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Fujifilm Camera X T1 Owners Manual

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    More on Photography and PlaybackLong Time-Exposures (T/B)
     Interval Timer Photography Interval Timer Photography
    Follow the steps below to confi gure the camera to take photos automatically at a preset interval.
     1 Press MENU/OK in shooting mode to display the shooting menu.  Press the selector 
    up or down to highlight  o INTERVAL TIMER SHOOTING and press MENU/OK.
     2 Use the selector to choose the interval and number of shots.  Press MENU/OK to 
    proceed.INTERVAL/NUMBER OF TIMESINTERVAL NUMBER OF TIMES
    END CANCEL
    24
    23
    21
    20997
    22h59m59s
     3 Use the selector to choose the starting time and then press 
    MENU/OK.  Shooting 
    will start automatically.START WAITING TIME
    ESTIMATED START TIME  11:00 PMSTART CANCEL
    2
    1
    24
    23
    0h     0m LATER
     
    Q Interval timer photography can not be used at a shutter speed of B (bulb) or during panorama or multiple 
    exposure photography.  In burst mode, only one picture will be taken each time the shutter is released.
     
    R Use of a tripod is recommended.
     
    R Check the battery level before starting.  We recommend using an optional VG-XT1 vertical battery grip with an 
    AC-9V AC power adapter and CP-W126 DC coupler.
     
    R The display turns off    between shots and lights a few seconds before the next shot is taken.  The display can be 
    activated at any time by pressing the shutter button all the way down. 
    						
    							66
    Long Time-Exposures (T/B)
     Using a Remote Release Using a Remote Release
    An optional RR-90 remote release can be used for 
    long time-exposures.  See the manual provided 
    with the RR-90 for more information.
      Third-Party Remote Releases  Third-Party Remote Releases
    Electronic releases from third-
    party suppliers can be 
    connect-
    ed via the microphone/remote 
    release connector
    .  A confi rma-
    tion dialog will be displayed 
    when a third-party release is 
    connected; press MENU/OK and 
    select  n REMOTE for MIC/RE-
    MOTE RELEASE.
    0.1 0.5 1.0 1.5 2.0 3.0 5.0 10400
    CHECK MIC/REMOTE RELEASE
    SETTING
    1000 F3.3 
    SKIPSET 
    						
    							67
    More on Photography and Playback Focus/Exposure Lock Focus/Exposure  Lock
    To compose photographs with off -center subjects:
     1 Focus : Position the subject in the focus frame and press the shutter button half-
    way to lock focus and exposure.  Focus and exposure will remain locked while 
    the shutter button is pressed halfway (AF/AE lock).
    P2002000F5 . 6
     
    R Focus and exposure can also be locked with the  AF-L and AE-L buttons, respectively (if AE/AF LOCK is 
    selected for d  AF-LOCK MODE in the shooting menu, pressing the AF-L button will lock both focus and 
    exposure; 
    P 76).
     2  Recompose: Keep the shutter button pressed halfway or keep the AF-L or AE-L but-
    ton pressed.
     
    R Focus and/or exposure will remain locked while the AF-L or AE-L button is pressed, 
    whether or not the shutter button is pressed halfway.  If  AE&AF ON/OFF SWITCH is 
    selected for v  AE/AF-LOCK MODE ( P 76), focus and/or exposure lock when the 
    button is pressed and remain locked until the button is pressed again.P200F5 . 62000
     3  Shoot: Press the button all the way down.
    P200F5 . 62000 
    						
    							68
    Focus/Exposure Lock
        Autofocus Autofocus
    Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed 
    below.
    •  Very shiny subjects such as mirrors or car bodies.
    • Fast-moving subjects.
    •  Subjects photographed through a window or other refl ective object.
    •  Dark subjects and subjects that absorb rather than refl ect light, such as hair or fur.
    •  Insubstantial subjects, such as smoke or fl ame.
    •  Subjects that show little contrast with the background (for example, subjects in clothing that is the same color  as the background).
    •  Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a  subject photographed against a backdrop of highly contrasting elements). 
    						
    							69
    More on Photography and Playback Recording Pictures in RAW Format Recording Pictures in RAW Format
    To record raw, unprocessed data from the camera image sensor, select a RAW option for image qual-
    ity in the shooting menu as described below. JPEG copies of RAW images can be created using the 
    j  RAW CONVERSION option in the playback menu, or RAW images can be viewed on a computer us-
    ing the RAW FILE CONVERTER application that is installed with the software on the supplied CD ( P 99, 100).
     1 Press MENU/OK in shooting mode to display the shooting menu. Press the selector up or down to 
    highlight T  IMAGE QUALITY and press MENU/OK.
     2 Highlight an option and press MENU/OK. Select  RAW to record only RAW images, or FINE+RAW or 
    NORMAL+RAW to record both JPEG copy together with the RAW images.  FINE+RAW uses lower 
    JPEG compression ratios for higher-quality JPEG images, while  NORMAL+RAW uses higher JPEG 
    compression ratios to increase the number of images that can be stored.
      The Function Buttons  The Function Buttons
    To toggle RAW image quality on or off   for a single shot, assign RAW  to a function button (P 79).  If a JPEG option 
    is currently selected for image quality, pressing the button temporarily selects the equivalent JPEG+RAW option.  
    If a JPEG+RAW option is currently selected, pressing the button temporarily selects the equivalent JPEG option, 
    while if RAW  is selected, pressing the button temporarily selects  FINE.  Taking a picture or pressing the button 
    again restores the previous setting.
     
    R RAW image quality options are not available at sensitivities of  L, H1, or H2 (P 50). 
    						
    							70
    Recording Pictures in RAW Format
     Creating JPEG Copies of RAW Pictures Creating JPEG Copies of RAW Pictures
    RAW pictures store information on camera settings separately from the data captured by the camera 
    image sensor.  Using the j RAW CONVERSION option in the playback menu, you can create JPEG 
    copies of RAW pictures using diff  erent options for the settings listed below.  The original image data 
    are unaff  ected, allowing a single RAW image to be processed in a multitude of diff  erent ways.
     1 Press MENU/OK during playback to display the 
    playback menu, then press the selector up 
    or down to highlight j  RAW CONVERSION 
    and press MENU/OK to display the settings list-
    ed in the table at right.
     
    R These options can also be displayed by pressing 
    Q button during playback.
     2 Press the selector up or 
    down to highlight a setting 
    and press the selector right 
    to select.  Press the selec-
    tor up or down to highlight 
    the desired option and press  MENU/OK to select 
    and return to the settings list.  Repeat this step 
    to adjust additional settings.
     3 Press the  Q button to preview the JPEG copy 
    and press MENU/OK to save.
    SettingSettingDescriptionDescription
    REFLECT SHOOTING 
    COND. Create a JPEG copy using the settings in ef-
    fect at the time the photo was taken.
    PUSH/PULL 
    PROCESSING Adjust exposure by –1 EV to +3 EV in incre-
    ments of 1
    /3 EV  (P 52).
    DYNAMIC RANGE Enhance details in highlights for natural 
    contrast (P 79).
    FILM SIMULATION Simulate the eff  ects of diff  erent types of fi lm 
    (P 42).
    WHITE BALANCE Adjust white balance (P 43).
    WB SHIFT Fine-tune white balance (P 43).
    COLOR Adjust color density (P 80).
    SHARPNESS Sharpen or soften outlines (P 80).
    HIGHLIGHT TONE Adjust highlights (P 80).
    SHADOW TONE Adjust shadows (P 80).
    NOISE REDUCTION Process the copy to reduce mottling (P 80).
    LENS MODULATION 
    OPTIMIZER Improve defi nition by adjusting for diff
     rac-
    tion and the slight loss of focus at the pe-
    riphery of the lens (P 80).
    COLOR SPACE Choose the color space used for color repro-
    duction (P 93).
    CREATEREFLECT SHOOTING COND.
    PUSH/PULL PROCESSING
    DYNAMIC RANGE
    FILM SIMULATION
    WHITE BALANCE
    WB SHIFT
    RAW CONVERSIONCANCEL 
    						
    							71
    More on Photography and Playback Saving Settings Saving  Settings
    Save up to 7 sets of custom camera settings for commonly-encountered situations.  Saved settings can 
    be recalled using the u SELECT CUSTOM SETTING  option in the shooting menu.
     1 Press MENU/OK in shooting mode to display the shooting menu.  Press 
    the selector up or down to highlight K  EDIT/SAVE CUSTOM SET-
    TING and press MENU/OK.PSHOOTING MENU
    EDIT/SAVE CUSTOM SETTING
    OFF35mm
    OFF50mm
    ON
    ON0OCUSTOM 1CUSTOM 2CUSTOM 3CUSTOM 4CUSTOM 5CUSTOM 6CUSTOM 7
     2 Highlight a custom settings bank and press MENU/OK to select.  Ad-
    just the following as desired and press 
    DISP/BACK when adjust-
    ments are complete: U  DYNAMIC RANGE , P  FILM SIMULATION, 
    D  WHITE BALANCE,  f COLOR , q  SHARPNESS,  r HIGHLIGHT 
    TONE, s  SHADOW TONE, and h  NOISE REDUCTION.
    EXIT SAVE CURRENT SETTINGS
    DYNAMIC RANGE
    FILM SIMULATION
    WHITE BALANCE
    COLOR
    CUSTOM
     1
    AUTO0SHARPNESS0
     
    R To replace the settings in the selected bank with the settings currently selected with the camera, select 
    K  SAVE CURRENT SETTINGS and press MENU/OK.
     3 A confi rmation dialog will be displayed; highlight OK and press MENU/OK.
    OK
    CUSTOM 
    1 SET OK?
    CANCELOKSAVE CUSTOM SETTING 
    						
    							72
     Using a Mount Adapter Using a Mount Adapter
    When M-mount lenses are attached using an optional FUJIFILM M MOUNT ADAPTER, the camera processes 
    pictures as they are taken to maintain image quality and correct for a variety of eff  ects.
     
    R Attaching a mount adapter enables  m SHOOT WITHOUT LENS ( P 81) and hides the distance indicator in the 
    standard display.
     
    R Before checking focus, set the focus mode selector to  M (P 61).
    Mount Adapter SettingsMount Adapter Settings
    Pressing the function button 
    on the mount adapter displays 
    l MOUNT ADAPTOR SET-
    TING options.
    SET LENS 
    1LENS 2LENS 3LENS 4LENS 5LENS 6
    21
    mm24mm28mm35mm50mm75mm
    MOUNT ADAPTOR SETTING
     
    ■  Choosing a Focal Length
    If the lens has a focal length of 
    21, 24, 28, or 35 mm, choose 
    a matching option in the 
    l  MOUNT ADAPTOR SET-
    TING menu.  For other lenses, 
    select option 5 or 6 and use the selector to enter 
    the focal length.  
    ■ Distortion Correction
    Choose from STRONG,  MEDI-
    UM, or WEAK options to cor-
    rect  BARREL or PINCUSHION 
    distortion.CANCEL
    BARREL STRONG
    BARREL MEDIUM
    BARREL WEAK
    OFF
    PINCUSHION WEAK
    PINCUSHION MEDIUM LENS
    5 DISTORTION CORRECTION
    SET
    Barrel distortion
    Pincushion distortion
     
    R To determine the amount required, adjust distor-
    tion correction while taking photos of graph paper 
    or other objects featuring repeating vertical and 
    horizontal lines, such as the windows in a high-rise.
    0
    2
    1
    9
    8
    50mm
    LENS 5
    CANCELSET
    INPUT FOCAL LENGTH 
    						
    							73
    More on Photography and PlaybackUsing a Mount Adapter
     
    ■ Color Shading Correction
    Color (shading) variations be-
    tween the center and edges 
    of the frame can be adjusted 
    separately for each corner.
    SET
    NEXT  
    To use color shading correction, follow the steps 
    below.
     1 Rotate the rear command dial to 
    choose a corner.  The selected cor-
    ner is indicated by a triangle.
     2 Use the selector to adjust shading until there is no visible diff  erence in 
    color between the selected corner 
    and the center of the image.  Press the selector 
    left or right to adjust colors on the cyan–red 
    axis, up or down to adjust colors on the blue–
    yellow axis.  There are a total of 19 positions 
    available on each axis.
     
    R To determine the amount required, adjust color 
    shading correction while taking photos of blue sky 
    or a sheet of gray paper.
     
    ■ Peripheral Illumination Correction
    Choose from values between 
    –5 and +5.  Choosing positive 
    values increases peripheral il-
    lumination, while choosing 
    negative values reduces pe-
    ripheral illumination.  Positive values are recom-
    mended for vintage lenses, negative values to 
    create the eff ect of images taken with an antique 
    lens or a pinhole camera.
     
    R To determine the amount required, adjust periph-
    eral illumination correction while taking photos of 
    blue sky or a sheet of gray paper.
    0
    CANCELSET 
    						
    							74
     Image Search Image  Search
    Follow the steps below to search for pictures.
     1 Press MENU/OK during playback to display the playback menu.  Press the selector up or down to highlight 
    b  IMAGE SEARCH and press MENU/OK.
     2  Highlight an option and press MENU/OK.
    OptionOptionDescriptionDescription
    BY DATE Search by date.
    BY FACE Search for pictures that include faces.
    BY  I FAVORITES Search by rating (P 26).
    BY TYPE OF DATA Find all still pictures, all movies, or all RAW pictures.
    BY UPLOAD MARK Find all pictures selected for upload to a specifi ed destination.
     3 Select a search condition.  Only pictures that match the search condition will 
    be displayed.  To delete or protect selected pictures or to view the selected 
    pictures in a slide show, press  MENU/OK and choose from the options at right.
     4  To end the search, select EXIT SEARCH.
    OptionOptionSee pageSee page
    AA  ERASE  ERASE8383
    DD  PROTECT  PROTECT8484
    II  SLIDE SHOW  SLIDE SHOW8585 
    						
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