Steinberg Halion 3 Manual
Here you can view all the pages of manual Steinberg Halion 3 Manual. The Steinberg manuals for Music Workstation are available online for free. You can easily download all the documents as PDF.
Page 161
Included Instruments Anima 161Arp Controller 1–3 The 3 controllers available on this submenu correspond to the three controller lanes on the Arp page. Bus 1–8 Modulations that are sent to one of the eight busses can be reused as sources. This way, you can combine several modulations to produce more complex signals. Quick Control 1–8 The quick controls can be used as modulation signal. Unipolar vs. Bipolar Sources The polarity of a modulation source specifies the value range that it produces. Unipolar...
Page 162
Included Instruments Anima 162WT 1/2 Level Modulates the Level parameter of the corresponding wavetable oscillator. WT 1/2 Pan Modulates the Pan parameter of the corresponding wavetable oscillator. WT 1/2 Multi Detune Modulates the multi-oscillator Detune parameter of the corresponding wavetable oscillator. WT 1/2 Multi Pan Modulates the multi-oscillator Pan parameter of the corresponding wavetable oscillator. WT 1/2 Multi Spread Modulates the multi-oscillator Spread parameter of the corresponding...
Page 163
Included Instruments Anima 163Amp Env Attack Modulates the attack time of the amplitude envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts. Amp Env Decay Modulates the decay time of the amplitude envelope. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts. Amp Env Sustain Modulates the sustain level of the amplitude envelope. This modulation destination cannot be modulated...
Page 164
Included Instruments Anima 164Env 3 Attack Level Modulates the attack level of the user-definable envelope 3, that is, the level of the second envelope node. This modulation destination cannot be modulated continuously. The level is updated only when the segment starts. Env 3 Decay Modulates the decay time of the user-definable envelope 3. This modulation destination cannot be modulated continuously. The time is updated only when the segment starts. Env 3 Sustain Modulates the sustain level of the...
Page 165
Included Instruments Anima 165Retrigger This option is only available in Mono mode. If Retrigger is activated, a note that was stolen by another note is retriggered if you still hold the stolen note when you release the new one. This way, you can play trills by holding one note and quickly and repeatedly pressing and releasing another note, for example. Trigger Mode Defines the trigger behavior for new notes. •Normal triggers a new note when the previous note gets stolen. The sample and the envelope of...
Page 166
Included Instruments Anima 166negative values to lower the pitch the higher you play. At a setting of +100 %, the pitch follows the played note exactly. Distribution Allows you to specify how unison voices are spread in pitch. Changing the unison voice distribution will create different modulations between the unison voices. •If this is set to 0, the distribution is linear, that is, all voices have an equal distance in their pitch offset. •Raising the value stretches the distribution using an...
Page 167
Included Instruments Anima 167•BR12 and BR24 are band-reject filters with 12 and 24 dB/oct. Frequencies around the cutoff are attenuated. •BR12+LP6 and BR12+LP12 are combinations of a band-reject filter with 12 dB/oct and a low-pass filter with 6 and 12 dB/oct, respectively. Frequencies around and above the cutoff are attenuated. •BP12+BR12 is a band-pass filter with 12 dB/oct plus a band-reject filter with 12 dB/oct. Frequencies below, above, and around the cutoff are attenuated. •HP6+BR12 and...
Page 168
Included Instruments Anima 168Filter Envelope On the left on the Env F/A tab, you can set up the filter envelope. Attack Controls the attack time of the filter envelope. Decay Controls the decay time of the filter envelope. Sustain Controls the sustain level of the filter envelope. Release Controls the release time of the filter envelope. Amplifier and Amplifier Envelope On the right of the Env F/A tab, you can make settings for the amplifier and the amplifier envelope. Amplifier Parameters Level...
Page 169
Included Instruments Anima 169Decay Controls the decay time of the amplifier envelope. Sustain Controls the sustain level of the amplifier envelope. Release Controls the release time of the amplifier envelope. Env3 Section The Env3 section provides an additional envelope that can be routed freely in the modulation matrix. This envelope is bipolar, therefore, it is particularly suited to modulate destinations like pan or pitch, for example. The faders below the envelope display set the following...
Page 170
Included Instruments Anima 170•Triangle is similar to Sine. Shape continuously changes the triangle waveform to a trapezoid. •Saw produces a ramp cycle. Shape continuously changes the waveform from ramp down to triangle to ramp up. •Pulse produces stepped modulation, where the modulation switches abruptly between two values. Shape continuously changes the ratio between the high and low state of the waveform. If Shape is set to 50 %, a square wave is produced. •Ramp is similar to the Saw waveform. Shape...