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Yamaha 01v 96 I Manual

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    							Dynamics Parameters151
    Appendix: Parameter Lists
    01V96i—Reference Manual
    Dynamics Parameters
    The dynamics effects for each channel strip include a Gate section (only for Input Channels) 
    and a Comp section. The Gate section includes Gate and Ducking types. The Comp section 
    includes Compressor, Expander, Compander Hard (COMP. (H)), and Compander Soft 
    (COMP. (S)) types.
    GATE Section (Only for Input Channels)
    GATE
    A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE).
    Parameter Range Description
    THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level at which the gate effect is 
    applied.
    RANGE (dB)–70 to 0 (71 points)This determines the amount of attenuation when 
    the gate closes.
    AT TA C K ( m s)0–120 (121 points)This determines how fast the gate opens when the 
    signal exceeds the threshold level.
    HOLD (ms)44.1kHz: 0.02 ms – 2.13 sec
    48kHz: 0.02 ms – 1.96 sec
    88.2kHz: 0.01 ms – 1.06 sec
    96kHz: 0.01 ms – 981 ms
    (160 points)This determines how long the gate stays open 
    once the trigger signal has fallen below the thresh-
    old.
    DECAY (ms)44.1kHz: 6 ms – 46.0 sec
    48kHz: 5 ms – 42.3 sec
    88.2kHz: 3 ms – 23.0 sec
    96kHz: 3 ms – 21.1 sec
    (160 points)This determines how fast the gate closes once the 
    hold time has expired. The value is expressed as 
    the duration required for the level to change by 
    6dB.
    Input Level Time Time
    Output Level
    Input Level
    Output Level
    I/O Characteristics Time Series Analysis
    RANGE THRESHOLD
    THRESHOLD
    RANGE Input Signal Output Signal
    ATTACK DECAYHOLD 
    						
    							152Appendix: Parameter Lists
    01V96i—Reference Manual
    DUCKING
    Ducking is commonly used for voice-over applications in which the background music 
    level is reduced automatically when an announcer speaks. When the KEY IN source signal 
    level exceeds the specified THRESHOLD, the output level is attenuated by a specified 
    amount (RANGE).
    Parameter Range Description
    THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level of trigger signal (KEY IN) 
    required to activate ducking.
    RANGE (dB)–70 to 0 (71 points)This determines the amount of attenuation when 
    ducking is activated.
    AT TA C K  ( m s )0–120 (121 points)This determines how soon the signal is ducked 
    once the ducker has been triggered.
    HOLD (ms)44.1kHz: 0.02 ms – 2.13 sec
    48kHz: 0.02 ms – 1.96 sec
    88.2kHz: 0.01 ms – 1.06 sec
    96kHz: 0.01 ms – 981 ms
    (160 points)This determines how long ducking remains active 
    once the trigger signal has fallen below the 
    THRESHOLD level.
    DECAY (ms)44.1kHz: 6 ms – 46.0 sec
    48kHz: 5 ms – 42.3 sec
    88.2kHz: 3 ms – 23.0 sec
    96kHz: 3 ms – 21.1 sec
    (160 points)This determines how soon the ducker returns to its 
    normal gain once the trigger signal level drops 
    below the threshold. The value is expressed as the 
    duration required for the level to change by 6 dB.
    Input Level Time Time
    Output Level
    Input Level
    Output Level
    I/O Characteristics Time Series Analysis
    RANGE THRESHOLD
    THRESHOLD
    RANGE Input Signal Output Signal
    ATTACK DECAYHOLD 
    						
    							Dynamics Parameters153
    Appendix: Parameter Lists
    01V96i—Reference Manual
    COMP Section
    COMP
    The COMP processor attenuates signals above a specified THRESHOLD by a specified 
    RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of :1, 
    reduces the level to the threshold. This means that the limiter’s output level never actually 
    exceeds the threshold.
    Parameter Range Description
    THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level of input signal required to 
    trigger the compressor.
    RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 
    1.7:1, 2.0:1, 2.5:1, 3.0:1, 
    3.5:1, 4.0:1, 5.0:1, 6.0:1, 
    8.0:1, 10:1, 20:1, :1 
    (16 points)This determines the amount of compression, that 
    is, the change in output signal level relative to 
    change in input signal level.
    AT TA C K ( m s)0–120 (121 points)This determines how soon the signal will be com-
    pressed once the compressor has been triggered.
    RELEASE (ms)44.1kHz: 6 ms – 46.0 sec
    48kHz: 5 ms – 42.3 sec
    88.2kHz: 3 ms – 23.0 sec
    96kHz: 3 ms – 21.1 sec
    (160 points)This determines how soon the compressor returns 
    to its normal gain once the trigger signal level 
    drops below the threshold. The value is expressed 
    as the duration required for the level to change by 
    6dB.
    OUT GAIN (dB)0.0 to +18.0 (180 points) This sets the compressor’s output signal level.
    KNEEHard, 1–5 (6 points)This determines how compression is applied at the 
    threshold. For higher knee settings, compression is 
    applied gradually as the signal exceeds the speci-
    fied threshold, creating a more natural sound.
    Input Level Time Time
    Output Level
    Input Level
    Output Level
    Time Series Analysis (RATIO=:1)
    RATIO THRESHOLD
    THRESHOLDInput signal Output Signal
    ATTACK RELEASE
    I/O Characteristics 
    (KNEE=hard, OUT GAIN=0.0dB) 
    						
    							154Appendix: Parameter Lists
    01V96i—Reference Manual
    EXPAND
    An expander attenuates signals below a specified THRESHOLD by a specified RATIO.
    Parameter Range Description
    THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level of input signal required to 
    trigger the expander.
    RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 
    1.7:1, 2.0:1, 2.5:1, 3.0:1, 
    3.5:1, 4.0:1, 5.0:1, 6.0:1, 
    8.0:1, 10:1, 20:1, :1 
    (16 points)This determines the amount of expansion.
    AT TA C K  ( m s )0–120 (121 points)This determines how soon the expander returns to 
    its normal gain once the trigger signal level exceeds 
    the threshold.
    RELEASE (ms)44.1kHz: 6 ms – 46.0 sec
    48kHz: 5 ms – 42.3 sec
    88.2kHz: 3 ms – 23.0 sec
    96kHz: 3 ms – 21.1 sec
    (160 points)This determines how soon the signal is expanded 
    once the signal level drops below the threshold. 
    The value is expressed as the duration required for 
    the level to change by 6 dB.
    OUT GAIN (dB)0.0 to +18.0 (180 points) This sets the expander’s output signal level.
    KNEEHard, 1–5 (6 points)This determines how expansion is applied at the 
    threshold. For higher knee settings, expansion is 
    applied gradually as the signal falls below the speci-
    fied threshold, creating a more natural sound.
    Input Level Time Time
    Output Level
    Input Level
    Output Level
    I/O Characteristics 
    (KNEE=hard, OUT GAIN=0.0dB)Time Series Analysis (RATIO=:1)
    RATIOTHRESHOLD
    THRESHOLDInput Signal Output Signal
    ATTACK RELEASE 
    						
    							Dynamics Parameters155
    Appendix: Parameter Lists
    01V96i—Reference Manual
    COMPANDER HARD (H)
    COMPANDER SOFT (S)
    The hard and soft companders combine the effects of the compressor, expander and limiter.
    The companders function differently at the following levels:
    1 0 dB and higher ...................................... Functions as a limiter.
    2 Exceeding the threshold........................ Functions as a compressor.
    3 Below the threshold and width ............ Functions as an expander.
    The hard compander has an expansion ratio of 5:1, while the soft compander has an expan-
    sion ratio of 1.5:1. The expander is essentially turned off when the width is set to maximum. 
    The compressor has a fixed knee setting of 2.
    * The gain is automatically adjusted according to the ratio and threshold values, and can 
    be increased by up to 18 dB.
    * The OUT GAIN parameter enables you to compensate for the overall level change 
    caused by the compression and expansion processes.
    Parameter Range Description
    THRESHOLD (dB)–54.0 to 0.0 (541 points)This determines the level at which compression is 
    applied.
    RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 
    1.7:1, 2.0:1, 2.5:1, 3.0:1, 
    3.5:1, 4.0:1, 5.0:1, 6.0:1, 
    8.0:1, 10:1, 20:1, (15 points)This determines the amount of compression.
    AT TA C K ( m s)0–120 (121 points)This determines how soon the signal is com-
    pressed or expanded once the compander has 
    been triggered.
    RELEASE (ms)44.1kHz: 6 ms – 46.0 sec
    48kHz: 5 ms – 42.3 sec
    88.2kHz: 3 ms – 23.0 sec
    96kHz: 3 ms – 21.1 sec
    (160 points)This determines how soon the compressor or 
    expander returns to the normal gain once the 
    trigger signal level drops below or exceeds the 
    threshold respectively. The value is expressed as 
    the duration required for the level to change by 
    6dB.
    OUT GAIN (dB)–18.0 to 0.0 (180 points) This sets the compander’s output signal level.
    WIDTH (dB)0–90 (91 points)This determines how far below the threshold 
    expansion will be applied. The expander is acti-
    vated when the level drops below the threshold 
    and width.
    0dBInput Level
    Output Level
    THRESHOLD
    WIDTH 
    						
    							156Appendix: MIDI
    01V96i—Reference Manual
    Appendix: MIDI
    Scene Memory to Program Change Table
    Program 
    Change #Initial 
    Scene #User 
    Scene #Program 
    Change #Initial 
    Scene #User 
    Scene #Program 
    Change#Initial 
    Scene #User 
    Scene #
    10144448787
    20245458888
    30346468989
    40447479090
    50548489191
    60649499292
    70750509393
    80851519494
    90952529595
    10 10 53 53 96 96
    11 11 54 54 97 97
    12 12 55 55 98 98
    13 13 56 56 99 99
    14 14 57 57 100 00
    15 15 58 58 101 —
    16 16 59 59 102 —
    17 17 60 60 103 —
    18 18 61 61 104 —
    19 19 62 62 105 —
    20 20 63 63 106 —
    21 21 64 64 107 —
    22 22 65 65 108 —
    23 23 66 66 109 —
    24 24 67 67 110 —
    25 25 68 68 111 —
    26 26 69 69 112 —
    27 27 70 70 113 —
    28 28 71 71 114 —
    29 29 72 72 115 —
    30 30 73 73 116 —
    31 31 74 74 117 —
    32 32 75 75 118 —
    33 33 76 76 119 —
    34 34 77 77 120 —
    35 35 78 78 121 —
    36 36 79 79 122 —
    37 37 80 80 123 —
    38 38 81 81 124 —
    39 39 82 82 125 —
    40 40 83 83 126 —
    41 41 84 84 127 —
    42 42 85 85 128 —
    43 43 86 86 
    						
    							Initial Parameter to Control Change Table157
    01V96i—Reference Manual
    Appendix: MIDI
    Initial Parameter to Control Change Table
    CHANNEL1
    # High Mid Low
    0 NO ASSIGN
    1 FADER H CHANNEL INPUT1
    2 FADER H CHANNEL INPUT2
    3 FADER H CHANNEL INPUT3
    4 FADER H CHANNEL INPUT4
    5 FADER H CHANNEL INPUT5
    6 FADER H CHANNEL INPUT6
    7 FADER H CHANNEL INPUT7
    8 FADER H CHANNEL INPUT8
    9 FADER H CHANNEL INPUT9
    10 FADER H CHANNEL INPUT10
    11 FADER H CHANNEL INPUT11
    12 FADER H CHANNEL INPUT12
    13 FADER H CHANNEL INPUT13
    14 FADER H CHANNEL INPUT14
    15 FADER H CHANNEL INPUT15
    16 FADER H CHANNEL INPUT16
    17 FADER H CHANNEL INPUT17
    18 FADER H CHANNEL INPUT18
    19 FADER H CHANNEL INPUT19
    20 FADER H CHANNEL INPUT20
    21 FADER H CHANNEL INPUT21
    22 FADER H CHANNEL INPUT22
    23 FADER H CHANNEL INPUT23
    24 FADER H CHANNEL INPUT24
    25 NO ASSIGN
    26 NO ASSIGN
    27 NO ASSIGN
    28 NO ASSIGN
    29 NO ASSIGN
    30 FADER H MASTER STEREO
    31 NO ASSIGN
    32 NO ASSIGN
    33 FADER L CHANNEL INPUT1
    34 FADER L CHANNEL INPUT2
    35 FADER L CHANNEL INPUT3
    36 FADER L CHANNEL INPUT4
    37 FADER L CHANNEL INPUT5
    38 FADER L CHANNEL INPUT6
    39 FADER L CHANNEL INPUT7
    40 FADER L CHANNEL INPUT8
    41 FADER L CHANNEL INPUT9
    42 FADER L CHANNEL INPUT10
    43 FADER L CHANNEL INPUT11
    44 FADER L CHANNEL INPUT12
    45 FADER L CHANNEL INPUT13
    46 FADER L CHANNEL INPUT14
    47 FADER L CHANNEL INPUT15
    48 FADER L CHANNEL INPUT16
    49 FADER L CHANNEL INPUT17
    50 FADER L CHANNEL INPUT18
    51 FADER L CHANNEL INPUT19
    52 FADER L CHANNEL INPUT20
    53 FADER L CHANNEL INPUT21
    54 FADER L CHANNEL INPUT22
    55 FADER L CHANNEL INPUT23
    56 FADER L CHANNEL INPUT24
    57 NO ASSIGN
    58 NO ASSIGN
    59 NO ASSIGN
    60 NO ASSIGN
    61 NO ASSIGN
    62 FADER L MASTER STEREO
    63 NO ASSIGN
    64 ON CHANNEL INPUT1
    65 ON CHANNEL INPUT2
    66 ON CHANNEL INPUT3
    67 ON CHANNEL INPUT4
    68 ON CHANNEL INPUT5
    69 ON CHANNEL INPUT6
    70 ON CHANNEL INPUT7
    71 ON CHANNEL INPUT8
    72 ON CHANNEL INPUT9
    73 ON CHANNEL INPUT10
    74 ON CHANNEL INPUT11
    75 ON CHANNEL INPUT12
    76 ON CHANNEL INPUT13
    77 ON CHANNEL INPUT14
    78 ON CHANNEL INPUT15
    79 ON CHANNEL INPUT16
    80 ON CHANNEL INPUT17
    81 ON CHANNEL INPUT18
    82 ON CHANNEL INPUT19
    83 ON CHANNEL INPUT20
    84 ON CHANNEL INPUT21
    85 ON CHANNEL INPUT22
    86 ON CHANNEL INPUT23
    87 ON CHANNEL INPUT24
    88 NO ASSIGN
    89 PAN CHANNEL INPUT1
    90 PAN CHANNEL INPUT2
    91 PAN CHANNEL INPUT3
    92 PAN CHANNEL INPUT4
    93 PAN CHANNEL INPUT5
    94 PAN CHANNEL INPUT6
    95 PAN CHANNEL INPUT7
    102 PAN CHANNEL INPUT8
    103 PAN CHANNEL INPUT9
    104 PAN CHANNEL INPUT10
    105 PAN CHANNEL INPUT11
    106 PAN CHANNEL INPUT12
    107 PAN CHANNEL INPUT13
    108 PAN CHANNEL INPUT14
    109 PAN CHANNEL INPUT15
    110 PAN CHANNEL INPUT16
    111 PAN CHANNEL INPUT17
    112 PAN CHANNEL INPUT18
    113 PAN CHANNEL INPUT19
    114 PAN CHANNEL INPUT20
    115 PAN CHANNEL INPUT21
    116 PAN CHANNEL INPUT22
    117 PAN CHANNEL INPUT23
    118 PAN CHANNEL INPUT24
    119 NO ASSIGN# High Mid Low 
    						
    							158Appendix: MIDI
    01V96i—Reference Manual
    CHANNEL2
    #High Mid Low
    0 NO ASSIGN
    1 FADER H CHANNEL INPUT25
    2 FADER H CHANNEL INPUT26
    3 FADER H CHANNEL INPUT27
    4 FADER H CHANNEL INPUT28
    5 FADER H CHANNEL INPUT29
    6 FADER H CHANNEL INPUT30
    7 FADER H CHANNEL INPUT31
    8 FADER H CHANNEL INPUT32
    9 FADER H CHANNEL ST-IN1
    10 FADER H CHANNEL ST-IN2
    11 FADER H CHANNEL ST-IN3
    12 FADER H CHANNEL ST-IN4
    13 FADER H MASTER BUS1
    14 FADER H MASTER BUS2
    15 FADER H MASTER BUS3
    16 FADER H MASTER BUS4
    17 FADER H MASTER BUS5
    18 FADER H MASTER BUS6
    19 FADER H MASTER BUS7
    20 FADER H MASTER BUS8
    21 FADER H MASTER AUX1
    22 FADER H MASTER AUX2
    23 FADER H MASTER AUX3
    24 FADER H MASTER AUX4
    25 FADER H MASTER AUX5
    26 FADER H MASTER AUX6
    27 FADER H MASTER AUX7
    28 FADER H MASTER AUX8
    29 NO ASSIGN
    30 ON MASTER STEREO
    31 NO ASSIGN
    32 NO ASSIGN
    33 FADER L CHANNEL INPUT25
    34 FADER L CHANNEL INPUT26
    35 FADER L CHANNEL INPUT27
    36 FADER L CHANNEL INPUT28
    37 FADER L CHANNEL INPUT29
    38 FADER L CHANNEL INPUT30
    39 FADER L CHANNEL INPUT31
    40 FADER L CHANNEL INPUT32
    41 FADER L CHANNEL ST-IN1
    42 FADER L CHANNEL ST-IN2
    43 FADER L CHANNEL ST-IN3
    44 FADER L CHANNEL ST-IN4
    45 FADER L MASTER BUS1
    46 FADER L MASTER BUS2
    47 FADER L MASTER BUS3
    48 FADER L MASTER BUS4
    49 FADER L MASTER BUS5
    50 FADER L MASTER BUS6
    51 FADER L MASTER BUS7
    52 FADER L MASTER BUS8
    53 FADER L MASTER AUX1
    54 FADER L MASTER AUX2
    55 FADER L MASTER AUX3
    56 FADER L MASTER AUX4
    57 FADER L MASTER AUX5
    58 FADER L MASTER AUX6
    59 FADER L MASTER AUX7
    60 FADER L MASTER AUX8
    61 NO ASSIGN
    62 BALANCE MASTER STEREO
    63 NO ASSIGN
    64 ON CHANNEL INPUT25
    65 ON CHANNEL INPUT26
    66 ON CHANNEL INPUT27
    67 ON CHANNEL INPUT28
    68 ON CHANNEL INPUT29
    69 ON CHANNEL INPUT30
    70 ON CHANNEL INPUT31
    71 ON CHANNEL INPUT32
    72 ON CHANNEL ST-IN1
    73 ON CHANNEL ST-IN2
    74 ON CHANNEL ST-IN3
    75 ON CHANNEL ST-IN4
    76 ON MASTER BUS1
    77 ON MASTER BUS2
    78 ON MASTER BUS3
    79 ON MASTER BUS4
    80 ON MASTER BUS5
    81 ON MASTER BUS6
    82 ON MASTER BUS7
    83 ON MASTER BUS8
    84 NO ASSIGN
    85 NO ASSIGN
    86 NO ASSIGN
    87 NO ASSIGN
    88 NO ASSIGN
    89 PAN CHANNEL INPUT25
    90 PAN CHANNEL INPUT26
    91 PAN CHANNEL INPUT27
    92 PAN CHANNEL INPUT28
    93 PAN CHANNEL INPUT29
    94 PAN CHANNEL INPUT30
    95 PAN CHANNEL INPUT31
    102 PAN CHANNEL INPUT32
    103 PAN CHANNEL ST-IN1L
    104 PAN CHANNEL ST-IN1R
    105 PAN CHANNEL ST-IN2L
    106 PAN CHANNEL ST-IN2R
    107 PAN CHANNEL ST-IN3L
    108 PAN CHANNEL ST-IN3R
    109 PAN CHANNEL ST-IN4L
    110 PAN CHANNEL ST-IN4R
    111 ON MASTER AUX1
    112 ON MASTER AUX2
    113 ON MASTER AUX3
    114 ON MASTER AUX4
    115 ON MASTER AUX5
    116 ON MASTER AUX6
    117 ON MASTER AUX7
    118 ON MASTER AUX8
    119 NO ASSIGN# High Mid Low 
    						
    							Initial Parameter to Control Change Table159
    01V96i—Reference Manual
    Appendix: MIDICHANNEL3
    # High Mid Low
    0 NO ASSIGN
    1EQ G LOW H INPUT1
    2EQ G LOW H INPUT2
    3EQ G LOW H INPUT3
    4EQ G LOW H INPUT4
    5EQ G LOW H INPUT5
    6EQ G LOW H INPUT6
    7EQ G LOW H INPUT7
    8EQ G LOW H INPUT8
    9EQ G LOW H INPUT9
    10 EQ G LOW H INPUT10
    11 EQ G LOW H INPUT11
    12 EQ G LOW H INPUT12
    13 EQ G LOW H INPUT13
    14 EQ G LOW H INPUT14
    15 EQ G LOW H INPUT15
    16 EQ G LOW H INPUT16
    17 EQ G LOW H INPUT17
    18 EQ G LOW H INPUT18
    19 EQ G LOW H INPUT19
    20 EQ G LOW H INPUT20
    21 EQ G LOW H INPUT21
    22 EQ G LOW H INPUT22
    23 EQ G LOW H INPUT23
    24 EQ G LOW H INPUT24
    25 NO ASSIGN
    26 NO ASSIGN
    27 NO ASSIGN
    28 NO ASSIGN
    29 NO ASSIGN
    30 NO ASSIGN
    31 NO ASSIGN
    32 NO ASSIGN
    33 EQ G LOW L INPUT1
    34 EQ G LOW L INPUT2
    35 EQ G LOW L INPUT3
    36 EQ G LOW L INPUT4
    37 EQ G LOW L INPUT5
    38 EQ G LOW L INPUT6
    39 EQ G LOW L INPUT7
    40 EQ G LOW L INPUT8
    41 EQ G LOW L INPUT9
    42 EQ G LOW L INPUT10
    43 EQ G LOW L INPUT11
    44 EQ G LOW L INPUT12
    45 EQ G LOW L INPUT13
    46 EQ G LOW L INPUT14
    47 EQ G LOW L INPUT15
    48 EQ G LOW L INPUT16
    49 EQ G LOW L INPUT17
    50 EQ G LOW L INPUT18
    51 EQ G LOW L INPUT19
    52 EQ G LOW L INPUT20
    53 EQ G LOW L INPUT21
    54 EQ G LOW L INPUT22
    55 EQ G LOW L INPUT23
    56 EQ G LOW L INPUT24
    57 NO ASSIGN
    58 NO ASSIGN
    59 NO ASSIGN
    60 NO ASSIGN
    61 NO ASSIGN
    62 NO ASSIGN
    63 NO ASSIGN
    64 EQ F LOW INPUT1
    65 EQ F LOW INPUT2
    66 EQ F LOW INPUT3
    67 EQ F LOW INPUT4
    68 EQ F LOW INPUT5
    69 EQ F LOW INPUT6
    70 EQ F LOW INPUT7
    71 EQ F LOW INPUT8
    72 EQ F LOW INPUT9
    73 EQ F LOW INPUT10
    74 EQ F LOW INPUT11
    75 EQ F LOW INPUT12
    76 EQ F LOW INPUT13
    77 EQ F LOW INPUT14
    78 EQ F LOW INPUT15
    79 EQ F LOW INPUT16
    80 EQ F LOW INPUT17
    81 EQ F LOW INPUT18
    82 EQ F LOW INPUT19
    83 EQ F LOW INPUT20
    84 EQ F LOW INPUT21
    85 EQ F LOW INPUT22
    86 EQ F LOW INPUT23
    87 EQ F LOW INPUT24
    88 NO ASSIGN
    89 EQ Q LOW INPUT1
    90 EQ Q LOW INPUT2
    91 EQ Q LOW INPUT3
    92 EQ Q LOW INPUT4
    93 EQ Q LOW INPUT5
    94 EQ Q LOW INPUT6
    95 EQ Q LOW INPUT7
    102 EQ Q LOW INPUT8
    103 EQ Q LOW INPUT9
    104 EQ Q LOW INPUT10
    105 EQ Q LOW INPUT11
    106 EQ Q LOW INPUT12
    107 EQ Q LOW INPUT13
    108 EQ Q LOW INPUT14
    109 EQ Q LOW INPUT15
    110 EQ Q LOW INPUT16
    111 EQ Q LOW INPUT17
    112 EQ Q LOW INPUT18
    113 EQ Q LOW INPUT19
    114 EQ Q LOW INPUT20
    115 EQ Q LOW INPUT21
    116 EQ Q LOW INPUT22
    117 EQ Q LOW INPUT23
    118 EQ Q LOW INPUT24
    119 NO ASSIGN# High Mid Low 
    						
    							160Appendix: MIDI
    01V96i—Reference Manual
    CHANNEL4
    #High Mid Low
    0 NO ASSIGN
    1EQ G LOW H INPUT25
    2EQ G LOW H INPUT26
    3EQ G LOW H INPUT27
    4EQ G LOW H INPUT28
    5EQ G LOW H INPUT29
    6EQ G LOW H INPUT30
    7EQ G LOW H INPUT31
    8EQ G LOW H INPUT32
    9EQ G LOW H ST-IN1
    10 EQ G LOW H ST-IN2
    11 EQ G LOW H ST-IN3
    12 EQ G LOW H ST-IN4
    13 NO ASSIGN
    14 NO ASSIGN
    15 NO ASSIGN
    16 NO ASSIGN
    17 NO ASSIGN
    18 NO ASSIGN
    19 NO ASSIGN
    20 NO ASSIGN
    21 NO ASSIGN
    22 NO ASSIGN
    23 NO ASSIGN
    24 NO ASSIGN
    25 NO ASSIGN
    26 NO ASSIGN
    27 NO ASSIGN
    28 NO ASSIGN
    29 NO ASSIGN
    30 NO ASSIGN
    31 NO ASSIGN
    32 NO ASSIGN
    33 EQ G LOW L INPUT25
    34 EQ G LOW L INPUT26
    35 EQ G LOW L INPUT27
    36 EQ G LOW L INPUT28
    37 EQ G LOW L INPUT29
    38 EQ G LOW L INPUT30
    39 EQ G LOW L INPUT31
    40 EQ G LOW L INPUT32
    41 EQ G LOW L ST-IN1
    42 EQ G LOW L ST-IN2
    43 EQ G LOW L ST-IN3
    44 EQ G LOW L ST-IN4
    45 NO ASSIGN
    46 NO ASSIGN
    47 NO ASSIGN
    48 NO ASSIGN
    49 NO ASSIGN
    50 NO ASSIGN
    51 NO ASSIGN
    52 NO ASSIGN
    53 NO ASSIGN
    54 NO ASSIGN
    55 NO ASSIGN
    56 NO ASSIGN
    57 NO ASSIGN
    58 NO ASSIGN
    59 NO ASSIGN
    60 NO ASSIGN
    61 NO ASSIGN
    62 NO ASSIGN
    63 NO ASSIGN
    64 EQ F LOW INPUT25
    65 EQ F LOW INPUT26
    66 EQ F LOW INPUT27
    67 EQ F LOW INPUT28
    68 EQ F LOW INPUT29
    69 EQ F LOW INPUT30
    70 EQ F LOW INPUT31
    71 EQ F LOW INPUT32
    72 EQ F LOW ST-IN1
    73 EQ F LOW ST-IN2
    74 EQ F LOW ST-IN3
    75 EQ F LOW ST-IN4
    76 NO ASSIGN
    77 NO ASSIGN
    78 NO ASSIGN
    79 NO ASSIGN
    80 NO ASSIGN
    81 NO ASSIGN
    82 NO ASSIGN
    83 NO ASSIGN
    84 NO ASSIGN
    85 NO ASSIGN
    86 NO ASSIGN
    87 NO ASSIGN
    88 NO ASSIGN
    89 EQ Q LOW INPUT25
    90 EQ Q LOW INPUT26
    91 EQ Q LOW INPUT27
    92 EQ Q LOW INPUT28
    93 EQ Q LOW INPUT29
    94 EQ Q LOW INPUT30
    95 EQ Q LOW INPUT31
    102 EQ Q LOW INPUT32
    103 EQ Q LOW ST-IN1
    104 EQ Q LOW ST-IN2
    105 EQ Q LOW ST-IN3
    106 EQ Q LOW ST-IN4
    107 NO ASSIGN
    108 NO ASSIGN
    109 NO ASSIGN
    110 NO ASSIGN
    111 NO ASSIGN
    112 NO ASSIGN
    113 NO ASSIGN
    114 NO ASSIGN
    115 NO ASSIGN
    116 NO ASSIGN
    117 NO ASSIGN
    118 NO ASSIGN
    119 NO ASSIGN# High Mid Low 
    						
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