Christie Projector Mirage S+/HD/WU User Manual

							 Section 3: Operation 
Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  3-51 020-100001-07 Rev. 1 (11-2009) 
8. Repeat Steps 3-7 for all remaining colors. Your RGB source should now be OK. 
Two sets of values are automatically saved with these controls—one value for Input 
#1, and one for Input #2 (analog). The current set of values depends on which source 
is in use. This enables a source to be processed correctly via two different inputs. 
1.
2.
3.
4.
5.
6.
7.
8.
9.
0.Red Odd Pixel Offset
Green 
BlueRed Odd Pixel Gain
Odd Pixel Offset
Green Odd Pixel Gain
 Odd Pixel Offset
Blue Odd Pixel Gain
Level Detector
Level Value
Auto Color Enable
Color Enable
Input Levels
Odd Pixel Adjustment
128
145
128
128
116
128
200
White
Set to ~ 200
& adjust Offset.
Set to ~ 800
& adjust Gain.
 
Figure 3.12. Using “Odd Pixel Adjustment” 
NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 
represents no change in normal odd pixel offset or gain. 3) Odd Pixel Adjustment 
eliminates “one pixel on, one pixel off” artifact only, not any type of larger artifacts. 
Reserved - No function. 
 
Peak Detector 
The “Peak Detector” is a fast method for defining individual input levels, and can 
improve the accuracy of input levels set by the Auto Input Level function. Enabling 
the “Peak Detector” activates a special operating mode for detecting only pixels that 
are considered black or white—all other levels are displayed as a mid-level gray. 
When used with a 16-step grayscale pattern in which the two black and white bands 
are known to be at opposite edges of the image, you can watch these isolated areas 
while adjusting individual black levels and input drives until both bands are just 
visible. Images from this source will then display correct blacks and whites without 
crushing or washing out. 
NOTE: If using Peak Detector with PIP, both images must have the same color 
space. 
Level Detector 
The “Level Detector” checkbox enables specific thresholds for blacks and whites—
input levels that fall below a specified Level Value (see below) are displayed as black, 
and all others are displayed as white. It aids in Odd Pixel Adjustment. To use: 
1. Enable “Level Detector” and display a continuous grayscale. 
2. Set “Level Value” to near black (such as 200). 
3. Adjust Offsets to minimize area of black stripe. 
4. Set “Level Value” to near white (such as 800). 
5. Adjust Gains to minimize area of white stripe.  
						

							Section 3: Operation  
3-52  Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  020-100001-07 Rev. 1 (11-2009) 
Level Value 
Level Value defines the value to be used by the Level Detector in recognizing blacks 
and whites. See Level Detector, above. 
Aspect Ratio Overlay 
Selecting this option with a checkmark will overlay a number of common aspect ratio 
boxes on top of the source image. This is very helpful during the setup of the projector 
and can be turned off after desired specifications have been achieved.  
LiteLOC™ Calibration 
NOTES: 1) LiteLOC™ Calibration takes up to two minutes. 2) For best results, 
allow the projector to warm up for 15 minutes prior to calibration. 
LiteLOC™ Calibration defines the range of power needed to maintain lamp 
brightness. Select Calibrate LiteLOC for calibration using your projector’s unique 
specifications (recommended) rather than standard specifications. The projector will 
revert to the default back-up in the event of a power failure. 
Use Default Settings
Calibrate LiteLOC 1.
2.
 
 
Intelligent Lens System (ILS
) Calibration 
This option allows you to choose between three types of lens calibrations. Reference 
calibration determines a reference point that is used as a defined starting position for 
relative motion of the lens. All positioning is measured from this reference point. A 
reference calibration is lost when power is removed from the projector and will occur 
on every power up as long as ILS is enabled. A motion calibration determines the 
characteristics of each motor and values are saved in the projector’s memory. If ILS 
is enabled and a motion calibration has previously been done, the projector will 
automatically recall these settings from memory when it’s being powered up and a 
motion calibration will not take place. A full calibration performs both a reference 
and motion calibration. 
 
Automatic ILS Lens Calibration 
When this option is selected (default) and the projector is in ILS mode, the projector 
will perform a lens calibration on each power-up. During calibration, the shutter will 
be closed and the status LED will display ‘LC’. If ILS is not selected, the ALC setting 
will be ignored. If, during power-up, ALC is not selected and ILS is, the last stored 
location from the previous ILS calibration will be assumed to be true and the lens will 
moved to that position upon power-up if necessary. 
 
  
						

							 Section 3: Operation 
Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  3-53 020-100001-07 Rev. 1 (11-2009) 
The two “Option Card” 
entries In the 
Configuration menu 
identify which optional 
input modules (a.k.a. 
cards) are present at 
INPUT 5 (Option 1) and 
INPUT 6 (Option 2). If 
either of these option 
slots is empty, the 
corresponding read-only menu entry does nothing. If there is a module installed, the 
corresponding menu entry may activate a submenu of further options pertaining to 
that module. 
For example, if the Dual SD/HD-SDI module is installed at 
INPUT 5 (Option 1). The 
Option 1 Card submenu provides controls for configuring the various connections on 
this multi-input, multi-output module. As desired for your application, you can define 
1) which physical input loops through to which output, and 2) which functional input 
(main or PIP signal) loops through to which output. 
Select Automatic mode or a series of 
manual modes. In Automatic mode 
the input video payload information 
is read and compared to that of the 
SMPTE 352 standard to detect the 
dual link format and the primary 
channel. Single video input will also 
work in this mode without any 
payload information. Dual link input 
video which does not contain payload 
information must be set up manually. 
Select the format and which of the 
two channels is the primary input. 
 
PIP (Picture-in-Picture) and Seamless Switching are independent but related projector 
features that both utilize two image-processing paths within the projector. In the case 
of Picture-in-Picture, this double processing enables you to display two different 
images simultaneously – typically a smaller “secondary” image within a large 
“primary” background.  In a seamless switch, the double processing essentially occurs 
between displays so that a full image relayed from one source can smoothly transform 
into a full image from another source. This change can be virtually instantaneous, or 
slowed as desired so that the current image appears to dissolve or “fade” into the new 
image. NOTE: PIP and Seamless Switching are not available on WU models. 
Options for enabling and controlling PIP and Seamless Switching all reside in the 
same menu. Note, however, that because both features utilize the projector’s double 
processing capability, PIP and Seamless Switching cannot be used together. For 
example, fading a pair of PIP images into a new display from a different source is not 
possible. 
For best PIP or Seamless Switching results, use two different signal types* as defined 
below. Do not mix two signals of the same type. 
 
Input A to C, Input B to D
Input A to D, Input B to C
Main to C, PIP to D
Main to D, PIP to C 1.
2.
3.
4.
Loop Thru Output Selection
Configure Channels 1.
2.
Option Card 1: Dual SD/HD-SDI Module
Input A to C, Input B to D
Automatic
 
 System Configuration 
  OPTIONAL INPUT MODULES 
System Configuration  
CONFIGURE CHANNELS -  
SUBMENU 
3.7 Working with 
PIP or 
Seamless 
Switching 
Automatic
Two Single Channels
4:4:4 RGB Dual Link, Channel A Primary
4:4:4 RGB Dual Link, Channel B Primary
4:4:4 YCbCr Dual Link, Channel A Primary
4:4:4 YCbCr Dual Link, Channel B Primary 1.
2.
3.
4.
5.
6. 
						

							Section 3: Operation  
3-54  Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  020-100001-07 Rev. 1 (11-2009) 
 Signal Type Description (Input Location) 
#1  5 BNCs (RGBHV or YPbPr) 
#2  DVI - I (analog or digital) 
#3  Decoded signals (Input 3, Input 4, Composite video, S-Video, or any video 
signal via Input 1 BNC connectors or via an analog option card). 
#4 Analog Option Cards 
#5 Digital Option Cards 
#6 Digital Option Cards 
* HD interlaced sources are not recommended for the PIP window. 
Other PIP or Seamless Switching tips to keep in mind include: 
 When using two digital signals or one analog and one digital, each must be ≤ 165 
megapixels.  
 When using two analog signals, each must be ≤ 90 megapixels. 
 Avoid using an interlaced source in the PIP window 
 Seamless switching may affect image quality in some cases 
 
NOTE: To control the primary image, access all picture controls through the Main 
menu. To control the secondary (PIP) image, access picture controls through the 
Picture-in-Picture and Switching menu. 
Use the first of six 
options in the PIP 
and Switching menu 
to enable and define 
how you want to use 
PIP. 
 
 
Swap Main and 
PIP Image 
Toggle the current picture-in-picture relationship so that the primary (main) image 
becomes secondary (PIP), and the secondary image becomes primary. Swapping is 
available only when PIP is enabled. 
NOTE: There may be a slight delay when swapping the Primary and Secondary 
images. 
PIP Enable 
Short cut: Press 
 on the Remote if menu not present. 
Toggle to display from two 
sources at once (Picture-in-
Picture) or the primary source 
only. This checkbox turns the 
secondary source on and off. 
 NOTE: Disable PIP and 
Best Switching for Interlaced 
sources > 35kHz.   Workin
g with PIP 
1.
2.
3.
4.
5.
6.
7.
8.
9.Swap Main and PIP Image
PIP Enable
PIP Size & Position
PIP Image Settings
PIP Border Width
PIP Border Color
Numbers Select Main ImageImage Optimization
Fade Time
PIP and Switching
4
Red
PIP Onl
y
Picture
-in-
Picture
Options
Switchin
gOptions
(n/a)
 
 
 
  
						

							 Section 3: Operation 
Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  3-55 020-100001-07 Rev. 1 (11-2009) 
PIP Size and Position – SUBMENU 
Most controls in the PIP Size and 
Position menu adjust the PIP 
(secondary) image in the same 
fashion as their counterparts in the 
main Size and Position menu 
adjust the main image—see 3.6, 
Adjusting the Image for details. 
Exceptions are: 
POSITION PRESETS –Set the 
location of the PIP (secondary) image in the display. 
ASPECT RATIO PRESETS – Choose the desired aspect ratio for your PIP pixels. Use 
the “Default” aspect ratio when incoming format has square pixels (most common). 
This ensures that the resulting PIP image maintains its intended aspect ratio. Use 
“Anamorphic” for NTSC signals having narrower pixels--this will stretch the pixels 
horizontally to regain the intended aspect ratio of the PIP image.  
NOTE: If the image is already resized at the source it will remain that way in the PIP 
window. If, for example, an NTSC signal is already set to anamorphic through the 
Resize and Preset menu it will remain that way in the PIP window. If the NTSC signal 
is formatted as widescreen at the source, then the image in the PIP window will 
appear with black bars above and below it. 
PIP Image Settings — 
SUBMENU 
Adjust the PIP (secondary image) without affecting the size or position. The primary 
image remains unchanged. See 3.6, Adjusting the Image for details 
PIP Border Width 
Set the desired line thickness for your PIP window border.  
PIP Border Color 
Select the desired color for the PIP window border. 
 
NOTES: 1) Numbers 7 and 8 on the Picture-in-Picture and Switching submenu 
control switching parameters. 2) Disable PIP in order to work with Seamless 
Switching. 3) Disable PIP and Best Switching for Interlaced sources > 35kHz. 
 
Seamless Switching is the ability to instantly and/or smoothly switch sources, and is 
controlled with options 7 and 8 in the PIP and Switching menu. To use Seamless 
Switching, PIP must be disabled. NOTE: On WU models, both Seamless Switching 
and PIP are not available and image optimization defaults to Best Image Quality. 
Tips for best source switching:
 
 Ensure a channel has been configured for each source. 
 Progressive digital and analog sources are recommended. 
 Set Image Optimization to Seamless Switching (see below). 
 For best results, use the same frame rate and gamma setting for each. 
NOTE: Avoid using two interlaced sources. 
  Working with Seamless 
   Switchin
g  
						

							Section 3: Operation  
3-56  Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  020-100001-07 Rev. 1 (11-2009) 
Image Optimization 
Use this setting to choose what is more important, image quality or switching between 
sources. Selecting Best Image Quality will ensure your image is always proper 
however when switching sources, the screen will go blank increasing your switching 
time. Smooth Switching allows for a cleaner transition between sources. The image 
will fade from one image to another according to the Fade Time control. Seamless 
Switching overrides the Frame Lock Enable settings and forces the output to run at 
60Hz regardless of the input signal. Image is 100% seamless when switching sources.  
NOTE: Disable PIP and Best Switching for Interlaced sources > 35kHz. 
Fade Time 
Set how long (in seconds) it takes to gradually dissolve one image into another for a 
source switch when Image Optimization is set to Smooth Switching.  
NOTE: PIP must be disabled for Fade Time to take effect. Also, the PIP window must 
be closed to activate it. 
Numbers Select Main Image 
Use Numbers Select Main Image to use the numeric 
keys #1-8 as input keys. This remapping of the keypad 
(see right) can be particularly useful with PIP displays, 
providing a convenient shortcut for changing the 
primary (background) image without first having to 
return to the Main menu. Select “Always” to use the 
keys in this manner all of the time, even with single 
displays. For normal keypad function, select Never 
(default). Set to When PIP Active to activate number 
keys only when PIP is in use. 
NOTE: Numbers Select Main Image keypad 
functionality works only when menus are closed. 
 
 
Whenever you install a new lamp in the 
projector, access the Lamp menu to record 
the lamp serial number in the projector’s 
memory. You can also choose a lamp mode 
for regulating power and light output, 
change optical aperture size, and access 
other read-only information pertaining to 
past and present lamps. 
LAMP HOURS (read-only) shows the number 
of hours logged on the current lamp. 
Whenever you record a new lamp serial 
number this value automatically resets to “0”, where it begins to log time for the new 
lamp. This information also appears in the Status menu.  
 
 
 
3.8 Working with 
the Lamp 
1.
2.
3.
4.
5.
6.
7.
8.Lamp Hours
Lamp S/N
Lamp Message
Lamp Limit
Lamp Mode
Power
Intensity
Optical Aperture
Lamp History
Change Lamp
Lamp
0
?
1000
Power
500
0
3 
						

							 Section 3: Operation 
Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  3-57 020-100001-07 Rev. 1 (11-2009) 
LAMP S/N (read-only) is the serial number recorded for the current lamp. When you 
install a new lamp and enter its serial number, the number will appear here.  
Enter a checkmark for 
LAMP MESSAGE to enable a warning message that will appear 
upon power-up when the lamp has reached the specified lamp limit and should be 
replaced. Delete the checkmark to prevent display of this message—instead, when 
your lamp expires, only the status display messages on the back of the projector will 
provide the visual warning to replace the lamp. 
NOTES: 1) It is recommended that the Lamp Message checkbox remain enabled. 2) 
When a lamp warning message appears, press 
Ex i t to temporarily cancel the 
message. The message will continue to appear upon power-up until you install a new 
lamp. 
Set 
LAMP LIMIT to the number of hours you expect to log on the current lamp before 
replacing it. This will trigger a lamp message on-screen (if enabled). 
NOTES: 1) If you change modes over the life of a lamp, the lamp limit you originally 
expected may no longer be possible. 2) Turning the lamp on and off reduces lamp life 
significantly, as do other factors. 3) It is recommended that Lamp Limit not exceed 
the expected lamp life, otherwise a lamp could become dangerously fragile with 
overuse. 
Set which 
LAMP MODE you want to use in order to control 
the light output. You can choose to run the lamp as bright as 
possible (i.e., always using maximum power—this is the 
default upon power up) or you can power the lamp with a 
specific wattage appropriate for the installed lamp or you can set a specific intensity 
(brightness) to maintain. Although there are exceptions, generally higher light output 
or higher power settings can shorten lamp life. 
Use the lamp mode that best suits your brightness needs. For example, in a tiled 
application you may want to precisely match brightness levels between adjacent 
images—judge by eye and set each individual 
Lamp Power setting as necessary. Or if 
you want images to be as bright as possible—choose 
Max Brightness. Always keep in 
mind that higher lamp power settings can shorten lamp life. 
Lamp modes are described below: 
 
Max Brightness: The lamp will always burn as brightly as possible, driven by 
100% of the power level rating for the installed lamp (see Section 6, 
Specifications). Keep in mind that the “maximum brightness” for any lamp 
gradually diminishes with age—images will become dimmer over time. Its current 
output level appears in the “
Intensity” option (not in lumens). 
 
Intensity: Brightness will remain close to a specified level for as long as possible. 
Once you select this option, enter a number representing the intensity level 
(brightness) you wish to maintain—the projector will automatically adjust power 
as needed to maintain this intensity as closely as possible. Note that the intensity 
value is a correlation only and does not represent an actual lumens level. See 
“
Intensity” below.  
 
Power: The power supplied to the lamp will remain at your specified wattage 
level. Once you select this option, enter the number of watts representing the 
power level you wish to maintain. See “
Power” below.  
						

							Section 3: Operation  
3-58  Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  020-100001-07 Rev. 1 (11-2009) 
POWER - This slide bar and number indicates how many 
watts are applied to the lamp. You can apply anywhere 
from approximately 60-65% of the maximum power intended for the installed lamp 
up to 100% of the lamp rating. Set for the number of watts as desired, keeping in mind 
that lower power levels produce dimmer images. When in either 
Power or Max 
Brightness
 modes, the power level remains constant. Specifying a maximum power 
level here is the same as operating in 
Max Brightness mode.  
NOTE: Power level can be set only if the lamp is in P
ower mode. 
INTENSITY – This value and slide bar represents the 
current brightness of your lamp, decreasing over time 
when you are operating in 
Max Brightness mode or at a specific Power level. When 
you are operating in “
Intensity” mode this value remains at the original “Intensity” 
setting chosen and cannot be adjusted.  
NOTE: The number shown for “intensity” is not the actual lumen output, but rather a 
correlated value only—1246 may represent 3500 lumens, for example. 
To use “
Intensity” mode, judge by eye (or use a meter) and set the level as desired for 
your application. Over time, the projector will automatically increase the power 
supplied to the lamp as needed to maintain the chosen intensity as closely as possible. 
This mode is known as “Brightness Tracking” or “LiteLOC”. 
HOW LONG CAN I MAINTAIN BRIGHTNESS? Software can maintain your “Intensity” 
setting until the required power reaches the maximum rating for the lamp. The lower 
the setting, the longer it will take to reach this threshold and the longer you can 
maintain the desired brightness. Keep in mind that once the lamp power reaches its 
maximum wattage (see “
Power”, above), this tracking is no longer possible. At this 
point, the lamp will gradually begin to dim as usual, even though your original 
“
Intensity” value will still appear in the menu. To resume accurate tracking, reduce the 
intensity setting so that the resulting “
Power” value is less than its maximum—the 
lower the intensity, the longer it can be maintained. 
For example, a 1000-watt lamp can be driven at no more than 1000 watts. To produce 
desired brightness at the screen, a new lamp would likely need less than this 
maximum rating—perhaps 812 watts (example only). Over time, however, the lamp 
will require more and more current in order to generate the desired light, until 
eventually the lamp wattage reaches its 1000-watt maximum and the lamp power 
automatically levels off. At this point, the tracking function terminates (i.e., the power 
level stabilizes) and the lamp will begin to dim normally. Either reduce your 
“
Intensity” setting or replace the lamp. 
Do not lower the “
Intensity” so much that the corresponding “Power” value reaches its 
minimum—the intensity setting will be inaccurate and cannot be maintained. For best 
results in achieving uniform intensity amongst tiled images, choose an “
Intensity” 
setting that enables all lamps to operate at less than the maximum number of watts 
available in your projector but high enough to keep the corresponding lamp power 
above its minimum. See “
Power”, above. 
NOTES: 1) Lamps become more stable over time, thus a specific intensity is more 
easily maintained as the lamp ages. 2) Intensity can be set only if the lamp is in 
Intensity mode 3) Intensity cannot exceed the output of Max Brightness mode.  
						

							 Section 3: Operation 
Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  3-59 020-100001-07 Rev. 1 (11-2009) 
OPTICAL APERTURE -  This option is also available under the Advanced Image 
Settings menu. See 4.6 – Adjusting the Image for details. 
LAMP HISTORY - This read-only option lists the lamps most 
recently installed and recorded in the projector. Lamp History 
automatically updates whenever you record a new lamp serial 
number—the new lamp is added to the bottom of the list. 
 
Use 
CHANGE LAMP to record the serial number for a newly installed lamp: 
In the Lamp S/N window, use the number text entry keys to record the new lamp serial 
number and press 
 again to accept the change. See Using Slide bars and Other 
Controls if you need help entering the number. Once entered, the new lamp serial 
number will be added to the Lamp History menu and the Lamp Hours timer will reset 
to “0”. Lamp Mode and Lamp Limit remain as they were for the previous lamp and 
can be changed at any time. See Figure 3.13. 
NOTE: To scroll through letters/alpha numerics, refer to 3.4 Navigating the Menus, 
Edit Numerical Values. 
1.
2.
3.
4.
5.
6.
7.
8.Lamp Hours
Lamp S/N
Lamp Message
Lamp Limit
Lamp Mode
Power
Intensity
Optical Aperture
Lamp History
Change Lamp
Lamp
0
?
1000
Power
500
0
3
Lamp S/NS/N
5679
1234Hours
1001
0
Lamp HistoryNew serial# entry
automatically updates
Lamp History...
...and resets Lamp
Hours to “
0” 
Figure 3.13. Recording the New Lamp Serial Number 
NOTE: Enter a serial number only if you have just installed a new lamp. This will 
help ensure that lamp timer is not reset on an old lamp and that the number of hours 
logged on the lamp will be accurate. 
 IMPORTANT  
ALWAYS record the serial number of a NEW lamp.  
						

							Section 3: Operation  
3-60  Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual  020-100001-07 Rev. 1 (11-2009) 
When a new lamp is installed and its serial 
number recorded by selecting “Change 
Lamp” in the Lamp menu, the lamp timer 
resets to “0” and begins logging time for 
the new lamp. This tally appears in both 
the Lamp menu (see right) and the Status 
menu. 
To review the number of hours logged for 
previous lamps, consult the Lamp History 
menu. 
If the “Lamp Message” checkbox has been 
enabled in the Lamp menu (recommended), an expiry message will appear upon 
power-up when the lamp has reached its defined “Lamp Limit”. In addition, the 
LED’s next to the built-in keypad will flash “LP” when lamp time has expired. The 
lamp should be replaced. 
The “Lamp Limit” setting should not exceed the expected lamp life, as an old lamp 
becomes increasingly fragile and more prone to sudden failure. See also 4.4, Lamp 
and Filter Replacement. 
The read-only Status menu lists a variety of details about the standard and optional 
components currently detected in the projector. Refer to the Status menu for versions 
of hardware and software installed, the type (size) of lamp, the hours logged in total 
and for a specific period (such as a rental period), and for your projector model name 
and serial number. In addition, the Status menu identifies the current channel, its 
location, its frequencies and other details. 
Scroll the full Status menu using 
 . Use  for page up/down. 
 
IMPORTANT:
 When working with more than two projectors, it’s important to work 
left to right, top to bottom. 
 
When an installation requires multiple projectors, you can use the RS232 serial ports 
to daisy chain the units together and control the group with a single keypad or a 
computer/controller connected to the first projector. In such a network, you can 
choose to broadcast commands to the entire group, or use the 
Pr o j key as desired to 
limit responses to an individual projector.  
Alternatively, you may want to add projectors to a hub on an Ethernet network. See 
2.4, Connecting Communications for full routing details. 
NOTE: Refer back to 3.6, Adjusting System Parameters and Advanced Controls for 
complete information about communicating with multiple projectors. 
In a multiple-projector wall, you will likely want to precisely match color and intensity 
from image-to-image so that the full wall is as uniform as possible. This matching is 
typically done in conjunction with brightness uniformity and edge blending. 
1.
2.
3.
4.
5.
6.
7.
8.Lamp Hours
Lamp S/N
Lamp Message
Lamp Limit
Lamp Mode
Power
Intensity
Optical Aperture
Lamp History
Change Lamp
Lamp
0
?
1000
Power
500
0
3
 
 
  How Old is My Lamp?  
  When to Replace 
 the Lam
p 
3.9 Status Menu 
3.10 Using Multiple 
Projectors 
 Matching Colors 
 In Multi
ple Screens