Panasonic Memory Card Camera Recorder Ajhpx2000 Operating Instructions

							41Recording and PlaybackShot Mark Function
 Recording and Playback
A shot mark is added to the thumbnail of a clip to
distinguish that clip from others. With the LCD monitor,
only clips that have shot marks can be viewed and/or
played back.
To add a shot mark during recording, press the SHOT
MARK button. The viewfinder displays “MARK ON” and
adds a shot mark to the thumbnail of the appropriate clip.
Another press of the button erases the shot mark.Shot marks may also be added or erased using clip
thumbnails. For more information, see [Shot Mark] (page
115).
‹Notes
zWhen the color bar is output or the unit is in LOOP REC 
mode and INTERVAL REC mode, it is impossible to add/
delete shot marks.
zIt is impossible to add shot marks to incomplete clips 
(refer page 111).
zFor clips recorded on plural P2 cards or clips split on a 
P2 card (refer to 
Notes on page 10), a shot mark is added 
to the top clip only.
AJ-HPX2000 recording mode works according to the priorities outlined in the following table, relative to the setting of the 
menus and switches.
* Disabled for color bars
Shot Mark Function
Adding Shot Marks
SHOT MARK 
button
Recording Setting and Operation Mode
Functional 
operation modeMenu switches related to system/recording Buttons
Proxy 
recording 
(optional) PC MODEREC 
SIGNALINTERVAL 
REC MODELOOP REC 
MODEPRE REC 
MODERecording a 
Tex t  M e m oShot Mark
USB deviceUSB 
DEVICEDisabled Disabled Disabled Disabled Disabled Disabled Disabled
USB host USB HOST Disabled Disabled Disabled Disabled Enabled Enabled Disabled
1394 Input record
OFF1394 Disabled Disabled Disabled Enabled Enabled Disabled
INTERVAL REC
CAMERA
VIDEO
SDI (optional)
ON or 
ONE SHOTDisabled Disabled Disabled Disabled Disabled
LOOP REC
OFFONEnabled
1s - 8s/15sDisabled Disabled Disabled
Normal Recording OFFEnabled
1s - 8s/15sEnabled* Enabled* Enabled
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							42Adjustments and Settings for Recording : Multi Format
The unit employs a progressive scan (full pixel reading) CCD system.
With combinations of the SYSTEM MODE and CAMERA MODE menu options on the SYSTEM MODE screen o
n the 
SYSTEM SETTING menu, you can select an image system from among 23 types*1 including HD (1080i, 720P) and SD 
formats.
In any image system, the CCD operates in progressive (non-interlace) scan mode.
 In addition, through the REC SIGNAL 
menu option, you can record external input signals such as 1394 and SDI (optional).
*1
 When the AVC-Intra codec board (AJ-YBX200G, optional) is installed
SYSTEM MODE menu option
Allows you to select a combination of system
frequency (59.94 Hz or 50 Hz) and signaling system
(1080i, 720P, 480i, or 576i). When a change has been
made to the SYSTEM MODE option, the viewfinder
indicates “TURN POWER OFF.” Then, turn the
POWER switch of the camera-recorder off and wait
five seconds or longer before turning the camera-
recorder on again.
REC SIGNAL menu option
CAMSignals from the camera are recorded. The
CAMERA MODE option allows you to select
a camera operation mode (frame mode).
1394Signals from the DVCPRO/DV connector are
recorded. For information about the 1394
connection, see [Connection through the
DVCPRO/DV connector] (page 129).
VIDEOSignals from the GENLOCK IN connector
are recorded when the camera-recorder is in
SD mode (480-59.94i or 576-50i).
SDISignals from the SDI IN connector are
recorded (when the AJ-YA350AG, an SDI IN
option, is installed).
‹Notes
zWhen VIDEO is selected, video may produce noise
if the signals from GENLOCK IN are non-standard
signals.
zWhen SDI is selected, the time code or UMID
superimposed on SDI input signals are not
recorded.
CAMERA MODE menu option
Used to select a camera operation mode when the
option REC SIGNAL is set to CAM. For information
about the behavior for each setting, see [
Recording
formats and output connector signal formats
] (page 43).
‹Note
When the camera has been switched from 60i, 60P, or
30P to 24P or 24PA, video may produce noise for a
moment because the pull-down five-frame cycle is
adjusted. This is not an abnormal condition.REC MODE menu option
Used to select the recording mode
For HD mode (1080i, 720P)
DV C PRO  HD
The DVCPRO HD format is used to record 
video. The pull-down recording is for the 30P, 
24P, 24PA and 25P modes.
DVC HD (N)
The native mode used to record video in 
DVCPRO HD format. (Only for 720P)
AV C - I  5 0¢when the AVC-Intra codec board is 
installed£
The AVC-Intra50 format is used to record 
video. The native recording is applied to the 
30P, 24P and 25P modes.
AVC-I 100¢when AVC-Intra codec board is installed)£
The AVC-Intra100 format is used to record 
video. The native recording format applies to 
the 30P, 24P and 25P modes.
‹Note
When AVC-Intra 50 or AVC-Intra 100 is selected, the
24PA mode cannot be selected.
For SD mode (480i, 576i)
DV C PRO50
The DVCPRO50 format (50 Mbps) is used to
record video.
DV C PRO
The DVCPRO format (25 Mbps) is used to
record video.
DVThe DV format is used to record video.
ASPECT menu option
Used to select the aspect ratio for the SD mode (480i
or 576i)
16
9The 16:9 aspect ratio is used to record video.
4
3The 4:3 aspect ratio is used to record video.
Video system and Recording format
Selecting a recording signal and method
Adjustments and Settings for Recording
Multi Format
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							43Adjustments and Settings for Recording : Multi Format
 Adjustments and Settings for Recording
The table below shows the formats used to record signals from the CCD and externally input signals along with the 
formats for signals output from the output connectors.
For 59.94 Hz
*1 The time code, user bits, and UMID are recorded.
*2 The time code, user bits, and UMID (selectable between ON and OFF) are output.
*3 The EDH (selectable between ON and OFF) and UMID (selectable between ON and OFF) are output. The time code 
or user bits are not output.
*4 The SD SDI output is maintained.
*5
4ch for DVCPRO50, 4ch/2ch selectable for DVCPRO and DV
‹Note
zUMID is not output for recording or playing back in DV format or for playing back DVCPRO HD Native recording clips.
zDuring playback, the formats for clips in the same system mode are switched automatically and played back.
Recording formats and output connector signal formats
Menu setting
Recording Output
SYSTEM 
MODE
itemREC 
MODE
itemREC 
SIGNAL
itemCAMERA 
MODE
itemRecording 
frame 
modeP2 card 
recording*1Output 
frame 
modeVIDEO 
OUT 
connector 
(HD SDI)*
2
VIDEO 
OUT 
connector 
(SD SDI)*
3
VIDEO OUT 
(VBS), 
MON OUT, 
and 
REMOTE 
connectorsWhen VF 
connector 
is set to 
HD VFWhen VF connector 
is set to 
SD VF
Video Sound VideoSoundVideoSoundVideo
1080-
59.94i
DV C P R O -
HD
CAM60i 60i
1080i
4ch60i
1080i4ch525i4ch 525i1080i 525i
30P30P Over 60i 30P Over 60i
24P
24PA24P Over 60i
24PA Over 60i24P Over 60i
24PA Over 60i
1394j60i 60i
SDI
(optional)j60i 60i
AVC-I 100
AV C - I  5 0
(optional)
CAM60i 60i 60i
30P30PN¢Native£1080P30P Over 60i
24P24PN¢Native£24P Over 60i
SDI(optional)j60i 1080i 60i
720-
59.94P
DV C P R O -
HD
CAM60P 60P
720P 4ch60P
720P 4ch
525i4ch 525i1080i 525i
30P30P Over 60P 30P Over 60P
24P24P Over 60P 24P Over 60P
1394j60P 60P
SDI
(optional)j60P 60P
DV C  H D  ( N )CAM60P 60P 60P
30P30PN¢Native£30P Over 60P
24P24PN¢Native£24P Over 60P
SDI(optional)j60P 60P
AVC-I 100
AV C - I  5 0
(optional)
CAM60P 60P 60P
30P30PN¢Native£30P Over 60P
24P24PN¢Native£24P Over 60P
SDI(optional)j60P 60P
480-
59.94i
DVCPRO50DV C P R O
DV
CAM60i 60i
480i
4ch or 
2ch*5
60i
j*4j*4*5525i4ch or 
2ch*5525i
1080i
(Playback 
not 
output)
525i 30P
30P Over 60i 30P Over 60i
24P
24PA24P Over 60i
24PA Over 60i24P Over 60i
24PA Over 60i
1394
j60i 60i(Playback 
not 
output)VIDEO
SDI
(optional)
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							44Adjustments and Settings for Recording : Multi Format
For 50 Hz
*1 The time code, user bits, and UMID are recorded.
*2 The time code, user bits, and UMID (selectable between ON and OFF) are output.
*3 The EDH (selectable between ON and OFF) and UMID (selectable between ON and OFF) are output. The time code 
or user bits are not output.
*4 The SD SDI output is maintained.
*5
4ch for DVCPRO50, 4ch/2ch selectable for DVCPRO and DV
‹Note
zUMID is not output for recording or playing back in DV format or for playing back DVCPRO HD Native recording clips.
zDuring playback, the formats for clips in the same system mode are switched automatically and played back.
Menu setting
Recording Output
SYSTEM 
MODE
itemREC 
MODE
itemREC 
SIGNAL
itemCAMERA 
MODE
itemRecording 
frame 
modeP2 card 
recording*1Output 
frame 
modeVIDEO 
OUT 
connector 
(HD SDI)*
2
VIDEO 
OUT 
connector 
(SD SDI)*
3
VIDEO OUT 
(VBS),
MON OUT, 
and 
REMOTE 
connectorsWhen VF 
connector 
is set to 
HD VFWhen VF connector 
is set to 
SD VF
Video Sound VideoSoundVideoSoundVideo
1080-50i
DVCPRO-
HD
CAM50i 50i
1080i
4ch50i
1080i4ch625i4ch 625i1080i 625i
25P25P Over 50i 25P Over 50i
1394j50i 50i
SDI
(optional)j50i 50i
AVC-I 100
AV C - I  5 0
(optional)
CAM50i50i50i
25P
25PN¢Native£1080P25P Over 50i
SDI(optional)j50i 1080i 50i
720-50P
DVCPRO-
HD
CAM50i 50P
720P 4ch50P
720P 4ch
625i4ch 625i1080i 625i
25P25P Over 50P 25P Over 50P
1394j50P 50P
SDI
(optional)j50P 50P
DVC HD (N)CAM50P 50P 50P
25P25PN¢Native£25P Over 50P
SDI(optional)j50P 50P
AVC-I 100
AV C - I  5 0
(optional)
CAM50P 50P 50P
25P25PN¢Native£25P Over 50P
SDI(optional)j50P 50P
576-50i
DVCPRO50DVCPRO
DV
CAM50i 50i
576i
4ch or 
2ch*5
50i
j*4j*4*5625i4ch or 
2ch*5625i
1080i
(Playback 
not 
output)
625i 25P
25P Over 50i 25P Over 50i
1394
j50i 50i(Playback 
not 
output)VIDEO
SDI
(optional)
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							45Adjustments and Settings for Recording : Adjusting the White balance and Black Balance
 Adjustments and Settings for Recording
To record high-quality video with the unit, the black and white balances must be adjusted according to conditions. 
For higher quality, it is recommended that the adjustments should be made in this order AWB (white balance adjustment) 
> ABB (black balance adjustment) > AWB (white balance adjustment).
Whenever light conditions change, the white balance must
be re-adjusted.
To adjust the white balance, follow the steps below.
1Set the switches as illustrated below.
2Adjust the CC/ND FILTER control according to the 
light conditions.
‹Note
For examples of CC/ND FILTER adjustments, see 
[Shooting and Recording/Playback Functions Section] 
(page 17).
3Place a white pattern at a point where the light 
conditions match those for the light source of the 
subject. Then zoom-in on the white pattern so that 
white color appears in the screen. A white object 
(cloth or wall) may be used instead of a white pattern.
The illustration below shows the required size for the 
white space. 
‹Notes
zDo not include a high-intensity spot in the screen.
zThe white object must appear at the center of the
screen.
4Adjust the lens iris.
5Flip up the AUTO W/B BAL switch so that it is 
positioned at [AWB], then release it.
The switch returns to the central position with the 
white balance automatically adjusted.
‹Note
To cancel automatic white balance adjustment in 
process (the viewfinder displays “AWB ACTIVE”), re-
position the AUTO W/B BAL switch at [AWB].
If automatic adjustment is cancelled, the value in 
effect before automatic adjustment will be used. 
6During an adjustment, the viewfinder displays the 
following message:
7The adjustment will take effect in a few seconds, and 
the following message will appear:
The adjusted value is automatically stored in the 
memory specified in Step 
1 ([A] or [B]).
8For the 3200K CC/ND filter, if the subject’s color 
temperature is lower than 2300K or higher than 
9900K the following message appears:
If the arrow points down (
;) the actual color 
temperature is lower than the temperature indicated. 
If the arrow points up (
:) the actual temperature is 
higher than the temperature indicated. 
Adjusting the White balance and Black Balance
Adjusting the White Balance
OUTPUT: CAM
AUTO W/ B BA L sw itch : Used to perform 
AW B.GAIN:Under normal conditions, set to 0 dB
If it is too dark, an appropriate gain 
should be set.WHITE BAL: A or B
CC/ND FILTER control
1/4 or more of the screen in width
1/4 or more of the 
screen in height
　　　　　　　　　　　　　　AWB ACTIVE
　　　　　　　　　　　　　　AWB A OK 3.2K
　　　　　　　　　　　　　　AWB A OK 2.3K ;
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							46Adjustments and Settings for Recording : Adjusting the White balance and Black Balance
The detection area for the white balance is selectable
between 90%, 50% and 25%, using the menu option AWB
AREA. 
This option can be found in the  screen, which is accessible from the CAM
OPERATION page. 
The detection area is factory-set to 25%.
Position the WHITE BAL switch at [PRST].
This adjusts the white balance for the filter according to the
position of the CC/ND FILTER control.
When the white balance has not been successfully
adjusted, the viewfinder displays an error message.
If one of the error messages listed below appears, take the
appropriate steps, then adjust the white balance again. 
If the error message appears after repeated
readjustments, the interior of the unit must be inspected.
For more information, contact your distributor.Each value in memory is retained even if the camera-
recorder is turned off; it will not be lost until the white
balance is re-adjusted. White balances are stored in either
of two systems: A or B. 
When the menu option FILTER INH is set to “ON” (default),
each system stores only one value. If this is the case, the
values are not synchronised with the filters.
This option can be found in the  screen, which is accessible from the CAM
OPERATION page.
When the menu option FILTER INH is set to “OFF”, the
adjusted value for each filter can be automatically stored in
the memory that corresponds to the position of the WHITE
BAL switch (A or B). Your unit has four built-in filters; it
stores eight (4 
a 2) adjusted values.
When the S. GAIN (super gain) function is activated, the
AWB switch does not function and the value set for PRST
is used.
The unit has an auto-tracking white balance (ATW) feature
that automatically tracks the white balance for pictures
according to lighting conditions.
The ATW feature can be assigned to Position [B] of the
WHITE BAL switch. To do so, the menu option AWB B
must be set to “ATW”. This option can be found in the
 screen, which is accessible
from the CAM OPERATION page.
The ATW feature may be assigned to the USER MAIN,
USER1, or USER2 button. For more information, see
[
Assigning Functions to USER MAIN, USER1 and USER2
Buttons
] (page 51).
Press the user button that has the ATW feature assigned,
or change the position of the WHITE BAL switch. Note
that, when the ATW feature is assigned to [B] of the
WHITE BAL switch, the auto-tracking white balance
cannot be cancelled with a user button.
‹Note
This function does not guarantee 100% accuracy of the
white balance. 
When using the unit, remember that there will be some
allowance in the trackability of changes in lighting
conditions and pull-in accuracy of white balances.
Detection area for the white balance
When you have no time to adjust the white 
balance
When the white balance has not been 
automatically adjusted
Error message Description Remedies
COLOR TEMP. 
HIGHThe color 
temperature is too 
high.Select an appropriate 
filter.
COLOR TEMP. 
LOWThe color 
temperature is too 
low.Select an appropriate 
filter.
LOW LIGHT There is insufficient 
light.Increase the light level 
or gain.
LEVEL OVER There is too much 
light.Decrease the light level 
or gain.
CHECK FILTER The FILTER control 
is displaced.Check the FILTER 
control.
TIME OVER AWB was not 
completed within 
the time allowed.Shooting conditions may 
be unstable. If flicker 
occurs, press the 
shutter and readjust the 
AWB under stable 
conditions.
90%
50%
25%
Retaining white balances
Setting the auto-tracking white balance (ATW)
To cancel the auto-tracking white balance
#< WHITE BALANCE MODE >
 FILTER INH      :ON
 SHOCKLESS AWB   :NORMAL
 AWB AREA        :25%
 AWB B           :MEM
 ATW SPEED       :NORMAL
 COLOR TEMP PRE  :3200K
 AWB A TEMP
　　    :3200K
 AWB B TEMP      :3200K
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							47Adjustments and Settings for Recording : Adjusting the White balance and Black Balance
 Adjustments and Settings for Recording
The white balance can be manually adjusted by setting the
color temperature. Manual color temperature settings can
be performed for each of the WHITE BAL switch positions:
PRST, A and B.
The color temperature is set using the menu options
COLOR TEMP PRE, COLOR TEMP A, and COLOR
TEMP B.
These options can be found in the  screen, which is accessible from the CAM
OPERATION page. 
‹Note
Even if the color temperature has been manually set,
automatic adjustment of the white balance (AWB) records
the color temperature at the time of AWB at the position
where the WHITE BAL switch was located. When the CC
filter position is switched, the value for the color
temperature changes.
See [
Viewfinder Screen Status Displays] (page 69).
Setting Color Temperature Manually
Viewfinder displays related to white balance
#< WHITE BALANCE MODE >
 FILTER INH      :ON
 SHOCKLESS AWB   :NORMAL
 AWB AREA        :25%
 AWB B           :MEM
 ATW SPEED       :NORMAL
 COLOR TEMP PRE  :3200K
 AWB A TEMP      :3200K
 AWB B TEMP      :3200K
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							48Adjustments and Settings for Recording : Adjusting the White balance and Black Balance
The black balance must be adjusted when:
zYou use your unit the first time;
zYour unit has not been used for some time;
zThe ambient temperature has changed substantially;
zThe gain switchover value has been changed; or
zS.GAIN (super gain) has been set with the USER MAIN/
USER1/USER2 button. 
1Set the switches as illustrated below.
2Tilt the AUTO W/B BAL switch so that it is positioned 
at [ABB], then release it.
The switch returns to the central position with the 
black balance automatically adjusted.
3During adjustment, the viewfinder displays the 
following message:
‹Note
During adjustment, the lens iris automatically 
becomes CLOSE.
4The adjustment will take effect in a few seconds and 
the following message will appear:
The adjusted value is automatically stored in the 
memory.
‹Notes
zEnsure that the lens connector is connected and
the lens iris is CLOSE.
zDuring a black balance adjustment, light is
automatically cut off.
zDuring a black balance adjustment, the gain
switchover circuit is automatically switched.
The viewfinder screen may flicker and/or display
noise; this is not a failure.
z
If you find the black shading annoying after
performing an auto black balance adjustment,
adjust the black shading. To do so, go to the menu
option DETECTION (DIG), move the cursor (
>),
then press the JOG dial button. The menu option
DETECTION (DIG) can be found in the  screen, which is accessible from the
MAINTENANCE page.
Note that pressing the ABB switch for longer than five
seconds automatically performs an auto black
balance adjustment, followed by an automatic black
shading adjustment. (For more information, see the
menu option SHD. ABB SW CTL in [SW MODE]
(page 175).)
However, when the remote control unit (AJ-RC10G:
optional accessory) is connected, automatic black
shading cannot be executed even if the ABB switch is
held down.
z
To cancel the automatic black balance adjustment
in process (the viewfinder displays “ABB ACTIVE”),
flip the AUTO W/B BAL switch down to [ABB] again.
If automatic adjustment is cancelled, the value in
effect before automatic adjustment will be used. 
Each value in memory is retained even if the camera-
recorder is turned off.
Adjusting the Black Balance
AUTO W/B BAL switch:
Used to perform ABB.OUTPUT: CAM
　　　　　　　　　　　　　　ABB ACTIVE
　　　　　　　　　　　　　　ABB OK
Retaining black balances
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							49Adjustments and Settings for Recording : Setting the Electronic Shutter
 Adjustments and Settings for Recording
This section provides a description of the electronic shutter, together with setting and handling directions. 
The table below lists the shutter modes in which the unit’s electronic shutter can be used as well as the shutter speeds 
which can be selected.
zFor eliminating flicker due to lighting
zFor shooting fast moving subjects clearly
zFor shooting monitor screens in a way that minimizes the
pattern of horizontal lines
zFor shooting images when adding effects to the subjects’
movement
zFor shooting images when adding effects as if taken with
film
‹Notes
zNo matter in which mode the electronic shutter is used,
the higher the shutter speed, the lower the camera’s
sensitivity.
zWhen the aperture is in the automatic mode, it will
increasingly open and the depth of focus will become
shallower as the shutter speed is increased.
Setting the Electronic Shutter
Shutter Modes
To use the fixed shutter speed
To use the shutter speed of SYNCHRO SCAN
To use the half shutter speed (HALF)
Video systemCAMERA 
MODEShutter speed Half shutter speedVariable range for 
SYNCHRO SCAN
1080-59.94i 60i
1/100, 1/120,
1/250, 1/500,
1/1000, 1/2000,
HALF1/120 1/60.3 - 1/249.8
1080-29.97P 30P 1/60 1/30.2 - 1/249.8
1080-23.98P 24P 1/48 1/24.1 - 1/249.8
1080-23.98PA 24PA 1/48 1/24.1 - 1/249.8
720-59.94P 60P 1/120 1/60.3 - 1/249.8
720-29.97P 30P 1/60 1/30.2 - 1/249.8
720-23.98P 24P 1/48 1/24.1 - 1/249.8
480-59.94i 60i 1/120 1/60.3 - 1/249.8
480-29.97P 30P 1/60 1/30.2 - 1/249.8
480-23.98P 24P 1/48 1/24.1 - 1/249.8
480-23.98PA 24PA 1/48 1/24.1 - 1/249.8
1080-50i 50i
1/60, 1/120,
1/250, 1/500,
1/1000, 1/2000,
HALF1/100 1/50.2 - 1/209.5
1080-25P 25P 1/50 1/25.2 - 1/209.5
720-50P 50P 1/100 1/50.2 - 1/209.5
720-25P 25P 1/50 1/25.2 - 1/209.5
576-50i 50i 1/100 1/50.2 - 1/209.5
576-25P 25P 1/50 1/25.2 - 1/209.5
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							50Adjustments and Settings for Recording : Setting the Electronic Shutter
The shutter speed in any shutter mode is set using the
SHUTTER switch. 
In SYNCHRO SCAN mode, shutter speed can be switched
easily, using the synchro-scan adjustment switches (+/–)
on the side panel. 
Note that the range of selectable shutter speeds may be
pre-defined; whether or not to use the SYNCHRO SCAN
mode may be determined through the  and  screens. These
screens are accessible through the menu on the CAM
OPERATION page.
The selected shutter speed is retained even if the unit is
turned off.
1Press the SHUTTER switch, positioned at [ON], 
towards [SEL].
2Once more, press the SHUTTER switch towards 
[SEL]. Repeat this switchover until the desired mode 
or speed appears in the viewfinder screen. 
If all modes and speeds are available, the display 
changes in the following order:
See [
Viewfinder Screen Status Displays] (page 69).
To place the camera-recorder in SYNCHRO SCAN mode,
follow the steps below.
1Press the SHUTTER switch positioned at [ON] 
towards [SEL], to place the camera-recorder in 
SYNCHRO SCAN mode.
2In the SYNCHRO SCAN mode, it is possible to 
change the shutter speed continuously by operating 
the SYNCHRO SCAN (+ and –) buttons.
Setting the Shutter Mode and Speed
#< SHUTTER SPEED >
 SYNCHRO SCAN  :ON
 POSITION1     :ON
 POSITION2     :ON
 POSITION3     :ON
 POSITION4     :ON
 POSITION5     :ON
 POSITION6     :ON
#< SHUTTER SELECT >
 POSITION1 SEL  :1/100
 POSITION2 SEL  :1/120
 POSITION3 SEL  :1/250
 POSITION4 SEL  :1/500
 POSITION5 SEL  :1/1000
 POSITION6 SEL  :1/2000
Viewfinder displays relating to the shutter
SHUTTER switch
POSITION1POSITION2POSITION3POSITION4POSITION5POSITION6
NORMAL mode
SYNCHRO 
SCAN mode
Placing the Camera-recorder in SYNCHRO SCAN Mode
SHUTTER switchSYNCHRO SCAN ADJUSTMENT buttons (+/–)
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