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Steinberg Cubase Studio 4 Operation Manual Studio Manual
Steinberg Cubase Studio 4 Operation Manual Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Operation Manual Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 211
211 Automation 4.Deactivate Write mode and click the global Read but- ton (“All Automation to Read Status”) in the mixer com- mon panel. Cubase is now in global Read mode. 5.Start playback, and watch the Mixer window. All your actions performed during the previous playback will be repro- duced exactly. 6.If you wish to redo anything that was recorded, acti- vate Write mode again and start playback from the same position. You can have Write and Read activated simultaneously, if you want to watch and...
Page 212
212 Automation Where did the automation data I recorded end up? When using global Write automation, you can write auto- mation data on the automation tracks of all channels. In the previous write operations, you probably added auto- mation events for many different channels and parameters. To view all the automation events you recorded during the operations, select “Show All Used Automation” from the Track Folding submenu of the Project menu. Now the automation data for every channel parameter that...
Page 213
213 Automation 5.When you release the mouse button, the number of automation events is reduced to a few events, but the ba- sic shape of the curve still remains the same. This “thinning out” of events is governed by the Automation Reduction Level setting in the Preferences, see “About the Automation Reduction Level preference” on page 215. 6.If you now activate playback, the volume will change with the automation curve. In the mixer, the corresponding fader moves accordingly. 7.Simply redo the...
Page 214
214 Automation Removing automation events There are several ways to remove event points: By selecting points and pressing [Backspace] or [De- lete] or selecting Delete from the Edit menu. By clicking on a point with the Eraser tool. By selecting a range (with the Range Selection tool), and pressing [Backspace] or [Delete] or selecting Delete from the Edit menu. By clicking in the parameter display on a subtrack and selecting “Remove Parameter” from the pop-up. This will remove all automation events...
Page 215
215 Automation Tips and common methods There are no hard and fast rules when it comes to describ- ing which automation method you should use. You can for example never even open an automation subtrack, and stick with write automation throughout a project. Or you can stick to drawing automation curves to automate set- tings in a project. Both methods have their advantages, but it is of course up to you to decide what to use and when. Editing curves on automation subtracks offers a graphi- cal...
Page 217
217 Audio processing and functions Background Audio processing in Cubase can be called “non-destruc- tive”, in the sense that you can always undo changes or revert to the original versions. This is possible because processing affects audio clips rather than the actual audio files, and because audio clips can refer to more than one audio file. This is how it works: 1.If you process an event or a selection range, a new au- dio file is created in the Edits folder, within your project folder. This new...
Page 218
218 Audio processing and functions Common settings and features If there are any settings for the selected Audio processing function, these will appear when you select the function from the Process submenu. While most settings are spe- cific for the function, some features and settings work in the same way for several functions: The “More…” button If the dialog has a lot of settings, some options may be hidden when the dialog appears. To reveal these, click the “More…” button. To hide the settings,...
Page 219
219 Audio processing and functions Fade In and Fade Out For a description of these functions, see the chapter “Fa- des, crossfades and envelopes” on page 87. Gain Allows you to change the gain (level) of the selected audio. The dialog contains the following settings: Gain This is where you set the desired gain, between -50 and +20 dB. The setting is also indicated below the Gain dis- play as a percentage. Clipping detection text If you use the Preview function before applying the pro- cessing, the text...
Page 220
220 Audio processing and functions Noise Gate Scans the audio for sections weaker than a specified threshold level and replaces them with silence. The dialog contains the following settings: Threshold The level below which you want audio to be silenced. Levels below this value will close the gate. Attack Time The time it takes for the gate to open fully after the audio level has exceeded the threshold level. Min. Opening Time This is the shortest time the gate will remain open. If you find that the...