Steinberg Wavelab Elements 8 Manual
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Audio Montage About the CD Window 201 CD-Text Lets you specify the CD-Text. To change the CD-Text, double-click the corresponding cell, and enter a new value. Comment Allows you to enter a comment. To enter a comment, double-click a cell. CD Menu Write Audio CD Opens a dialog from which you start writing a CD. Check CD conformity Verifies that the settings for the audio montage are in accordance with the Red Book standard. Adjust pauses between clips Opens a dialog, where you can adjust the pauses between clips. The following options are available: • Set specific pause time • Round existing pauses to closest second. Edit CD-Text Opens the CD-Text editor that allows you to enter descriptive text for the tracks that are written on CD. Assign UPC/EAN code Opens a dialog, in which you can assign a UPC/EAN code to a clip. Select Menu This menu allows you to select clips. The following options are available: • Select all clips • Select clips located before the cursor, on the focused track • Select clips located after the cursor, on the focused track • Deselect all clips
Audio Montage About Cloning Audio Montages 202 Creating Audio CD Tracks From Clips You can use the Check CD conformity option to check whether the audio montage is ready for writing to audio CD. PROCEDURE 1.In the Audio Montage workspace, make sure that the audio montage contains the material that you want on the audio CD. CD tracks must have a length of at least 4 seconds. 2. Audition the tracks in the CD window, and make corrections if necessary. 3. In the CD window, select CD > Check CD conformity. • If a warning message appears, make corrections and check the CD conformity again. • If no warning message appears, the audio montage is ready to write to audio CD. About Cloning Audio Montages When you clone an audio montage, you create a copy. Clone copies the audio montage and lets the new clips reference to the original audio files. This is useful if you want to create several versions of the audio montage, for example, to experiment with variations. However, any processing or editing that you apply to the actual audio files are reflected in both audio montages. Cloning Audio Montages This creates a copy of the audio montage in which the new clips reference to the original audio files. PROCEDURE
Audio Montage Mixing Down - The Render Function 203 Mixing Down - The Render Function The render function in the Master Section allows you to mix down the whole audio montage or a region of it to a single audio file. A mixdown is necessary to produce an audio file from the audio montage. RELATED LINKS: “Rendering” on page 226 Loudness Meta Normalizer This tool is a key mastering component to ensure that all songs get the same loudness and to prevent clipping. It allows you to adjust the loudness of each clip in the audio montage so that they all have the same loudness. It is also possible to adjust the loudness of the audio montage mix down as well as the loudness at the Master Section output. This tool operates on gains. It does not affect the underlying audio files or use any audio compressor. If it is not possible to match the loudness in a given clip without clipping, the level of the other clips is reduced so that all clips still achieve the same loudness. This does not happen if the Ignore peaks option is selected. To avoid clipping at the Master Section stage, you can limit the mixdown output of the audio montage before it goes into the Master Section and/or the Master Section output. NOTE The audio path in the audio montage uses 32-bit floating point processing. You can therefore overload it, for example, use levels above 0 dB in clips, without causing clipping in the signal path. The only section of the audio path that can introduce clipping is the output of the Master Section or the output of the audio montage. Both of these issues can also be solved by the Loudness Meta Normalizer. NOTE Since loudness requires several seconds of audio to be correctly computed, this tool is not adapted for very short clips (under 3 seconds).
Audio Montage Loudness Meta Normalizer 204 Loudness Meta Normalizer Dialog In this dialog, you can adjust the loudness of each clip in the audio montage so that they get the same loudness. You can also adjust the whole output. In the Audio Montage workspace, select Edit > Loudness Meta Normalizer. Clips, Master Section Output, and Audio Montage Output • When Clips is activated, the gain settings of all clips in the audio montage are adjusted individually so that all clips play back at equal loudness. • When Audio montage output is activated, the general gain setting of the audio montage is modified so that the audio montage mixdown matches a given loudness and optionally does not clip. • When Master section output is activated, the Master Section gain is adjusted so that the audio montage mixdown that is processed through all Master Section plug-ins matches a given loudness and optionally does not clip. The audio montage itself is not modified by this operation. The following options are available for the gain settings of clips, the audio montage output, and the Master Section output. Match loudness menu Select whether the audio montage output should match a given loudness or not. The following options are available: • Do not change loudness • Match loudest clip • Match focused clip
Audio Montage Notes Window 205 Peaks menu Select whether WaveLab Elements should limit the sample values (digital peaks), or ignore the peaks. This setting is less important for clips, as the whole audio montage mixdown can be further reduced. Maximum peak Determines the maximum peak value that is not to be exceeded. Additional Options Exclude audio montage effects If this option is activated, audio montage effects are not taken into account when you use the Loudness Meta Normalizer for processing. Only selected clips If this option is activated, only selected clips are processed with the Loudness Meta Normalizer. Notes Window This window allows you to keep notes about the current audio montage session. In the Audio Montage workspace, select Workspace > Specific tool windows > Notes. You can type into the window and use the standard HTML text editor controls to format your text, add images, and lists. The notes are saved with the audio montage file.
206 Recording You can record audio in the Audio Files workspace and in the Audio Montage workspace. Setting Up the Recording Dialog Before you start recording, set up the Recording dialog. PROCEDURE 1.In the Audio Files workspace or the Audio Montage workspace, click the Record button, or press [*] on the numeric key pad. 2. In the File to create section, open the pop-up menu, and select whether you want to record a named file or a temporary file. 3. In the File to create section, select a file name and the location where you want to store your file. 4. Select the audio format by doing one of the following: • Click the down arrow button to select a preset audio format. • Click the audio format text to open the Audio File Format dialog, select the format, and click OK. 5. Select whether you want to record to an audio file or an audio montage track, by selecting one of the following options: •Create new audio file window •Add to active audio file •Add to focused track of montage 6. Select whether you want the Level or the Spectrum display. 7. Optional: Make further settings in the Options section, and on the Options and the Values tabs.
Recording Dropping Markers During Recording 207 8. Click Record, to start recording. If you have selected one of the Auto-start options, the recording goes into Pause mode, until the specified Auto-start criteria are met. The background of the Recording dialog turns red to indicate that you are recording. 9. Optional: You can pause the recording by clicking the Pause button. 10. Optional: You can drop markers in the file during recording by clicking the drop marker buttons. 11. When you have finished recording, click Stop. 12. Optional: If you want to record another take, click Record again. Dropping Markers During Recording When you are recording, you can click the marker buttons to add a marker to the recorded file. PROCEDURE 1.Open the Recording dialog. 2. Make your settings and start recording. 3. Select the type of marker that you want to drop. • To drop a numbered generic marker, click the yellow marker button, or press [Ctrl]/[Command]-M. • To drop numbered generic region start and end markers, click the white buttons, or press [Ctrl]/[Command]-L/[Ctrl]/[Command]-R. RESULT The markers are dropped each time that you click the marker button. NOTE If you insert two or more region start markers in a row with no region end markers in between, only the last of these start markers is kept. The same applies for region end markers.
Recording Recording Dialog 208 Recording Dialog In this dialog, you can make recording settings and start recording an audio file. In the Audio Files workspace or the Audio Montage workspace, click the Record button or select Transport > Record. Main Buttons Record Starts recording. Depending on the recording options, the Pause mode is activated. Pause Pauses recording. Stop Stops recording. Discard Stops recording and deletes anything recorded so far. Method Tab On this tab, you can define options for starting, stopping, and pausing the recording automatically. You can select an input device and choose to start a recording at a specific time or stop if after a specific duration. File to create Specify whether you want to record a temporary file to be saved later, or record to a file with a specific name and location.
Recording Recording Dialog 209 Auto number from If this option is activated, increasing numbers are added to the file names of the successively saved files. Name The name of the file to be written, without the path. When typing, all files in the selected folder that start with the same letters are displayed. To display all files in the selected folder, click the list icon. Where Specifies the folder where you want to save the recording. Audio File Format Opens the Audio File Format dialog, where you can specify the file format. Location of the Recording Specifies where the audio is recorded: • In a new audio file window. • In an existing audio file is inserted at the edit cursor position (if none exists, a new one is created). • In an existing audio montage is inserted at the edit cursor position (if none exists, a new one is created). Auto-start if sound detected If this option is activated, recording starts when the audio input level exceeds the threshold level specified on the Values tab. Auto-start at given time If this option is activated, recording starts at a specified time according to the computer clock. Specify the time on the Values tab. Auto-stop after given duration If this option is activated, recording stops automatically after the duration specified on the Values tab. Auto-stop if silence If this option is activated, recording automatically stops when the audio input level drops below a specified threshold level and stays there for a certain amount of time. Specify the level and the duration on the Values tab. Auto-pause if silence If this option is activated, recording automatically pauses when the audio input level drops below a specified threshold level and stays there for a certain amount of time. Specify the level and the duration on the Values tab.
Recording Recording Dialog 210 Options Tab On this tab, you can make additional settings for the recording process. Activate monitoring when opening record window If this option is activated, the meters are activated when the Recording dialog opens. If this option is deactivated, the meters and the audio thru are displayed when pressing Record or activating Monitor. Stop playback when monitoring or recording If this option is activated, playback stops before monitoring or recording starts. Add markers when inserting recording in audio file If this option is activated and a recording is inserted into an audio file, markers are added encompassing the new samples. After recording, move edit cursor at the end When recording into an audio file or montage, it is often convenient to move the cursor to the end of the recording. Values Tab On this tab, you can define values for the various recording options. Auto-start on sound - Threshold (RMS) Specify the average sound level that is sufficient to trigger recording.