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Panasonic Multi Format Live Switcher Av Hs450n Operating Instructions

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    3. Basic operations
    Execute the transition.
    Press the [AUTO] button in the transition area to automatically execute the transition at the transition time 
    that has been set.
    Alternatively, execute the transition manually by operating the fader lever.
    Key auto transition
    When the [KEY ON] button in the transition area is pressed, the transition is automatically executed at the 
    transition time that has been set.
    During key in, the indicator of the [KEY ON] button blinks in red, and it lights in red when the transition is 
    completed.
    If the [KEY ON] button is pressed with the picture completely keyed in, the Key image transition (key out) is 
    executed.
    During key out, the indicator of the [KEY ON] button lights in red, and it goes off when the transition is 
    completed. 
    If the [KEY ON] button is pressed during the transition, the transition direction is reversed.
    3-4-4.   Key preview
    Key preview images can be output to the preview output, and the keys can be adjusted and checked.
    
    On the KEY menu, turn [F1] to display the KEY sub menu.
     Turn [F5] to set the preview mode using the PVW item.
    On:  An image with key effects added is output to the preview output.
    Off:  An image with no key effects added is output to the preview output.
    Auto:  The preview image of the next transition is output to the preview output. 
    						
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    3. Basic operations
    3-4-5.  Adjusting the luminance key and linear key
    These steps are taken to adjust the luminance key and linear key definition.
    
    Press the [KEY/CKEY] button to light its indicator, and display the KEY menu.
     Refer to “2-1-5. LCD menu area”.
     Turn [F1] to display the Adjust sub menu.
     
    KEY    2 |
    Clip    |
    Gain    |
    Density |
    Invert 
    Adjust  |    0.0|  100.0|  100.0|    Off
     Turn [F2], [F3] and [F4] to adjust the key definition.
     Turn [F5] to set key invert.
    When On is selected, the key signals to be generated internally are inverted.
    Operation Parameter Description of setting Setting range
    F2 Clip Reference level for generating 
    key signals 0.0 to 108.0
    F3 Gain Key amplitude 0.0 to 200.0
    F4 Density Key density 0.0 to 100.0
    F5 Invert Key signal inversion On, Off 
    						
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    3. Basic operations
    3-4-6.  Adjusting the chroma key
    Sampling is executed for the selected key materials to adjust those aspects of the key that are to be compensated.
    Step 1
     
     To execute the sampling automatically 
    CHRKEY 1
    |
    AutCmp↓ |
            |
            |
    RESET↓ 
    AutoCmp |       |       |       |        Press the [KEY/CKEY] button to light its indicator, and 
    display the CHR KEY menu.
     Refer to “2-1-5. LCD menu area”.
     Turn [F1] to display the AutoCmp sub menu.
     Press [F2] to execute the sampling automatically.
    To undo what has been sampled, press [F5].
     
     To execute the sampling manually
    
    Press the [KEY/CKEY] button to light its indicator, and 
    display the CHR KEY menu.
     Refer to “2-1-5. LCD menu area”. 
    CHRKEY 2
    |
    View    |
    Mode    |
            |
    UNDO↓ 
    Sample1 | Cmpsit|  SelBG|       |       
      Matte
    Proc.FG
         FG Cln.BG
     Cln.FG
    Spl.Spg
     Turn [F1] to display the Sample1 sub menu.
     Turn [F2] to select “Cmpsit” using the View item.
    Cmpsit:  Composite image that combines the background image and key
    Matte: Matte image
    Proc.FG:  Process foreground image
    FG: Foreground image
     Turn [F3] to select “SelBG” using the Mode item.
    SelBG:   A color for the background of the foreground image is specified.
    Normally, either a blue or green background is specified.
    Cln.BG:  The noise in the background image is removed.
    Cln.FG:  The noise in the foreground image is removed.
    Spl.Spg:  The noise remaining in the detailed areas is removed.
     Use the positioner to move the position of the sample marker.
    To change the size of the sample marker, turn the rotary encoder [Z].
     If the sample area that has been set is acceptable, press the rotary encoder [Z].
    The area that has been set is now sampled.
     To return to the pre-sampling status after sampling has been executed, press [F5].
    The number of operations that can be undone is one only. 
    						
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    3. Basic operations
    Step 2
    The objective of this step is to remove the noise in the background image.
    The noise is removed by carrying out this step several times.
    On the CHR KEY menu, turn [F1] to display the Sample1 sub menu.
     
    CHRKEY 2 |
    View    |
    Mode    |
            |
    UNDO↓ 
    Sample1 |  Matte| Cln.BG|       |       
     Turn [F2] to select “Matte” using the View item.
     Turn [F3] to select “Cln.BG” using the Mode item.
     Using the positioner, move the position of the sample marker to the position of the noise (white dots) in the 
    background image.
    To change the size of the sample marker, turn the rotary encoder [Z].
     If the sample area that has been set is acceptable, press the rotary encoder [Z].
    The noise in the area that has been set is now removed.
     To return to the pre-sampling status after sampling has been executed, press [F5].
    The number of operations that can be undone is one only.
    After the noise is removed
    Before the noise is removed 
    						
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    3. Basic operations
    Step 3
    The objective of this step is to remove the noise in the foreground image.
    The noise is removed by carrying out this step several times.
    Turn [F2] to select “Matte” using the View item.
     
    CHRKEY 2 |
    View    |
    Mode    |
            |
    UNDO↓ 
    Sample1 |  Matte| Cln.FG|       |       
     Turn [F3] to select “Cln.FG” using the Mode item.
     Using the positioner, move the position of the sample marker to the position of the noise (white dots) in the 
    foreground image.
    To change the size of the sample marker, turn the rotary encoder [Z].
     If the sample area that has been set is acceptable, press the rotary encoder [Z].
    The noise in the area that has been set is now removed.
     To return to the pre-sampling status after sampling has been executed, press [F5].
    The number of operations that can be undone is one only.
    After the noise is removed
    Before the noise is removed 
    						
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    3. Basic operations
    Step 4
    After steps 1 to 3 have been carried out, noise will still 
    remain in the detail areas such as the subjects hair as 
    shown in the image on the right.
    If there are many areas with noise, the noise is removed by 
    carrying out this step several times.
    If there are few areas with noise, adjust the noise using the 
    Spill(+) item and Spill(-) item of the Sample2 sub menu.
     Turn [F2] to select “Cmpsit” using the View item.
     Turn [F3] to select “Spl.Spg” using the Mode item.
    
    CHRKEY 2|
    View    |
    Mode    |
            |
    UNDO↓ 
    Sample1 | Cmpsit|Spl.Spg|       |       
     Using the positioner, move the position of the sample marker to the position of the remaining noise.
    To change the size of the sample marker, turn the rotary encoder [Z].
     If the sample area that has been set is acceptable, press the rotary encoder [Z].
    The noise in the area that has been set is now removed, and the colors become more natural.
     To return to the pre-sampling status after sampling has been executed, press [F5].
    The number of operations that can be undone is one only.
     
     Execute sampling in both the light and dark areas as the sample area.
     
     If the noise in the foreground image is not completely removed by carrying out the steps above, proceed with 
    the FineTun sub menu operation. 
    						
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    3. Basic operations
    Step 5
    The objective of this step is to finely adjust the image by adjusting the noise and transparency, for example. On the CHR KEY menu, turn [F1] to display the Sample2 sub menu.
     
    CHRKEY 3 |
    View    |
    Mode    |
            |
    UNDO↓ 
    Sample2 | Cmpsit| Spill-|       |       
      Matte
    Proc.FG
         FG Spill+
     Matte-
     Matte+
    Detail-
    Detail+
    MatSpng
    MkFGTrn
    RstrDtl
     Turn [F2] to select the image to be adjusted using the View item.
    Cmpsit:  Composite image that combines the background image and key
    Matte: Matte image
    Proc.FG:  Process foreground image
    FG: Foreground image
     Turn [F3] to select the adjustment function using the Mode item.
    For details on the items, refer to the following pages.
     Using the positioner, move the position of the sample marker to the position to be sampled.
    To change the size of the sample marker, turn the rotary encoder [Z].
      If the sample area that has been set is acceptable, press the rotary encoder [Z].
    The area that has been set is now sampled.
     To return to the pre-sampling status after sampling has been executed, press [F5].
    The number of operations that can be undone is one only. 
    						
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    3. Basic operations
    [Spill–] [Spill+]
    In these modes, the noise in the foreground image can be removed or restored step by step through repeated 
    sampling.
     [+]   Spill   [–]
    [Matte–] [Matte+]
    In these modes, the matte information is adjusted.
    If, for instance, the area of shadow in the foreground image is to be made lighter, use [Matte-] to adjust. 
    Conversely, to make it darker, use [Matte+].
    Transparent images such as images of smoke or water can be made to stand out more.
     [–]   Matte   [+] 
    						
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    3. Basic operations
    [Detail–] [Detail+]
    In these modes, the noise in the background image can be removed step by step.
    This is a useful way of adjusting images lost by other sampling operations to adjust the texture or transparency 
    of images.
     [–]   Detail   [+]
    [MatSpng]
    In this mode, the semi-transparent parts of the subject in a foreground image are selected and made matte 
    (non-transparent). Unlike [Cln.FG] on the Sample1 sub menu, the color information is not changed in the 
    process.
    With [Cln.FG], the colors of the selected parts are restored to their original colors but, with [MatSpng], only the 
    semi-transparent keys are made matte (non-transparent) while the colors remain unchanged and the original 
    colors are not restored.
    [MkFGTrn]
    In this mode, the transparency of areas with a low transparency in the foreground image is increased.
    This is useful when, for instance, areas covered with dark smoke or clouds in a foreground image are to be 
    made semi-transparent.
    [RstrDtl]
    In this mode, the transparency of areas with a high transparency in the background image is reduced.
    This is useful when, for instance, restoring the details of an image (such as an image with a subject who has 
    loose hair or an image with smoke), which have been lost as a result of a [ClnBG] or other such operation on 
    the Sample1 sub menu, to what they were in the original image. 
    						
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    3. Basic operations
    [FineTun]
    In this mode, detailed images can be adjusted.
    On the CHR KEY menu, turn [F1] to display the FineTun sub menu.
     
    CHRKEY 4 |
    View    |
    Spill   |
    Trans   |
    Detail
    FineTun | Cmpsit|      0|      0|      0
     Turn [F2] to select [Cmpsit] using the View item.
     Turn [F3] to remove or restore the noise using the Spill item.
    When it is turned clockwise, a large amount of noise is removed from the foreground image, and the image 
    colors increasingly approach the complementary color (opposite color) of the blue screen.
    When it is turned counterclockwise, the image colors approach the colors of the original foreground image.
     By turning [F4] clockwise, the matte of the colors closely resembling the colors of the foreground image can 
    be adjusted using the Trans item.
    This is useful when, for instance, making the parts covered by dark smoke, clouds or other such objects in 
    the foreground image semi-transparent.
     By turning [F5] clockwise, the matte information for the colors closely resembling the colors of the 
    background image can be adjusted using the Detail item.
    This is useful when, for instance, restoring the details of an image (such as an image with a subject who has 
    loose hair or an image with smoke), which have been lost in the foreground image as a result of sampling, to 
    what they were in the original image. 
    						
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