 0 4Channel Input 9 High Equalizer Q/Shelf 10 385 1 Channel Input 10 High Equalizer Q/Shelf 386 2 Channel Input 11 High Equalizer Q/Shelf 387 3 Channel Input 12 High Equalizer Q/Shelf 388 4 Channel Input 13 High Equalizer Q/Shelf 389 5 Channel Input 14 High Equalizer Q/Shelf 390 6 Channel Input 15 High Equalizer Q/Shelf 391 7 Channel Input 16 High Equalizer Q/Shelf 392 8 Stereo Input High Equalizer Q/Shelf 393 9 Effect Return 1 High Equalizer Q/Shelf 394 10 Effect Return 2 High Equalizer Q/Shelf 395 11 Stereo Output High Equalizer Q/Shelf 396 12 Channel Input 1/2 Stereo Pair Flag On/Off 2 397 13 Channel Input 3/4 Stereo Pair Flag On/Off 398 14 Channel Input 5/6 Stereo Pair Flag On/Off 399 15 Channel Input 7/8 Stereo Pair Flag On/Off 400 16 Channel Input 9/10 Stereo Pair Flag On/Off 401 17 Channel Input 11/12 Stereo Pair Flag On/Off 402 18 Channel Input 13/14 Stereo Pair Flag On/Off 403 19 Channel Input 15/16 Stereo Pair Flag On/Off 404 20 Internal Effect 1 Type 40 405 21 Internal Effect 2 Type 406 22 Internal Effect 1 Parameter 1 High Byte A 407 23 Internal Effect 1 Parameter 1 Low Byte 408 24 Internal Effect 1 Parameter 2 High Byte 409 25 Internal Effect 1 Parameter 2 Low Byte 410 26 Internal Effect 1 Parameter 3 High Byte 411 27 Internal Effect 1 Parameter 3 Low Byte 412 28 Internal Effect 1 Parameter 4 High Byte 413 29 Internal Effect 1 Parameter 4 Low Byte 414 30 Internal Effect 1 Parameter 5 High Byte 415 31 Internal Effect 1 Parameter 5 Low Byte 416 32 Internal Effect 1 Parameter 6 High Byte 417 33 Internal Effect 1 Parameter 6 Low Byte 418 34 Internal Effect 1 Parameter 7 High Byte 419 35 Internal Effect 1 Parameter 7 Low Byte 420 36 Internal Effect 1 Parameter 8 High Byte 421 37 Internal Effect 1 Parameter 8 Low Byte 422 38 Internal Effect 1 Parameter 9 High Byte 423 39 Internal Effect 1 Parameter 9 Low Byte 424 40 Internal Effect 1 Parameter 10 High Byte 425 41 Internal Effect 1 Parameter 10 Low Byte 426 42 Internal Effect 2 Parameter 1 High Byte 427 43 Internal Effect 2 Parameter 1 Low Byte 428 44 Internal Effect 2 Parameter 2 High Byte 429 45 Internal Effect 2 Parameter 2 Low Byte 430 46 Internal Effect 2 Parameter 3 High Byte 431 47 Internal Effect 2 Parameter 3 Low Byte 432 48 Internal Effect 2 Parameter 4 High Byte
Add-14 ProMix 01 User’s Guide A. Depends on selected effects type. B. Depends on selected dynamics type. 433 49 4Internal Effect 2 Parameter 4 Low Byte A 434 50 Internal Effect 2 Parameter 5 High Byte 435 51 Internal Effect 2 Parameter 5 Low Byte 436 52 Internal Effect 2 Parameter 6 High Byte 437 53 Internal Effect 2 Parameter 6 Low Byte 438 54 Internal Effect 2 Parameter 7 High Byte 439 55 Internal Effect 2 Parameter 7 Low Byte 440 56 Internal Effect 2 Parameter 8 High Byte 441 57 Internal Effect 2 Parameter 8 Low Byte 442 58 Internal Effect 2 Parameter 9 High Byte 443 59 Internal Effect 2 Parameter 9 Low Byte 444 60 Internal Effect 2 Parameter 10 High Byte 445 61 Internal Effect 2 Parameter 10 Low Byte 446 62 Comp 1 Type 20 447 63 Comp 2 Type 448 64 Comp 3 Type 449 65 Comp 1 Patch Point 450 66 Comp 2 Patch Point 451 67 Comp 3 Patch Point 452 68 Comp 1 Keyin Channel 21 453 69 Comp 2 Keyin Channel 454 70 Comp 3 Keyin Channel 455 71 Comp 1 In Mode(Both/Odd/Even) 3 456 72 Comp 2 In Mode(Both/Odd/Even) 457 73 Comp 3 In Mode(Both/Odd/Even) 458 74 Comp 1 On/Off 2 459 75 Comp 2 On/Off 460 76 Comp 3 On/Off 461 77 Comp 1 Parameter 1 B 462 78 Comp 1 Parameter 2 463 79 Comp 1 Parameter 3 464 80 Comp 1 Parameter 4 465 81 Comp 1 Parameter 5 466 82 Comp 2 Parameter 1 467 83 Comp 2 Parameter 2 468 84 Comp 2 Parameter 3 469 85 Comp 2 Parameter 4 470 86 Comp 2 Parameter 5 471 87 Comp 3 Parameter 1 472 88 Comp 3 Parameter 2 473 89 Comp 3 Parameter 3 474 90 Comp 3 Parameter 4 475 91 Comp 3 Parameter 5 476 92 Send 3/4 Configuration Flag (Individual/Stereo) 2 477 93 Oscillator On/Off 478 94 Oscillator Level 128 479 95 Oscillator Frequency 4 Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank
Add-15 ProMix 01 User’s Guide Param #Initial Setup ProMix 01 ParameterData ValueUser Setup Control Change #Bank Control Change #Bank 480 0 5Oscillator SEND3 Assign 2 481 1 Oscillator SEND4 Assign 482 2 Oscillator ST OUT Assign 483 -- -- Cue mode MIX/LAST CUE/GROUP CUE/STEREO OUT FIX 4 484 4 5Channel Input 1 Group No. (0: OFF, 1–4: A–D) 5 485 5 Channel Input 2 Group No. 486 6 Channel Input 3 Group No. 487 7 Channel Input 4 Group No. 488 8 Channel Input 5 Group No. 489 9 Channel Input 6 Group No. 490 10 Channel Input 7 Group No. 491 11 Channel Input 8 Group No. 492 12 Channel Input 9 Group No. 493 13 Channel Input 10 Group No. 494 14 Channel Input 11 Group No. 495 15 Channel Input 12 Group No. 496 16 Channel Input 13 Group No. 497 17 Channel Input 14 Group No. 498 18 Channel Input 15 Group No. 499 19 Channel Input 16 Group No. 500 20 Stereo Input Group No. 501 21 Panpot Control Mode (Individual/Gang) 2 502 22 Group Select (A/B/C/D) 4 503 23 “Ch Input 1/2 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 4 504 24 “Ch Input 3/4 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 505 25 “Ch Input 5/6 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 506 26 “Ch Input 7/8 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 507 27 “Ch Input 9/10 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 508 28 “Ch Input 11/12 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 509 29 “Ch Input 13/14 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 510 30 “Ch Input 15/16 Pair Execute(MONO,Odd->Even,Even->Odd,Reset)” 511 31 Stereo Master Patch Point Pre/Post 2 512 32 Send3 Master Patch Point Pre/Post 513 33 Send4 Master Patch Point Pre/Post 514 34 “Send3,4 Configuration Execute(Monaural/Stereo)” 515 35 MIDI Local Off Fader No.1 128 516 36 MIDI Local Off Fader No.2 517 37 MIDI Local Off Fader No.3 518 38 MIDI Local Off Fader No.4 519 39 MIDI Local Off Fader No.5 520 40 MIDI Local Off Fader No.6 521 41 MIDI Local Off Fader No.7 522 42 MIDI Local Off Fader No.8 523 43 MIDI Local Off Fader No.9 524 44 MIDI Local Off Fader No.10 525 45 MIDI Local Off Fader No.11 526 46 MIDI Local Off Fader No.12 527 47 MIDI Local Off Fader No.13 528 48 MIDI Local Off Fader No.14 529 49 MIDI Local Off Fader No.15 530 50 MIDI Local Off Fader No.16
Add-16 ProMix 01 User’s Guide MIDI Data Format 1 General Items 1-1 This section describes the ProMix 01 MIDI specifications. 1-2 Electrical characteristics and signal specifications conform to the MIDI Standard 1.0. 2 Transmission/Reception ProMix 01 transmits and receives Program Change, Control Change, and System Exclusive messages. Real-time messages, Active Sensing, and MIDI Reset are received only. 2-1 Program Change Transmission Channel number (Tx Channel No.) is used for transmission. Messages are received only when the receive Channel number (Rx Channel No.) matches, or when OMNI is set to ON. Receiving a Program Change message recalls the scene memory assigned to that Program number. When a scene memory is recalled using the RECALL button, the corresponding Program Change message is output. Program Changes can be assigned to scene memories by the user. 2-2 Control Change Control Change messages can be transmitted and received in Channel mode or Register mode. In Channel mode, the MIDI Channel No. is the Transmission/Receive Channel (Tx/Rx Channel No.) plus parameter Bank Num- ber(Bank). If the resultant value exceeds 16, the remainder will be the Channel number. If all parameters are transmitted and received in this mode, many MIDI Channels are used. See below. In Register mode, the Channel number uses the transmission/receive Channel number (Tx/Rx Channel No.), and the parameter Bank Number(Bank) is specified by Non-Registered Parameter Number(NRPN) 62h (98 in decimal). In this mode, only one MIDI Channel is required, and OMNI operation is available. See below. The ProMix 01 parameter corresponding to the Control Change Bank number and Control Change number is adjusted. If an assigned parameter is adjusted using the front panel controls, the corresponding Control Change message is output. Parameters can be assigned to Control Changes by the user. The data format will be as follows: When you adjust a parameter of Channel #10, Bank #2, and Control #72: BB 48 dd (dd is data) When you adjust a parameter of Channel #13, Bank #5, and Control #20: B1 14 dd (dd is data) The data format will be as follows: When you adjust a parameter of Channel #10, Bank #2, and Control #72: B9 62 02 B9 48 dd (dd is data) For MIDI data transmission, a parameter’s minimum internal data value is expressed by 00h, and the maximum value is expressed by 7fh. For example, for Panpot data the internal data value “0” is expressed by 00h, and the internal data value “32 (MAX)” is” expressed by 7fh.
Add-17 ProMix 01 User’s Guide To derive the midway value of the internal data, the following calculation is used (MIDI midway value = 64). First, 128 (the maximum value used in MIDI) is divided by the internal Data Value (Panpot = 33) to obtain the MIDI data number equivalent to one internal data number. The internal Data Values for all parameters are given in the Control Change to Parameter Assignment tables. ex. Panpot: 128 / 33 = 3...29 To express the midway value of the internal data using the MIDI midway value (64), the remainder obtained from the above calculation is added to both sides of the MIDI range. If there is another remainder, “1” is added to the result. ex. Panpot: 29 / 2 = 14...1 14 + 1 = 15 Therefore, when MIDI data is x , the internal data is calculated using the following formula: ex. Panpot: INTEGER (( x - 15) / 3) If the resultant value is below 0, it becomes the minimum internal data value. If the resultant value exceeds the maximum internal data value, it becomes the maximum internal data value. For data that consists of two bytes (Effect Parameter), 16,384 (14-bit value) is used instead of “128” (Minimum: 0000h, Maximum: 3fffh). Usually, Control Change messages are output only when the internal data is changed. Incoming messages are processed so that they do not contradict the internal data (i.e. abnormal settings that are not acceptable to ProMix 01). However, the following are exceptions: If the status of a stereo pair is changed, a Stereo Pair Flag Control Change is output, then the Control Change of the changed parameter is output. When ProMix 01 receives a Stereo Pair Flag Control Change, only the flag is changed. When the information about channels for a stereo pair is received afterward, the parameter of the other receive channel is also changed. Also, at the moment of operation, the parameters for both channels are changed. Therefore, the Control Change that has the same function as the pair processing on the unit is assigned to the other number. The parameters labelled “Execute” or “Ex.” can prevent contradiction occurring when the message is received. Also, when the unit receives the Control Change message of this number, the parameter changed by this message will, in turn, output a control change message. The above also applies to SEND3, 4 Configuration. When a Control Change message to change the level of a channel in a group is received, the other channels are not affected. The group is temporarily released, the fader adjusted, then grouping is reactivated. 2-3 System Exclusive Message Transmission Channel number (Tx Channel No.) is used for transmission. Messages are received only when the receive Channel number (Rx Channel No.) matches, or when OMNI is set to ON. The ProMix 01 transmits and receives scene memory contents, Program Change Assignment Table, Control Change Assignment Table, Edit Buffer contents, Setup Memory contents, Backup Memory contents, Key Remote Message, Effect User Memory contents, Compressor User Memory contents, and EQ User Library contents. 2-4 Real Time Message Only Active Sensing (FEh), and MIDI Reset (FFh) are received. Running Status is cleared if the unit dose not receive any data for more than 300 ms after receiving Active Sensing, or when MIDI Reset is received.