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Panasonic Memory Card Camera Recorder Ajhpx2700 Operating Instructions

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    							31Recording and Playback: P2 Cards
    Recording and Playback
    1While pressing down the slide lock button, move the 
    slide-out door to the left.
    The door opens.
    2Tilt down the eject button.
    3Then, depress the eject button to release the P2 card so 
    that you can remove it.
    
    						
    							32Recording and Playback: How to handle data recorded on P2 cards The P2 card is a semiconductor memory card that is used as the recording medium in the professional video production and 
    broadcasting devices that make up the DVCPRO P2 Series.
    ySince data recorded in the DVCPRO P2 format or AVC-
    Intra are in a file format, they have excellent compatibility 
    with PCs. The file structure is a unique format, which in 
    addition to video and audio data in MXF files contains 
    various other important information items. The folder 
    structure links the data as shown on the right.
    Changing or deleting just one information component 
    could make it impossible to recognize the data as P2 data 
    or use the card in a P2 device.
    yWhen transferring data from a P2 card to a PC, or when rewriting data saved on a PC to a P2 card, to prevent data loss be 
    sure to use the special P2 Viewer software. Download it from the following website.
    (Compatible with the Windows Vista, Windows XP and Windows 2000 operating systems.)
    https://eww.pavc.panasonic.co.jp/pro-av/
    yWhen using regular IT tools such as Microsoft Windows Explorer or Apple Finder to transfer data to a PC, follow the 
    instructions below. However, be sure to use the P2 Viewer when returning data to a P2 card.
    – Transfer the corresponding CONTENTS folder and LASTCLIP.TXT file together as a set.
    Do not transfer individual files from the CONTENTS folder.
    When copying, copy the LASTCLIP.TXT file at the same time as the CONTENTS folder.
    – When transferring multiple P2 cards to a PC, create a folder for each P2 card to prevent clips with the same name from 
    being overwritten.
    – Do not delete data from the P2 card.
    – When formatting a P2 card, be sure to use a P2 device or the P2 Viewer.
    yMicrosoft and Windows are registered trademarks of the Microsoft Corporation in the USA and other countries.
    yApple and Macintosh are registered trademarks of Apple, Inc., in the USA and other countries.
    How to handle data recorded on P2 cards
    Device:\
    All these folders are required.
    * This is the file in which the 
    information on the final clip 
    that was recorded with the P2 
    device is written.
    CONTENTSAUDIO
    CLIP
    ICON
    PROXY
    VIDEO
    VOICE
    LASTCLIP.TXT*
    AJ-HPX2700G-VQT1V27_eng.book  32 ページ  2008年9月2日 火曜日 午後5時43分 
    						
    							33Recording and Playback: Basic Procedures
    Recording and Playback
    This section describes the basic procedure for shooting and 
    recording. Before you embark on a shoot, pre-inspect your 
    system to ensure that it works properly.
    * For directions on inspecting your unit, see [Inspections Before 
    Shooting] (page 148).
    1Insert a charged battery pack.
    2Turn on the POWER switch and ensure that more than 
    5 segments of the battery-remaining amount indication 
    bar are illuminated.
    yIf the number of illuminated segments is fewer than 5, 
    first check the battery setting. If setting is not the 
    problem, replace the battery with a fully charged one.
    3Insert a P2 card and ensure that the P2 card access 
    LED stays on in orange or green. Then, close the slide-
    out door.
    When more than one P2 card slot contains a P2 card, 
    the card in the slot with the lowest number is used first. 
    However, regardless of slot number, a P2 card inserted 
    later will not be accessed until the other cards have 
    been used.
    Example:
    If all 5 slots contain P2 cards, the cards are used in 
    order of slot numbers 12345. However, if the P2 
    card in slot 1 is removed and then re-inserted, the cards 
    will be used in the following order: 23451.
    Note that the number of the P2 card to which recording is in 
    progress will be retained even when the power is turned off. 
    When the power is next turned on, the last card written 
    before powering-down will be the target card.
    
    						
    							34Recording and Playback: Basic Procedures For shooting, follow the steps below.
    1Select a filter according to light conditions.
    2When the white balance is saved:
    Position the WHITE BAL switch to [A] or [B].
    When the white or black balance is not saved and 
    you have no time to adjust the white balance:
    Position the WHITE BAL switch to [PRST].
    This adjusts the white balance against the filter 
    according to the position of the FILTER control.
    If the white balance is adjusted on the spot:
    Position the WHITE BAL switch to [A] or [B] and shoot a 
    white test subject so that it appears at the center of the 
    screen. Then, follow the steps below to adjust the white 
    balance.
    1 Press the AUTO W/B BAL switch toward [AWB] to 
    adjust the white balance.
    2 Press the AUTO W/B BAL switch toward [ABB] to 
    adjust the black balance.
    3 Press the AUTO W/B BAL switch toward [AWB] to 
    adjust the white balance again.
    For directions on making adjustments, see [Adjusting 
    the White Balance] (page 49) and [Adjusting the Black 
    Balance] (page 52).
    3Point the camera at your subject to adjust the focus, and 
    zoom.
    4To use the electronic shutter, set the shutter speed and 
    operation mode.
    For more information, see [Setting the Electronic 
    Shutter] (page 53).
    5Press either the REC START/STOP button or VTR 
    button at the lens to start recording.
    During recording, the REC lamp in the viewfinder stays 
    illuminated.
    6To stop recording, press either the REC START/STOP 
    button or VTR button at the lens.
    The REC lamp in the viewfinder goes out.
    White/Black balance adjustment to recording completion
    White/Black Balance Adjustment to Recording Completion
    Operation Buttons
    During recording, all operation buttons (REW, FF, PLAY/
    PAUSE, STOP) are disabled.
    1 32245, 6
    AJ-HPX2700G-VQT1V27_eng.book  34 ページ  2008年9月2日 火曜日 午後5時43分 
    						
    							35Recording and Playback: Normal Recording
    Recording and Playback
    REC START/STOP button or VTR button at the lens starts recording of video and sound on the P2 card. A cluster of data that 
    consists of video and sound generated through a shooting action, together with such added information as meta data, is 
    called a “clip”.
    In the unit, the camera’s recording method is selectable 
    between the native recording method with the frame rate 
    unchanged and the normal recording method pulling the 
    frame rate down to 59.94 or 50 frames.
    Images at 24P (23.98P: referred to as 24P) are pulled down 
    in 2:3 mode. Images at 30P (29.97P: referred to as 30P) are 
    pulled down in 2:2 mode and recorded as 59.94i or 59.94P 
    (referred to as 60i and 60P). Images at 25P are recorded as 
    50i or 50P with 2:2 pulled down. 1080i supports 24PA 
    (2:3:3:2 Advanced Pull down) as well.
    AVC-Intra does not support pull-down recording.
    Example of 24P Over 60i
    Example of 720P 24P Over 60PThis recording method extracts and records effective frames 
    at the frame rates of the AVC-Intra recording in 1080i, and 
    DVCPRO HD and AVC-Intra recording in 720P.
    For 720P, it is possible to record images where the length is 
    2 to 2.5 times longer than the pull-down recording.
    Even in native recording, the rate for outputting camera 
    images and playback images is 59.94 or 50 frames that are 
    pulled down.
    Example of 1080-24PN (Native)
    Example of 720-24PN (Native)
    
    						
    							36Recording and Playback: PRE RECORDING function The internal memory of your unit is capable of storing 
    several seconds of video and sound data coming from the 
    camera. This capability can be used to record video and 
    sound several seconds before either the REC START/STOP 
    button or VTR button at the lens is pressed to start 
    recording. To use this function, the menu option PRE REC 
    MODE must be set to “ON”. The storage duration of the 
    internal memory can be set from the menu option PRE REC 
    TIME. PRE REC MODE and PRE REC TIME menu options 
    can be found in the  screen on the 
    SYSTEM SETTING page.The function of the menu option PRE REC MODE may be 
    assigned to a desired user button by using any one of the 
    menu options USER MAIN SW, USER1 SW, USER2 SW, 
    MARKER SEL, or TEXT MEMO SW.
    These options can be found in the  screen on 
    the CAM OPERATION page.
    The following is the option for PRE REC TIME.
    1-8SEC (for AVC-Intra100/50 or DVCPRO HD)
    Specify the duration for which data may be recorded before 
    either the REC START/STOP button or VTR button at the 
    lens is pressed.
    
    						
    							37Recording and Playback: Variable Frame Rate (VFR) Recording Function
    Recording and Playback
    This unit can shoot at a lower frame rate (undercrank) or 
    higher frame rate (overcrank) in the 720P mode. The native 
    (PN) recording mode or standard (OVER) recording can be 
    selected.
    1Open the  screen from the SYSTEM 
    SETTING page using the menu.
    Set SYSTEM MODE to “720-59.94P (60P/50P)”, REC 
    FORMAT to “AVC-I 100/24PN”, and VFR to “ON”.
    Set FRAME RATE suitable for desired way of shooting. 
    Any frame from 1 (1P) to 60 (60P) can be selected.
    2Press the REC START/STOP button to begin recording 
    in the VFR mode.
    It is possible to select a combination of AVC-I 100, AVC-I 50, 
    DVCPROHD, 30P, 25P and 24P as recording formats. For 
    more details, refer to [Recording formats and output 
    connector signal formats] (page 47) and [SYSTEM 
    SETTING] (page 165).
    
    						
    							38Recording and Playback: Variable Frame Rate (VFR) Recording Function When producing for the cinema screen, a frame rate of 24 fps (24 frames per sec) matching the rate at which films are played 
    back is normal (1
    						
    							39Recording and Playback: Variable Frame Rate (VFR) Recording Function
    Recording and Playback
    This way of shooting provides the quick motion effects used, for instance to realize speeding clouds, a person standing 
    stationary in the blur of a moving crowd, and kung-fu moves. For example, when the scenes have been shot using the 24P 
    recording format for specifying playback frames, the speed of the quick motion effects can be doubled by setting the VFR 
    recording frame rate to 12 fps.
    yWhen REC FORMAT is set to “DVCPROHD/60P” or “DVCPROHD/50P”, the quick motion effects can be obtained by using 
    a nonlinear editing system to process what has been recorded.
    This way of shooting provides slow motion effects used in car chases, action scenes, climactic scenes and other dramatic 
    moments. For example, when scenes have been shot using the 30P recording format for specifying the playback frames, the 
    speed of the slow motion effects can be halved by setting the recording frame rate to 60 fps. Images in the 720P progressive 
    format will create smooth slow motion sequences with a high picture quality.
    yWhen REC FORMAT is set to “DVCPROHD/60P” or “DVCPROHD/50P”, the slow motion effect can be obtained by using a 
    nonlinear editing system to process what has been recorded.
    Undercrank Shooting
    Standard settings for undercrank shooting
    System frequencySYSTEM MODE setting
    Recording Frame Rate
    SYSTEM MODE Other settings
    59.94 Hz720-59.94PREC FORMATAVC-I 100/24PN
    (AVC-I 50/24PN)
    (DVCPROHD/24PN)
    1 - 23 frames
    VFRON
    FRAME RATESet to 23FRAME or lower
    50 Hz720-50PREC FORMATAVC-I 100/25PN
    (AVC-I 50/25PN)
    (DVCPROHD/25PN)
    1 - 24 frames
    VFRON
    FRAME RATESet to 24FRAME or lower
    60 Hz720-60PREC FORMATAVC-I 100/24PN
    (AVC-I 50/24PN)
    (DVCPROHD/24PN)
    1 - 23 frames
    VFRON
    FRAME RATESet to 23FRAME or lower
    Overcrank shooting
    Standard settings for overcrank shooting
    System frequencySYSTEM MODE setting
    Recording Frame Rate
    SYSTEM MODE Other settings
    59.94 Hz720-59.94PREC FORMATAVC-I 100/24PN
    (AVC-I 50/24PN)
    (DVCPROHD/24PN)
    25 - 60 frames
    VFRON
    FRAME RATESet to 25FRAME or higher
    50 Hz720-50PREC FORMATAVC-I 100/25PN
    (AVC-I 50/25PN)
    (DVCPROHD/25PN)
    26 - 50 frames
    VFRON
    FRAME RATESet to 26FRAME or higher
    60 Hz720-60PREC FORMATAVC-I 100/24PN
    (AVC-I 50/24PN)
    (DVCPROHD/24PN)
    25 - 60 frames
    VFRON
    FRAME RATESet to 25FRAME or higher
    AJ-HPX2700G-VQT1V27_eng.book  39 ページ  2008年9月2日 火曜日 午後5時43分 
    						
    							40Recording and Playback: Loop Recording This way of shooting provides a flow effect and may, for instance, be used to shoot a subject on a far side of a road with a 
    stream of fast-moving cars as the flow, in such a way that the stationary subject comes into focus though the cars.
    When two or more P2 card slots contain cards, this function 
    allows the target P2 card to be switched in order. Even when 
    the free space of a P2 card is used up, this function 
    continues recording while erasing existing data.To use this function, the menu option LOOP REC MODE 
    must be set to “ON”. The option LOOP REC MODE can be 
    found in the  screen on the SYSTEM 
    SETTING page.
    
    						
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