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Steinberg Halion 3 Manual

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Page 211

Effects Reference
Reverb Effects 
211Level
Adjusts the level of the impulse response.
Equalizer
Activates the built-in three-band equalizer.
ER/Tail Split
Sets the split point between the early reflections and the reverb tail.
ER/Tail Mix
Sets the balance between the early reflections and the reverb tail. At a setting of
50 % the early reflections and the tail have the same volume level. Settings below
50 % raise the early reflections and lower the tail, as a result the sound source
moves towards the...

Page 212

Effects Reference
Reverb Effects 
212ER/Tail
Sets the level balance between the early reflections and the reverb tail. At a
setting of 50 %, early reflections and tail have the same volume. Settings below
50 % raise the early reflections and lower the tail, as a result the sound source
moves towards the front of the room. Settings above 50 % raise the tail and lower
the early reflections, as a result the sound source moves toward the back of the
room.
Delay
Delays the onset of the reverb tail.
Room Size...

Page 213

Effects Reference
Reverb Effects 
213ER High Cut
Attenuates the high frequencies of the early reflections. The lower this value, the
fewer high frequencies the early reflections will have.
Shape
Controls the attack of the reverb tail. At a setting of 0 %, the attack is more
immediate, which is a good setting for drums. The higher this value, the less
immediate the attack.
Density
Adjusts the echo density of the reverb tail. At a setting of 100 %, single reflections
from walls cannot be heard. The lower...

Page 214

Effects Reference
Delay Effects 
214Delay Effects
Multi Delay
This effect produces delays, with adjustable time, feedback, and filters.
Mode
•Stereo has two independent delay lines, one for the left and one for the
right audio channel, each with a feedback path of its own.
•Cross has two delay lines with cross feedback, where the delay of the left
channel is fed back into the delay of the right channel, and vice versa.
•Ping-Pong mixes the left and right input channels and sends the mixed
signal to...

Page 215

Effects Reference
EQ Effects 
215Feedback L/R
Offsets the amount of feedback of the left or right delay from the overall
feedback. A factor of 1 means that the amount of feedback corresponds to
the overall feedback. A factor of 0.5 means that the amount is half the overall
feedback.
•To offset the left feedback, turn the control to the left.
•To offset the right feedback, turn the control to the right.
NOTE
This parameter is only available in Stereo mode.
High Freq
Attenuates the high frequencies of the...

Page 216

Effects Reference
EQ Effects 
216Q (Quality)
Adjusts the bandwidth of the mid-range peak filters from wide to narrow. By
increasing the Q value on the low and high shelving filters, you can add a dip to
their shape.
•To adjust the parameters Gain and Freq simultaneously, drag the points in the EQ
curve display.
Graphic EQ
Graphic EQ is an equalizer with ten frequency bands that can be cut or boosted by up to 12
 dB. In addition, you can specify the overall range and output of the equalizer.
Output...

Page 217

Effects Reference
Filter Effects 
217DJ-EQ
This plug-in is an easy-to-use 3-band parametric equalizer that resembles the EQs found on
typical DJ mixers. This plug-in is designed for quick sound fixes.
Low Freq/Mid Freq/High Freq
Set the amount of boost or attenuation for the low, mid, and high bands.
You can also click and drag in the display to change these values.
Low Cut/Mid Cut/ High Cut
Cut the low, mid, and high bands.
Reset Output Peak Level
Resets the peak level that is displayed in the output...

Page 218

Effects Reference
Filter Effects 
218band-pass filter). Frequencies below and above the cutoff are attenuated.
Attenuation is more pronounced for the frequencies above the cutoff.
•HP12+LP6 and HP18+LP6 are combinations of a high-pass filter with 12
and 18 dB/oct and a low-pass filter with 6 dB/oct (asymmetric band-pass
filter). Frequencies below and above the cutoff are attenuated. Attenuation
is more pronounced for the frequencies below the cutoff.
•HP24, 18, 12, and 6 are high-pass filters with 24,...

Page 219

Effects Reference
Filter Effects 
219Distortion
Adds distortion to the signal. The effect depends on the selected distortion type.
At higher settings, it creates a very intense distortion effect.
NOTE
This parameter is not available if Distortion Type is set to Off.
Output
Adjusts the gain after the filter and distortion. This parameter only affects the wet
signal.
Mix
Sets the ratio between the dry and the wet signal.
LFO Section
LFO Waveform and Shape
Waveform selects the basic type of waveform. Shape...

Page 220

Effects Reference
Filter Effects 
220Depth
Determines the output level of the LFO modulation signal.
Cutoff
Determines the modulation intensity of the LFO on the filter cutoff.
Morph
Determines the modulation intensity of the LFO on the filter morph.
Envelope Follower Section
The Envelope Follower traces the input signal with an adjustable attack and release time and
delivers a modulation signal representing the level envelope of the signal.
Sensitivity
All input signals are mixed down to mono before...
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