Home > Panasonic > DJ Equipment > Panasonic Ramsa Audio Mixer Wr Da7 Users Guide

Panasonic Ramsa Audio Mixer Wr Da7 Users Guide

    Download as PDF Print this page Share this page

    Have a look at the manual Panasonic Ramsa Audio Mixer Wr Da7 Users Guide online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 10737 Panasonic manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.

    							Serial Port [RS-422/485]
    Use this serial port to connect an IBM compatible computer that has an RS-
    422/485 port. Connect to the DA7 with a D-SUB 9-pin connector. Optional
    remote control software for your computer can be used to control the DA7,
    thus expanding the features and capabilities of the mixer.
    Serial Port [TO PC]
    Use this serial port to connect with a Macintosh computer. If the computer is
    IBM compatible, you may need a conversion cable that changes a Mini-DIN 8
    pin (for TO PC) to a D-sub 9 pin(for RS-232C), available at your nearest
    dealer, shown in Appendix E, Cables and Connections.Optional remote
    control software for your computer can be used to control the DA7, thus
    expanding the features and capabilities of the mixer. 
    MIDI IN
    This connector is used to receive signals from peripheral MIDI devices.
    MIDI OUT
    This connector is used to send signals to peripheral MIDI devices. The DA7
    can be used as a MIDI controller. See Chapter 11, MIDIfor details.
    METER BRIDGE Connector
    This is used to connect the optional Meter Bridge to the DA7.
    See Chapter 17, Optionsfor more details.Chapter 2 
    DA7 Users’ Guide2-30
    2 
    DA7 Tour
    For TO PC, use only a Macintosh Printer Cable (cross type) to
    connect two DA7s each other, or between the DA7and the serial
    port of a Macintosh computer. Using a straight type of modem
    cable may cause malfunctions in serial communications. For more
    details see Appendix E, Cables and Connections. 
    						
    							Option Card Slots
    There are three slots for the optional audio Input/Output cards, plus one
    dedicated slot for the SMPTE/V SYNCcard. The space for the SMPTE/V
    SYNCcard is located directly under the MASTER OUT XLR connectors.
    Audio option cards are next to the power switch. The audio option cards can
    be used in any of the audio slots, but for TANDEM operation, the TANDEM
    card MUST be used in Slot 3.
    Video Sync Input [V SYNC]
    This is used to connect a vertical synchronizing signal from a video device.
    See Chapter 17, Optionsfor more about SMPTE/V SYNC.
    Digital I/O Slot 1 [CH17-24/SLOT 1]
    When an option card is inserted into Slot 1, the output of the connected
    device appears on Channel Faders17 through 24, and is controlled by the
    Fader Layer Inputs 17-32.
    Digital I/O Slot 2 [CH25-32/SLOT 2]
    When an option card is inserted into Slot 2, the output of the connected
    device appears on Channel Faders25 through 32, and is controlled by the
    Fader Layer Inputs 17-32.
    Digital I/O Slot 3 [CH9-16/SLOT 3]
    When an option card is inserted into Slot 3, the output of the connected
    device appears on Channel Faders9 through 16, and is controlled by the
    Fader Layer Inputs 1-16. This connection TOGGLES the analog inputs 9-16
    with whatever is connected to the option card in Slot 3.
    For more information regarding optional slots, see Chapter 12, D-I/Oand
    Chapter 17, Options.Chapter 2 
    DA7 Users’ Guide2-31
    2 
    DA7 Tour
    Option Card Slots
    Slot 1
    Slot 2
    Slot 3
    SMPTE/V SYNC
    card slot 
    						
    							DA7 Users’ Guide3-1
    3
    Quick Start
    As with any mixer, the basics come first. Take it out of the box, plug it into a
    standard three-prong, 120v 60Hz electrical outlet, and turn it on. Once the
    novelty has passed of seeing all the colored lights and the faders going up
    and down when the buttons are pressed, your real fun can begin.
    There are several basic functions that, once you become familiar with, will
    make the DA7 easy to use. This Quick Start Guideassumes that you have a
    basic knowledge of audio technology.
    Chapter 3
    Quick Start
    If you have already started pushing buttons, press the Fader
    Layer INPUT 1-16LED button, turn off all the channels, and
    lower all the faders. Then, press the CHANNEL button to display
    the [CHANNEL] window. Or, if you wish to start fresh, reset the
    DA7 back to the factory presets by turning the unit off. Then hold
    down both the METER and CHANNEL buttons in the MASTER
    DISPLAY area. While holding these buttons down, turn the DA7
    back on. Your mixer will restart automatically.
    The “reset to default” procedure, in the tip above, will reset all
    the mixer functions and clear all the library and memory registers.
    This is an irrevocable procedure. You can protect your data by
    copying it to a backup using the [MIDI>BULK]procedure
    described in Section 11-4. 
    						
    							Chapter 3
    DA7 Users’ Guide3-2
    3
    Quick Start
    The following five modules will give you a fundamental understanding of the
    primary features of the DA7. This chapter does not cover all of the features of
    a particular example, since it is meant as an introduction. If you do not
    understand something, go to the chapter that is referenced for further
    information. MIDI and automation functions are not included in this chapter
    and will be addressed later in this Users Guide. 
    						
    							Chapter 3
    DA7 Users’ Guide3-3
    3
    Quick Start
    3-1 Module A, Getting Sound Out
    No Waiting . . .  Join the 10 Step Program!
    Look at the Rear Panel of the mixer. Everything that goes in and out of your
    DA7 comes through here. This Module describes the process for achieving
    sound output from the mixer.
    THIS EQUIPMENT COMPLIES WITH THE REQUIREMENTS FOR
    A CLASS A COMPUTING DEVICE IN FCC RULES PART 15 
    SUBPART J. OPERATION OF THIS DEVICE IN A RESIDENTIAL
    AREA MAY CAUSE HARMFULL INTERFERENCE REQUIRING THE
    USER TO TAKE WHATEVER STEPS MAY BE NECESSARY TO
    CORRECT THE INTERFERNCE.
    WARNIG
    - TO REDUCE THE RISK
    OF FIRE OR ELECTRIC
    SHOCK. DO NOT EXPOSE
    THIS APPLIANCE TO
    RAIN OR MOISTURE.
    CAUTION- TO REDUCE THE RISK OF ELECTRIC SHOCK,
    DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS
    INSIDE. REFER SERVICING TO QUALIFIED SERVICE
    PERSONNEL.
    CAUTION- MAKE SURE THE POWER OF THE UNIT IS TURNED OFFWHEN INSERTING OPTION CARDS INTO THE SLOTS OF THE UNIT.
    OTHERWISE THE UNIT MAY BE DAMAGED.
    RING
    SLEEVE
    METER BRIDGE I/F MIDI SERIAL PORT WORD CLOCK
    AC INPOWER SIGNAL
    GND
    TIP CONNECTION
    INPUT/OUTPUT
    NO   1:GND
    NO   2:HOT
    NO   3:COLDINS
    TIP:SEND
    RING:RETURN
    SLEEVE:GNDAUX
    TIP:ODD
    RING:EVEN
    SLEEVE:GND
    OdB is referenced to 0.775Vrms
    CH17–24/SLOT  1
    CH25–32/SLOT  2TANDEM/CH9-16/BUS & AUX INSERT/SLOT3
    ON
    OFFOUTTO PC
    OUT
     /THRUREC OUT 2TR A IN / INPUT15.16
    ININ
    RS422 / 485
    110OFF   ON75OFF   ONDIGITAL IN / OUTAUX 2TR B IN (ANALOG)
    MONITOR A OUT
    (CR) MONITOR B OUT
    (STUDIO) REC  OUT
    (ANALOG) MASTER OUTRETURN
    5/6 RL R
    L RL RL R
    L
    3/4 5/6 3/4 1/2 1/2RETURN SENDSEND+4dB  10k   (UNBAL) (S/PDIF)+4dB  10k   (BAL)
    –60dB to +10dB 5k   (BAL/UNBAL)
    +4dB 10k   (UNBAL)
    +4dB  10k   (BAL)+4dB  600   (BAL/UNBAL)
    SMPTE & V SYNC+4dB 600   (BAL)+4dB 600   (BAL)    REMOTE SWAES/EBU
    S/PDIFTalk on/off
    Rec  on/off
    INS16 INS15 INS14 INS13 INS12 INS11 INS10 INS9 INPUT16 INPUT15 INPUT14 INPUT13 INPUT12 INPUT11 INPUT10 INPUT9 INPUT8 INPUT7 INPUT6 INPUT5 INPUT4 INPUT3 INPUT2 INPUT1
    INS8 INS7 INS6 INS5 INS4 INS3 INS2 INS1
    Channel 9 phono jack input
    Monitor A outputs
    Channel 1 XL/R input
    MIC/LINE
    Input knob
    Select LED
    button
    On LED
    button
    Fader
    Fader
    Layer
    section
    PAN/ASSIGN knob
    L/R Assign button
    Monitor section
    Monitor A knob
    Master L/R out
    Channel
    stripMaster L/R
    fader strip 
    						
    							Chapter 3
    DA7 Users’ Guide3-4
    3
    Quick Start
    Connect an input source _
    From the source to the Rear Panel of the DA7,
    connect an XLR connector to INPUT 1, or to a 1/4” TRS phone plug to
    INPUT 9.
    Attach an output monitor _
    In a production environment, attach the
    amplifier input to the DA7 MONITOR A OUT and press the L/R
    selection button of the MONITOR Asection. In a live mix situation,
    attach the amplifier input to the DA7 MASTER OUT. 
    Preset the MASTER L/R_
    Raise the MASTER L/Rfader to zero. This
    fader sets the master output level.
    Press the MASTER L/R ONLED button _
    This LED button turns the
    MASTER L/Rchannel strip on (red).
    Press the Fader Layer INPUT 1-16LED button _
    This will assign the
    Channel Fadersto inputs 1-16.
    Activate SELECT_
    Above each Channel Fader ON LED button is an
    LED button labeled SELECT. Pressing this will turn it on (orange).
    Once selected, it activates the area near the LCD display. Here,
    parameters can be assigned to the channel, such as EQ, dynamics, pan,
    or aux, if desired.
    Press the L/RLED button in the PAN/ASSIGNsection _
    This is where you
    assign an output path. Pressing the L/R LED button turns it on (green).
    This will assign the selected Channel Faderto the L/Routputs of the mixer.
    (Pan is always active on the L/Routput of the DA7. )
    Select Channel Fader 1or 9, and then press the Channel Fader ON
    LED button to turn the channel on (red).Raise the Fader to zero.
    Adjust the input gain _
    Turn the MIC/LINE INPUTknob on the
    Channel Stripto set the incoming signal type and level.1
    2
    3
    4
    5
    6
    7
    8
    9
    There is a shortcut to placing any Fader to zero level. Hold down
    the SELECTLED button for the Channel and simultaneously
    press the ONLED button. The Fader will move to zero level. 
    						
    							Chapter 3
    DA7 Users’ Guide3-5
    3
    Quick Start
    While sending a signal through the channel, look below the MIC/LINE
    knob, and you will find the PEAK/SIGNAL LED. This LED will light
    (green) when the signal is present and below clipping.
    When the signal is near clipping, it will light (red), showing that you are
    either close to or at an overload condition (something you should not
    do in digital recording), and you should reduce the level using the
    MIC/LINEknob.
    This is an important adjustment. Since this stage of gain is before the
    A/D converter, it is important to get the maximum signal (without
    overload) to the converter so that you will have the best possible signal
    to noise ratio. Too high of a signal will cause distortion, and too low of a
    signal will quite possibly introduce unwanted noise to your recording.
    Adjust the levels _
    With a source connected to the mixer, audio levels
    can be adjusted via the MIC/LINE INPUTknob. This controls the
    channel input level.
    Channel Fader. This controls the channel output level to the selected
    bus or direct out.
    MASTER L/R Fader. This controls the MASTER L/R output level of the
    DA7.
    MONITOR A LEVELknob. This adjusts the control room monitor
    volume without affecting the mixer output level.
    With the Channel Faderand MASTER L/R Faderset at 0, while
    watching the PEAK/SIGNAL LED of the Channel Strip, turn the
    MIC/LINE INPUTknob to adjust the level to “peak”. Generally,
    “peak” is when the PEAK/SIGNAL LED flashes (red),which
    should be very rare!
    The [GAIN] soft knob in the [CHANNEL] window provides
    additional level control for the selected channel. Cursor to the soft
    knob and rotate the JogDial to boost the audio level, when
    additional gain is needed. The [GAIN] soft knob range is -24dB to
    +12dB.
    10 
    						
    							Chapter 3
    DA7 Users’ Guide3-6
    3
    Quick Start
    3-2 Module B, Onboard Signal Processing
    Each of the 32 input channels, the 8 buses and the MASTER L/Routput of
    the DA7has the option of inserting a 4-band Parametric Equalizer with
    various filter types. There is also a Dynamics Processor on these same
    channels that offers you a choice of GATE + COMPRESSOR or
    EXPANDER. There is also a 0 to 300 ms Delay Processor for each of the 32
    input channels. AUX 1-6 Returns have a 2 band Parametric Equalizer.
    THL/ATK/DLY knob
    RATIO/RLS/GAIN knob
    Parameter select button
    DELAY ON LED button
    DYNAMICS ON LED buttonQ factor knob
    FREQ(frequency) 
    knob
    GAIN knob
    Frequency band
    LED buttons
    EQ ON button
    Q factor adjustment soft knobs
    F (frequency) adjustment soft
    knobs
    G (gain) adjustment soft knobs
    COMP+GATE button
    DYNAMICS ON/OFF button
    EXPANDER button
    GATE area _
    has controls 
    for threshold, attack and
    release.
    COMPRESSION area _
    has
    controls for threshold, ratio,
    attack, release, and gain.
    EQ ON/OFF LED button
    Equalizer Window
    Dynamics Window
    DELAY ON/OFF button
    Top Panel Sections 
    						
    							Chapter 3
    DA7 Users’ Guide3-7
    3
    Quick Start
    Equalizer
    The EQUALIZER section contains controls for the adjustment of the
    frequency characteristics for the selected channel.
    Select a channel _
    Press the ON LED button (red)on a channel, and
    press the SELECT LED button (orange)for the channel. 
    Display the [EQUALIZER] window _
    Press the GAIN knob, and the LCD
    screen will display the [EQUALIZER]window.
    Press the EQ ONLED button _
    This button toggles EQ on (green) and
    off for the selected channel.
    Select a frequency band button _
    Activate the H(high), HM(high-mid),
    LM(low-mid), or L(low) frequency band by pressing the respective LED
    button to turn it on (orange).
    Adjust an EQ parameter_
    Rotating theQ, FREQ
    ,or GAINknobs will
    give you enormous control over the timbre of the sound. 
    For a more detailed explanation of the Equalizer, refer to Chapter 7.
    Dynamics/Delay
    Each channel of the DA7can have unique dynamics and/or delay processing
    assigned to it.
    Display the Dynamics window _
    Press the  knob and the LCD will
    display the [DYNAMICS] window.
    Activate the DYNAMICS/DELAY section _
    Press theDYNAMICS ON LED
    button, which turns it on (green).
    SR
    1
    3
    4
    5
    2
    1
    2
    An alternate method for adjusting EQ is to use the ARROW
    buttons to move the cursorto the [EQUALIZER]window soft
    knob controls, and then use the JogDialto adjust the parameters.
    When the [AUTO DISP CHANGE]selection in the
    [UTILITY>CONFIG]window is  , the LCD screen will update
    and display the respective window for the EQ or dynamics/delay
    adjustment that is currently being performed.
    ON 
    						
    							Select a dynamics type _
    Cursor to either the  button or the
    button in the [FUNCTION] area of the [DYNAMICS]
    window, and press the ENTERbutton.
    Either
    Adjust the Compressor+Gate _
    The [COMP] area has software control
    for [THL] (threshold), [RATIO], [ATK] (attack), [RLS] (release), [GAIN],
    and [DLY] (delay). The [GATE] area gives you control over [THL], [ATK] and
    [RLS].
    Or,
    Adjust the Expander _
    This is similar in appearance to the [COMP] area,
    except [GAIN] is replaced by [RANGE].
    Adjust the Delay _
    This area has two fields for adjustment. The first one
    allows you to change the Delay for the selected channel by 1 msec step. The
    other allows you to change the Delay for the selected channel by 1 sample
    step. You can also enter a number in either field using the numeric keypad.
    See Chapter 9, Dynamics / Delayfor more details.
    EXPANDER
    COMP+GATE
    Chapter 3
    DA7 Users’ Guide3-8
    3
    Quick Start
    4
    3 
    						
    All Panasonic manuals Comments (0)

    Related Manuals for Panasonic Ramsa Audio Mixer Wr Da7 Users Guide