Yamaha Promix 1 Manual
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20dB –16 –60 GAIN 1 20dB –16 –60 GAIN 2 20dB –16 –60 GAIN 3 20dB –16 –60 GAIN 4 20dB –16 –60 GAIN 5 20dB –16 –60 GAIN 6 20dB –16 –60 GAIN 7 20dB –16 –60 GAIN 8 20dB –16 –60 GAIN 9 20dB –16 –60 GAIN 10 20dB –16 –60 GAIN 11 20dB –16 –60 GAIN 12 20dB –16 –60 GAIN 13 20dB –16 –60 GAIN 14 20dB –16 –60 GAIN 15 20dB –16 –60 GAIN 16 CUE/ 2TR IN 010 LEVEL MONITOR OUT010 LEVELPHONES RECALL METER SEND 1 EQ-LOW STORE PAN/ø 2 MID GROUP COMP 3 HIGH UTILITY PAIR CUE 4 LIBRARY MIDI SEL ON 1 1 SEL ON 2 6 0 5 10 20 40 60 00 2 SEL ON 3 6 0 5 10 20 40 60 00 3 SEL ON 4 6 0 5 10 20 40 60 00 4 SEL ON 5 6 0 5 10 20 40 60 00 5 SEL ON 6 6 0 5 10 20 40 60 00 6 SEL ON 7 6 0 5 10 20 40 60 00 7 SEL ON 8 6 0 5 10 20 40 60 00 8 SEL ON 9 6 0 5 10 20 40 60 00 9 SEL ON 10 6 0 5 10 20 40 60 00 10 SEL ON 11 6 0 5 10 20 40 60 00 11 SEL ON 12 6 0 5 10 20 40 60 00 12 SEL ON 13 6 0 5 10 20 40 60 00 13 SEL ON 14 6 0 5 10 20 40 60 00 14 SEL ON 15 6 0 5 10 20 40 60 00 15 SEL ON 16 6 0 5 10 20 40 60 00 16 SEL ON 6 0 5 10 20 40 60 00 ST IN SEL ON 6 0 5 10 20 40 60 00 RTN/ SEND SEL ON 6 0 5 10 20 40 60 00 ST OUT ST INRTN/ SEND ST OUT CLIP 15 12 9 6 3 0 –6 –12 –18 –24 –40 ENTER LR RTN 1 RTN 2 SEND 3 SEND 4 FUNCTION MEMORY SEL CH 1 2 3 4 5 6 7 8 910LR LR ST IN 2TR IN PAD SCENE MEMORY PARAMETER 11 12 13 14 15 16 INC + DEC – 6 0 5 10 20 40 60 00 UserÕs Guide Manuel de rŽfŽrence Bedienungsanleitung Manual de uso
IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT: The wires in this mains lead are coloured in accordance with the following code: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings idenlifying the terminals in your plug, proceed as follows: The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. * This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD. FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class ÒBÓ digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit ÒOFFÓ and ÒONÓ, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch (circuit breaker of fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America. Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 *This applies only to products distributed by YAMAHA CORPORATION OF AMERICA CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE ÒCLASS BÓ LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTER- FERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. LE PRESENT APPAREIL NUMERIQUE NÕEMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA ÒCLASSE BÓ PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COM- MUNICATIONS DU CANADA. *This applies only to products distributed by YAMAHA CANADA MUSIC LTD. Dette apparat overholder det gaeldende EF-direktiv vedtr¿rende radiost¿j. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese GerŠte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG. This product complies with the radio frequency interference re- quirements of the Council Directive 82/499/EEC and/or 87/308/ EEC. CEE/87/308) sulla soppressione dei radiodisturbi. Este producto est‡ de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE. YAMAHA CORPORATION Litiumbatter! Bšr endast bytas av servicepersonal. Explosionsfara vid felaktig hantering. VAROITUS! Lithiumparisto, RŠjŠhdysvaara. Pariston saa vaihtaa ainoastaan aian ammattimies. ADVARSELl! Lithiumbatter! Eksplosionsfare. Udskiftning mŒ kun foretages af en sagkyndig, Ðog som beskrevet i servicemanualen. CONNEXIONS DES MICROPHONES ET DE LEURS CåBLES POUR ƒVITER TOUT ENDOMMAGEMENT, SÕASSURER DE BRANCHER UNIQUEMENT DES MICROPHONES ET DES CåBLES DE MICROPHONES CONCUS SELON LA NORME IEC268-15A. MICROPHONE CABLES AND MICROPHONES CONNECTION TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE CABLES AND MICROPHONES DESIGNED TO THE IEC268-15A STANDARD ARE CONNECTED.
i ProMix 01 User’s Guide Brief Contents 1 Touring ProMix 01 . . . . . . . . . . . . . . . 1 2 User Interface . . . . . . . . . . . . . . . . . . 11 3 Mixer Functions . . . . . . . . . . . . . . . . 17 4 Auxiliaries and Effects . . . . . . . . . . . . 29 5 CUE . . . . . . . . . . . . . . . . . . . . . . . . . . 49 6 Groups and Pairs . . . . . . . . . . . . . . . 55 7 Scene Memories . . . . . . . . . . . . . . . . 61 8 Dynamics Processors . . . . . . . . . . . . 67 9 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . 79 10 Other Functions . . . . . . . . . . . . . . . . 89 Troubleshooting . . . . . . . . . . . . . . . . . . . 93 Appendix . . . . . . . . . . . . . . . . . . . . . . . . 95 Glossary . . . . . . . . . . . . . . . . . . . . . . . . 109 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Additions . . . . . . . . . . . . . . . . . . . . . Add-1 MIDI Data Format . . . . . . . . . . . . . Add-16
iii ProMix 01 User’s Guide Full Contents 1 Touring ProMix 01 . . . . . . . . . . . . . . . 1 Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 ProMix 01 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . 8 An Analog Mixer Analogy . . . . . . . . . . . . . . . . . . . . . . . . . . 9 2 User Interface . . . . . . . . . . . . . . . . . . 11 About the User Interface . . . . . . . . . . . . . . . . . . . . . . . . . 12 LCD Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Cursor Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 PARAMETER Wheel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 ENTER Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 SEL Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 LCD Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 3 Mixer Functions . . . . . . . . . . . . . . . . 17 Phantom Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 EQ Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 ON Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Pan and Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Stereo Output Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Stereo-Pair Pans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Stereo Width . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 4 Auxiliaries and Effects . . . . . . . . . . . . 29 About Auxiliaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 About Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Preset Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Stereo Input Channel and Sends . . . . . . . . . . . . . . . . . . . 31 Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Sending a Channel Signal . . . . . . . . . . . . . . . . . . . . . . . . . 32 SEND1 and SEND2 Pre or Post . . . . . . . . . . . . . . . . . . . . 32 Returning the Processed Signal . . . . . . . . . . . . . . . . . . . . 33 Recalling Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . 34 Editing Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . 35
iv ProMix 01 User’s Guide Storing Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Preset Effects Program Parameters . . . . . . . . . . . . . . . . . . 37 SEND3 and SEND4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 SEND3 and SEND4 Pre or Post . . . . . . . . . . . . . . . . . . . . 45 SEND3-4 Stereo Pair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 SEND3-4 Channel Pans & Balance . . . . . . . . . . . . . . . . . . 47 SEND3-4 Output Balance . . . . . . . . . . . . . . . . . . . . . . . . . 47 SEND3-4 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . 48 5 CUE . . . . . . . . . . . . . . . . . . . . . . . . . . 49 About CUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 CUE Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Group CUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Setting the CUE Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 CUE Signal Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 CUE/2TR IN Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 CUE LCD Function Info . . . . . . . . . . . . . . . . . . . . . . . . . . 52 6 Groups and Pairs . . . . . . . . . . . . . . . 55 Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 Listening to Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 Group Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Pair Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 7 Scene Memories . . . . . . . . . . . . . . . . 61 What are Scene Memories? . . . . . . . . . . . . . . . . . . . . . . . . 62 What’s Stored in a Scene Memory? . . . . . . . . . . . . . . . . . 62 What is the Edit Buffer? . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Mix Scene 00 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Storing Mix Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Recalling Mix Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Protecting Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . 65 8 Dynamics Processors . . . . . . . . . . . . 67 ProMix 01 Dynamics Processors . . . . . . . . . . . . . . . . . . . . 68 Preset Dynamics Programs . . . . . . . . . . . . . . . . . . . . . . . . 68 Processor Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Patching in a Processor . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Dynamics Processor Meters . . . . . . . . . . . . . . . . . . . . . . . 73 Pre-Fader or Post-Fader Patches . . . . . . . . . . . . . . . . . . . . 74 Recalling a Dynamics Program . . . . . . . . . . . . . . . . . . . . . 75 Editing a Dynamics Program . . . . . . . . . . . . . . . . . . . . . . 76 Storing a Dynamics Program . . . . . . . . . . . . . . . . . . . . . . 77 Preset Dynamics Processor Parameters . . . . . . . . . . . . . . 78
v ProMix 01 User’s Guide 9 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . 79 MIDI and ProMix 01 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 MIDI Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Program Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Control Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Bulk Dump/Request . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Local ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Memory Control Change Out . . . . . . . . . . . . . . . . . . . . . 87 10 Other Functions . . . . . . . . . . . . . . . . 89 Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Checking the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 ProMix 01 Initialization . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Fader Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Troubleshooting . . . . . . . . . . . . . . . . . . . 93 Appendix . . . . . . . . . . . . . . . . . . . . . . . . 95 LCD Function Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Button Protector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Data Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 ProMix 01 Compatible Products . . . . . . . . . . . . . . . . . . 104 General Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . 105 Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Digital OUT & MIDI Specifications . . . . . . . . . . . . . . . 107 Digital Out Channel Status . . . . . . . . . . . . . . . . . . . . . . 107 Glossary . . . . . . . . . . . . . . . . . . . . . . . . 109 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Additions . . . . . . . . . . . . . . . . . . . . . Add-1 ProMix 01 Level Diagram . . . . . . . . . . . . . . . . . . . . . Add-1 ProMix 01 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . Add-2 Optional Rack-Mount Ears . . . . . . . . . . . . . . . . . . . . Add-3 Optional Wooden Side Panels . . . . . . . . . . . . . . . . . . Add-3 Mix Scene to Program Change Assignment Table . . Add-4 Control Change to Parameter Assignment Table . . Add-5
vi ProMix 01 User’s Guide MIDI Data Format . . . . . . . . . . . . . Add-16 1 General Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Add-16 2 Transmission/Reception . . . . . . . . . . . . . . . . . . . . Add-16 3 Transmission Condition . . . . . . . . . . . . . . . . . . . . Add-18 4 Receive Condition . . . . . . . . . . . . . . . . . . . . . . . . . Add-18 5 Bulk Dump Request Format . . . . . . . . . . . . . . . . Add-19 Button Number Table . . . . . . . . . . . . . . . . . . . . . . . Add-28
Touring ProMix 01 1 ProMix 01 User’s Guide 1 Touring ProMix 01 In this chapter... Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 ProMix 01 Block Diagram . . . . . . . . . . . . . . . . . . . . . . 8 An Analog Mixer Analogy . . . . . . . . . . . . . . . . . . . . . . . 9
2 Chapter 1: Touring ProMix 01 ProMix 01 User’s Guide Top Panel 20dB ±16 ±60 GAIN 1 20dB ±16 ±60 GAIN 2 20dB ±16 ±60 GAIN 3 20dB ±16 ±60 GAIN 4 20dB ±16 ±60 GAIN 5 20dB ±16 ±60 GAIN 6 20dB ±16 ±60 GAIN 7 20dB ±16 ±60 GAIN 8 20dB ±16 ±60 GAIN 9 20dB ±16 ±60 GAIN 10 20dB ±16 ±60 GAIN 11 20dB ±16 ±60 GAIN 12 20dB ±16 ±60 GAIN 13 20dB ±16 ±60 GAIN 14 20dB ±16 ±60 GAIN 15 20dB ±16 ±60 GAIN 16 CUE/ 2TR IN 010 LEVEL MONITOR OUT010 LEVELPHONES RECALL METER SEND 1 EQ LOW STORE PAN/ù 2 MID GROUP COMP 3 HIGH UTILITY PAIR CUE 4 LIBRARY MIDI SEL ON 1 6 0 5 10 20 40 60 00 1 SEL ON 2 6 0 5 10 20 40 60 00 2 SEL ON 3 6 0 5 10 20 40 60 00 3 SEL ON 4 6 0 5 10 20 40 60 00 4 SEL ON 5 6 0 5 10 20 40 60 00 5 SEL ON 6 6 0 5 10 20 40 60 00 6 SEL ON 7 6 0 5 10 20 40 60 00 7 SEL ON 8 6 0 5 10 20 40 60 00 8 SEL ON 9 6 0 5 10 20 40 60 00 9 SEL ON 10 6 0 5 10 20 40 60 00 10 SEL ON 11 6 0 5 10 20 40 60 00 11 SEL ON 12 6 0 5 10 20 40 60 00 12 SEL ON 13 6 0 5 10 20 40 60 00 13 SEL ON 14 6 0 5 10 20 40 60 00 14 SEL ON 15 6 0 5 10 20 40 60 00 15 SEL ON 16 6 0 5 10 20 40 60 00 16 SEL ON 6 0 5 10 20 40 60 00 ST IN SEL ON 6 0 5 10 20 40 60 00 RTN/ SEND SEL ON 6 0 5 10 20 40 60 00 ST OUT ST INRTN/ SEND ST OUT CLIP 15 12 9 6 3 0 ±6 ±12 ±18 ±24 ±40 ENTER LR RTN 1 RTN 2 SEND 3 SEND 4 FUNCTION MEMORY SEL CH 1 2 3 4 5 6 7 8 910LR LR ST IN 2TR IN PAD SCENE MEMORY PARAMETER 11 12 13 14 15 16 FE DC B A 0 9 1 8 7 6 5 4 32 INC + DEC ±