Yamaha 01v 96 I Manual

							Using Libraries81
01V96i—Reference Manual
LibrariesEQ Library
This library enables you to store and recall EQ settings for 
Input Channels, Bus Outs 1–8, Aux Outs 1–8, and Stereo Out. 
The library contains 40 preset memories and 160 user (read-
able & writable) memories.
Follow the steps below to use the EQ library.
1.Press the DISPLAY ACCESS [EQ] button, then 
press the [F2] button.
The EQ | EQ Library page appears.
1CURRENT TYPE
This parameter displays the currently-selected channel 
EQ type (TYPE I or II).
2CURRENT CURVE
This graph displays the current EQ curve.
3Level meters
These meters indicate the post-EQ levels of the cur-
rently-selected channel and its available pair partner.
4Type & Curve section
The type and curve of the currently-selected EQ program 
are displayed here.
2.Use the LAYER buttons to select layers, then 
press the [SEL] buttons to select channels.
You can now store the selected channel EQ settings or 
recall the EQ library memories to channels. For details on 
storing and recalling memories, see “General Library 
Operation” on page 74.
The following table lists the preset memories in the EQ 
library:
134 2
No. Preset Name Description
1Bass Drum 1Emphasizes the low range of a bass drum and the attack created by the beater.
2Bass Drum 2Creates a peak around 80 Hz, producing a tight, stiff sound.
3Snare Drum 1Emphasizes “snappy” and rimshot sounds.
4Snare Drum 2Emphasizes various ranges for that classic rock snare drum sound.
5Tom-tom 1Emphasizes the attack of tom-toms, and creates a long, “leathery” decay.
6CymbalEmphasizes the attack of crash cymbals, extending the “sparkling” decay.
7High HatUse on a tight high-hat, emphasizing the mid to high range.
8PercussionEmphasizes attack and adds clarity to the high-range of instruments, such as shakers, cabasas, and con-
gas.
9E. Bass 1Produces a tight electric bass sound by cutting very low frequencies.
10E. Bass 2Unlike preset 9, this preset emphasizes the low range of an electric bass.
11Syn. Bass 1Use on a synth bass with emphasized low range.
12Syn. Bass 2Emphasizes the attack that is peculiar to synth bass.
13Piano 1Makes pianos sound brighter.
14Piano 2Used in conjunction with a compressor, this preset emphasizes the attack and low range of pianos.
15E. G. CleanUse for line-level recording of an electric or semi-acoustic guitar to get a slightly harder sound.
16E. G. Crunch 1Adjusts the tonal quality of a slightly distorted guitar sound. 
17E. G. Crunch 2A variation on preset 16.
18E. G. Dist. 1Makes a heavily distorted guitar sound clearer.
19E. G. Dist. 2A variation on preset 18.
20A. G. Stroke 1Emphasizes the bright tones of acoustic guitars.
21A. G. Stroke 2A variation on preset 20. You can also use it with an acoustic-electric nylon string guitar.
22A. G. Arpeg. 1Ideal for arpeggio playing on acoustic guitars.
23A. G. Arpeg. 2A variation on preset 22.
24Brass Sec.Use with trumpets, trombones, or saxes. When used with a single instrument, try adjusting the HIGH 
or HIGH-MID frequency.
25Male Vocal 1An EQ template for male vocals. Try adjusting the HIGH or HIGH-MID parameters according to the 
voice quality. 
						

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01V96i—Reference Manual
26Male Vocal 2A variation on preset 25.
27Female Vo. 1An EQ template for female vocals. Try adjusting the HIGH or HIGH-MID parameters according to the 
voice quality.
28Female Vo. 2A variation on preset 27.
29Chorus&HarmoAn EQ template for brightening choruses.
30To t a l  E Q  1Use on a stereo mix during mixdown. Sounds even better when used with a compressor.
31To t a l  E Q  2A variation on preset 30.
32To t a l  E Q  3A variation on preset 30. Can also be used with paired Input or Output Channels.
33Bass Drum 3A variation on preset 1, with low and mid range reduced.
34Snare Drum 3A variation on preset 3, creating a thicker sound.
35Tom-tom 2A variation on preset 5, emphasizing the mid and high ranges.
36Piano 3A variation on preset 13.
37Piano LowEmphasizes the low range of pianos recorded in stereo.
38Piano HighEmphasizes the high range of pianos recorded in stereo.
39Fine-EQ CassAdd clarity when recording to or from cassette tape.
40NarratorIdeal for recording narration. No. Preset Name Description 
						

							Remote Control83
01V96i—Reference Manual
Remote Control
Remote Control
This chapter describes the Remote function, which enables 
you to control external equipment directly from the 01V96i 
top panel.
About Remote Function
The 01V96i’s Remote function enables you to control external 
DAW (Digital Audio Workstation) equipment, MIDI devices, 
etc.
There are two types of Remote functions (Remote and 
Machine Control):
■REMOTE (Remote Layer)
To use these types of Remote functions, you must connect the 
01V96i to a target device  via USB or an optional 
MY16-mLAN card installed in the slot, and operate the faders 
and [ON] buttons on the top panel to control the external 
device remotely.
You can specify a target device and parameter values on the 
DIO/Setup | Remote page. This layer is enabled when you 
turn on the LAYER [REMOTE] button. During Remote oper-
ation, the controls on the top panel enable you to control the 
external device. (You cannot adjust the 01V96i’s parameters 
unless you select a different layer.)
You can assign functions of a target device to the controls on 
the top panel of the 01V96i by using Remote layer. The fol-
lowing targets are available for remote control:
•ProTools You can remotely control Digidesign Pro Tools.
•Nuendo You can remotely control Steinberg Nuendo.
•Cubase You can remotely control Steinberg Cubase.
• General DAW You can remotely control DAW software that supports 
the protocol used by Pro Tools.
•User Defined You can also assign MIDI messages to the faders or [ON] 
buttons to remotely control a connected MIDI device, 
such as a synthesizer.
•User Assignable Layer You can combine the 01V96i channels to create a custom 
layer. (See Owner’s Manual for more information on this 
function.)
■ Machine Control
By using MIDI Machine Control commands and the 
DIO/Setup | Machine page, you can control an external 
recording machine that is connected to the 01V96i MIDI 
port, USB port, or optional MY16-mLAN card installed in 
the slot.
Pro Tools Remote Layer
The 01V96i features Remote Layer target especially designed 
for controlling Pro Tools. 
Connections and Configuring 
Pro Tools
Follow the steps below to connect the 01V96i to your com-
puter via the USB port so that you can control Pro Tools from 
the 01V96i.
■Configuring Windows Computers
1.
Download the Yamaha Steinberg USB Driver 
from the following URL.
http://www.yamah aproaudio.com/
2.Install the driver in your computer as 
described in the installation guide included in 
the downloaded file.
3.Connect the 01V96i TO HOST USB port to a 
USB port on your PC using a USB cable.
4.Make the necessary settings in Pro Tools.
Refer to the Pro Tools Owner’s Manual for more informa-
tion about Pro Tools settings.
Tip:  To control external devices from the 01V96i, you can also use 
the User Defined buttons. Refer to “Other Functions” on page 109 
for more information.
Note:  You cannot control Pro Tools via MIDI connections. Be sure 
to connect your computer via the USB or an optional 
MY16-mLAN card installed in the 01V96i slot. 
						

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01V96i—Reference Manual
■Configuring Macintosh Computers
1.
Download the Yamaha Steinberg USB Driver 
from the following URL.
http://www.yamahaproaudio.com/
2.Install the driver in your computer as 
described in the installation guide included in 
the downloaded file.
3.Connect the 01V96i TO HOST USB port to a 
USB port on your Mac using a USB cable.
4.Make sure that the 01V96i is powered-on.
5.Launch Pro Tools.
6.Choose Peripherals from the Setups menu to 
open the Peripherals window.
7.Double-click the MIDI Controllers tab.
8.Refer to the screen below to set the Type, 
Receive From, Send To, and #Ch’s parame-
ters.
The 01V96i can emulate up to two MIDI controllers.
9.When you finish setting the parameters, close 
the window.
Configuring the 01V96i
Follow the steps below to set up the 01V96i so that you can 
remotely control Pro Tools from the 01V96i Remote Layer.
1.Press the DISPLAY ACCESS [DIO/SETUP] but-
ton repeatedly until the DIO/Setup | 
MIDI/Host page appears.
2.Move the cursor to the first DAW parameter 
box in the SPECIAL FUNCTIONS section, then 
rotate the Parameter wheel to select USB as 
the port.
3.Press [ENTER] to confirm the setting.
4.Move the cursor to the adjacent parameter 
box (on the right), then rotate the Parameter 
wheel to specify the port ID.
Tip: To control Pro Tools remotely, you need one port for 
every eight audio channels.Note: If you select an incorrect port, you will be unable to use 
the Remote function. Be sure to match the port ID with that 
specified in the Peripherals window in Pro Tools. 
						

							Pro Tools Remote Layer85
01V96i—Reference Manual
Remote Control5.Press the DISPLAY ACCESS [DIO/SETUP] but-
ton repeatedly until the DIO/Setup | Remote 
page appears.
6.Select ProTools (as the target device) for the 
Target parameter (
1) located in the 
upper-right corner of the page.
By default, the Remote layer target is set to ProTools. If 
another target has been selected, rotate the Parameter 
wheel to select ProTools.
7.Press the LAYER [REMOTE] button.
The Remote Layer is now available for control, enabling 
you to remotely control Pro Tools.
Display
While the Pro Tools layer is selected, you can use the 
[F2]–[F4] buttons as well as the left and right [ ]/[ ] Tab 
Scroll buttons to select display modes. You can select the fol-
lowing display modes using these buttons:
■Insert Display mode ( [F2] button)
Press the [F2] button to select Insert Display mode. In this 
mode, you can assign and edit plug-ins.
1TA RG E T
This parameter enables you to select the remote control 
target device.
2COUNTER
This counter indicates the current position. This counter 
works in unison with the timecode counter on Pro Tools. 
The display format of the counter is specified in Pro 
Tools. The following three check boxes in the COUNTER 
section indicate the currently-selected format.
•TIME CODE
Pro Tools timecode format is set to “Time Code.”
• FEET
Pro Tools timecode format is set to “Feet:Frames.”
•BEATS
Pro Tools timecode format is set to “Bars:Beats.”
• If no check boxes are selected
Pro Tools timecode format is set to “Minutes:Seconds” or 
“Samples.”
3SELECT ASSIGN
This parameter indicates the current parameter, which 
can be adjusted via the parameter controls on the page. 
For example, Pan, PanR, SndA, SndB, SndC, SndD, or 
SndE (see page 87).
4P.WHEEL MODE
This parameter indicates the function currently assigned 
to the Parameter wheel (see page 87).
Note: When the Pro Tools Remote layer is selected, the 
01V96i’s top panel faders and other channel buttons are 
available for remote control. To control the 01V96i, you need 
to select an Input Channel Layer or the Master Layer.
1
1234
5 
						

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01V96i—Reference Manual
5INSERT ASSIGN/EDIT section
This section enables you to insert plug-ins into Pro Tools 
channels and adjust plug-in settings. Use the left and right 
[ ]/[ ] Tab Scroll buttons to change the parameters 
displayed in this section.
•ASSIGN
Turn on this button to insert plug-ins into Pro Tools 
channels. (If you are using the TDM system, you can also 
assign outboard effects processors.)
•COMPARE
You can compare your edits with the original settings by 
turning on this button. This button works in unison with 
the Compare button in the Pro Tools Inserts and Sends 
windows.
•BYPASS
Turning on this button bypasses the plug-ins (see 
page 92).
• INSERT/PARAM
Switching this button to INSERT enables you to assign 
plug-ins using four rotary controls on the page. Switching 
this button to PARAM enables you to adjust the plug-in 
parameters using the four rotary controls (see page 91).
• Information box
This box displays plug-in parameter names, values, alarm 
messages from Pro Tools, etc.
•Rotary controls 1–4
These controls enable you to select plug-ins or adjust the 
selected plug-in parameters.■Channel Display mode ( [F3] 
button)
Press the [F3] button to select this display mode, in which the 
parameter controls for tracks 1–16 are displayed.
• Parameter controls 1–16
Channel parameter controls, such as channel 1–16 pan-
pots, Send A–E send levels, etc. are displayed.
■Meter Display mode ( [F4] button)
Press the [F4] button to select this display mode, in which the 
level meters for tracks 1–16 are displayed.
•Channels 1–16
The channel 1–16 levels or Send levels are displayed. 
						

							Pro Tools Remote Layer87
01V96i—Reference Manual
Remote ControlControl Surface Operation
When the Pro Tools Remote layer is selected, the 01V96i con-
trols on the top panel engage the following functions:
■Channel Strip section
• [SEL] buttons
These buttons select Pro Tools channels, inserts, and 
Automation mode. 
• [SOLO] buttons
These buttons solo Pro Tools channels. The button indi-
cators for the soloed channels light up.
•[ON] buttons
These buttons mute Pro Tools channels. 
•Faders
The faders set Pro Tools channel levels, including the 
audio tracks, MIDI tracks, master fader, Aux Ins, etc. If 16 
or fewer channels are displayed in Pro Tools, faders are 
assigned starting from the left-most channel.
■FADER MODE Section
• [AUX 1]–[AUX 5] buttons
These buttons select Sends A–E so that you can adjust the 
corresponding Pro Tools channel send level.
•[AUX 6] button
Press and hold down this button and press the desired 
[SEL] button to reset the corresponding channel fader 
level.
Move the cursor to the parameter control on the display, 
then press and hold down this button and press [ENTER] 
to reset the corresponding channel panpot to center. 
While you are holding down the [AUX 6] button, the 
SELECT ASSIGN parameter indicates “DFLT.”
•[AUX 7] button
When this button is turned on, you can adjust the selected 
channel panpot using the SELECTED CHANNEL [PAN] 
control. If you turn on this button while a Channel Dis-
play mode page is selected, you can adjust each channel 
panpot using parameter controls 1–16.
To adjust the stereo channel panpots, press this button 
repeatedly to toggle between L and R channels.
•[AUX 8] button
Use this button along with the desired [SEL] button to 
assign a plug-in to the corresponding Pro Tools channel 
(see page 90).
• [HOME] button
This button turns Flip mode (see page 90) on or off. Flip 
mode enables you to adjust the Aux Send parameters 
using the faders, [ON] buttons, and the [PAN] control.
■DISPLAY ACCESS section
• [PAIR/GROUP] button
Press this button while a Channel Display mode or Meter 
Display mode page is selected to display a Group ID to 
which each channel belongs.
• [EFFECT] button
Press this button to display or hide the Insert window in 
Pro Tools. 
■Display section
•[F1] button
Press this button to reset the Clipping and Peak Hold 
indicators on Meter Display mode pages.
•Tab Scroll buttons ([ ]/[ ])
These buttons switch the INSERT ASSIGN/EDIT param-
eter settings on Insert Display mode pages.
■Data Entry section
• [ENTER] button
This button switches the on/off status of the buttons on 
the display.
• Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cursor 
buttons
These buttons move the cursor on the display.
• [INC] & [DEC] buttons
The [INC] button works the same as the Enter key on 
your computer keyboard. The [DEC] button works the 
same as the Esc key on your computer keyboard.
• Parameter wheel
The Parameter wheel enables you to adjust the cur-
rently-selected parameter, or execute the shuttle and 
scrub operation. By default, it adjusts the value of the cur-
rently-selected parameter (The P.WHEEL MODE 
parameter indicates “Prm.”).
■USER DEFINED KEYS section
• [1]–[8] buttons
You can assign one of 194 parameters to each of these but-
tons. In particular, if you assign any of 54 Remote Control 
parameters to these buttons, you can operate the trans-
port section and select various Pro Tools modes from the 
01V96i top panel. For more information on assigning 
functions to keys, refer to “Using the User Defined Keys” 
in the Owner’s Manual (separate booklet). 
Parameter Function
DAW RECPlaces Pro Tools in Record Enabled 
mode. The button indicator flashes 
while the transport section is 
stopped. The indicator lights up 
when recording starts.
DAW PLAYStarts playback from the current cur-
sor position.
DAW STOPStops playback and recording.
DAW FFFast forwards the cursor position. 
						

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01V96i—Reference Manual
DAW REWFast rewinds the cursor position.
DAW SHUTTLESwitches the Wheel mode to Shuttle.
DAW SCRUBSwitches the Wheel mode to Scrub 
(Jog).
DAW AUDITIONYou can audition the pre-roll, 
post-roll, in-point area, or out-point 
area by holding down the button to 
which this function is assigned and 
pressing a button to which DAW 
PRE, DAW POST, DAW IN, or DAW 
OUT is assigned.
DAW PREPlays back from the pre-roll point up 
to the beginning of the selected 
area.
DAW INPlays back from the beginning of the 
selected area for a duration specified 
as the pre-roll.
DAW OUTPlays back to the end of the selected 
area for a duration specified as the 
post-roll.
DAW POSTPlays back from the end of the 
selected area for a duration specified 
as the post-roll.
DAW RTZMoves the playback cursor to the 
beginning of the session.
DAW ENDMoves the playback cursor to the 
end of the session.
DAW ONLINEToggles between on-line and off-line.
DAW LOOPToggles Loop Playback on and off.
DAW 
QUICKPUNCHToggles QuickPunch on and off.
DAW AUTO FADER
Correspond to the Automation Over-
write (Auto Enable) functions. DAW AUTO MUTE
DAW AUTO PAN
DAW AUTO SEND
DAW AUTO 
PLUGIN
DAW AUTO 
SENDMUTE
DAW AUTO READ
Select Automation modes. DAW AUTO 
TOUCH
DAW AUTO LATCH
DAW AUTO WRITE
DAW AUTO TRIM
DAW AUTO OFF
DAW AUTO 
SUSPENDCancels Automation recording and 
playback for all channels. When 
Automation is interrupted, the LED 
flashes, and channel strip controls 
maintain the current settings.
DAW AUTO 
STATUSDisplays the channel Automation 
mode (Read, Tch, Ltch, Wrt, or Off). 
The mode setting appears at the bot-
tom of each channel on a Channel or 
Meter Display page when you press 
and hold the button to which this 
function is assigned. Parameter Function
DAW GROUP 
STATUSDisplays a Group ID (to which each 
channel belongs) below each chan-
nel number on a Channel or Meter 
Display page (in all caps for a main 
group and in lowercase letters for a 
sub-group).
DAW MONI 
STATUSPressing the key (to which this func-
tion is assigned) enables you to view 
the current monitoring mode and 
the channel strip type.
DAW CREATE 
GROUPPressing the key (to which this func-
tion is assigned) enables you to exe-
cute the function specified in the 
menu of the Pro Tools Group list.
DAW SUSPEND 
GROUPSuspends all mix groups temporarily. 
Press the button again to undo sus-
pension.
DAW WIN 
TRANSPORTShows or hides the Transport win-
dow.
DAW WIN INSERTShows or hides the Insert window.
DAW WIN 
MIX/EDITToggles between the Mix window 
and Edit window. (Both windows are 
not displayed at the same time.)
DAW WIN 
MEM-LOCShows or hides the Memory Loca-
tions window.
DAW WIN STATUSShows or hides the Status window.
DAW UNDOExecutes the Edit menu’s Undo/Redo 
command.
DAW SAVEExecutes the Edit menu’s Save com-
mand.
DAW EDIT MODEPressing the button (to which this 
function is assigned) repeatedly 
selects Shuffle, Slip, Spot, or Grid 
edit mode in this order.
DAW EDIT TOOLPressing the button (to which this 
function is assigned) repeatedly 
selects one of seven edit tools 
(Zoomer, Trimmer, Selector, Grab-
ber, Smart Tool, Scrubber, and Pen-
cil, in this order).
DAW SHIFT/ADDFunctions in the same way as Macin-
tosh keyboard keys (Shift, Option, 
Control, and Alt). Pressing one of the 
buttons (to which these functions 
are assigned) along with another 
button enables you to execute vari-
ous commands. DAW OPTION/ALL
DAW 
CTRL/CLUCH
DAW ALT/FINE
DAW BANK +Executes the Bank Swap operation. 
Pressing the button (to which this 
function is assigned) switches the 
entire 16-channel bank. DAW BANK –
DAW Channel +Executes the Channel Scroll opera-
tion. Pressing the buttons (to which 
these functions are assigned) enables 
you to scroll channels horizontally. DAW Channel –Parameter Function 
						

							Pro Tools Remote Layer89
01V96i—Reference Manual
Remote Control
Selecting Channels
To select a single Pro Tools channel, press the [SEL] button 
that corresponds to the desired channel.
To select multiple Pro Tools channels simultaneously, while 
holding down one [SEL] button, press the [SEL] buttons of 
the other channels you wish to add. Press the [SEL] buttons 
again to cancel the selection.
Setting Channel Levels
1.Make sure that the FADER MODE [HOME] 
button indicator is lit steadily.
If the indicator is flashing, press the [HOME] button to 
turn on the button indicator.
2.Operate the faders to set channel levels.
Press and hold down the [AUX 6] button and press the 
desired [SEL] button to reset the corresponding channel 
fader level.
Muting Channels
To mute Pro Tools channels, press the [ON] buttons. The 
[ON] button indicators of muted channels turn off. Grouped 
channels are muted together.
Press the [ON] buttons again to unmute channels. The [ON] 
button indicators of unmuted channels light up.
There are two mute modes in Pro Tools: Implicit mute and 
Explicit mute. You can check the mute mode by viewing the 
[ON] button indicators.
• Implicit mute
This is a forced mute mode in which the channels are 
muted because other channels are soloed. In this mode, 
the [ON] button indicators flash.
•Explicit mute
In this mode, the channels are turned off manually. In this 
mode, the [ON] button indicators turn off.
Panning Channels
You can adjust the Pro Tools channel pan settings.
1.Press the FADER MODE [AUX 7] button.
The button indicator lights up.
2.Press the [F3] button to select Channel Dis-
play mode.
On a Channel Display mode page, parameter controls 
1–16 indicate the pan settings.
3.Press the [SEL] button of the channel for 
which you want to adjust the pan setting.
To adjust the stereo channel panpots, press the STEREO 
[SEL] button, then press the [AUX 7] button to select the 
L or R channel. Pressing the [AUX 7] button repeatedly 
toggles between the left and right channels. When the left 
channel is selected, the [AUX 7] button indicator lights 
up and the SELECT ASSIGN parameter on the display 
indicates “Pan.” When the right channel is selected, the 
[AUX 7] button indicator flashes and the SELECT 
ASSIGN parameter indicates “PanR.”
4.Adjust the selected channel panpot using the 
SELECTED CHANNEL [PAN] control.
5.To reset the corresponding channel panpot 
to center, move the cursor to the parameter 
control on the display, then press and hold 
down the [AUX 6] button and press [ENTER].
You can reset the pan settings only when the [AUX 7] but-
ton indicator is lit steadily.
DAW REC/RDY 1
Pressing the buttons (to which these 
functions are assigned) places the 
corresponding channel strips in 
Record Ready mode. At this time, 
the indicator of the button you 
pressed flashes. It lights up when 
recording starts.  DAW REC/RDY 2
DAW REC/RDY 3
DAW REC/RDY 4
DAW REC/RDY 5
DAW REC/RDY 6
DAW REC/RDY 7
DAW REC/RDY 8
DAW REC/RDY 9
DAW REC/RDY 10
DAW REC/RDY 11
DAW REC/RDY 12
DAW REC/RDY 13
DAW REC/RDY 14
DAW REC/RDY 15
DAW REC/RDY 16
DAW REC/
RDY ALLIf no channel strips are in Record 
Enabled mode, pressing the button 
(to which this function is assigned) 
places all channel strips in Record 
Enabled mode. The button indicator 
flashes if any channel strip in any 
bank is in Record Enabled mode. 
Pressing the button while the button 
indicator is flashing cancels Record 
Enabled mode for all channel strips. Parameter Function
Note: Before you adjust monaural channel panpots, first be 
sure the [AUX 7] button indicator is illuminated steadily. If 
the indicator is flashing, operating the [PAN] control will be 
ineffective. 
						

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01V96i—Reference Manual
Soloing Channels
To solo Pro Tools channels, press the [SOLO] buttons of the 
desired channels. Grouped channels are soloed together, and 
other channels are muted.
Press the [SOLO] buttons again to unsolo the channels.
Configuring Sends A–E as Pre or 
Post
You can set Pro Tools channels for the selected Sends (A–E) 
to pre or post.
1.Press the [F3] button to select Channel Dis-
play mode.
2.Press the FADER MODE [AUX 1]–[AUX 5] but-
tons to select the desired Sends (A–E).
3.To toggle between pre and post, move the 
cursor to the parameter control on the dis-
play, then press [ENTER].
Pressing [ENTER] repeatedly toggles between pre and 
post.
Setting Send Levels
You can adjust Pro Tools Send (A–E) send levels as follows.
1.Press the [F3] button to select Channel Dis-
play mode.
2.Press the AUX SELECT [AUX 1]–[AUX 5] but-
tons to select the desired Sends (A–E).
3.Move the cursor to the parameter control of 
the channel for which you want to adjust the 
Send level, then rotate the Parameter wheel.
You can set Send levels by operating the faders if faders, 
[ON] buttons, and the [PAN] control are in Flip mode. 
Refer to “Flip Mode” for more information.
Muting Sends A–E
You can mute Sends by pressing the [ON] buttons if faders, 
[ON] buttons, and the [PAN] control are in Flip mode. Refer 
to “Flip Mode” for more information.
Panning Sends A–E
You can pan channel signals sent to stereo Aux Sends by rotat-
ing the SELECTED CHANNEL [PAN] control if faders, [ON] 
buttons, and the [PAN] control are in Flip mode. Refer to the 
next section for more information.
Flip Mode
In Flip mode, you can use the faders, [ON] buttons, and the 
[PAN] control to control send levels, pre/post positions, and 
mute settings as shown in the following table.
1.Press the FADER MODE [HOME] button 
repeatedly so that the button indicator 
flashes.
The SELECT ASSIGN parameter on the display indicates 
“FLIP.”
2.Press the FADER MODE [AUX 1]–[AUX 5] but-
tons to select the desired Aux Sends (A–E).
The button indicator of the selected send lights up.
3.Use the faders, [ON] buttons, and the [PAN] 
control to control the currently-selected Aux 
send.
For stereo Aux input channels, you can set the left and 
right panpots individually. To do this, press the FADER 
MODE [AUX 7] button repeatedly. When the button 
indicator is lit continuously, you can set the left panpot. 
When the button indicator is flashing, you can set the 
right panpot.
Assigning Plug-ins to Pro Tools 
Channels
You can assign plug-ins to five inserts available for Pro Tools 
channel strips as follows.
1.Press the [F2] button to select Insert Display 
mode.
2.Press the FADER MODE [AUX 8] button.
The [AUX 8] button indicator flashes. You can now select 
a channel to which you want to insert plug-ins.
3.Press the [SEL] button of each desired chan-
nel.
4.Make sure that the INSERT/PARAM button 
(
1) is selected in the INSERT ASSIGN/EDIT 
section.
Control Normal mode Flip Mode
FadersChannel level AUX Send level
[ON] buttonsChannel mute AUX Send mute
[PAN] controlChannel pan AUX Send pan