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Steinberg Cubase Studio 4 Operation Manual Studio Manual
Steinberg Cubase Studio 4 Operation Manual Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Operation Manual Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 221
221 Audio processing and functions Pitch Shift This function allows you to change the pitch of the audio with or without affecting its length. You can also create “harmonies” by specifying several pitches or apply pitch shift based on a user specified envelope curve. When the “Transpose” tab is selected, the dialog contains the following parameters: Keyboard display This offers a way to specify the transpose interval in semi- tones and gives a graphic overview of the transposition setting. The “root...
Page 222
222 Audio processing and functions Formant Mode If you are processing vocal material, you should activate this option in order to preserve the vocal characteristics of the pitch-shifted audio and to avoid a a “chipmunk voice” effect. Time Correction When this is activated, the pitch shift process will not af- fect the length of the audio. When this is deactivated, rais- ing the pitch will shorten the audio section and vice versa, much like changing the playback speed on a tape recorder. Using...
Page 223
223 Audio processing and functions Transpose and Fine Tune These parameters allow you to adjust the value of a curve point numerically: 1.Click on a curve point to select it. The selected point is shown in red. 2.Adjust the Transpose and Fine Tune parameters to change the pitch of the curve point in semitones and cents, respectively. Pitch Shift Mode These are the same parameters as on the Transpose tab, see “Pitch Shift Mode” on page 221. Example Let’s say that you wish to create a pitch bend...
Page 224
224 Audio processing and functions Resample The Resample function can be used for changing the length, tempo and pitch of an event. The original sample rate of the event is listed in the dialog. Resample the event to a higher or lower sample rate by ei- ther specifying a sample rate or by specifying the differ- ence (as a percentage value) between the original sample rate and the desired new one. Resampling to a higher sample rate will make the event longer and cause the audio to play back at a...
Page 225
225 Audio processing and functions Time Stretch This function allows you to change the length and “tempo” of the selected audio without affecting the pitch. The dia- log contains the following parameters: Define Bars section In this section you set the length of the selected audio and the time signature: Original Length section This section contains information and settings regarding the audio selected for processing: Resulting Length section These settings are used if you want to stretch the audio to...
Page 226
226 Audio processing and functions Algorithm section Allows you to select a time stretch algorithm: MPEX 3 (see below) and Realtime mode. MPEX 3 mode This mode is based on Prosoniqs proprietary MPEX (Minimum Per- ceived Loss Time Compression/Expansion) algorithm. This algorithm (which is also used in Prosoniq’s TimeFactory™ application) uses an arti- ficial neural network for time series prediction in the scale space domain to achieve high end time and pitch scaling. This gives the best possible...
Page 227
227 Audio processing and functions Tail This parameter is useful if you are applying an effect that adds material after the end of original audio (such as re- verb and delay effects). When the checkbox is activated, you can specify a tail length using the slider. The tail time is included when playing back with the Preview function, allowing you to find the appropriate tail length. Pre/Post-CrossFade These settings allow you to gradually mix the effect in or out. If you activate Pre-CrossFade and...
Page 228
228 Audio processing and functions To modify the settings of the selected processing, click the “Modify” button. This opens the dialog for the processing function or applied effect, allow- ing you to change the settings. This works just as when you applied the processing or effect the first time. To replace the selected operation with another pro- cessing function or effect, select the desired function from the pop-up menu and click the “Replace By” button. If the selected function has settings, a...
Page 229
229 Audio processing and functions Detect Silence The Detect Silence function on the Advanced submenu of the Audio menu searches for silent sections in an event and either splits the event, removing the silent parts from the project, or creates regions corresponding to the non- silent sections. Proceed as follows: 1.Select the event in the Project window or the Audio Part Editor. You can select several events if you like, in which case you will be al- lowed to make separate settings for each selected...
Page 230
230 Audio processing and functions You can use the Preview function to listen to the result. The event is played back repeatedly in its entire length, but with the “closed” sections silenced. 5.Repeat steps 3 and 4 until you are satisfied with the result. 6.Select the desired result, by activating either the “Add as Regions” or the “Strip Silence” checkbox, or both. “Add as Regions” will create regions according to the non-silent sec- tions. “Strip Silence” will split the event at the start and end of...