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Panasonic Memory Card Camera Recorder Ajhpx2700 Operating Instructions

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    							41Recording and Playback: Interval Recording
    Recording and Playback
    It is possible to record in intervals of one frame as the 
    shortest length by using the internal memory of the unit.
    To use this option, open the  screen from 
    the SYSTEM SETTING page, and set the interval recording 
    mode, REC TIME, PAUSE TIME and TAKE TOTAL TIME for 
    the menu option INTERVAL REC MODE. When the settings 
    are finalized, TOTAL REC TIME needed on the P2 card is 
    automatically calculated and displayed.
    The following are the options for INTERVAL REC MODE:
    OFF:No interval recording performed.
    ON:Interval recording performed.
    ONE SHOT:
    Performs “one-shot” recording for the duration 
    specified under the REC TIME option by 
    pressing either the REC START/STOP button 
    or VTR button at the lens.
    						
    							42Recording and Playback: Interval Recording Press either the REC START/STOP button or VTR button at 
    the lens, again. Interval recording resumes.
    Press the STOP button. Recording stops. Then, the camera 
    accesses the P2 card to record the video stored in memory 
    before recording stops. The record from the beginning of the 
    interval recording to the moment of pressing the STOP 
    button is generated as one clip.ySetting the menu option INTERVAL REC MODE to “OFF”.
    When INTERVAL REC HOLD is set to “OFF”, the mode 
    returns to ordinary recording mode if the POWER switch of 
    the unit is turned off.
    If INTERVAL REC HOLD is set to “ON”, the interval 
    recording mode will not change even if the POWER switch is 
    turned off.
    After setting the INTERVAL REC mode, follow these steps:
    1Following basic operations of shooting and recording 
    according to [Basic Procedures], lock the camera 
    securely.
    2Press either the REC START/STOP button or VTR 
    button at the lens.
    The unit automatically goes into ONE SHOT pause 
    mode after the specified REC TIME.
    3Performs recording for the duration specified under the 
    REC TIME option by pressing either the REC START/
    STOP button or VTR button at the lens, and returns to 
    ONE SHOT pause mode.
    4Press the STOP button.
    The video and sound stored in memory are generated 
    as one clip.
    Press the RET button at the lens to put the unit into REC 
    REVIEW mode. ONE SHOT operation continues after the 
    REC REVIEW.
    Even during ONE SHOT mode, clips will not be generated 
    on the P2 card until the STOP button is pressed. Press the 
    STOP button, and stop ONE SHOT mode operation.ySet the menu option INTERVAL REC MODE to “OFF”.
    When INTERVAL REC HOLD is set to “OFF”, the mode 
    returns to ordinary recording mode if the POWER switch of 
    the unit is turned off.
    If INTERVAL REC HOLD is set to “ON”, the interval 
    recording mode will not change even if the POWER switch is 
    turned off.
    For continuous recording
    To stop recording
    To stop the Interval recording mode
    Shooting procedures for the ONE SHOT mode of INTERVAL REC
    A
    t
    A
    B
    t
    B
    Real-time video/
    sound
    Content on P2 card
    One clipREC TIME
    (Recording time=t) iREC startTime Axis
    iREC 
    startSTOP button
    Previous clip
    To check the previous recording during a pause
    To divide clips or to change the P2 card used for 
    recording
    To stop the ONE SHOT mode of INTERVAL REC
    AJ-HPX2700G-VQT1V27_eng.book  42 ページ  2008年9月2日 火曜日 午後5時43分 
    						
    							43Recording and Playback: Recording Review Function
    Recording and Playback
    ySound
    By selecting “ON”/“OFF” for the menu option AUDIO REC 
    in the  screen, it is possible to specify 
    whether or not sound will be recorded during interval 
    recording.
    yRecord/playback buttons
    During interval recording, all operation buttons other than 
    STOP (REW, FF, PLAY/PAUSE) are disabled. However, 
    during a pause in ONE SHOT mode, REC REVIEW can 
    be executed with the RET button on the lens.
    yIf the POWER switch is turned [OFF] during recording
    If the unit is turned off during interval recording, the video 
    stored in memory is recorded onto the P2 card, and then 
    the unit automatically turns off.
    yTo start emergency recording during a pause
    If the REC START/STOP button is assigned to one of the 
    USER MAIN, USER 1, USER2, MARKER SELECT and 
    TEXT MEMO button in advance, emergency recording 
    can be started during a pause by holding down the 
    relevant button. Pause time measurement continues after 
    such emergency recording.
    
    						
    							44Recording and Playback: Normal and Variable Speed Playback The PLAY/PAUSE button provides monochrome playback 
    through the viewfinder and color playback on the LCD 
    monitor. A color video monitor connected to the HD SDI A · 
    B or MON OUT connector of unit also provides color 
    playback.
    The HD SDI A · B connector outputs an SDI playback (to 
    view the playback, the HD SDI A · B switch on the side panel 
    must be positioned to [MEM]).
    The FF and REW buttons provide 32
    						
    							45Recording and Playback: Shot Mark Function
    Recording and Playback
    A shot mark is added to the thumbnail of a clip to distinguish 
    that clip from others. It is also possible to select only those 
    clips which include shot marks, and display and playback the 
    selected clips on the LCD monitor.
    To add a shot mark during recording, press the SHOT 
    MARKER button. The viewfinder displays “MARK ON” and 
    adds a shot mark to the thumbnail of the appropriate clip. 
    Another press of the button erases the shot mark.
    When the SHOT MARKER button is pressed during a 
    recording pause, a shot mark is attached to the clip recorded 
    immediately before. The shot mark can be deleted with 
    another press.
    a.SHOT MARKER button
    Shot marks may also be added or erased using clip 
    thumbnails. For more information, see [Shot Mark] 
    (page 126).
    
    						
    							46Adjustments and Settings for Recording: Multi Format
    Adjustments and Settings for Recording
    The unit employs a progressive scan (full pixel reading) CCD system.
    With combinations of the SYSTEM MODE and CAMERA MODE menu options on the  screen on the 
    SYSTEM SETTING page, you can select an video system from among 23 types.
    In any video system, the CCD operates in progressive (non-interlace) scan mode.
    SYSTEM MODE menu option
    Allows you to select a combination of system frequency 
    (59.94 Hz, 50 Hz, 60 Hz, 23.98 Hz and 24 Hz) and 
    signaling system (1080i or 720P). When a change has 
    been made to the SYSTEM MODE option, the 
    viewfinder indicates “TURN POWER OFF”. Then, turn 
    the POWER switch of the unit off and wait 5 seconds or 
    longer before turning the unit on again.
    CAMERA MODE menu option
    Selecting a shooting mode when the signal format is 
    1080i. For information about the behavior for each 
    setting, see [Recording formats and output connector 
    signal formats] (page 47).
    
    						
    							47Adjustments and Settings for Recording: Multi Format
    Adjustments and Settings for Recording
    The table below shows the formats used to record signals from the CCD and externally input signals along with the formats for 
    signals output from the output connectors.
    * The audio sampling frequency is 48.048 KHz
    Recording formats and output connector signal formats
    Menu setting Operating state
    SYSTEM 
    MODEREC FORMATCAMERA 
    MODEVFRFRAME 
    RATERecording 
    format/frame 
    rateRecording TC 
    frame number/
    modeAudio 
    recordingVideo output formatInput/output 
    TC frame 
    number/mode1394 output
    1080-
    59.94iDVCPROHD/60i60i
    Not shown Not shown59.94i
    30 frames
    {
    1080-59.94i
    30 frames60i
    30P29.97P Over 
    59.94i1080-29.97PsF Over 59.94i 2:2 30P Over 60i
    24P23.98P Over 
    59.94i 2:31080-23.98PsF Over 59.94i 2:3 24P Over 60i
    24PA23.98P Over 
    59.94i 2:3:3:21080-23.98PsF Over 59.94i 2:3:3:2 24PA Over 60i
    AVC-I 100/60i
    AVC-I 50/60i60i 59.94i 1080-59.94i
    No output AVC-I 100/30PN
    AVC-I 50/30PN30P29.97P-29.97PN 
    (Native)1080-29.97PsF Over 59.94i 2:2
    AVC-I 100/24PN
    AVC-I 50/24PN24P23.98P-23.98PN 
    (Native)
    24 frames1080-23.98PsF Over 59.94i 2:3
    1080-
    23.98PsFAVC-I 100/24PN
    AVC-I 50/24PN24P23.98P-23.98PN 
    (Native)1080-23.98PsF Over 47.96i 2:2
    24 frames
    1080-
    24PsFAVC-I 100/24PN
    AVC-I 50/24PN24P24P-24PN 
    (Native)1080-24PsF Over 48i 2:2
    1080-50iDVCPROHD/50i50i
    Not shown Not shown50i
    25 frames
    {
    1080-50i
    25 frames50i
    25P 25P Over 50i 2:2 1080-25PsF Over 50i 2:2 25P Over 50i
    AVC-I 100/50i
    AVC-I 50/50i50i 50i 1080-50i
    No output
    AVC-I 100/25PN
    AVC-I 50/25PN25P25P-25PN 
    (Native)1080-25PsF Over 50i 2:2
    720-
    59.94PDVCPROHD/
    60P
    Not shownOFF Disabled 59.94P
    30 frames
    {
    720-59.94P
    30 frames60P
    ON1FRAME-
    60FRAME1-59.94P Over 
    59.94P720-
    
    						
    							48Adjustments and Settings for Recording: Multi Format
    {: Supported
    –: Not supported
    
    						
    							49Adjustments and Settings for Recording: Adjusting the White balance and Black Balance
    Adjustments and Settings for Recording
    To record high-quality video with the unit, the black and white balances must be adjusted according to conditions.
    For higher quality, it is recommended that the adjustments should be made in this order AWB (white balance adjustment)  
    ABB (black balance adjustment)  AWB (white balance adjustment).
    Whenever light conditions change, the white balance must 
    be re-adjusted.
    To adjust the white balance, follow the steps below.
    1Set the switches as illustrated below.
    2Adjust the CC/ND FILTER control according to the light 
    conditions.
    
    						
    							50Adjustments and Settings for Recording: Adjusting the White balance and Black Balance The detection area for the white balance is selectable 
    between “90%”, “50%” and “25%”, using the menu option 
    AWB AREA.
    This option can be found in the  
    screen on the CAM OPERATION page.
    The detection area is factory-set to “25%”.
    Position the WHITE BAL switch at [PRST].
    This adjusts the white balance for the filter according to the 
    position of the CC/ND FILTER control.
    When the white balance has not been successfully adjusted, 
    the viewfinder displays an error message.
    If one of the error messages listed below appears, take the 
    appropriate steps, then adjust the white balance again.
    If the error message appears after repeated readjustments, 
    the interior of the unit must be inspected. For more 
    information, contact your distributor.Each value in memory is retained even if the unit is turned 
    off; it will not be lost until the white balance is re-adjusted. 
    White balances are stored in either of two systems: A or B.
    When the menu option FILTER INH is set to “ON” (default), 
    each system stores only one value. If this is the case, the 
    values are not synchronized with the filters.
    This option can be found in the  
    screen on the CAM OPERATION page.
    When the menu option FILTER INH is set to “OFF”, the 
    adjusted value for each filter can be automatically stored in 
    the memory that corresponds to the position of the WHITE 
    BAL switch ([A] or [B]). Your unit has 4 built-in filters; it stores 
    8(4
    						
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