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Panasonic Memory Card Camera Recorder Ajhpx2000 Operating Instructions

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    							51Adjustments and Settings for Recording : Assigning Functions to USER MAIN, USER1 and USER2 Buttons
     Adjustments and Settings for Recording
    The USER MAIN, USER1, and USER2 buttons can be
    assigned user-selected functions.
    To select desired functions, use the menu options USER
    MAIN SW, USER1 SW and USER2 SW. These options
    can be found in the  screen, which is
    accessible from the CAM OPERATION page.
    INH: No function assigned.
    S.GAIN:S.GAIN function assigned.
    DS.GAIN:DS.GAIN function assigned.
    LINE MIX GAIN:
    LINE MIX GAIN function (+6 dB) assigned.
    S.IRIS:Super Iris function assigned. 
    This is useful for backlight compensation.
    I.OVR:Iris Override function assigned.
    The target (reference) value in Auto Iris
    mode must be changed.
    To change the target value, put the unit into
    this mode and press the JOG dial button.
    Turn the JOG dial button clockwise or anti-
    clockwise to change the value. The iris
    indication section of the viewfinder screen
    displays 
    “+”, “+ +”, “–”, or “– –”. 
    When the desired value is displayed, stop
    turning the JOG dial button. Then, press the
    dial button to accept that value.
    Note that once the mode is cancelled or the
    power is turned off the original reference
    value will be used again.
    +:Iris opens up by 0.5.
    + +:Iris opens up by 1.
    –:Iris closes down by 0.5.
    – –:Iris closes down by 1.
    No indication:The reference value is used.
    S.BLK:Super Black function assigned.
    This function lowers the black level to the
    pedestal level or below. 
    B.GAMMA:The BLACK gamma function is allocated.
    This function highlights the black gradations.
    Regardless of the value set in the BLACK
    GAMMA item on the menu ( screen,  screen
    and  screen on the PAINT
    page), the BLACK GAMMA is set to “+3”.D.ZOOM:When the digital zoom function is active the 
    view angle expands by double, triple or 4 
    times horizontally and vertically. When the 
    digital zoom function is turned on, the DTL 
    function is disabled.
    AT W :Auto-tracking white balance function
    assigned.
    Y GET:Function of indicating the brightness level of
    the center marker assigned.
    DRS:The function of the dynamic range stretcher
    is allocated.
    The function is allocated to compress the
    video level with high brightness and
    stretched the dynamic range.
    ‹Notes
    zSince the DRS function compresses the
    video levels of sections with high
    brightness, there are slight differences in
    color development when the DRS function
    is turned on/off.
    zWhen the DRS function is turned on, the
    Knee function and the BLACK GAMMA
    function are not available.
    zThe DRS function may be degraded when
    the LINE MIX gain and D. ZOOM functions
    are enabled at the same time.
    ASSIST
    The function to turn on or off the assigned 
    focus assist indication.
    ‹Note
    When the ASSIST button is turned on, a
    graph is displayed on the viewfinder and the
    bottom right of the LCD monitor. Adjust the
    focus ring on the lens so that the graph
    comes further right.
    C. TEMP
    The function to switch to the mode that 
    allows the JOG dial button to change the 
    assigned color temperature. It is useful for 
    intentionally changing the color temperature 
    after adjusting the white balance. To change 
    the color temperature, press the user button 
    with this assigned function, and then press 
    the JOG dial button. The color temperature 
    indicated on the viewfinder display is 
    highlighted and starts blinking, indicating 
    that the color temperature can be changed. 
    While the indication is blinking, the JOG dial 
    button can be turned to change the color 
    temperature. At this time, the value set for 
    the position (PRST, A, or B) to which the 
    WHITE BAL switch is set is also changed.
    Assigning Functions to USER MAIN, USER1 
    and USER2 Buttons
    Selectable Functions
    < USER SW >
    # USER MAIN SW    :SLOT SEL
     USER1 SW        :S.GAIN
     USER2 SW        :DS.GAIN
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    							52Adjustments and Settings for Recording : Assigning Functions to USER MAIN, USER1 and USER2 Buttons
    AUDIO CH1:Function of switching the input signal source
    for Audio Channel 1 assigned.
    Pressing the button switches the input signal
    in the following order: FRONT 
    > W. L .  >
    REAR. Note that the AUDIO IN switch can
    also be used to change the input signal: later
    specification takes precedence.
    AUDIO CH2:Function of switching the input signal source
    for Audio Channel 2 assigned.
    Pressing the button switches the input signal
    in the following order: FRONT 
    > W. L .  >
    REAR. Note that the AUDIO IN switch can
    also be used to change the input signal: later
    specification takes precedence.
    REC SW:Function of the REC START/STOP button
    assigned.
    RET SW:
    Function of the RET button at the lens assigned.
    PRE REC:PRE RECORDING switch ON/switch OFF
    function assigned.
    SLOT SEL:Function of switching the target P2 card
    among multiple cards assigned.
    PC MODE:The function to turn on or off the assigned 
    USB device or USB host mode. Switching 
    between the USB device and USB host 
    modes is set by selecting the PC MODE 
    SELECT menu option in the SYSTEM 
    MODE screen on the SYSTEM SETTING 
    page.
    ‹Note
    When the remote controller, AJ-RC10G
    (option), is connected and I.OVR or C.TEMP
    is assigned to the USER button on the side
    of the AJ-RC10G, operation of the jog dial
    button on the main unit is disabled.
    AJ-HPX2000 allows three other modes to be used in
    addition to the L/M/H standard gain settings: the analog
    gain-up S.GAIN (super gain) mode to achieve a gain of 30
    dB or more, the cumulative gain-up DS.GAIN (digital super
    gain) mode which uses progressive drive, and the LINE
    MIX GAIN mode where the gain of two lines is mixed.
    To select these functions, perform menu operations to
    open the  screen from the CAM
    OPERATION page, select the S.GAIN item and DS.GAIN
    item, and preset the gain to be used for each item.
    Furthermore, select the LINE MIX function on the  screen.
    For instance, if the S.GAIN, DS.GAIN and LINE MIX GAIN
    functions have been allocated to the USER MAIN button,
    USER1 button or USER2 button, the gain can be
    increased by using these buttons in combination with the
    USER buttons.
    1) To increase the gain without increasing noise:
    The DS.GAIN function and the LINE MIX GAIN
    function are used.
    2)  To increase the normal analog gain:
    (noise is increased)
    Use the S.GAIN feature alone.
    ‹Note
    Note that the accuracy of AUTO IRIS, White Balance,
    and Black Balance may be influenced by an increase
    in noise.
    3)  To achieve ultra-high sensitivity:
    Use the S.GAIN function and DS.GAIN or LINE MIX
    GAIN function in combination. However, exercise care
    during operation since image lag will become more
    conspicuous with moving subjects the more the gain is
    increased by using the DS.GAIN function.
    When shooting moving subjects, keep the gain
    increase with the LINE MIX GAIN function or DS.GAIN
    function to under +12 dB.Settings Options and Usage
    S.GAIN: An analog gain increase with an asterisk is
    one that is valid. One without an asterisk is
    invalid.
    DS.GAIN:A cumulative gain increase with an asterisk is
    one that is valid. One without an asterisk is
    invalid.
    Setting the Switchover of USER SW GAIN
    #< USER SW GAIN >
     S.GAIN
     
    ¢30dB
     ¢36dB
     ¢42dB
     ¢48dB
     DS.GAIN
     
    ¢ 6dB: ¢10dB: ¢12dB: ¢15dB: ¢20dB:
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    							53Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels
     Adjustments and Settings for Recording
    AJ-HPX2000 supports independent 4-channel sound recording in any recording format in HD (1080i or 720P) and SD 
    (DVCPRO50, DVCPRO, or DV with 480i or 576i) modes.
    When the AUDIO SELECT CH1/CH2 switch is positioned at [AUTO], the recording levels for Audio Channels 1 and 2 are 
    automatically adjusted. To manually adjust the recording levels, position the switch at [MAN]. Note that the recording levels 
    for Audio Channels 3 and 4 are selected through a menu option.
    ‹Notes
    zEven in HD mode (1080i or 720P), 4-channel sound is recoded on P2 cards.
    zWhen SDI input signals or signals input through the DVCPRO/DV connector are recorded, the settings above are
    overridden; audio signals from the SDI IN or DVCPRO/DV connector are always recorded.
    The input signals to be recorded on Audio Channels 1, 2,
    3, and 4 are selected with the AUDIO IN switch. For more
    information, see [Audio (input) Function Section] (page
    15).
    In SD mode (DVCPRO50, DVCPRO, or DV with 480i or
    576i), your unit is factory-set to perform no recording on
    Audio Channels 3 and 4 in the DVCPRO and DV formats.
    To enable four-channel recording, the menu option 25M
    REC CH SEL must be set to “4CH”.
    ‹Notes
    zAudio Channels 1 and 2 always receive the signals
    selected with the AUDIO IN CH1 and CH2 switches. 
    zFour-channel-recorded audio signals are SDI-output as
    they are.Specific audio settings are performed through the  and  screens, which are
    accessible from the MAIN OPERATION page.
    For more information, see [MAIN OPERATION] (page
    178).
    Selecting Audio Input Signals and Adjusting 
    Recording Levels
    Selecting Audio Input Signals
    AU DIO  
    LEVEL CH1/
    CH2 controls
    AUDIO SELECT 
    CH1/CH2 switch
    MONITOR CH1/3 
    / ST / CH2/4
    selector switch
    MONITOR SELECT 
    CH1/2 / CH3/4
    selector switchDisplay window
    AUDIO IN CH1/CH2/
    CH3/CH4 buttons
    #< MIC/AUDIO1 >
     FRONT VR CH1        :OFF
     FRONT VR CH2        :OFF
     MIC LOWCUT CH1      :OFF
     MIC LOWCUT CH2      :OFF
     MIC LOWCUT CH3      :OFF
     MIC LOWCUT CH4      :OFF
     LIMITER CH1         :OFF
     LIMITER CH2         :OFF
     AUTO LEVEL CH3      :ON
     AUTO LEVEL CH4      :ON
     25M REC CH SEL      :2CH
     TEST TONE           :NORMAL
    #< MIC/AUDIO2 >
     FRONT MIC POWER     :ON
     REAR MIC POWER      :ON
     MONITOR SELECT      :STEREO
     FRONT MIC LEVEL     :-40dB
     REAR MIC CH1 LEVEL  :-60dB
     REAR MIC CH2 LEVEL  :-60dB
     REAR LINE IN LVL    :+4dB
     AUDIO OUT LVL       :+4dB
     HEADROOM            :20dB
     WIRELESS WARN       :OFF
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    							54Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels
    To adjust the recording levels for Audio Channels 1 and 2,
    follow the steps below.
    1Position the MONITOR SELECT  CH1/2 / CH3/4-
    selector switch at CH1/2 so that the audio level meter 
    on the display window will provide CH1 and CH2 
    indications. Ensure that the channel indications 
    displayed in the window are 1 and 2. 
    Whether to enable or disable the FRONT AUDIO 
    LEVEL control must be preset through menu options 
    FRONT VR CH1 and FRONT VR CH2. Note that this 
    control is factory-disabled.
    The menu options are found in the MIC/AUDIO1 
    screen, which is accessible from the MAIN 
    OPERATION page.
    2Position the AUDIO SELECT CH1/CH2 switch at 
    [MAN]. 
    3While checking the audio channel level meter in the 
    display window or the audio level meter in the 
    viewfinder, adjust the AUDIO LEVEL CH1/CH2 
    control.
    Note that if the level exceeds the top bar (0 dB), the 
    word OVER illuminates to show that the input level is 
    excessive. The adjustment made in such a way that 
    the maximum level will not reach the 0 dB bar. 
    Audio level meter on the display window
    Audio level meter in the viewfinder
    When operating the unit without a sound recordist, it is
    recommended that the FRONT AUDIO LEVEL control
    should be used to adjust the audio level. 
    In advance, check the level meter in the viewfinder screen
    and use the AUDIO LEVEL control to adjust the
    appropriate audio channel so that no excessive audio
    signals will be admitted.
    This function enables the recording level to be adjusted
    using the F.AUDIO LEVEL control.
    To select this function, perform menu operations to open
    the  screen from the MAIN OPERATION
    page, and set whether to enable or disable the F.AUDIO
    LEVEL controls for the system selected as the input
    signals using the FRONT VR CH1 and FRONT VR CH2
    items.
    The following table shows the effects on the recording level
    for Audio Channels 3 and 4 that depend on the settings
    and input levels specified through the menu options AUTO
    LEVEL CH3 and AUTO LEVEL CH4. Note that the
    recording level cannot be adjusted manually.
    These options are found in the  screen,
    which is accessible from the MAIN OPERATION page. 
    Adjusting Recording Levels
    h
    EF
    Y minMsfrm
    12
    0
    D
    SLAVE HOLD W GPS
    BATTEF
    OVE R
    10
    OO40
    -dB30 18
    LOOP
    MEDIA
    HDV
    OP-SLOT
    VTCGTIME DATEP-iRECCTL
    NDF
             F:1----            
             R:2---- ---+∫
    ∫
    Selecting Function for the FRONT AUDIO LEVEL Control
    #< MIC/AUDIO1 >
     FRONT VR CH1        :OFF
     FRONT VR CH2        :OFF
     MIC LOWCUT CH1      :OFF
     MIC LOWCUT CH2      :OFF
     MIC LOWCUT CH3      :OFF
     MIC LOWCUT CH4      :OFF
     LIMITER CH1         :OFF
     LIMITER CH2         :OFF
     AUTO LEVEL CH3      :ON
     AUTO LEVEL CH4      :ON
     25M REC CH SEL      :2CH
     TEST TONE           :NORMAL
    CH3 and CH4 Recording Levels
    AUTO LEVEL
    CH3/CH4Input level
    LINE MIC
    ONAGC ON AGC ON
    OFFAGC/LIMITER OFF LIMITER ON
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    							55Adjustments and Settings for Recording : Setting Time Data
     Adjustments and Settings for Recording
    AJ-HPX2000 supports time codes, user bits, date, and time (real time) data, which are recorded as data for the sub-code 
    area, VIDEO AUX area, and clip metadata files. It also includes a CTL counter and camera ID.
    The TCG switch can be used to switch between Rec run
    and free run.
    Free run: The time code always advances even when 
    the power is turned off. It can be handled as 
    time. It can be slaved to the time code input 
    through the TC IN or DVCPRO/DV connector.
    Rec run: The time code is recorded as sequential 
    values regenerated as the time code for a clip 
    recorded on a P2 card.
    The camera-recorder separately includes two types of user
    bits: one (UB) is recorded in the sub-code area and the
    other (VITC UB) in the VIDEO AUX area. Each user bits
    can be recorded as any of the following: a user defined
    value, time, date, same value as the time code, frame rate
    information for camera shooting, externally input value
    (through the TC IN or DVCPRO/DV connector), and value
    regenerated as the user bits recorded in a clip on a P2
    card. 
    The camera-recorder includes only one user defined
    value. If user defined values are selected for both the UB
    and VITC UB, then the same value is used.
    Types of UB can be selected in UB MODE and types of
    VITCUB can be selected in VITC UB, respectively.
    However, in the following cases, these are fixed to the
    frame rate information of the editing machines (editing
    software for PCs).
    zIn 720P mode, both the UB and VITC UB are always
    frame rate information.
    zFor recoding 24P/24PA in 1080i or 480i mode, VITC UB
    is fixed to frame rate information.
    zIn Native mode, VITC UB is fixed to frame rate
    information.
    The built-in clock maintains the date and time. When the
    GPS unit AJ-GPS910G is installed, the built-in clock is
    corrected with accurate date and time information from the
    GPS. This clock is used to store the date and time while
    the power is turned off and as the time for the user bits and
    date data, as well as the reference for file generation times
    during clip recording, which determine the sorting order of
    thumbnails and the order of playback. It is also used to
    generate clip metadata and UMIDs (Unique Material
    Identifiers) in the VIDEO AUX area.The CTL counter will measure total recording time after
    resetting in the recording operation. On the other hand,
    this value is the count time and sets the start point of a clip
    that can be played back. This can be used to find the
    current playback position.
    The camera ID can be set with 10 characters 
    a3 lines,
    which can be superimposed on the color bar video. It can
    be also superimposed along with date and time data.
    Setting Time Data
    Description of time data
    Time code
    User bits
    Date and time (real time)
    CTL counter
    Camera ID
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    							56Adjustments and Settings for Recording : Setting Time Data
    The number of frames for TC varies with the settings for the input signal, system mode, and camera mode as follows.
    Recording time code and user bits
    REC 
    SIGNALSYSTEM 
    MODERecording 
    frame 
    MODE*
    10
    TC in sub-
    code areaTC in VIDEO 
    AUX area 
    (VITC)
    No. of 
    frames of 
    TC during 
    recording 
    and 
    presettingNo. of 
    frames of 
    the output 
    TCNo. of frames 
    of the 
    displayed TC
    UB in sub-
    code areaUB in VIDEO 
    AUX  a rea
    (VITC UB)
    CAM
    1080-59.94i60i, 
    30P (Over 60i)
    As per the TC 
    MODE*4As per the TC 
    MODE*4
    30
    3030/24 switch-
    able 
    As per the UB 
    MODE*6
    As per the VITC 
    UB MODE
    24P (Over 60i)
    24PA (Over 60i)Always non-
    drop frame*5Always non-
    drop frame*5
    Always frame 
    rate 
    information*
    3
    30PN (Native)As per the TC 
    MODE*4As per the TC 
    MODE*4
    As per the UB 
    MODE*6*9
    Always frame 
    rate 
    information
    *824PN (Native)Always non-
    drop frame*5Always non-
    drop frame*524
    Recording:
    24 fixed
    Playback:
    30/24 
    switchable
    1080-50i50i, 
    25P (Over 50i)
    j*4j*425 2525
    As per the UB 
    MODE*6As per the VITC 
    UB MODE
    25PN (Native)As per the UB 
    MODE*6*9
    Always frame 
    rate 
    information
    *8
    720-59.94P60P, 
    30P (Over 60P)
    As per the TC 
    MODE*4As per the TC 
    MODE*4
    30
    3030/24 switch-
    able 
    Always frame 
    rate 
    information
    *3
    Always frame 
    rate 
    information
    *324P (Over 60P)Always non-
    drop frame*5Always non-
    drop frame*5
    30PN (Native)As per the TC 
    MODE*4As per the TC 
    MODE*4
    Always frame 
    rate 
    information
    *3 *9
    Always frame 
    rate 
    information
    *824PN (Native)Always non-
    drop frame*5Always non-
    drop frame*524
    Recording:
    24 fixed
    Playback:
    30/24 
    switchable
    720-50P50P, 
    25P (Over 50P)
    j*4j*425 2525
    Always frame 
    rate 
    information
    *3
    Always frame 
    rate 
    information
    *3
    25PN (Native)Always frame 
    rate 
    information
    *3 *9
    Always frame 
    rate 
    information
    *8
    480-59.94i60i
    30P (Over 60i)
    As per the TC 
    MODE*4As per the TC 
    MODE*4
    30 3030/24 switch-
    able As per the UB 
    MODE*6
    As per the VITC 
    UB MODE
    24P (Over 60i)
    24PA (Over 60i)Always non-
    drop frame*5Always non-
    drop frame*5
    Always frame 
    rate 
    information
    *3
    576-50i50i, 
    50P (Over 50i)j*4j*425 2525As per the UB 
    MODE*6As per the VITC 
    UB MODE
    SDI*1 or 
    VIDEO1080-59.94i
    480-59.94ij
    As per the TC 
    MODE*4As per the TC 
    MODE*430 3030/24 switch-
    able 
    As per the UB 
    MODE*6As per the VITC 
    UB MODE
    720-59.94PAlways frame 
    rate 
    information
    *3
    Always frame 
    rate 
    information
    *3
    1080-50i
    576-50i
    j*4j*425 25 25As per the UB 
    MODE
    *6As per the VITC 
    UB MODE
    720-50PAlways frame 
    rate 
    information
    *3
    Always frame 
    rate 
    information
    *3
    1394
    1080-59.94i
    720-59.94P
    480-59.94ij(Natives of 
    AVC-Intra and 
    DV C P RO  H D  
    are not 
    selectable.)As per the TC 
    MODE*4
    Regardless of the 
    setting, TC in the 
    VIDEO AUX area 
    input through the 
    DV C P RO / DV  
    connector is 
    recorded.30 3030/24 switch-
    able 
    As per the UB 
    MODE*7
    Regardless of the 
    setting, TC in the 
    UB area input 
    through the 
    DVC P RO/ DV  
    connector is 
    recorded. 1080-50i
    720-50P
    576-50i
    j*225 2525
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    							57Adjustments and Settings for Recording : Setting Time Data
     Adjustments and Settings for Recording
    *1 It will not be slaved to a TC or UB value that is input in the SDI IN connector.
    *2 Can be slaved to values input through the DVCPRO/DV connector but not to the TC for TC IN connector.
    *3 If the option menu FRAME RATE UB is set to MENU, then recording is performed as per the UB or VITC UB mode. If 
    this is the case, however, edit tools (e.g. PC edit software) cannot record the required information.
    *4 For free run, the time code is slaved to the time code input through the TC IN connector.
    *5 For free run, the time code is slaved to the time code input through the TC IN connector if it is a non-drop frame.
    *6 When the option UB MODE is set to EXT, then the bits are slaved to the user bits input through the TC IN connector.
    *7 If the option UB MODE is set to EXT, then the bits are slaved to the user bits input through the DVCPRO/DV 
    connector.
    *8
    Regardless of the menu settings, frame rate information is always recorded. During playback, the information is output
    after being converted into pull-down frame rate information.
    *9When the UB MODE is set to [FRM.RATE], the pull-down frame rate information read out from the UB in the VAUX area
    is output during playback.
    *10For details on this item, refer to [Recording formats and output connector signal formats] (page 43)
    The user bits (UB) to be recorded in the sub-code area are
    selected through the menu option UB MODE. The user
    bits (VITC UB) to be recorded in the VIDEO AUX area are
    selected through the menu option VITC UB MODE.
    USER (UB MODE only)
    The included user value is recorded. A user value is
    input through the display window. For more information
    about how to input a user value, see[
    Inputting a user
    value
    ] (page 57). The recorded user value is retained
    even if the power is turned off.
    TIME
    The time kept by the built-in clock is recorded.
    DATE
    The hour digits for date and time kept by the built-in
    clock are recorded.
    EXT (UB MODE only)
    The user bits value input through the TC IN connector
    is recorded. When the menu option REC SIGNAL is
    set to 1394, then the value is slaved to the user bits
    value from the DVCPRO/DV connector. The included
    user’s value will also be this input value.
    TCG
    The time code value is recorded.
    FRM.RATE
    The frame rate information for camera shooting is
    recorded. For more information, see [
    Frame rate infor-
    mation recorded in user bits
    ] (page 58).
    REGEN
    The user bits last recorded on the current target P2
    card is read and recorded as is.
    USER/EXT
    ¢VITC UB MODE only£
    The included user’s value is recorded as the user bits
    for the VIDEO AUX area. It is the same value as the
    user bits indicated when the option UB MODE is set to
    “USER” or “EXT”.
    1Position the DISPLAY switch at [UB].
    2Position the TCG switch at [SET].
    When the left digit starts blinking you can change the 
    value. 
    3Use CURSOR buttons to set the user bits.
    ! button:Shifts the target (blinking) digit to the right.
    " button:Shifts the target (blinking) digit to the left.
    # button:Advances the blinking number by one digit. 
    $ button:Winds back the blinking number by one digit.
    4Position the TCG at [F-RUN] or [R-RUN].
    5Go to the  screen from the MAIN 
    OPERATION page, and set the menu option UB 
    MODE to “USER”.
    ‹Notes
    zWhen the TCG switch is positioned at [SET],
    thumbnails cannot be manipulated.
    zTo confirm VICT UB, press the HOLD switch to 
    display VTCG on the display window.
    Setting of the user bits
    Inputting a user value
    CURSOR and SET buttonsHOLD switch
    Display 
    window DISPLAY switch
    TCG switch
    AJ-HPX2000P(VQT1D27-1)E.book  57 ページ  2007年7月30日 月曜日 午後1時31分 
    						
    							58Adjustments and Settings for Recording : Setting Time Data
    The data set for the user bits are automatically saved and
    retained even if the camera-recorder is turned off.
    If video information to be recorded based on the frame rate
    set through the menu option CAMERA MODE is recorded
    in the user bits, it can be edited with editing tools (e.g. PC
    editing software). In 1080i and SD mode, the frame rate
    information for the user bits recorded in the VIDEO AUX
    area are used. In 720P mode, the video information is also
    recorded in the sub-code area because the frame rate
    information for the user bits recorded in the sub-code area
    is also used.
    The frame rate and video pull-down menu are linked to the
    time code and user bits as follows:Frame rate: 24P Over 60i (2:3)
    Frame rate: 24PA Over 60i (2:3:3:2)
    Frame rate: 30P Over 60i (2:2)
    25P Over 50i (2:2)
    Retaining the user bits
    Frame rate information recorded in user bits
    Frame rate information
    
    Media management information
    zUpdated frame information/
    Effective framezREC START/STOP mark
    Camera shooting mode
    60i: 600
    60P: 608
    30P: 308
    24P: 248
    24PA: 24C
    50i: 502
    50P: 50A
    25P: 25A Sequence No.
    24P, 24PA: 0 to 4
    In all other modes: Fixed at F
    Fixed value
    Checking 
    information for the 6 
    digits at right.
    For 1080i or 480i/576i
    00010203040506  23242526272829
    CoDe DoDeAo AeBo BeBoCe CoDe DoDeAo AeBo BeBoCe CoDe DoDeAo AeBo Be  
    0123401  3401234
    10100101001010  01001010010100
    Starting field for the 
    updated frame
    Time code frame digit
    Image
    Sequence No.
    Updated frame information
    00010203040506  23242526272829
    CoCeDo DeAo AeBo BeBoCe CoCeDo DeAo AeBo BeBoCe CoCeDo DeAo AeBo Be  
    0123401  3401234
    10100100101010  00101010010010
    Time code frame digit
    Image
    Sequence No.
    Updated frame information
    000102  
    Ao AeBo BeCoCe  
    1010 10  
    Time code frame digit
    Image
    Updated frame information
    AJ-HPX2000P(VQT1D27-1)E.book  58 ページ  2007年7月30日 月曜日 午後1時31分 
    						
    							59Adjustments and Settings for Recording : Setting Time Data
     Adjustments and Settings for Recording
    Frame rate: 24P Over 60P (2:3)
    Frame rate: 30P Over 60P (2:2)
    25P Over 50P (2:2)
    The frame rate information of user bits in Native recording is
    as follows.
    ‹Note
    During playback of clips recorded in Native recording frame
    rate information of user bits is converted according to the
    image pull down and then output.
    For 720P
    00010203040506  23242526272829
    CDDDAABBBCCDDDAABBBCCDDDAABB  
    10100101001010  01001010010100
    Effective frameTime code frame digit
    Image
    Effective frame information
    000102  
    AABBCC  
    1010 10  
    Time code frame digit
    Image
    Effective frame information
    
    Media management 
    information
    yREC START/STOP mark
    Camera recording mode
    24PN: 24C
    30PN: 308
    25PN: 25A Fixed value
    Verification 
    information for the 
    6 digits to the right
     
    
    Example:
    Playback Recording
    # indicates sequence Nos. 0 to 4.
    AJ-HPX2000P(VQT1D27-1)E.book  59 ページ  2007年7月30日 月曜日 午後1時31分 
    						
    							60Adjustments and Settings for Recording : Setting Time Data
    1Position the DISPLAY switch at [UB].
    2Press the HOLD button to display a date in the display 
    window.
    3Position the TCG switch at [SET].
    4Use the CURSOR and SET buttons to set the year, 
    month and day (Y/M/D).
    Note that any later than 2030 cannot be set.
    ! button:Shifts the target (blinking) digit to the
    right.
    " button:Shifts the target (blinking) digit to the left.
    # button:Advances the blinking number by one
    digit. 
    $ button:Winds back the blinking number by one
    digit.
    5Press the HOLD button to display a time in the display 
    window.
    6Use the CURSOR buttons to set the hour, minute and 
    second (h/min/s).
    7Position the TCG switch at [F-RUN] or [R-RUN]. The 
    internal clock starts at the moment the switch position 
    is changed.
    8Press the HOLD button to display a time zone (time 
    difference between local time and Greenwich Mean 
    Time) in the display window.
    9Position the TCG switch at [SET].
    10Use the # and $ buttons to set the desired hours 
    and minutes ahead of (no sign) or behind (– sign) the 
    Greenwich Mean Time).
    Example: If the local time is five hours behind 
    Greenwich Mean Time,
     set the time zone to “5:00 –”.
    The time zone is always recorded, together with the 
    date and time, as metadata.
    See the table at right to set the time zone according to 
    your local time. 
    11Position the TCG switch at [F-RUN] or [R-RUN] to 
    accept the time zone.
    ‹Notes
    zWhen using the camera-recorder for the first time,
    be sure to perform this setting beforehand. Do not
    change the setting during use of the camera-
    recorder.
    zWhen the TCG switch is positioned at [SET],
    thumbnails cannot be manipulated.
    ‹Notes
    zIn Step 4, if the TCG switch is positioned at [F-RUN] or
    [R-RUN], this also activate the internal clock.
    To cancel date, time and time zone settings in process,
    hold down the SET button and position the TCG switch
    at [F-RUN] or [R-RUN]. 
    zClock accuracy fluctuates between about ± 30 seconds per
    month when the power is turned off. If more accurate
    timekeeping is required, check the time when the power is
    turned on and, if necessary, reset the clock.
    When the GPS unit AJ-GPS910G is installed, and if it
    successfully receives time information, the internal clock
    keeps accurate (local) time based on the received time
    (Greenwich Mean Time) and the time zone. If the date and
    time differ from the actual local time, the time zone may not
    be set correctly. Check again, to see if the time zone is set
    correctly. (The date and time need not be set again.)
    zThe built-in clock operates for several years on a lithium
    battery built into the camera-recorder. When the lithium
    battery is exhausted, the viewfinder indicates the message
    “BACKUP BATT EMPTY” when the power is turned on. For
    more information, see [Maintenance] (page 140).
    Setting the Internal Clock’s Date and Time
    Time 
    differenceAreaTime 
    differenceArea
    00:00Greenwich –12:00Kwajalein
    + 00:30–11:30
    + 01:00
    Central Europe –11:00Midway Island
    + 01:30–10:30
    + 02:00
    Eastern Europe –10:00Hawaii
    + 02:30–09:30Marquesas Islands
    + 03:00Moscow –09:00Alaska
    + 03:30Te h ra n –08:30
    + 04:00
    Abu Dhabi –08:00Los Angeles
    + 04:30Kabul –07:30
    + 05:00
    Islamabad –07:00Denver
    + 05:30Bombay –06:30
    + 06:00
    Dacca –06:00Chicago
    + 06:30Rangoon –05:30
    + 07:00
    Bangkok –05:00New York
    + 07:30–04:30
    + 08:00
    Beijing –04:00Halifax
    + 08:30–03:30Newfoundland Island
    + 09:00To k y o –03:00Buenos Aires
    + 09:30Darwin –02:30
    + 10:00
    Guam –02:00Mid-Atlantic
    + 10:30Lord Howe Island –01:30
    + 11:00
    Solomon Islands –01:00Azores Islands
    + 11:30Norfolk Island –00:30
    + 12:00
    New Zealand
    + 12:45Chatham Islands
    + 13:00
    AJ-HPX2000P(VQT1D27-1)E.book  60 ページ  2007年7月30日 月曜日 午後1時31分 
    						
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