Steinberg Halion 3 Manual
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Page 111
Included Instruments Auron 111Width Narrows the stereo width of the grain oscillator. It is applied after the grain oscillator and does not affect the stereo width of the actual sample. At a setting of 0 %, the output of the grain oscillator is monophonic. Auto Gain Allows you to automatically adjust the level of grains using quieter sample parts. This way, you get a more homogeneous signal and you can use a quiet part of a sample as source. Grains Allows you to specify the number of grains, from 1 to...
Page 112
Included Instruments Auron 112Freq Controls the frequency of the modulation, that is, the speed of the LFO. Sync If Sync is activated, the frequency is set in fractions of beats. Position Controls the modulation depth of the grain position modulation. Formant Controls the modulation depth of the grain formant modulation. Duration Controls the modulation depth of the grain duration modulation. Cutoff Controls the modulation depth of the filter cutoff modulation. Mod Wheel Settings Vib Freq Controls the...
Page 113
Included Instruments Auron 113Voice Page Polyphony If Mono mode is deactivated, you can use this parameter to specify how many notes can be played simultaneously. Octave Adjusts the pitch in octave steps. Coarse Adjusts the pitch in semitone steps. Fine Allows you to fine-tune the pitch in cent steps. Fixed Pitch Activate this option if you do not want the sample to be transposed over the keyboard. If you work with short grain durations and Duration Key Follow is activated on the Osc page, the pitch of...
Page 114
Included Instruments Auron 114one note and quickly and repeatedly pressing and releasing another note, for example. Trigger Mode Defines the trigger behavior for new notes. •Normal triggers a new note when the previous note gets stolen. The sample and the envelope of the new note are triggered from the start. To minimize discontinuities, use the Fade Out parameter of the zone. •Resume does not always trigger a new note. If the new note stays within the same zone, the envelope is retriggered, but resumes...
Page 115
Included Instruments Auron 115•BR12+LP6 and BR12+LP12 are combinations of a band-reject filter with 12 dB/oct and a low-pass filter with 6 and 12 dB/oct, respectively. Frequencies around and above the cutoff are attenuated. •BP12+BR12 is a band-pass filter with 12 dB/oct plus a band-reject filter with 12 dB/oct. Frequencies below, above, and around the cutoff are attenuated. •HP6+BR12 and HP12+BR12 are combinations of a high-pass filter with 6 and 12 dB/oct and a band-reject filter with 12 dB/oct....
Page 116
Included Instruments Auron 116Decay Controls the decay time of the filter envelope. Sustain Controls the sustain level of the filter envelope. Release Controls the release time of the filter envelope. Amplifier Section Level Controls the overall volume of the sound. Velocity Controls the level modulation from velocity. At 0, all notes are played with the same level. Amplifier Envelope Section Attack Controls the attack time of the amplifier envelope. Decay Controls the decay time of the amplifier...
Page 117
Included Instruments Trium 117RELATED LINKS FlexPhraser on page 76 Trium Trium was designed to create modern and rich sounds. It comes with 3 oscillators, a sub oscillator, a ring modulator, and a noise generator. With the integrated arpeggiator and step sequencer, you can create anything from sequencer lines to stepped chords. The oscillators are followed by a multi-mode filter that offers a large number of different filter shapes. The filter can be modulated using modulation sources like the...
Page 118
Included Instruments Trium 118(sine, triangle, saw, or square) is reset with each full wave cycle of the master oscillator. This means that a single oscillator can produce a rich sync-sound without using other oscillators as slave or master. The Waveform parameter adjusts the pitch of the slave oscillator, producing the typical sync sound. •CM (cross modulation) provides a combination of two oscillators where a master oscillator is modulating the pitch of a slave oscillator (sine, triangle, saw, or...
Page 119
Included Instruments Trium 119•Spread narrows or widens the stereo panorama. With a setting of 0 %, you create a mono signal, and with 100 %, you create a stereo signal. Sub Page The Sub page contains the parameters for the sub oscillator, the ring modulator, and the noise generator. Activate the sub oscillator, the ring modulator, and the noise generator by clicking their On/ Off buttons. NOTE Deactivate the sub oscillator, the ring modulator, and the noise generator if they are not needed, because...
Page 120
Included Instruments Trium 120Ring Modulation Level Adjusts the output level of the ring modulation. Noise Generator The Noise parameter is used for non-pitched sounds. In addition to standard white and pink noise, there are also band-pass filtered versions of white and pink noise. Noise Type The sound color of the noise. You can choose between standard and band-pass filtered (BPF) versions of white and pink noise. Noise Level Adjusts the output level of the noise generator. Voice Parameters On the...