Yamaha 01v 96 I Manual
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Rear Panel11 01V96i—Reference Manual Control Surface & Rear PanelSLOT Section 1SLOT Power Section 1POWER ON/OFF switch 2AC IN connector 1 21
12Analog I/O & Digital I/O 01V96i—Reference Manual Analog I/O & Digital I/O This chapter describes the 01V96i’s analog and digital input/output connectors as well as the basic operations involving the digital I/Os. Analog Inputs & Outputs Input Section The 01V96i’s top panel features input connectors, which enable you to connect microphone and line-level sources. • INPUT connectors A 1–12 These balanced TRS-type phone connectors accept line-level and microphone sig- nals. The nominal input range is –60 dB through +4 dB. The phantom [+48V] switches on the rear panel turn on or off the +48V phantom power feed to these inputs. • INPUT connectors B 1–12 These balanced TRS-type con- nectors accept line-level and microphone signals. The nominal input range is –60 dB through +4 dB. You cannot use same-numbered INPUT A and INPUT B connectors simultaneously. (For example, you cannot use INPUT A-2 and INPUT B-2 at the same time.) If you connect cables to A and B connectors of the same num- ber, only the signal from INPUT B is effective (e.g., B-2 takes priority over A-2). •INPUT connectors 13–16 These balanced TRS-type phone con- nectors accept line-level signals. When the AD 15/16 source selector is turned on (pushed in), signals from INPUT 15 and 16 are ignored. Instead, signals from the 2TR IN connector will be routed to AD Input Chan- nels 15 and 16. • INSERT I/O connectors These TRS-type phone connectors are used to insert external devices, such as effects processors, into AD Input Channels.•Phantom Power Inputs 1 through 12 feature switch- able +48V phantom powering for use with con- denser-type microphones and direct boxes. The phantom [+48V] switches on the rear panel turn on or off the +48V phantom power feed to the corresponding inputs. •PAD switches Inputs 1 through 12 feature pad switches, which attenuate input signals by 20 dB. These switches are effective on both INPUT A and B signals. •GAIN controls Inputs 1 through 16 feature rotary gain controls that adjust input sensitivity. Input sensitivity for INPUT connectors 1–12 ranges from –16 dB to –60 dB when the Pad is off, and from +4 dB to –40 dB when the Pad is on. Input sensitiv- ity for INPUT connectors 13–16 ranges from +4 dB to –26 dB. •PEAK & SIGNAL Indicators The SIGNAL indicator lights up when the input signal level at INPUTs 1–16 exceeds –34 dB. The PEAK indicator lights up when the input signal level is 3 dB below clipping. •2TR IN connectors These unbalanced RCA phono connec- tors accept line-level signals from devices such as CD players. When the AD 15/16 source selector is turned on (pushed in), signals input at these conductors are routed to AD Inputs 15 and 16. When the Monitor source selector is turned on (pushed in), you can monitor these signals from the MONITOR OUT connectors. Tip: You can patch signals input from the INPUT connectors to any Input Channels. (See page 43 for information on patching input signals to Input Channels.) AA 2 1 BBINPUT(BAL) 16 15 13 14 INSERT I/O INSERT I/O INSERT OUT IN (UNBAL) 20dBPA D 20dB GAIN -16-60 PEAK SIGNAL GAIN L R IN OUT 2TR-10dBV (UNBAL)
Digital Inputs & Outputs13 01V96i—Reference Manual Analog I/O & Digital I/OOutput Section The 01V96i top and rear panels feature output connectors that enable you to connect a monitoring system, effects pro- cessors and other line-level devices. • MONITOR OUT connectors L/R These balanced TRS-type phone con- nectors output monitoring signals or input signals routed from the 2TR IN connectors. The nominal output level is +4 dB. Use the Monitor source selector in the Monitor Out & Headphones section to select the signal output from these connectors. •OMNI OUT connectors 1–4 These balanced TRS-type phone con- nectors output any Bus Outs or Input Channel Direct Outs. The nomi- nal output level is +4 dB. • STEREO OUT connectors L/R These balanced XLR-3-32-type connectors output the Stereo Out signals. The nominal output level is +4 dB. •2TR OUT connectors These unbalanced RCA phono con- nectors output line-level signals to a connected recorder or other external device. These connectors always out- put the Stereo Out signals. Digital Inputs & Outputs The 01V96i rear panel features digital input and output con- nectors that enable you to connect external digital devices. Any signal path can be patched to these digital inputs and outputs. You can also add analog and digital I/Os by installing an optional I/O card in the slot. Digital I/O Connectors •2TR IN DIGITAL connector 2TR IN DIGITAL is an RCA phono connector and accepts consumer format (IEC 60958) digital audio. You can patch digital signals input at this connector to any Input Channel (page 43). • 2TR OUT DIGITAL connector This RCA phono connector outputs con- sumer format (IEC 60958) digital audio. You can patch any Bus outs or Input channel Direct Outs to this output (page 45). •ADAT IN connector This TOSLINK connector accepts 8-channel ADAT opti- cal format signals, which can be patched to any Input Channel (page 43). • ADAT OUT connector This TOSLINK connector outputs an 8-channel ADAT optical format signal. You can patch any Bus Outs or Input Channel Direct outs to this output (page 44). SLOT This slot allows you to install an optional mini-YGDAI (Yamaha General Digital Audio Interface) I/O card. This card offers AD/DA conversion, and various analog I/O options and digital I/O interfaces in all the popular digital audio inter- connect formats, including AES/EBU, ADAT, and Tascam. You can patch signals input at these card connectors to any Input Channels or Insert Ins (see page 43). You can patch the card outputs to Bus Outs or Input Channel Direct Outs (see page 46). For details on the mini-YGDAI I/O cards that are currently usable, refer to “I/O Slot Specifications” in the Owner’s Man- ual. For the latest information about mini-YGDAI I/O cards, refer to the Yamaha Professional Audio website. http://www.yamahaproaudio.com/ Tip : Any signal path can be patched to the OMNI OUT con- nectors. (See page 44 for more information on patching sig- nals to the OMNI OUT connectors.) L R IN OUT 2TR-10dBV (UNBAL)
14Analog I/O & Digital I/O 01V96i—Reference Manual Converting Sampling Rates of Signals Received at I/O Card Inputs An optional MY8-AE96S Digital I/O card features sampling rate converters, so you can easily convert the sampling fre- quency of digital inputs to the current 01V96i sampling rate. 1.Press the DISPLAY ACCESS [DIO/SETUP] but- ton repeatedly until the DIO/Setup | Format page appears. Use the buttons in the SRC sections to turn the sampling rate converters on and off. You can turn the sampling rate converters of the digital I/O card on or off in pairs (odd & even channels, in this order). 2.Use the cursor buttons to move the cursor to any two-channel button in the SRC sections, then press [ENTER]. The sampling rate converter for the selected 2-channel input turns on or off. When on, the sampling rate of the received digital audio is converted to the 01V96i’s current sampling rate. Monitoring Digital Input Channel Status You can view and monitor the Channel Status (sampling rate, emphasis, etc.) of digital audio signals connected to the 2TR Digital Inputs and Slot Inputs as follows. 1.Press the DISPLAY ACCESS [UTILITY] button, then press the [F2] button. The Utility | CH Status page appears. On this page, use the following buttons to select a slot or connector for which you want to view the channel status. 12TR IN This button enables you to view the Channel Status of input signals connected to the 2TR Digital Inputs. 2SLOT These buttons enable you to view the Channel Status of each two adjacent (odd and even, in this order) channel signals connected to the digital I/O card installed in the slot. 2.Move the cursor to the desired input or slot button, then press [ENTER]. Channel Status information for the selected input is dis- played. However, if a mini-YGDAI I/O card other than AES/EBU format is installed, Channel Status information will be grayed out. Channel Status information includes the following items: 3FS Indicates the sampling rate. If no signal is being input, or if the incoming wordclock is not synching to the internal clock, “Unlock” appears. 4EMPHASIS Indicates the Emphasis on/off status. 5CATEGORY Indicates the status of “Category Code Bit” included in the IEC958 Part 2 (S/PDIF-Consumer) format. This parameter can display the following values: Tip: The FS box on the Word Clock page displays the sam- pling frequency at which the 01V96i is currently operating. Note: The sampling rate converter is available only on the Yamaha MY8-AE96S Digital I/O card. If you have installed another type of I/O card in the slot, or if no card is installed in the 01V96i, the buttons in the SRC sections are disabled. 1 2 3 4 5 6
Dithering Digital Outputs15 01V96i—Reference Manual Analog I/O & Digital I/O 6COPY Indicates the status of copy protection information included in the IEC958 Part2 (S/PDIF-Consumer) for- mat signals. “OK” appears if copying is allowed. “Pro- hibit” appears if copy-protected. 3.If you select the SLOT button for a slot that has an MY16-AE card installed, use the 01–08 and 09–16 buttons located in the lower-right corner of the screen to select a channel group you wish to display. Dithering Digital Outputs When digital audio is transferred to lower-resolution systems, truncated bits may generate unpleasant noise. To cancel the audible effect of this noise, a small complement of noise is intentionally added to the digital outputs. This process is called “dithering.” On the 01V96i, you can dither the 2TR Digital Outputs and Slot Outputs. For example, you can apply dithering to the 01V96i stereo mix data and record to a 16-bit digital recorder. 1.Press the DISPLAY ACCESS [DIO/SETUP] but- ton repeatedly until the DIO/Setup | Format page appears. The dithering settings are displayed at the bottom of the page. 2.Move the cursor to the output or channel to which you want to apply dithering, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the value that matches the resolution of the receiving device. Parameter value Description GeneralTe m p o r a r i l y u s e d Laser OpticalLaser optical device D/D ConvDigital - Digital converter and signal processing device MagneticMagnetic tape device and mag- netic disk device D.BroadcastDigital broadcast reception InstrumentsMusical instrument, micro- phone, and sources that gener- ate string signals A/D ConvA/D converter (without copy- right information) A/D Conv with (C)A/D converter (with copyright information) Solid MemorySolid memory device ExperimentalExperimental device UnknownUnknown Note: “AES/EBU” appears in the Category row when you are monitoring IEC958 Part 3 (AES/EBU-Professional) format signals (that do not include Category Code Bit). Note: •You cannot apply dithering to outputs or channels that are set to “OFF.” •Dithering is effective only when the resolution of the receiving device is lower than that of the 01V96i. Tip : To copy the currently-selected setting to all channels, double-click the [ENTER] button. The copy confirmation window is displayed.
16Analog I/O & Digital I/O 01V96i—Reference Manual Setting the Transfer Format for Higher Sampling Rates To operate the 01V96i at higher sampling frequencies (88.2 kHz or 96 kHz) and transfer digital audio signals to and from connected external devices, you must set the data trans- fer format in accordance with the sampling frequencies sup- ported by the external devices. 1.Press the DISPLAY ACCESS [DIO/SETUP] but- ton repeatedly until the DIO/Setup | Word Clock page appears. 2.Select INT88.2k or INT96k as the wordclock source. 3.Press the DISPLAY ACCESS [DIO/SETUP] but- ton repeatedly until the DIO/Setup | Format page appears. 4.Use the cursor buttons to move the cursor to an IN/OUT parameter field ( 1), then rotate the Parameter wheel or press the [INC]/[DEC] buttons to set the data transfer format. The IN/OUT parameters are used to set one of the follow- ing data transfer formats for each slot input and output. • DOUBLE CHANNEL In Double Channel mode, digital audio data is received and transmitted as mono signals at a sampling rate that is exactly half (44.1/48 kHz) the current higher sampling rate. Data is handled by two channels. This is useful when you want to transfer data between the 01V96i operating at a higher sampling rate and an external digital device that supports 44.1/48 kHz.•DOUBLE SPEED In Double Speed mode, digital audio data is received and transmitted at the current high sampling rate (i.e., 88.2 kHz or 96 kHz). Select this mode if the devices that support the higher sampling rates transmit or receive data. •SINGLE In Single mode, digital audio data is received and trans- mitted at a sampling rate that is half (44.1/48 kHz) the current higher sampling rate of the 01V96i. For example, this is useful when you want to receive 44.1 kHz digital signals from an external digital device while the 01V96i is operating at 88.2 kHz. Note: When the 01V96i operates at a high sampling rate (88.2 kHz or 96 kHz), only two internal effects processors are available. Note: Double Channel mode reduces the total number of inputs or outputs on the corresponding slot. The even-num- bered channels are disabled. 1 Note: You can select this setting only for slots in which a dig- ital I/O card that inputs/outputs double-speed digital audio data (e.g., MY8-AE96, MY8-AE96S) is installed. Note: You cannot select this setting for slots in which a digital I/O card that inputs/outputs double-speed digital audio data (e.g., MY8-AE96, MY8-AE96S) is installed. Tip: The parameter fields display “–” if the slot contains no I / O c ard or i f a n A D / D A c ard o r o th e r I / O c a rd th at d o e s n ot allow you to set the transfer format has been installed.
Input Channels17 01V96i—Reference Manual Input Channels Input Channels This chapter describes how to adjust the 01V96i’s Input Channel parameters. About Input Channels The input Channel section enables you to adjust the level and tone of the signals input to the 01V96i (and the signals output from the internal Effects processors 1–4), and route the sig- nals to Buses 1–8, the Stereo Bus, and Aux Sends 1–8. There are two types of Input Channels, each featuring slightly differ- ent functions: monaural Input Channels 1–32 and stereo ST IN Channels 1–4. Input Channels 1–32 Each of these monaural Input Channels features a phase effect, gate, compressor, attenuator, and EQ for signal pro- cessing. The following diagram illustrates the Input Channel 1–32 signal flow. Input Channels 1–32 feature the following parameters: • (Phase) This section switches the phase of input signals. •GATE This dynamics processor can be used as a gate or for ducking. •COMP (Compressor) This dynamics processor can be used as compressor, expander or limiter. The compressor can be pre-EQ, pre-fader, or post-fader. •ATT (Attenuator) This section enables you to attenuate or amplify the level of signals that will be input to the EQ. The attenuator enables you to prevent post-EQ signals from clipping and to correct signal levels that are too low. • 4 BAND EQ (4-band equalizer) This parametric EQ features four bands (high, high-mid, low-mid, and low). • INPUT DELAY (Input delay) This section enables you to delay input signals. You can use this delay to fine-tune the timing between channels, or as a delay effect with feedback. • ON (On/Off ) This section enables you to turn the channel on or off. The channel is muted with the Off setting.•LEVEL This section enables you to adjust the input level of the Input Channel signal. •PAN This section enables you to adjust the pan setting of the signals routed from the Input Channels to the Stereo Bus. You can also apply the pan setting to a pair of Bus chan- nels. • AUX (Aux Send level) This section enables you to adjust the level of signals routed to Aux Sends 1–8. The signals can be routed to Aux Sends from either the pre-fader or post-fader posi- tion. •INSERT This section enables you to patch input signals to external devices via the on-board I/O connectors or I/O card, or insert the internal effect processors. You can patch any inputs, outputs, or I/O card channels. (Note that this is different from the INSERT I/O connectors in the AD Input section.) • METER This section enables you to switch the metering position of the signal levels that are displayed in the Meter page. For more information on selecting the metering position, refer to “Viewing the Level Meters” in the Owner’s Man- ual (booklet). ST IN Channels 1–4 These stereo channels enable you to process stereo signals using the phase effect, attenuator, and EQ. The following dia- gram illustrates the ST IN Channel 1–4 signal flow. ST IN Channels 1–4 feature the following parameters: • (Phase) •ATT (Attenuator) • 4 BAND EQ (4-band equalizer) • ON (On/Off ) •LEVEL •PAN • AUX (Aux Send level) • METER For more information on each parameter, refer to the preced- ing section Input Channel 1–32. INPUT PATCH Tip: You can store these channel parameter settings in the Chan- nel library. You can also store the Gate, Compressor, and EQ parameter settings to the corresponding libraries. INPUT PATCH
18Input Channels 01V96i—Reference Manual Setting the Input Channels from the Display To set the Input Channel parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel to directly change the setting. This section explains how to set the parameters via the dis- play. Switching the Signal Phase To switch the phase of each Input Channel, press the [ /INSERT/DELAY] button repeatedly until the following /INS/DLY | Phase page appears. Move the cursor to the NOR/REV button of the channel for which you want to change the phase, then press the [ENTER] or [INC]/[DEC] buttons to change the setting. 1NOR/REV These buttons switch the corresponding Input Channel phase. NOR buttons indicate normal phase, and REV buttons indicate reversed phase. 2GLOBAL The GLOBAL NOR/REV buttons allow you to set the phase for all Input Channels simultaneously. Delaying Input Channels To set the delay for each channel, press the [ /INSERT/DELAY] button repeatedly until the page listed below that contains the desired channels appears. • DLY 1-16 page This page enables you to set the Delay function for Input Channels 1–16. • DLY 17-32 page This page enables you to set the Delay function for Input Channels 17–32. The parameters on these two pages (and the procedure for setting them) are the same. 1DELAY SCALE The following buttons determine the units of the delay value shown below the msec value. •meter........................ Units are set to meters. •feet............................ Units are set to feet. •sample...................... Units are set to samples. •beat........................... Units are set to beats. •frame........................ Units are set to timecode frames. 2GANG button When this button is turned on (highlighted), the delay time for each channel in a channel pair can be set simul- taneously. When this option is turned off, the delay time can be set for each channel in a channel pair individually. 3Channel section You can set individual delay parameters here. The delay parameters include the following items: •ON/OFF This button switches the corresponding channel delay on or off. •msec This parameter sets the delay time in milliseconds. • meter/feet/sample/beat/frame The delay time can be set using units of meters, feet, sam- ples, beats, or frames, which you select by using the DELAY SCALE buttons.Tip: •The name of the currently-selected channel is indicated in the upper-right corner of the screen. •You can set the phase separately for each of the ST IN Channels or for each channel in a channel pair. If you selected the desired ST IN Channel using the corresponding [SEL] button, pressing the same [SEL] button repeatedly will toggle between channels L and R. 12 2 1 3
Setting the Input Channels from the Display19 01V96i—Reference Manual Input Channels•MIX This parameter sets the mix balance of dry (Input Chan- nel) and wet (delayed) signals. •FB.GAIN This parameter sets the amount of delay feedback. Gating Input Channels To set the Input Channel gates, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then press the [F1] button. The Dynamics | Gate Edit page appears. 1KEYIN SOURCE Select one of the following buttons to determine the trig- ger source for the currently-selected Input Channel’s gate. •SELF......................... The selected channel’s own input sig- nal is the trigger source. •CHANNEL............. Another Channel’s input signal is the trigger source. Select the desired channel in the parameter box below the CHANNEL button. •AU X......................... An Aux Send signal is the trigger source. Select the desired bus in the parameter box below the AUX but- ton. 2STEREO LINK This parameter’s ON/OFF button enables you to pair gates for stereo operation even when the Input Channels are not paired. 3CURVE This area displays the current gate curve. 4TYPE This area displays the current gate type (GATE or DUCK- ING). 5Meters These meters indicate the levels of the post-gate signals and the amount of gain reduction. 6ON/OFF The ON/OFF button turns the currently-selected Input Channel’s gate on or off. 7PARAMETER These controls enable you to set the gate parameters. (See page 148 for more information on the parameters.) Tip: •This function is unavailable for the ST IN Channels. •The delay time range depends on the sampling rate at which the 01V96i is operating. •If you select the DELAY SCALE meter or feet button, the dis- tance value can be converted to the delay time based on sonic speeds (about 343.59 m/sec at 20 degrees Celsius). This option is useful if you wish to correct the timing difference between two sound sources that are far apart. •If you select the DELAY SCALE beat button, a parameter box for setting a note that represents the beat and a parameter box for a tempo (BPM) setting appear below the DELAY SCALE parameter. Setting the note and BPM settings in these param- eter boxes enables you to set a delay time that synchronizes to the song tempo. 34521 7 6 Note: You cannot change the gate type on this page. To change the gate type, recall a program that uses the desired gate type from the Gate library. Tip : •This function is unavailable for the ST IN Channels. •You can store the gate settings in the Gate library, which features preset programs that can be used for various applications (see page 79).
20Input Channels 01V96i—Reference Manual Compressing Input Channels To set the Input Channel compressors, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then press the [F3] button to display the Dynamics | Comp Edit page. 1POSITION Use the Parameter wheel, or the [INC]/[DEC] buttons to select the position of the compressor within the channel from the following options: •PRE EQ.................... Immediately before EQ (default) •PRE FADER........... Immediately before the fader •POST FADER........ Immediately after the fader 2STEREO LINK This ON/OFF button enables you to pair compressors for stereo operation even when channels are not paired. 3CURVE This area displays the current compressor curve. 4TYPE This field indicates the compressor type used by the cur- rently-selected channel’s compressor (COMP/EXPAND/COMP (H)/COMP (S)). 5Meters These meters indicate the levels of the post-compressor signals and the amount of gain reduction. 6ON/OFF The ON/OFF button turns the currently-selected Input Channel’s compressor on or off. 7PARAMETER section These controls enable you to set the compressor parame- ters. (See page 149 for more information on the parame- ters of each compressor type.) Attenuating Input Channels To set the attenuator for each Input Channel, press the DIS- PLAY ACCESS [EQ] button, then press the [F3] button to display the EQ | In Att page. Move the cursor to the knob for the desired Input Channel, then rotate the Parameter wheel to set the amount of attenua- tion in the range of –96 dB to +12 dB. Note: You cannot change the Compressor type on this page. To change the compressor type, recall a program that uses the desired compressor type from the compressor library. Tip: •This function is unavailable for the ST IN Channels. •You can store the compressor settings in the compressor library, which features preset programs that can be used for various applications (see page 80). 34521 7 6 Tip: You can also set the attenuation amount (in dB) for the cur- rently-selected channel on the EQ | EQ Edit page.