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Yamaha 01v 96 I Manual

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    							Rear Panel11
    01V96i—Reference Manual
    Control Surface & Rear PanelSLOT Section
    1SLOT
    Power Section
    1POWER ON/OFF switch
    2AC IN connector
    1
    21 
    						
    							12Analog I/O & Digital I/O
    01V96i—Reference Manual
    Analog I/O & 
    Digital I/O
    This chapter describes the 01V96i’s analog and digital 
    input/output connectors as well as the basic operations 
    involving the digital I/Os.
    Analog Inputs & Outputs
    Input Section
    The 01V96i’s top panel features input connectors, which 
    enable you to connect microphone and line-level sources. 
    • INPUT connectors A 1–12
    These balanced TRS-type 
    phone connectors accept 
    line-level and microphone sig-
    nals. The nominal input range is 
    –60 dB through +4 dB. The phantom [+48V] switches on 
    the rear panel turn on or off the +48V phantom power 
    feed to these inputs.
    • INPUT connectors B 1–12
    These balanced TRS-type con-
    nectors accept line-level and 
    microphone signals. The nominal input range is –60 dB 
    through +4 dB.
    You cannot use same-numbered INPUT A and INPUT B 
    connectors simultaneously. (For example, you cannot use 
    INPUT A-2 and INPUT B-2 at the same time.) If you 
    connect cables to A and B connectors of the same num-
    ber, only the signal from INPUT B is effective (e.g., B-2 
    takes priority over A-2).
    •INPUT connectors 13–16
    These balanced TRS-type phone con-
    nectors accept line-level signals. When 
    the AD 15/16 source selector is turned 
    on (pushed in), signals from INPUT 15 
    and 16 are ignored. Instead, signals from 
    the 2TR IN connector will be routed to AD Input Chan-
    nels 15 and 16.
    • INSERT I/O connectors
    These TRS-type phone connectors 
    are used to insert external devices, 
    such as effects processors, into AD Input Channels.•Phantom Power
    Inputs 1 through 
    12 feature switch-
    able +48V phantom powering for use with con-
    denser-type microphones and direct boxes. The phantom 
    [+48V] switches on the rear panel turn on or off the +48V 
    phantom power feed to the corresponding inputs.
    •PAD switches
    Inputs 1 through 12 feature pad 
    switches, which attenuate input 
    signals by 20 dB. These switches 
    are effective on both INPUT A and B signals.
    •GAIN controls
    Inputs 1 through 16 feature 
    rotary gain controls that adjust 
    input sensitivity. Input sensitivity 
    for INPUT connectors 1–12 
    ranges from –16 dB to –60 dB when the Pad is off, and 
    from +4 dB to –40 dB when the Pad is on. Input sensitiv-
    ity for INPUT connectors 13–16 ranges from +4 dB to 
    –26 dB.
    •PEAK & SIGNAL Indicators
    The SIGNAL indicator lights up 
    when the input signal level at 
    INPUTs 1–16 exceeds –34 dB. 
    The PEAK indicator lights up when the input signal level 
    is 3 dB below clipping.
    •2TR IN connectors
    These unbalanced RCA phono connec-
    tors accept line-level signals from 
    devices such as CD players.
    When the AD 15/16 source selector is 
    turned on (pushed in), signals input at 
    these conductors are routed to AD 
    Inputs 15 and 16. When the Monitor source selector is 
    turned on (pushed in), you can monitor these signals 
    from the MONITOR OUT connectors.
    Tip: You can patch signals input from the INPUT connectors 
    to any Input Channels. (See page 43 for information on 
    patching input signals to Input Channels.)
    AA
    2 1
    BBINPUT(BAL)
    16 15 13
    14
    INSERT I/O INSERT I/O
    INSERT
    OUT IN
    (UNBAL)
    20dBPA D
    20dB
    GAIN -16-60
    PEAK
    SIGNAL GAIN
    L
    R
    IN OUT
    2TR-10dBV (UNBAL) 
    						
    							Digital Inputs & Outputs13
    01V96i—Reference Manual
    Analog I/O & Digital I/OOutput Section
    The 01V96i top and rear panels feature output connectors 
    that enable you to connect a monitoring system, effects pro-
    cessors and other line-level devices.
    • MONITOR OUT connectors L/R
    These balanced TRS-type phone con-
    nectors output monitoring signals or 
    input signals routed from the 2TR IN 
    connectors. The nominal output level 
    is +4 dB.
    Use the Monitor source selector in the Monitor Out & 
    Headphones section to select the signal output from these 
    connectors.
    •OMNI OUT connectors 1–4
    These balanced 
    TRS-type phone con-
    nectors output any Bus 
    Outs or Input Channel 
    Direct Outs. The nomi-
    nal output level is +4 dB.
    • STEREO OUT connectors L/R
    These balanced XLR-3-32-type 
    connectors output the Stereo Out 
    signals. The nominal output level 
    is +4 dB.
    •2TR OUT connectors
    These unbalanced RCA phono con-
    nectors output line-level signals to a 
    connected recorder or other external 
    device. These connectors always out-
    put the Stereo Out signals.
    Digital Inputs & Outputs
    The 01V96i rear panel features digital input and output con-
    nectors that enable you to connect external digital devices. 
    Any signal path can be patched to these digital inputs and 
    outputs.
    You can also add analog and digital I/Os by installing an 
    optional I/O card in the slot.
    Digital I/O Connectors
    •2TR IN DIGITAL connector
    2TR IN DIGITAL is an RCA phono connector 
    and accepts consumer format (IEC 60958) 
    digital audio. You can patch digital signals 
    input at this connector to any Input Channel 
    (page 43).
    • 2TR OUT DIGITAL connector
    This RCA phono connector outputs con-
    sumer format (IEC 60958) digital audio. You 
    can patch any Bus outs or Input channel 
    Direct Outs to this output (page 45).
    •ADAT IN connector
    This TOSLINK connector accepts 8-channel ADAT opti-
    cal format signals, which can be patched to any Input 
    Channel (page 43).
    • ADAT OUT connector
    This TOSLINK connector outputs an 8-channel ADAT 
    optical format signal. You can patch any Bus Outs or 
    Input Channel Direct outs to this output (page 44).
    SLOT
    This slot allows you to install an optional mini-YGDAI 
    (Yamaha General Digital Audio Interface) I/O card. This card 
    offers AD/DA conversion, and various analog I/O options 
    and digital I/O interfaces in all the popular digital audio inter-
    connect formats, including AES/EBU, ADAT, and Tascam. 
    You can patch signals input at these card connectors to any 
    Input Channels or Insert Ins (see page 43).
    You can patch the card outputs to Bus Outs or Input Channel 
    Direct Outs (see page 46).
    For details on the mini-YGDAI I/O cards that are currently 
    usable, refer to “I/O Slot Specifications” in the Owner’s Man-
    ual.
    For the latest information about mini-YGDAI I/O cards, refer 
    to the Yamaha Professional Audio website.
    http://www.yamahaproaudio.com/
    Tip : Any signal path can be patched to the OMNI OUT con-
    nectors. (See page 44 for more information on patching sig-
    nals to the OMNI OUT connectors.)
    L
    R
    IN OUT
    2TR-10dBV (UNBAL) 
    						
    							14Analog I/O & Digital I/O
    01V96i—Reference Manual
    Converting Sampling 
    Rates of Signals Received 
    at I/O Card Inputs
    An optional MY8-AE96S Digital I/O card features sampling 
    rate converters, so you can easily convert the sampling fre-
    quency of digital inputs to the current 01V96i sampling rate.
    1.Press the DISPLAY ACCESS [DIO/SETUP] but-
    ton repeatedly until the DIO/Setup | Format 
    page appears.
    Use the buttons in the SRC sections to turn the sampling 
    rate converters on and off. You can turn the sampling rate 
    converters of the digital I/O card on or off in pairs (odd & 
    even channels, in this order).
    2.Use the cursor buttons to move the cursor to 
    any two-channel button in the SRC sections, 
    then press [ENTER].
    The sampling rate converter for the selected 2-channel 
    input turns on or off. When on, the sampling rate of the 
    received digital audio is converted to the 01V96i’s current 
    sampling rate.
    Monitoring Digital Input 
    Channel Status
    You can view and monitor the Channel Status (sampling rate, 
    emphasis, etc.) of digital audio signals connected to the 2TR 
    Digital Inputs and Slot Inputs as follows.
    1.Press the DISPLAY ACCESS [UTILITY] button, 
    then press the [F2] button.
    The Utility | CH Status page appears.
    On this page, use the following buttons to select a slot or 
    connector for which you want to view the channel status.
    12TR IN
    This button enables you to view the Channel Status of 
    input signals connected to the 2TR Digital Inputs.
    2SLOT
    These buttons enable you to view the Channel Status of 
    each two adjacent (odd and even, in this order) channel 
    signals connected to the digital I/O card installed in the 
    slot.
    2.Move the cursor to the desired input or slot 
    button, then press [ENTER].
    Channel Status information for the selected input is dis-
    played. However, if a mini-YGDAI I/O card other than 
    AES/EBU format is installed, Channel Status information 
    will be grayed out. Channel Status information includes 
    the following items:
    3FS
    Indicates the sampling rate. If no signal is being input, or 
    if the incoming wordclock is not synching to the internal 
    clock, “Unlock” appears.
    4EMPHASIS
    Indicates the Emphasis on/off status.
    5CATEGORY
    Indicates the status of “Category Code Bit” included in 
    the IEC958 Part 2 (S/PDIF-Consumer) format. This 
    parameter can display the following values: 
    Tip: The FS box on the Word Clock page displays the sam-
    pling frequency at which the 01V96i is currently operating.
    Note: The sampling rate converter is available only on the 
    Yamaha MY8-AE96S Digital I/O card. If you have installed 
    another type of I/O card in the slot, or if no card is installed 
    in the 01V96i, the buttons in the SRC sections are disabled.
    1
    2
    3
    4
    5
    6 
    						
    							Dithering Digital Outputs15
    01V96i—Reference Manual
    Analog I/O & Digital I/O
    6COPY
    Indicates the status of copy protection information 
    included in the IEC958 Part2 (S/PDIF-Consumer) for-
    mat signals. “OK” appears if copying is allowed. “Pro-
    hibit” appears if copy-protected.
    3.If you select the SLOT 
    button for a slot that 
    has an MY16-AE card installed, use the 01–08 
    and 09–16 buttons located in the lower-right 
    corner of the screen to select a channel group 
    you wish to display.
    Dithering Digital Outputs
    When digital audio is transferred to lower-resolution systems, 
    truncated bits may generate unpleasant noise. To cancel the 
    audible effect of this noise, a small complement of noise is 
    intentionally added to the digital outputs. This process is 
    called “dithering.”
    On the 01V96i, you can dither the 2TR Digital Outputs and 
    Slot Outputs. For example, you can apply dithering to the 
    01V96i stereo mix data and record to a 16-bit digital recorder.
    1.Press the DISPLAY ACCESS [DIO/SETUP] but-
    ton repeatedly until the DIO/Setup | Format 
    page appears.
    The dithering settings are displayed at the bottom of the 
    page.
    2.Move the cursor to the output or channel to 
    which you want to apply dithering, then 
    rotate the Parameter wheel or press the 
    [INC]/[DEC] buttons to select the value that 
    matches the resolution of the receiving 
    device.
    Parameter value Description
    GeneralTe m p o r a r i l y  u s e d
    Laser OpticalLaser optical device
    D/D ConvDigital - Digital converter and 
    signal processing device
    MagneticMagnetic tape device and mag-
    netic disk device
    D.BroadcastDigital broadcast reception
    InstrumentsMusical instrument, micro-
    phone, and sources that gener-
    ate string signals
    A/D ConvA/D converter (without copy-
    right information)
    A/D Conv with (C)A/D converter (with copyright 
    information)
    Solid MemorySolid memory device
    ExperimentalExperimental device
    UnknownUnknown
    Note: “AES/EBU” appears in the Category row when you are 
    monitoring IEC958 Part 3 (AES/EBU-Professional) format 
    signals (that do not include Category Code Bit).
    Note: 
    •You cannot apply dithering to outputs or channels that are 
    set to “OFF.”
    •Dithering is effective only when the resolution of the 
    receiving device is lower than that of the 01V96i.
    Tip : To copy the currently-selected setting to all channels, 
    double-click the [ENTER] button. The copy confirmation 
    window is displayed. 
    						
    							16Analog I/O & Digital I/O
    01V96i—Reference Manual
    Setting the Transfer 
    Format for Higher 
    Sampling Rates
    To operate the 01V96i at higher sampling frequencies 
    (88.2 kHz or 96 kHz) and transfer digital audio signals to and 
    from connected external devices, you must set the data trans-
    fer format in accordance with the sampling frequencies sup-
    ported by the external devices.
    1.Press the DISPLAY ACCESS [DIO/SETUP] but-
    ton repeatedly until the DIO/Setup | Word 
    Clock page appears.
    2.Select INT88.2k or INT96k as the wordclock 
    source.
    3.Press the DISPLAY ACCESS [DIO/SETUP] but-
    ton repeatedly until the DIO/Setup | Format 
    page appears.
    4.Use the cursor buttons to move the cursor to 
    an IN/OUT parameter field (
    1), then rotate 
    the Parameter wheel or press the [INC]/[DEC] 
    buttons to set the data transfer format.
    The IN/OUT parameters are used to set one of the follow-
    ing data transfer formats for each slot input and output.
    • DOUBLE CHANNEL
    In Double Channel mode, digital audio data is received 
    and transmitted as mono signals at a sampling rate that is 
    exactly half (44.1/48 kHz) the current higher sampling 
    rate. Data is handled by two channels. This is useful when 
    you want to transfer data between the 01V96i operating at 
    a higher sampling rate and an external digital device that 
    supports 44.1/48 kHz.•DOUBLE SPEED
    In Double Speed mode, digital audio data is received and 
    transmitted at the current high sampling rate (i.e., 
    88.2 kHz or 96 kHz). Select this mode if the devices that 
    support the higher sampling rates transmit or receive 
    data.
    •SINGLE
    In Single mode, digital audio data is received and trans-
    mitted at a sampling rate that is half (44.1/48 kHz) the 
    current higher sampling rate of the 01V96i. For example, 
    this is useful when you want to receive 44.1 kHz digital 
    signals from an external digital device while the 01V96i is 
    operating at 88.2 kHz.
    Note: When the 01V96i operates at a high sampling rate 
    (88.2 kHz or 96 kHz), only two internal effects processors are 
    available.
    Note: Double Channel mode reduces the total number of 
    inputs or outputs on the corresponding slot. The even-num-
    bered channels are disabled.
    1
    Note: You can select this setting only for slots in which a dig-
    ital I/O card that inputs/outputs double-speed digital audio 
    data (e.g., MY8-AE96, MY8-AE96S) is installed.
    Note: You cannot select this setting for slots in which a digital 
    I/O card that inputs/outputs double-speed digital audio data 
    (e.g., MY8-AE96, MY8-AE96S) is installed.
    Tip: The parameter fields display “–” if the slot contains no 
    I / O  c ard  or  i f  a n  A D / D A  c ard  o r  o th e r  I / O  c a rd  th at  d o e s  n ot  
    allow you to set the transfer format has been installed. 
    						
    							Input Channels17
    01V96i—Reference Manual
    Input Channels
    Input Channels
    This chapter describes how to adjust the 01V96i’s Input 
    Channel parameters.
    About Input Channels
    The input Channel section enables you to adjust the level and 
    tone of the signals input to the 01V96i (and the signals output 
    from the internal Effects processors 1–4), and route the sig-
    nals to Buses 1–8, the Stereo Bus, and Aux Sends 1–8. There 
    are two types of Input Channels, each featuring slightly differ-
    ent functions: monaural Input Channels 1–32 and stereo ST 
    IN Channels 1–4.
    Input Channels 1–32
    Each of these monaural Input Channels features a phase 
    effect, gate, compressor, attenuator, and EQ for signal pro-
    cessing. The following diagram illustrates the Input Channel 
    1–32 signal flow.
    Input Channels 1–32 feature the following parameters:
    • (Phase)
    This section switches the phase of input signals.
    •GATE
    This dynamics processor can be used as a gate or for 
    ducking.
    •COMP (Compressor)
    This dynamics processor can be used as compressor, 
    expander or limiter. The compressor can be pre-EQ, 
    pre-fader, or post-fader. 
    •ATT (Attenuator)
    This section enables you to attenuate or amplify the level 
    of signals that will be input to the EQ. The attenuator 
    enables you to prevent post-EQ signals from clipping and 
    to correct signal levels that are too low.
    • 4 BAND EQ (4-band equalizer)
    This parametric EQ features four bands (high, high-mid, 
    low-mid, and low).
    • INPUT DELAY (Input delay)
    This section enables you to delay input signals. You can 
    use this delay to fine-tune the timing between channels, 
    or as a delay effect with feedback.
    • ON (On/Off )
    This section enables you to turn the channel on or off. 
    The channel is muted with the Off setting.•LEVEL
    This section enables you to adjust the input level of the 
    Input Channel signal.
    •PAN
    This section enables you to adjust the pan setting of the 
    signals routed from the Input Channels to the Stereo Bus. 
    You can also apply the pan setting to a pair of Bus chan-
    nels.
    • AUX (Aux Send level)
    This section enables you to adjust the level of signals 
    routed to Aux Sends 1–8. The signals can be routed to 
    Aux Sends from either the pre-fader or post-fader posi-
    tion.
    •INSERT
    This section enables you to patch input signals to external 
    devices via the on-board I/O connectors or I/O card, or 
    insert the internal effect processors. You can patch any 
    inputs, outputs, or I/O card channels. (Note that this is 
    different from the INSERT I/O connectors in the AD 
    Input section.)
    • METER
    This section enables you to switch the metering position 
    of the signal levels that are displayed in the Meter page.
    For more information on selecting the metering position, 
    refer to “Viewing the Level Meters” in the Owner’s Man-
    ual (booklet).
    ST IN Channels 1–4
    These stereo channels enable you to process stereo signals 
    using the phase effect, attenuator, and EQ. The following dia-
    gram illustrates the ST IN Channel 1–4 signal flow.
    ST IN Channels 1–4 feature the following parameters:
    • (Phase)
    •ATT (Attenuator)
    • 4 BAND EQ (4-band equalizer)
    • ON (On/Off )
    •LEVEL
    •PAN
    • AUX (Aux Send level)
    • METER
    For more information on each parameter, refer to the preced-
    ing section Input Channel 1–32.
    INPUT PATCH
    Tip: You can store these channel parameter settings in the Chan-
    nel library. You can also store the Gate, Compressor, and EQ 
    parameter settings to the corresponding libraries.
    INPUT PATCH 
    						
    							18Input Channels
    01V96i—Reference Manual
    Setting the Input 
    Channels from the 
    Display
    To set the Input Channel parameters, you can either move the 
    cursor to the desired parameter on the display and change the 
    value, or operate the desired button or control on the top 
    panel to directly change the setting.
    This section explains how to set the parameters via the dis-
    play.
    Switching the Signal Phase
    To switch the phase of each Input Channel, press the 
    [ /INSERT/DELAY] button repeatedly until the following 
    /INS/DLY | Phase page appears.
    Move the cursor to the NOR/REV button of the channel for 
    which you want to change the phase, then press the [ENTER] 
    or [INC]/[DEC] buttons to change the setting.
    1NOR/REV
    These buttons switch the corresponding Input Channel 
    phase. NOR buttons indicate normal phase, and REV 
    buttons indicate reversed phase.
    2GLOBAL
    The GLOBAL NOR/REV buttons allow you to set the 
    phase for all Input Channels simultaneously.
    Delaying Input Channels
    To set the delay for each channel, press the 
    [ /INSERT/DELAY] button repeatedly until the page listed 
    below that contains the desired channels appears.
    • DLY 1-16 page
    This page enables you to set the Delay function for Input 
    Channels 1–16.
    • DLY 17-32 page
    This page enables you to set the Delay function for Input 
    Channels 17–32.
    The parameters on these two pages (and the procedure for 
    setting them) are the same.
    1DELAY SCALE
    The following buttons determine the units of the delay 
    value shown below the msec value.
    •meter........................ Units are set to meters.
    •feet............................ Units are set to feet.
    •sample...................... Units are set to samples.
    •beat........................... Units are set to beats.
    •frame........................ Units are set to timecode frames.
    2GANG button
    When this button is turned on (highlighted), the delay 
    time for each channel in a channel pair can be set simul-
    taneously. When this option is turned off, the delay time 
    can be set for each channel in a channel pair individually.
    3Channel section
    You can set individual delay parameters here. The delay 
    parameters include the following items:
    •ON/OFF
    This button switches the corresponding channel delay on 
    or off.
    •msec
    This parameter sets the delay time in milliseconds.
    • meter/feet/sample/beat/frame
    The delay time can be set using units of meters, feet, sam-
    ples, beats, or frames, which you select by using the 
    DELAY SCALE buttons.Tip: 
    •The name of the currently-selected channel is indicated in the 
    upper-right corner of the screen.
    •You can set the phase separately for each of the ST IN Channels 
    or for each channel in a channel pair. If you selected the desired 
    ST IN Channel using the corresponding [SEL] button, pressing 
    the same [SEL] button repeatedly will toggle between channels 
    L and R.
    12
    2 1 3 
    						
    							Setting the Input Channels from the Display19
    01V96i—Reference Manual
    Input Channels•MIX
    This parameter sets the mix balance of dry (Input Chan-
    nel) and wet (delayed) signals.
    •FB.GAIN
    This parameter sets the amount of delay feedback.
    Gating Input Channels
    To set the Input Channel gates, use the [SEL] buttons to select 
    the desired Input Channel, then press the DISPLAY ACCESS 
    [DYNAMICS] button, then press the [F1] button. The 
    Dynamics | Gate Edit page appears.
    1KEYIN SOURCE
    Select one of the following buttons to determine the trig-
    ger source for the currently-selected Input Channel’s gate.
    •SELF......................... The selected channel’s own input sig-
    nal is the trigger source.
    •CHANNEL............. Another Channel’s input signal is the 
    trigger source. Select the desired 
    channel in the parameter box below 
    the CHANNEL button.
    •AU X......................... An Aux Send signal is the trigger 
    source. Select the desired bus in the 
    parameter box below the AUX but-
    ton.
    2STEREO LINK
    This parameter’s ON/OFF button enables you to pair 
    gates for stereo operation even when the Input Channels 
    are not paired.
    3CURVE
    This area displays the current gate curve.
    4TYPE
    This area displays the current gate type (GATE or DUCK-
    ING).
    5Meters
    These meters indicate the levels of the post-gate signals 
    and the amount of gain reduction.
    6ON/OFF
    The ON/OFF button turns the currently-selected Input 
    Channel’s gate on or off.
    7PARAMETER
    These controls enable you to set the gate parameters. (See 
    page 148 for more information on the parameters.)
    Tip: 
    •This function is unavailable for the ST IN Channels.
    •The delay time range depends on the sampling rate at which 
    the 01V96i is operating.
    •If you select the DELAY SCALE meter or feet button, the dis-
    tance value can be converted to the delay time based on sonic 
    speeds (about 343.59 m/sec at 20 degrees Celsius). This option 
    is useful if you wish to correct the timing difference between 
    two sound sources that are far apart.
    •If you select the DELAY SCALE beat button, a parameter box 
    for setting a note that represents the beat and a parameter box 
    for a tempo (BPM) setting appear below the DELAY SCALE 
    parameter. Setting the note and BPM settings in these param-
    eter boxes enables you to set a delay time that synchronizes to 
    the song tempo.
    34521
    7 6
    Note: You cannot change the gate type on this page. To 
    change the gate type, recall a program that uses the desired 
    gate type from the Gate library.
    Tip : 
    •This function is unavailable for the ST IN Channels.
    •You can store the gate settings in the Gate library, which 
    features preset programs that can be used for various 
    applications (see page 79). 
    						
    							20Input Channels
    01V96i—Reference Manual
    Compressing Input Channels
    To set the Input Channel compressors, use the [SEL] buttons 
    to select the desired Input Channel, then press the DISPLAY 
    ACCESS [DYNAMICS] button, then press the [F3] button to 
    display the Dynamics | Comp Edit page.
    1POSITION
    Use the Parameter wheel, or the [INC]/[DEC] buttons to 
    select the position of the compressor within the channel 
    from the following options:
    •PRE EQ.................... Immediately before EQ (default)
    •PRE FADER........... Immediately before the fader
    •POST FADER........ Immediately after the fader
    2STEREO LINK
    This ON/OFF button enables you to pair compressors for 
    stereo operation even when channels are not paired.
    3CURVE
    This area displays the current compressor curve.
    4TYPE
    This field indicates the compressor type used by the cur-
    rently-selected channel’s compressor 
    (COMP/EXPAND/COMP (H)/COMP (S)).
    5Meters
    These meters indicate the levels of the post-compressor 
    signals and the amount of gain reduction.
    6ON/OFF
    The ON/OFF button turns the currently-selected Input 
    Channel’s compressor on or off.
    7PARAMETER section
    These controls enable you to set the compressor parame-
    ters. (See page 149 for more information on the parame-
    ters of each compressor type.)
    Attenuating Input Channels
    To set the attenuator for each Input Channel, press the DIS-
    PLAY ACCESS [EQ] button, then press the [F3] button to 
    display the EQ | In Att page.
    Move the cursor to the knob for the desired Input Channel, 
    then rotate the Parameter wheel to set the amount of attenua-
    tion in the range of –96 dB to +12 dB.
    Note: You cannot change the Compressor type on this page. 
    To change the compressor type, recall a program that uses the 
    desired compressor type from the compressor library.
    Tip: 
    •This function is unavailable for the ST IN Channels.
    •You can store the compressor settings in the compressor 
    library, which features preset programs that can be used 
    for various applications (see page 80).
    34521
    7 6
    Tip: You can also set the attenuation amount (in dB) for the cur-
    rently-selected channel on the EQ | EQ Edit page. 
    						
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