Steinberg Halion 3 Manual
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Editing Layers Insert Effects 61Expression Maps For more realistic performances, many instrument layers use key switches to switch between different expressions, that is, between different articulations and playing styles of the same instrument. These key switches are set to low keys to maximize the playable range and they cannot be changed internally to ensure that performances played by FlexPhrasers always sound the same. However, in some cases you need to shift the key switches into the playable...
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Editing Layers Step Modulator 62assign to the program affect all layers. Typically, you assign effects like EQ or distortion to separate layers, but effects like delay or reverb to the entire program. Each layer and the program have four slots for assigning insert effects. The handling is the same for all slots and corresponds to the global effect handling. To the right of the insert slots, you find faders for adjusting the output levels of the program and layers. RELATED LINKS Using the Insert Effect...
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Editing Layers Step Modulator 63Note If Sync Mode is set to one of the Tempo settings, this adjusts the length of the steps in fractions of beats. You can also select triplet values. Triplet Activate this button to use triplet note values. Retrigger Mode Determines whether the sequence restarts when you play a note. This parameter is only available if Sync Mode is set to Off or Tempo + Retrig. •If this parameter is set to Off, the sequence is not restarted. Instead, it resumes playback at the position...
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Editing Layers Modulation Matrix 64Editing Steps •To set the level of a step, click at the corresponding position in the graphical editor. •To change the value of a step, drag the step up or down or enter a new value in the Level value field. •To reset the level of a step to 0 %, Ctrl/Cmd-click the step. •To reset all steps, hold Shift-Ctrl/Cmd and click in the graphical editor. •To adjust all steps at the same time, Shift-click and drag a step. •To draw a ramp with steps, hold down Alt and draw a...
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Editing Layers Modulation Matrix 65switched between unipolar and bipolar. An additional modifier and user-definable curves and ranges give you further control over the modulation. The modulation matrix is divided into two sections. On the left, you can assign modulation sources to destinations and adjust the modulation depth. The section on the right contains settings for the curve and range editor, where you can make further settings for the selected modulation source. Creating Modulations PROCEDURE...
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Editing Layers Modulation Matrix 66NOTE You can copy modulation rows between different programs and between different plug-in instances. Insert Modulation Inserts an empty modulation slot. Remove Modulation Removes the modulation slot. Name of the Assigned Source/Modulator/Destination Depending on where you click, the assigned modulation source, the modulator, or the modulation destination is shown on the context menu. Assign to New Automation Assigns this modulation source as automation parameter....
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Editing Layers Modulation Matrix 67•Relative remote-controls the parameter values continuously. Relative mode changes the values of the assigned parameters without losing their relative settings, that is, parameter changes can still be heard. •Switch Absolute switches between the minimum and maximum value. Parameter changes are overwritten. •Switch Relative switches between the minimum and maximum value. Parameter changes can still be heard. RELATED LINKS Setting Up Automation on page 100 Modulation...
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Editing Layers Modulation Matrix 68Key Follow This produces an exponential modulation signal derived from the MIDI note number. Exponential means this source works with destinations such as Pitch or Cutoff. This modulation source is bipolar. Note-on Velocity Note-on velocity can be used as modulation signal. This modulation source is unipolar. Note-on Vel Squared The squared version of Note-on Velocity. The harder you press the key, the higher the modulation values. Note-on Vel Normalized The note-on...
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Editing Layers Modulation Matrix 69Note Expression This submenu lists the eight Note Expression parameters that can be used as modulation signals. Noise Produces a random modulation signal. This modulation source is bipolar. Output The audio output of the layer can be used as modulation signal. This modulation source is unipolar. Bus 1–16 Modulations that are sent to one of the 16 busses can be reused as sources. This way, you can combine several modulations to produce more complex signals. Modulation...
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Editing Layers Modulation Matrix 70Unipolar vs. Bipolar Sources The polarity of a modulation source specifies the value range that it produces. Unipolar sources modulate between 0 and +1. Bipolar sources modulate between -1 and +1. •To change the polarity of a modulation source, click its Polarity button. Modulation Depth The horizontal fader below the destination adjusts the modulation depth. Bypass Modulation Click the Bypass button in front of the depth fader to bypass the modulation. Modulation...