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Steinberg Wavelab Elements 8 Manual

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    							Audio File Editing
    File Handling in the Audio Files Workspace
    101
    File Handling in the Audio Files 
    Workspace
    About Mono/Stereo Handling
    WaveLab Elements is very flexible in its handling of stereo. All editing 
    operations can be performed on either one channel or on both.
    Supported File Formats
    WaveLab Elements can open and save audio files in a number of file 
    formats.
    The following table gives you some basic information about the formats:
    Format Description
    Wave (.wav) The following bit resolutions are supported: 8 bit, 16 bit, 
    20 bit, 24 bit, and 32 bit (float)
    AIFF (.aif, .aiff, .snd) Audio Interchange File Format, a standard defined by 
    Apple Computers Inc.. The following bit resolutions are 
    supported: 8 bit, 16 bit, 20 bit, and 24 bit
    MPEG-1 Layer 3 
    (.mp3)The most common audio compression format. The major 
    advantage of MPEG compression is that the file size is 
    significantly reduced, while there is little degradation of 
    sound quality. WaveLab Elements can both open and save 
    files in this format.
    NOTE: When you open an MPEG compressed file in 
    WaveLab Elements, the file is converted to a temporary 
    wave file. On saving, the temporary wave file is converted 
    back to MP3.
    MPEG-1 Layer 2 
    (.mp2, .mpa, .mpg, 
    .mus)MP2 (sometimes referred to as “Musicam files”) is a 
    common file format in the broadcast industry. With regard 
    to file sizes, the same applies for MP3 files.
    Original Sound 
    Quality (.osq)This is the proprietary lossless compressed audio format of 
    WaveLab Elements. By saving files in this format, you can 
    save considerable disk space without compromising audio 
    quality.
    Sound Designer II 
    (.sd2)This audio file format is used by Digidesign applications 
    (such as Pro Tools). The following bit resolutions are 
    supported: 8 bit, 16 bit, and 24 bit 
    						
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    U-LAW (.ulaw, .vox) This is an audio encoding and compression technique 
    supported by Windows and Web phones, using 8 bit 
    resolution. The U.S. telephone system uses U-law 
    encoding for digitization.
    A-LAW (.alaw, .vox) This is an audio encoding and compression technique for 
    telephony, using 8-bit resolution. The EU telephone system 
    uses A-law encoding for digitization.
    Sun/Java (.snd, .au) This is an audio file format used on Sun and NeXT 
    computers. The following bit resolutions are supported: 
    8 bit, 16 bit, and 24 bit
    ADPCM – 
    Microsoft/Dialogic 
    (.vox)This is a format commonly used for games and telephony 
    applications. It offers a lower bit rate than linear PCM and 
    thus requires less storage space/bandwidth.
    Ogg Vorbis (.ogg) Ogg Vorbis is a compressed file format that is open, 
    patent-free, and creates very small audio files maintaining 
    comparatively high audio quality.
    Text/Excel (.txt) This is a text representation of a waveform. By saving an 
    audio file as a text file and then opening it in a spreadsheet 
    application such as Excel, you can view it in textual, 
    decimal form, and edit the sample values. When you open 
    a text file representing a waveform in WaveLab Elements, it 
    is decoded and opened as an audio file. Note that these 
    files are not compressed in any way, so they become get 
    very large. Note that when using 32-bit float files, the .txt 
    format is not 100 % lossless. This is because it is not 
    possible to express a binary floating point value in textual 
    decimal form without some precision loss.
    Windows Media 
    Audio (.wma, .asf)Microsoft’s own compressed format. WaveLab Elements 
    lets you import/export audio in this format (Windows only). 
    To import/export audio in WMA surround format, Windows 
    Media Player 9 or later must be installed on your system.
    Ensoniq Paris (.paf) Used by the Ensoniq Paris™ system. The following bit 
    resolutions are supported: 16 bit and 24 bit
    FLAC (.fla) Free Lossless Audio Codec (FLAC) is a codec which 
    allows digital audio to be losslessly compressed.
    Apple formats 
    (.aac, .m4a, .mp4, 
    .m4b, .caf, .3gp, 
    .3g2, .caf)If Quicktime is installed on your system, these formats are 
    available (read-only and only on 32-bit Windows or MAC 
    systems). Format Description 
    						
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    File Handling in the Audio Files Workspace
    103
    NOTE
    The “$$$” file type is a temporary file format of WaveLab Elements. In 
    case you experience a computer, crash you may restore some of your 
    work by opening any stray “$$$” files on your hard disk.
    About 20-bit, 24-bit, and 32-bit Float Files
    You do not need a 20-bit or 24-bit audio card to take advantage of the 
    fact that WaveLab Elements can handle 20-bit and 24-bit audio files. 
    Any processing or editing performed on the files is always done at full 
    resolution (32-bit float), even if your card does not support the full 
    resolution.
    For playback, WaveLab Elements automatically adapts to the card that 
    you have installed.
    Creating a New Audio File
    You can create an empty audio file, to assemble material from other 
    audio files, for example.
    PROCEDURE
    1.In the Audio Files workspace, select File > New.
    2. In the dialog, specify the audio properties, and click OK.
    Saving an Audio File
    PROCEDURE
    1.In the Audio Files workspace, do one of the following:
    • To save an audio file that has never been saved before, select File 
    > Save as.
    • To save an audio file that has been saved before, click the Save 
    button, or select File > Save.
    2. In the Save Audio File dialog, specify a file name and location.
    3. Set up the available options:
    • Keep this format for next time
    • Save copy
    • Open standard file selector before this dialog
    4. Click Save. 
    						
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    File Handling in the Audio Files Workspace
    104
    Saving in Another Format
    You can change the file format, sampling frequency, bit resolution, and 
    stereo/mono status when saving.
    PROCEDURE
    1.In the Audio Files workspace, select File > Save as.
    2. Specify the file name and location.
    3. Click in the Output Format field.
    4. In the Audio File Format dialog, set the file format and specify the 
    properties.
    5. Click OK.
    6. Click Save.
    RESULT 
    A new file is created. The original file is not affected by the operation.
    Audio File Format Dialog
    In this dialog, you can change various file settings when saving.
    In the Audio Files workspace, select File > Save as, and click the 
    Output Format field. This dialog can also be opened from various other 
    locations in WaveLab Elements.
    Type
    Select an audio file type. This affects the options available on the 
    Audio format menu.
    File extension
    Select a file extension compatible with the current file type. 
    						
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    Audio format
    Select an audio format compatible with the current file type.
    Channels
    Specify the number of audio channels for the files to be created. 
    For multichannel audio montages, you can create multiple files.
    Sample rate
    Select a sample rate for the audio file. If you change this setting, a 
    sample rate conversion takes place.
    IMPORTANT
    Use this only for simple conversions. For professional results, use the 
    Resample plug-in to add limiting and dithering.
    Bit resolution
    Select a bit resolution for the audio file. This option is only available 
    for certain file types.
    IMPORTANT
    Reducing the bit resolution is only advised for simple conversions. For 
    professional results, it is recommended to add dithering in the Master 
    Section.
    Meta-data
    Lets you make meta-data settings that are saved with the file. This 
    option is only available for certain file types.
    The following options are available:
    • When Do not save anything is selected, no meta-data are saved 
    with the file.
    • When Inherit from source file is selected, the meta-data of the 
    source file are used. If this option is selected and the source 
    meta-data is empty, the default meta-data will be used, if available. 
    • When selecting Specific to this configuration, you can edit the 
    meta-data, or replace it with a meta-data preset. To edit the 
    meta-data, open the meta-data pop-up menu again, and select 
    Edit. 
    						
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    About Changing the Format
    When changing the sample rate, bit resolution, and number of channels 
    of an audio file, several operations are performed.
    • If you only want to change the bit resolution, you can do this 
    directly in the Edit > Audio properties dialog instead, and then 
    save the audio file.
    • For high quality mastering purposes, it is not recommended to 
    change the sample rate and number of channels using the Audio 
    properties dialog, but instead use plug-ins and functions of the 
    Master Section.
    • For the available compressed file formats (MP3, MP2, WMA, and 
    Ogg Vorbis), you can specify various options, such as bit rate and 
    compression method, and also enter text tags for the file.
    Saving as OSQ File
    OSQ (Original Sound Quality) is a lossless audio compression format, 
    which can significantly reduce the audio file size without affecting the 
    audio quality.
    PROCEDURE
    1.In the Audio Files workspace, select File > Save as.
    2. Specify the file name and location.
    3. Click in the Output Format field.
    4. In the Audio File Format dialog, set the type to Original Sound 
    Quality (OSQ) and specify the properties.
    5. Click OK.
    6. Click Save.
    Property Action
    Sample rate If a new sample rate is specified, a sample rate conversion is 
    performed.
    Bit 
    resolutionIf a different bit resolution is specified, the file is either “truncated” 
    down to 8 bits, or “padded” up to 24 bits. If you are converting to a 
    lower bit resolution, you should consider adding dithering.
    Mono/ 
    StereoIf the file is converted from mono to stereo, the same material is 
    used in both channels. If the conversion is from stereo to mono, a 
    mix of the two channels is created. 
    						
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    Saving a Selection as an Audio File
    You can save a selection in the currently open audio file as a new audio 
    file.
    PROCEDURE
    1.In the wave window, make a selection range.
    2. Select File > Export > Selected time range.
    3. Specify a file name, location, and output format.
    4. Click Save.
    Saving Left/Right Channel as Audio File
    You can save each channel individually into a separate file. Use this 
    option when you have been editing dual mono files, for example.
    PROCEDURE
    1.In the Audio Files workspace, select File > Export > Left channel 
    or Right channel.
    2. Specify a file name, location, and output format.
    3. Click Save. 
    						
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    Encoding Audio Files
    Audio can be stored in different formats. The process of converting 
    audio to another format is called encoding. When saving audio files, you 
    can specify various encoding options for some file formats.
    MP3 Encoding Dialog
    You can edit the encoding options when you save an MP3 audio file.
    You can open the MP3 encoding dialog from most places where you 
    can select an output file format. For example, in the Audio Files 
    workspace, select File > Save as, click the Output Format field, select 
    MPEG-1 Layer 3 (MP3) as type, click the Encoding field, and select 
    Edit.
    Encoder
    Lets you select the encoder (Fraunhofer or Lame).
    Constant/Variable Bit Rate
    The bit rate is related to the quantity of data used to encode the 
    audio signal. The higher the value, the better the quality, but the 
    larger the output file. If you choose Variable Bit rate, the rate 
    changes, according to the complexity of the audio material. 
    						
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    Highest quality (slowest)/Fastest
    Select the quality that you want to achieve. The higher the quality, 
    the more resources and time are required to analyze and compress 
    the audio signal.
    NOTE
    When selecting Highest quality (slowest), this can enforce a certain 
    sample rate for the audio file. If this is the case and the sample rate is 
    different from the input sample rate, a message is displayed.
    When using the Lame encoder, additional settings can be made on the 
    Advanced tab.
    Allow intensity stereo coding
    Decreases the bit rate by reorganizing the intensity information 
    between the channels.
    Specify as “Original Recording”
    Marks the encoded file as the original recording.
    Write private bit
    This is a custom flag.
    Write copyright flag
    Marks the the encoded file as copyright protected.
    Write check-sum
    Allows other applications to check the integrity of the file.
    Create long frames
    Saves space by writing fewer headers in the file (not compatible 
    with all decoders). 
    						
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    MPEG-1 Layer 2 Encoding Dialog
    You can edit the encoding options when you save an MPEG-1 Layer 2 
    (MP2) audio file.
    You can open the MPEG-1 Layer 2 encoding dialog from most places 
    where you can select an output file format. For example, in the Audio 
    Files workspace, select File > Save as, click the Output Format field, 
    select MPEG-1 Layer 2 as type, click the Encoding field, and select 
    Edit.
    Bit rate
    Lets you select the bit rate. The bit rate is related to the quantity of 
    data used to encode the audio signal. The higher the value, the 
    better the quality, but the larger the output file.
    Stereo encoding - Standard
    In this mode, the encoder does not use the correlation between 
    channels. However, the encoder can take space from a channel 
    that is easy to encode and use it for a complicated channel.
    Stereo encoding - Joint
    In this mode, the encoder uses existing correlations between the 
    two channels to increase the ratio quality/space.
    Stereo encoding - Dual
    In this mode, both channels are independently encoded. This 
    mode is recommended for signals with independent channels.
    Specify as “Original Recording”
    Marks the encoded file as the original recording.
    Write private bit
    This is a custom flag.
    Write copyright flag
    Marks the encoded file as copyright protected.
    Write check-sum
    Allows other applications to check the integrity of the file. 
    						
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