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Digital Projection Projector HIGHlite Laser II 3D Series User Manual
Digital Projection Projector HIGHlite Laser II 3D Series User Manual
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page 43 Operating Guide USING THE PROJECTOR Color menu continued from previous page Manual Color Matching 1. Set Color Mode to Manual Color Matching. 2. Open the Manual Color Matching submenu. Here you can do the following: • Switch Auto Test Pattern On and Off. • Adjust Hue, Saturation and Gain settings for each individual color to improve the color balance of the projected image. • Adjust white balance RGB values. • Reset all values. Notes For more details about the Hue, Saturation and Gain settings, see Color matching parameters explained further in this guide. Manual ColorMatching Green Auto TestPattern Blue Cyan Magenta Yellow White Balance Red Reset u Off u u u u u u ManualColorMatching —Red Hue Gain Saturation100 100 100 Manual ColorMatching —White Red Blue Green100 100 100 Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 44 Operating Guide USING THE PROJECTOR Color menu continued from previous page Color matching parameters explained The levels of hue, saturation and gain in the Manual Color Matching menu change the color values in the following ways: 1 Hue Specifies the position of each color (red, yellow, green, cyan, blue and magenta) relative to its neighboring colors. 2 Saturation Specifies the level of white in each color (i.e. how “pale” each color is). 3 Gain Controls the amount of light that goes into each color, i.e. the lowest gain would produce black. Notes RED GREEN BLUE YELLOW CYAN MAGENTA WHITE BLACKRED 213 Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 45 Operating Guide USING THE PROJECTOR Color menu continued from previous page Color Temperature 1. Set Color Mode to Color Temperature. 2. Navigate to the Color Temperature setting. Choose a value from 3200K (warmer) to 9300K (cooler) or Native (no correction). Notes Some settings may be unavailable depending on other settings. For more information, see Possible Combinations Of Settings further in this guide. Color Color Mode ColorMax Color Space Manual ColorMatching Gains andLifts Color Temperature Peak Auto u u NativeColor Temperature 3200K 5400K 6500K 7500K 9300K Native Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 46 Operating Guide USING THE PROJECTOR Color menu continued from previous page Gains and Lifts Lifts allow you to adjust black levels of individual colors, while gains\ adjust the bright part of the scale. Set the sliders as required. GainsandLifts Red Lift Blue Lift Red Gain Green Lift Green Gain Reset Blue Gain100 100 100 100 100 100 Notes Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 47 Operating Guide USING THE PROJECTOR Geometr y menu This menu allows you to compensate for image distortions caused by an un\ usual projection angle or irregular screen surface. Aspect Ratio This feature defines the aspect ratio of the source. Use the Screen Setting feature (Setup menu) to define the screen aspect ratio. It will enable the aspect ratio defined here best fit the actual screen. If you choose a preset aspect ratio from here, it will give you the best fit for your selection. Choose from: • 5:4 • 4:3 • 16:10 • 16:9 • 1.88 • 2.35 • TheaterScope • Source • Unscaled Notes Some settings may be unavailable depending on other settings. For more information, see Possible Combinations Of Settings further in this guide. Some combinations of aspect ratios (selected from Geometr y > Aspect Ratio and from Setup > Screen Setting) may result in black bars all around the image: letterboxing and pillarboxing due to the disagreeing width and height of image and frame. See next page for further information about the TheaterScope aspect ratio. Geometry Digital Zoom&Shift Overscan Aspect Ratio Blanking 4 Corners Rotation Keystone Pincushion /Barrel Custom Warp u Off Source u u u u u Off Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 48 Operating Guide USING THE PROJECTOR Theaterscope setting The TheaterScope setting is used in combination with an anamorphic lens to restore 2.35:\ 1 images packed into a 16:9 frame. Such images are projected with black lines at the top and bottom of the 16:9 screen \ to make up for the difference in aspect ratios. Without an anamorphic lens and without the TheaterScope setting applied, a 16:9 source containing a 2.35:1 image lo\ oks like this: If we change the setting to TheaterScope, the black lines will disappear but the image will stretch vertically t\ o reach the top and bottom of the DMD™: An anamorphic lens will stretch the image horizontally, restoring the original 2.35 ratio: Notes TheaterScope is used with an anamorphic lens. If you use TheaterScope, set your screen aspect ratio to 16:9. B lack margin – part of the source Black margin – part of the source Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 49 Operating Guide USING THE PROJECTOR .Geometry menu continued from previous page Digital Zoom & Shift Digital zooming enlarges a section of the image, while the area outside \ the enlarged section is cropped out to preserve the overall image size. • Digital Zoom defines the level of zoom that needs to be applied. If Digital Zoom is set to 0, then the other settings in the menu will be disabled. • Digital Pan and Digital Scan specify the area that is being enlarged: • Digital Pan adjusts the horizontal coordinates. • Digital Scan adjusts the vertical coordinates. Notes Some settings may be unavailable depending on other settings. For more information, see Possible Combinations Of Settings further in this guide. Digital Zoom&Shift Digital Zoom Digital Scan Digital Pan0 0 0 Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 50 Operating Guide USING THE PROJECTOR Geometry menu continued from previous page Overscan Use this setting to compensate for noisy or badly defined image edges. Crop removes unwanted artifacts from the edges of your image by cropping the\ edges. Zoom increases the size of the image to force the edges off-screen. Image with noisy edgesOverscanned image Notes Some settings may be unavailable depending on other settings. For more information, see Possible Combinations Of Settings further in this guide.Geometry Digital Zoom&Shift Overscan Aspect Ratio Blanking 4 Corners Rotation Keystone Pincushion /Barrel Custom Warp uOff Source u u u u u Off Off Crop Zoom Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 51 Operating Guide USING THE PROJECTOR Geometry menu continued from previous page Blanking Use this feature to: • fit an odd-sized screen; • cut off timecode dots in the top line of a picture; • cut off subtitles, etc. Select the edge you wish to blank and use the LEFT and RIGHT arrow buttons to determine the amount of correction. Use the Reset command to restore blanked edges. Notes Some settings may be unavailable depending on other settings. For more information, see Possible Combinations Of Settings further in this guide.Blanking Top Left Right Bottom Reset0 0 0 0 Digital Projection HIGHlite Laser II 3D Series Rev A August 2016
page 52 Operating Guide USING THE PROJECTOR Geometry menu continued from previous page Keystone Use this setting to compensate for any distortion caused by the projecto\ r being in a different horizontal or vertical plane to the screen. Keystone example 1 The projector is positioned at an angle 2 The resulting image is distorted 3 The image is corrected when Keystone is applied Notes Some settings may be unavailable depending on other settings. For more information, see Possible Combinations Of Settings further in this guide. 123 Keystone H Keystone Rotation Reset V Keystone0 0 0 Digital Projection HIGHlite Laser II 3D Series Rev A August 2016