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Steinberg Cubase Studio 4 Operation Manual Studio Manual
Steinberg Cubase Studio 4 Operation Manual Studio Manual
Here you can view all the pages of manual Steinberg Cubase Studio 4 Operation Manual Studio Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 201
201 Surround sound (Cubase only) In Angle Mode, a white arc helps you determine the per- ceived “range” of a source (white and blue for stereo tracks). The sound will be at its loudest in the middle of the arc and will have dropped in level towards the ends. Exactly how levels are handled may require some explana- tion: When you move a source around, a number will indicate the loudness in each speaker. This is a value in dB (decibel) and is relative to the nominal level of the source. In other...
Page 202
202 Surround sound (Cubase only) Additional parameters (Standard mode) Center Level. This determines how center source signals should be reproduced by the front speakers. With a value of 100 %, the center speaker will provide the center source. With a value of 0 %, the center source will be provided by the ghost image created by the left and right speakers. Other values will produce a mix between these two methods. Divergence Controls. The three divergence controls determine the attenuation curves...
Page 204
204 Automation Background Cubase provides very comprehensive automation fea- tures. Virtually every mixer and effect parameter can be automated. There are two main methods you can use to automate pa- rameter settings: By manually drawing curves on automation subtracks in the Project window. See “Editing automation events” on page 212. By using the Write/Read buttons and adjusting para- meters in the mixer. See “Using Write/Read automation” on page 209. The methods are not different in terms of how the...
Page 205
205 Automation What can be automated? Mixing in Cubase can be completely automated. The fol- lowing parameter settings can be recorded automatically – or manually drawn in – on automation subtracks: For each audio or group track and ReWire channel: Linked Panner state (controlled with the button “Link Send Routing Panners to Channel Panner” on the Control Strip section of the Channel settings window). Pan (Depending on the channel configuration, you can make settings for the Standard Panner or...
Page 206
206 Automation Automation track operations Opening automation subtracks Every track/channel has a number of automation sub- tracks, each showing one automation parameter. For audio, Instrument, group channel, MIDI and FX chan- nel tracks, there are two ways you can open an automa- tion subtrack for the channel: By right-clicking the track in the Track list and selecting “Show Automation” from the context menu. By clicking on the left border of the track in the Track list. (When you position the mouse...
Page 207
207 Automation Assigning a parameter to an automation track Default parameters are already assigned to automation subtracks when you open them, according to their order in the Add Parameter list (see below). To select what parameter an open subtrack should dis- play, proceed as follows: 1.If none exists, open an automation subtrack using one of the methods described above. 2.Click in the parameter display for the automation sub- track. A pop-up list is shown, containing some of the automation...
Page 208
208 Automation You can click the “Append Automation Track” button (the “+” sign) for the automation subtrack several times to open additional subtracks and repeat the above proce- dure to assign a parameter to each subtrack. Removing automation subtracks To remove automation subtracks from the Track list, pro- ceed as follows: To remove a single subtrack, click the parameter name and select “Remove Parameter” from the pop-up menu. Note that this will also delete any automation events on the subtrack,...
Page 209
209 Automation The “Automation follows Events” setting If you activate “Automation follows Events” on the Edit menu (or in the Preferences–Editing page), automation events will automatically follow when you move an event or part on the track. This makes it easy to set up automation related to a spe- cific event or part, rather than to a specific position in the project. For example, you can automate the panning of a sound effect event (having the sound pan from left to right, etc.) – if you need...
Page 210
210 Automation About the five automation modes (Cubase only) When recording automation, you can choose one of five automation modes (available on the Project window tool- bar): When Touch Fader mode is selected, the program starts writing the automation as soon as you click the con- trol and stops writing when you release the mouse button. If you are overwriting existing automation, the Automation Return Time setting (next to the automation mode pop-up menu) determines how fast the automated...