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Panasonic Ramsa Audio Mixer Wr Da7 Users Guide

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    							Chapter 3
    DA7 Users’ Guide3-9
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    Quick Start
    3-3 Module C, Outboard Processing
    The DA7has the ability to route signals outside of the program buses for
    processing by outboard devices. Outboard effects devices, such as a reverb
    unit or an effects processor, can be attached to the DA7in several ways. By
    using the aux sends and returns and the analog Inserts, you have
    tremendous flexibility for getting the signal where you need it. Lets look at
    the Auxiliaries first.
     MONITOR A
     MONITOR B
    2TR AL/R
     MONITOR  AL/R
    2TR B
    AUX 
    AUX MONO
    LEVELPREON / OFF
    FADER
    CONTROL
    12
    56 34
    SSIGN
    2
    4
    6
    8
    ONAUX DYNAMICS / DELAY
    + -
    + -
    + -
    ON
    ON
    PARAMETER SELECT
    DYNAMICS
    DELAY
    RATIO
    ATK
    RLS THL
    INPUT
    1-16
    INPUT
    17-32
    AUX
    / BUS
    CUSTOM
    / MIDI
    SURROUND
    R
    SR
    010
    010
    010
    T. B.
    LEVEL
    MONITOR
    B  LEVELMONITOR 
    A  LEVEL
     MIC  TALK BACKON
    THS EQUIPMENT COMPLIES WITH THE REQUIREMENTS FOR
    A CLASS A COMPUTING DEVICE IN FCC RULES-PART IS
    SUBPART J OPERATION OF THIS DEVICE AN A RESIDENTIAL
    AERA MAY CAUSE HARMFUL INTERFERENCE REQUIRING THE
    USER TO TAKE WHATEVER STEPS MAY BE NECESSARY TO
    CORRECT THE INTERFERENCE.
    WARNIG
    - TO REDUCE THE RISK
    OF FIRE OR ELECTRIC
    SHOCK.DO NOT EXPOSE
    THIS APPLIANCE TO
    RAIN OR MOISTURE
    CAUTION- TO REDUCE THE RISK OF ELECTRIC SHOCK.
    DO NOT REMOVE COVER NO USER. SERVICEABLE PARTS
    INSIDE REFER SERVICING TO QUALIFIED SERVICE
    PERSONAL.
    RING
    SLEEVE
    METER BRIDGE I/F MIDI SERIAL PORT WORD CLOCK
    AC INPOWER SIGNAL
    GND
    TIP CONNECTION
    INPUT/OUTPUT
    NO   1:GND
    NO   2:HOT
    NO   3:COLDINS/AUX
    TIP:SEND
    RING:RETURN
    SLEEVE:GND
    OdB is referenced to 0.5Vr2sCH17-24/SLOT  1
    CH25-32/SLOT  2TANDEM CONNECTION CH9-16SLOT3
    ON
    OFFOUTTO PC
    OUTREC OUT 2TR A IN / INPUT15.16
    ININ
    RS422 / 485
    110OFF   ON75OFF   ONDIGITAL IN / OUT AUX 2TR B IN (ANALOG)
    MONITOR A OUT
    (CR) MONITOR B OUT
    (STUDIO) REC  OUT
    (ANALOG) MASTER OUTRETURN
    5/6 RL RL RL RL3/4 5/6 3/4 1/2 1/2RETURN SENDSEND+4dB  10k   (UNBAL) (S/PDIF)+4dB  10k   (BAL)
    -60dB +10dB 5k   (BAL/UNBAL)
    +4dB 10k   (UNBAL)
    +4dB  10k   (BAL)+4dB  600   (BAL/UNBAL)+4dB 600(BAL/UNBAL)+4dB 600    (BAL/UNBAL)    FOOT SWAES/EBU
    S/PDIFTalk on/off
    Rec  on/off
    INS16 INS15 INS14 INS13 INS12 INS11 INS10 INS9 INPUT16 INPUT15 INPUT14 INPUT13 INPUT12 INPUT11 INPUT10 INPUT9 INPUT8 INPUT7 INPUT6 INPUT5 INPUT4 INPUT3 INPUT2 INPUT1
    INS8 INS7 INS6 INS5 INS4 INS3 INS2 INS1
    Master L/R outputs
    Aux Returns 3,4,5, and 6
    Aux Sends 3,4,5, and 6
    Inser t
    Aux 1 & 2 send
    and return
    (S/PDIF)
    Record out (Digital) (XLR)Record
    outputs
    (Analog)Monitor A
    outputs2TR In / Inputs 15,16 (Digital)
    Rear Panel
    Level ON/OFF knob
    Pre LED button
    Aux 1-6 LED buttons
    Fader Control LED button
    Fader Layer inputs 1-16 
    Aux/Bus Fader Layer
    Aux section
    Top Panel Sections 
    						
    							Chapter 3
    DA7 Users’ Guide3-10
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    Quick Start
    Auxs (Auxiliaries)
    The DA7 has six AUXsends and six AUXreturns. AUX1 & 2are S/PDIF
    digital IN+OUT, while AUX3through 6are analog.
    While Aux feeds are generally used to send signals to outboard signal
    processing devices, they are also commonly used for headphone sub-mixes,
    Cue feeds for announcers in post production environments, etc. They can
    also be used to feed a tape machine when you need more buses. If you let
    creativity be your guide, you will find many uses for the aux send and
    returns. Later in this chapter we will show you examples of some unique
    uses of the Auxes. 
    These Auxes can be used as six mono sends or in stereo pairs (such as 1&2,
    3&4, 5&6), and six mono returns or stereo pairs. These six returns can also
    be used as an additional six inputs to the mixer, bringing the total of inputs
    to 38. Additionally, these six returns have a 2-band Parametric EQ on each
    channel.
    Aux selections and assignments are displayed in both the [CHANNEL]
    window and the appropriate [FADER CONTROL>AUX]window, as well as
    the LED field. However, the [CHANNEL] window will initially be displayed
    on the LCD when selecting and assigning aux functions.
    See Chapter 10, AUXfor additional information.
    Working with the Aux Send and Return
    Connect the output _
    Connect the output of AUX 5/6 SENDon the Rear
    Panel of the DA7 to the inputs of the effects device.
    Connect the input _
    Connect the output of the effects device to AUX 5/6
    RETURNon the Rear Panel of the DA7.
    Assign channels _
    Either in the appropriate [CHANNEL] windows or in
    the [FADER CONTROL]window, assign the channels that you want to
    send to [AUX 5/6] for processing.
    Adjust the aux send levels _
    Rotate the LEVEL ON/OFFknob for AUX
    SEND 5and for AUX SEND 6to set the channel levels for the aux sends.
    Press the AUX/BUS Fader Layer LED button (orange)_
    This will
    activate the Fader Layerfor AUX RTNand AUX SND.
    Send the signal out _
    Press both the AUX SND 5and AUX SND 6
    Channel Strip ON buttons, and raise the faders to send the signal out
    to the effects processor.
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    Quick Start
    Bring the signal in _
    To hear the effects processors’ signal, turn on the
    AUX RTN 5andAUX RTN 6 Channel Strips, assign them to an output,
    and raise the faders.
    How to send to an aux:
    Select a channel _
    Press the SELECT LED button on the channel you
    want to assign to an aux send.
    Assign the channel to an aux _
    Press one of the 1-6LED buttons in the
    AUX section to turn it on (green).
    Press the LEVEL ON/OFFknob _
    This toggles the selected channels’
    aux assignment on or off. As seen in the [CHANNEL]window, the
    software button will appear as  , changing to  when engaged.
    Pressing the AUX knob while in any other window will change the LCD
    to the [CHANNEL]window.
    You can also view the aux assignments on the LED field of the selected
    channel. You will see a greenLED in the appropriate locations, when the
    AUTOMATION/AUX LED button is toggled to AUX.
    Adjust the aux level _
    Rotating the LEVEL ON/OFF knob adjusts the
    channel level to the selected aux.
    Press the PRE LED button to turn pre-fade on (red)_
    This button
    toggles the assignment of the selected aux from the default  (post-
    fader) to  (pre-fader), as seen in the [CHANNEL]
    window.
    Press the FADER CONTROLLED button _
    To see the aux assignment
    status of all 32 channels, press the FADER CONTROLLED button to
    turn it on (red),and the [FADER CONTROL>AUX]window group will
    be displayed. The faders can be used to adjust levels of the selected
    AUX Send.
    PRE
    PST
    ONOFF
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    							Chapter 3
    DA7 Users’ Guide3-12
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    Quick StartEffects
    Outboard effects devices, such as a reverb unit or an effects processor, can be
    attached to the DA7 in several ways. In conjuction with the aux sends and
    returns, one of the great features of the DA7 is the Fader Layercontrols,
    which expands the use of the channel faders. By designing the mixer this
    way, channel faders are not tied up with effects returns. This also permits
    effects assignment to groups, not just to individual sources.
    Let’s look at both setups.
    Analog Inserts
    Inserts can be used to add processing to a specific channel. Use the analog
    INS (insert) jacks on the Rear Panel (channels 1-16) to add outboard
    processing directly into a Channel Strip. This puts the effect device into the
    signal path after the Mic pre-amp, and before anything else in the Channel
    Strip. Use a stereo cable that has a Y connector with two mono phono plugs
    (unless the effects device uses a stereo phono plug). For details on connector
    wiring seeAppendix E, Cables and Connections.
    CHANNEL Window FADER CONTROL AUX Window
    Pre/Post
    buttonsON/OFF
    buttons 
    						
    							Chapter 3
    DA7 Users’ Guide3-13
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    Quick Start
    How to Connect the Analog Inserts (1-16)
    Plug in the effects processor _
    Plug the send into the input of the effects
    device and plug the return into the output of the effects device.
    Raise the source fader on the DA7. Adjust the mix balance from the
    effects device. For further information see page Appendix E-2, Cables
    and Connections.
    Digital Send and Return
    Connect the output _
    Using an XLR cable, connect the REC OUTof the
    DIGITAL IN/OUTon the Rear Panel of the DA7to the recording device. 
    Connect the input _
    Using an XLR cable, connect the output from the
    digital recording device to the 2TR A IN/ INPUT 15, 16 DIGITAL
    IN/OUTof the DA7.
    Send the signal out _
    This output is the same as the MASTER L/R
    output.
    Listen to tape playback _
    Optionally, you may return 2 TR IN Aas
    INPUT 15, 16on the mixer. To do this, go to the [D-I/O>INPUT SET]
    window, and select 2 TR IN Ato INPUT 15, 16.
    Or,
    Connect the output _
    Connect the AUX 1/2 SENDto the input of a
    digital recorder, or to the input of a digital effects device. 
    Connect the input _
    Connect the stereo outputs of the digital device to
    the AUX 1/2 RETURN.
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    Quick Start
    Press the Fader Layer AUX/BUS LED button.
    Send the signal out _
    Turn on the AUX SND 1 and AUX SND 2
    Channel Stripsby pressing their ON buttons (red), and raise the faders
    to send the signal to the digital device.
    To listen to the return signal _
    Turn on the AUX RTN 1 and AUX RTN 2
    Channel Strips, assign an output, and raise the faders to hear the return
    signal.
    Additional TAPE Sends and Returns
    The DA7is a very fexible mixer because it has 8 buses available in either
    digital or analog (through the option slots).
    There are other ways to use the mixer in a creative manner. You can use the
    analog features of the DA7 for analog multi-tracking. Your creativity here can
    produce wonders. Here are a few examples:
    Analog 2-Track Tape Sends and Returns
    Connect the output _
    Connect the REC OUT(analog) 1/4” TRS outputs
    on the Rear Panel of the DA7 to the inputs of an analog recording device.
    Connect the input _
    Take the outputs from the analog recording device
    and attach to either:
    nINPUTS 9 and10(listen via the MASTER L/R OUTPUT)
    n2TR B IN(listen to the 2TR Bsource for MONITOR A)
    nAUX RETURN 3/4or 5/6(listen via the AUX/BUSfaders, or the 
    AUX source for MONITOR A)
    Repeat steps       through       under Analog 4-Track Sends and Returns
    which are listed on the following page.
    [D-I/O>INPUT SET] Window
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    Quick Start
    Analog 4-Track Sends and Returns
    Connect the output _
    Connect the stereo 1/4” TRS connectors (with
    mono Y connections) to the AUX SEND 3/4and 5/6outputs on the
    Rear Panel of the DA7. Connect the four mono connectors to inputs 1
    through 4 of your 4-track tape machine.
    Connect the input _
    Connect the output channels of the tape machine
    to AUX RETURN 3/4 and 5/6on the Rear Panel of the DA7. They could
    be connected to four separate input channels.
    Assign channel outputs _
    In the [CHANNEL] window for each channel,
    assign the desired aux outputs and levels.
    Activate the AUX/BUS Fader Layer_
    Press the AUX/BUS Fader Layer
    LED button (orange).
    Send the signal out _
    Turn on the AUX SEND 3,4,5and 6 Channel
    Stripsby pressing their ON buttons (red), and raise the faders to send
    the signal to your tape deck.
    Record the source material on tape.
    Listen to tape playback _
    Turn on the AUX RTN 3,4,5and 6 Channel
    Strips, assign an output, and raise the faders to hear the tape output
    signal.
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    							Chapter 3
    DA7 Users’ Guide3-16
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    Quick Start
    3-4 Module D, Monitoring
    There are several ways to listen to sources on the DA7. This section describes
    the MONITOR A (CR)selections. The DA7’s operator/engineer will usually
    monitor from the control room(CR). We assume that an amplifier is already
    connected to the speakers.
    Connect the output _
    Connect the MONITOR A OUTto the amplifier. 
    Select the output _
    Press the L/R LED button (green) in the MONITOR
    Asection to route the MASTER L/R to MONITOR A.
    Adjust the MASTER L/R Fader Strip_
    Press the ON button for the
    MASTER L/R Fader Strip,and raise the fader to set the level.
    Adjust the gain _
    Turn the MONITOR A LEVELknob clockwise to
    increase the volume.
    Select 2TR Bin the MONITOR A selections _
    Plug a source, such as an
    analog tape deck, into the 2TR B IN (ANALOG)connectors on the Rear
    Panel. This bypasses the mix bus of the DA7 and routes the signal
    directly to the Control Room monitors.
    In conjuction with the digital send and return examples in the preceding
    Module C:
    Listen to the tape playback _
    Turn on the AUX RTN 1 and 2 Channel
    Strips, assign an output, and raise the faders to hear the tape signal.
    Select AUX in the MONITOR Aselections _
    This permits monitoring of
    aux sends 1/2, 3/4, or 5/6. The selected auxes will appear in the
    MEMORY readout momentarily when the MONITOR A AUXLED button
    is pressed. Press the AUX button to cycle through them.
    Choose MONO from the MONITOR Aselections _
    This will sum any of
    the sources selected in the MONITOR Aarea (except 2TR B). This is
    useful to check for out of phase signals. It will not affect the signal being
    output to the L/R bus.
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    When using the optional meter bridge, the MONITOR A /
    MASTER L/Rmeter will not respond to a signal from 2TR B.
    This is because it is an analog signal, and the meter can only
    display a digital signal.
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    Quick Start
    3-5 Module E, Tips, Shortcuts and Warnings
    If you read nothing else, this is the section of the manual you should read. It
    contains information about the DA7that will make it easier to use and
    understand. These tips, shortcuts and warnings contain essential
    information.
    There are several hidden functions in the DA7. Some items discussed here
    are not described elsewhere in this manual. We recommend you take a few
    minutes to look over these features, as well as review Appendix D, Default
    Settings. These settings are the ones the DA7will return to if you reset the
    mixer. It is a good idea for you to review them so that you know what these
    settings are before you begin using the DA7on an important project.
    Tips
    l To reset the DA7to factory default settings:
    Simultaneously press the CHANNELand METERbuttons in the
    [MASTER DISPLAY]area. This will reset all the mixer functions and
    clear the libraries and memories. Please note that this is an
    irrevocable procedure. You can protect your mixer settings from
    being lost by using the [MIDI>BULK]procedure described in
    Chapter 11, MIDIto back up your data. See page 11-10 MIDI, BULK
    (Bulk Out) Window for more information.
    l To automatically set the fader of an individual channel to zero
    level:
    Simultaneously press the SELECTLED button and the ONLED
    button of the channel strip, and the fader will move to the zero level
    position.
    l To automatically set the faders of BUS 1-8and MASTER L/Rto
    zero level: 
    Simultaneously press the SELECTLED button, the ONLED button of
    the MASTER L/Rstrip and the AUX/BUSLED button of the Fader
    Layersection and all of these faders will move to the zero level
    position.
    l To recalibrate the faders:
    Press the INPUT 1-16button and the CUSTOM/MIDIbutton
    simultaneously. The faders will immediately clear themselves of all
    settings, and will perform the recalibration. This will take several
    seconds. When this operation is finished, the faders will return to the
    positions they were in before the recalibration. It is a good idea to
    periodically recalibrate the faders. It can increase the accuracy and
    performance of the moving fader system in the DA7. 
    						
    							Chapter 3
    DA7 Users’ Guide3-18
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    Quick Start
    l To restart the DA7:
    Simultaneously press the METERbutton in the [MASTER DISPLAY]
    section and the H(High) LED button in the [EQUALIZER]section, if
    you need to restart the DA7without shutting down.
    l To clear flipped faders to a specific layer:
    Press and hold the master fader layer button for the layer you want all
    the faders to switch to for two seconds. See page 6-2, Fader Layers,
    for more information.
    l To clear all solo’d channels:
    When you have solo’d multiple channels, you may wish to clear them
    all at the same time. You may not be able to see all the channels you
    have solo’d at any one time because they may be on different fader
    layers, thus causing confusion as to what is or is not solo’d. In either
    case, simply press any solo button for two seconds and all the solos
    will clear. See page 16-2, Utility, Solo Monitor (SOLO/MON)
    Window, for more information.
    l You should consider the CHANNELbutton in the [MASTER
    DISPLAY] area of the top panel Home Base or the safety or
    PANIC button for the DA7sLCD display. If you get lost or cannot
    find your way out of a particular screen, press this button to return
    the LCD screen to the [CHANNEL]window. This window shows you
    the current status of the main features of the mixer.
    l The cursorappears in the screen as a highlight selection device, not a
    typical pointer or arrow. As you use the controls to navigate around
    the LCD screen, the various areas, buttons, fields, and lists in the
    windows will be selected by a border or highlight designating the
    current area or item.
    l Remember that the knobs located in the EQ, PAN DYNAMICS and AUX
    area are buttons that have several functions. See the appropriate
    chapter for the functions of these buttons. See page 7-3, EQUALIZER
    Section, page 8-1, PAN/BUS ASSIGN Controls, page 9-3,
    DYNAMICS/ DELAYSection Controls, and page 10-3, AUXSection
    Controls, respectively for more information.
    l Setting Gain structure in a digital mixer is extremely important. The
    way to do this on the DA7, is to start with the signals coming into
    Inputs 1-16. Since these are the signals that will be passed through an
    A/D converter, you should try to get as high a level as possible without
    overloading the circuit. With the Channel Faderset at 0, while
    watching the PEAK/SIGNALLED of the Channel Strip, turn the
    MIC/LINE INPUTknob to adjust the signal to gently peak. You will 
    						
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