Steinberg Halion 3 Manual
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Page 181
Included Instruments Skylab 181•HP6+LP18 and HP6+LP12 are combinations of a high-pass filter with 6 dB/ oct and a low-pass filter with 18 and 12 dB/oct, respectively (asymmetric band-pass filter). Frequencies below and above the cutoff are attenuated. Attenuation is more pronounced for the frequencies above the cutoff. •HP12+LP6 and HP18+LP6 are combinations of a high-pass filter with 12 and 18 dB/oct and a low-pass filter with 6 dB/oct (asymmetric band-pass filter). Frequencies below and above the...
Page 182
Included Instruments Skylab 182Cutoff Velocity Controls the cutoff modulation from velocity. Cutoff Key Follow Adjusts the cutoff modulation using the note number. Increase this parameter to raise the cutoff with higher notes. At 100 %, the cutoff follows the played pitch exactly. Filter Envelope On the left on the Env F/A tab, you can set up the filter envelope. Attack Controls the attack time of the filter envelope. Decay Controls the decay time of the filter envelope. Sustain Controls the sustain...
Page 183
Included Instruments Skylab 183Velocity Controls the level modulation from velocity. At 0, all notes are played with the same level. Amplifier Envelope Parameters Attack Controls the attack time of the amplifier envelope. Decay Controls the decay time of the amplifier envelope. Sustain Controls the sustain level of the amplifier envelope. Release Controls the release time of the amplifier envelope. Env3 Section The faders below the envelope display set the following parameters: •L0 sets the start...
Page 184
Included Instruments Skylab 184LFO Section In the LFO section, you can make settings for LFO A and LFO B. LFO Waveform and Shape •Sine produces smooth modulation, suitable for vibrato or tremolo. Shape adds additional harmonics to the waveform. •Triangle is similar to Sine. Shape continuously changes the triangle waveform to a trapezoid. •Saw produces a ramp cycle. Shape continuously changes the waveform from ramp down to triangle to ramp up. •Pulse produces stepped modulation, where the modulation...
Page 185
Included Instruments Raven 185Arp Page This page contains the same parameters as the FlexPhraser. RELATED LINKS FlexPhraser on page 76 Raven Raven provides the sound of a classical Italian concert grand with six velocity layers and adjustable sustain resonances. Its Tone control allows you to adapt the tonal range from very soft romantic to more intense colors. In addition, you can modify the character of the note-off behavior by adding a dedicated note-off layer. Tone Raven comes with 6 different...
Page 186
Included Instruments Eagle 186•If you turn the knob to the left, the number of hard velocity layers that are used in the sound is reduced, that is, the sound becomes softer. •If you turn the knob to the right, the number of soft velocity layers that are used is reduced, that is, the sound becomes harder. NOTE The Tone control is independent from the influence that the velocity has on the level of the piano. That means that you can always play the entire level range, even with the softest or the hardest...
Page 187
Included Instruments Eagle 187soft romantic to more intense colors. In addition, you can modify the character of the note-off behavior by adding a dedicated note-off layer. Tone Eagle comes with 12 different velocity layers. The Tone control allows you to specify how these layers are used. •If the Tone control is in middle position, different input velocities trigger all 12 layers. •If you turn the knob to the left, the number of hard velocity layers that are used in the sound is reduced, that is, the...
Page 188
Included Instruments Hot Brass 188If this option is activated, the sustain resonance layers are played when the sustain pedal is held and notes are played. You can adjust the level of the resonance layer with the dial on the right. NOTE The piano also allows for repedaling, which means that the sustain resonances will also be blended in when the sustain pedal is pressed again shortly after notes have been played. If you do not want to use the sustain resonance layers, deactivate this option to save CPU...
Page 189
Included Instruments Hot Brass 189Main Page The Main page allows you to select the sample for Hot Brass and to make basic pitch settings. Select Samples Allows you to choose from a range of included samples. Hot Brass provides three differently mixed sections and a pure saxophone section. You can add additional authenticity to your play using the included falls, growls, doits, shakes, and staccato articulations. Coarse Adjusts the pitch in semitone steps. Fine Allows you to fine-tune the pitch in cent...
Page 190
Included Instruments Hot Brass 190Creating Modulations You create modulations by selecting a source, a modifier, and a destination from the pop-up menus in the modulation matrix. PROCEDURE 1.Click the modulation Source field and select the modulation source. 2.Optional: Click in the modulation Modifier field and select the parameter that you want to use to modify the modulation. This modifier is used to scale the output of the modulation source. 3.Optional: Specify whether you want the Source and...