Christie Projector Mirage S+/HD/WU User Manual
Have a look at the manual Christie Projector Mirage S+/HD/WU User Manual online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 476 Christie manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.
Section 2 Installation & Setup Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 2-1 020-100001-07 Rev. 1 (11-2009) The instructions provided here are for those that are familiar with the projector and wish to quickly set it up and use it temporarily. Refer to the remaining subsections of this manual for a more complete setup. Install a Projection Lens The projection lens is shipped separately from the projector and must be installed prior to setting up the projector. Install the projection lens as described in 4.5 Replacing the Projection Lens. Remove the lens plug from the lens opening in the projector before installing the lens. Remove the lens when shipping the projector and reuse the lens plug to prevent dust and debris from entering and settling on the projector’s optical components. Position the Projector Place the projector on a sturdy, level surface and position it so that it is perpendicular to the screen at a suitable distance. In general, the further back the projector is positioned from the screen, the larger the image will be. If required, you can level the projector by adjusting its three feet. With the projector positioned perpendicular to the screen the image will appear rectangular instead of keystoned. For more detailed instructions on positioning the projector refer to Projector Position and Mounting later in this section. Connect a Source Located at the back of the projector is the input panel where all source connections are made. Each input is clearly labeled for easy identification. Using the appropriate cable(s), connect your source. Connect RGB and YPbPr sources to INPUT 1 located in the upper right corner of the input panel. Use the DVI-I connector at INPUT 2 to connect analog or digital display signals. Connect composite video to INPUT 3 and S-video to INPUT 4. NOTE: One of the available optional input modules can be installed at INPUT 5 or INPUT 6 for additional connections. Refer to 2.3 Connecting Sources for more details on connecting a specific source. 2.1 Quick Setup Step 1 Ste p 2 Ste p 3
Section 2: Installation and Setup 2-2 Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 020-100001-07 Rev. 1 (11-2009) Connect the Line Cord The North American-rated line cord is provided with each projector. Ensure that you are using a line cord, socket and power plug that meets the appropriate local rating standards. Plug the line cord to the AC receptacle located on the right hand side of the projector and the three-pronged end into a grounded AC outlet. Ensure the socket outlet is installed near the equipment and is easily accessible. The input voltage to the projector must be capable of 100 – 240 VAC in 500W and 1000W models and 200- 240 VAC in 1200W models. (See Section 6 – Specifications for complete details on all power requirements.) Use the approved North American-rated line cord supplied with the projector. If you are connecting to an area outside of North America ensure an appropriately rated line cord is used. Turn the Projector ON Press the POWER button on either the remote or built-in keypad to turn the projector on. Wait a few minutes to allow the projector to warm up. The LED status window displays an active pattern of segments to indicate the projector is changing its state from powered down to powered up. The message “On” appears in the display when the projector has completed its initialization and is ready for use. Select a Source Press one of the input keys on the remote or built-in keypad to select and display the image for the source you connected in Step 3. Adjust Image Adjust the more common image settings, such as Brightness, Contrast, Gamma, Focus, Zoom etc. using the direct keys on the IR remote. You can also access the menu system and adjust these and other image settings by pressing Me nu on the remote. Ste p 4 Ste p 5 Ste p 6 Ste p 7
Section 2: Installation and Setup Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 2-3 020-100001-07 Rev. 1 (11-2009) Proper installation of your projector will ensure the quality of your display. Whether you are installing a projector temporarily or permanently you should take the following into account to ensure your projector performs optimally. Choose the installation type that best suits your needs: front or rear screen, floor mount or inverted mount. Front Screen, Floor Mount Installation ADVANTAGES CONSIDERATIONS Easy to set up Can be moved or changed quickly Easy to access Shares floor space with audience Front Screen, Inverted Mount (ceiling) Installation ADVANTAGES CONSIDERATIONS Does not take up audience space Projector is unobtrusive Projector cannot be accidentally moved Installation is more permanent It is more difficult to access the projector Rear Screen, Floor Mount Installation ADVANTAGES CONSIDERATIONS Projector is completely hidden Projector is easily accessed Usually good ambient light rejection Requires separate room Installation cost is usually higher Rear Screen, Inverted Mount (ceiling) Installation ADVANTAGES CONSIDERATIONS Projector is completely hidden Usually good ambient light rejection Requires separate room Installation cost is usually higher Rear Screen, Floor Mount with Mirror ADVANTAGES CONSIDERATIONS Projector is completely hidden Usually good ambient light rejection Requires less space behind screen than other rear screen installations Requires separate room Installation cost is usually higher Front Screen Installations In front screen installations the projector and audience are positioned in front of the screen, which can be flat or curved. Flat screens are most recommended with this projector. They offer a gain of about one with a viewing angle just less than 180. This type of screen reflects incident light equally in all directions so the audience can see the display from various angles. Curved screens have a gain greater than one with a viewing angle much less than 180. This type of screen does not reflect incident light equally in all directions instead it is concentrated in a viewing cone. The audience sitting within the viewing cone area will see a brighter image than those sitting just outside this area. 2.2 Installation Considerations Installation type Screen T ype
Section 2: Installation and Setup 2-4 Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 020-100001-07 Rev. 1 (11-2009) Rear screen installations There are two basic types of rear screens: diffused and optical. A diffused screen has a surface, which spreads the light striking it. Purely diffused screens have a gain of less than one. The main advantage of the diffused screen is its wide viewing angle, similar to that of a flat screen for front screen projection. This type of screen is suitable when a wide viewing angle is required but there is low ambient room lighting. Optical screens take light from the projector and redirect it to increase the light intensity at the front of the screen. This reduces it in other areas. A viewing cone, similar to that of a curved front screen installation is created. This type of screen is better suited for brightly lit rooms where the audience is situated within the viewing cone. Screen size Choose a screen size, which is appropriate for your lens and application. Keep in mind that if the projector will be used to display text information, the image size must allow the audience to recognize all text clearly. The eye usually sees a letter clearly if eye- to-text distance is less than 150 times the height of the letter. Small text located too far from the eye will likely be illegible at a distance no matter how sharply and clearly it is displayed.
Section 2: Installation and Setup Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 2-5 020-100001-07 Rev. 1 (11-2009) To fill a screen with an image, the aspect ratio of the screen should be equal to the aspect ratio of the image (expressed as the ratio of its width to its height). Standard video from a VCR has a 4:3 or 1.33:1 aspect ratio. For example, to display a VCR output with a 4:3 aspect ratio onto a 10-foot (3m) high screen, the width of the screen must be at least 13.3 feet (4m). The high brightness of this projector is well suited for locations where ambient lighting might be considered less than ideal for projection. A typical room with ceiling lights and windows rarely requires special attention. Contrast ratio in your images will be noticeably reduced only if light directly strikes the screen, such as when a shaft of light from a window or floodlight falls on the image. Images may then appear washed out and less vibrant. In general, avoid or eliminate light sources directed at the screen. Other considerations and tips that can help improve your installation: Keep the ambient temperature constant and below 35°C (95°F). Keep the projector away from heating and/or air conditioning vents. Changes in temperature may cause drifts in the projector circuitry, which may affect performance. Keep the projector away from devices, which radiate electromagnetic energy such as motors and transformers. Common sources of these include slide projectors, speakers, power amplifiers, elevators, etc. Choose the best screen size for the application. Since more magnification reduces brightness, use a screen size appropriate for the venue but not larger than required. Installing a large screen in a small room is similar to watching television at a close range; too large a screen can overpower a room and interfere with the overall effect. A good rule of thumb is to be no closer than 1.5 times the width of the screen. Throw distance Throw distance is the distance measured from your projector’s front feet to the screen. This is an important calculation in any projector installation as it determines whether or not you have enough room to install your projector with a desired screen size and if your image will be of the right size for your screen. You can quickly estimate the throw distance by taking the horizontal width of the screen and multiplying it by the lens throw ratio. The result of this calculation tells you roughly how far back the projector should be positioned from the screen in order to project a focused image large enough to fill the screen. For example, using a 0.73:1 lens, throw distance would roughly be 0.73 x screen width. IMPORTANT! Use the lens and screen size to calculate the precise throw distance using the tables provided in the Dealer Section of the Christie Website, PN 020- 100298-xx. Due to lens manufacturing tolerances for lens focal length, actual throw distance and vary ±5% between lenses with the same nominal throw ratio. Ambient Li ghting Other Considerations Projector Position and Mountin g
Section 2: Installation and Setup 2-6 Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 020-100001-07 Rev. 1 (11-2009) Vertical and horizontal position The correct vertical and horizontal position of the projector in relation to the screen depends on the lens type and the screen size. Ideally, the projector should be positioned perpendicular to the screen. This way, the image will appear rectangular instead of keystoned (trapezoidal). The vertical position of the image can be offset – that is moved above or below the optical axis (lens center) by adjusting the fully motorized lens mount with the keypad. The amount of vertical offset available depends directly on the lens installed in the projector and can be slightly limited if horizontal offset has been applied. Vertical offset can also be expressed as the percent of half the image height OR the number of pixels of shift from lens center. Refer to Figure 2.1 for some illustrated examples of vertical offset. Table 2.1 along with Figure 2.2 show the maximum vertical offset of a lens or alternatively, how much of your projected image will appear above or below lens center if the maximum vertical offset is applied using that lens. Table 2.1. Lens Offsets Lens Type Offset Movement Max. Amount of Display Above or Below Lens Center Max. Amount of Display Right or Left of Lens Center (All motorized lenses) or or SXGA+ Lenses 100%50%1050 pixels or 100% 1050 pixels or 75% HD Lenses 119% 42% 1183 pixels or 100% 1363 pixels or 71% WU Lenses 112% 54% 1243 pixels or 100% 1478 pixels or 77% NOTES: 1) Offsets are subject to 7% centering tolerance 2) % Offset = # pixels of offset / half panel resolution x 100. 3) 0.73:Fixed and 1.16-1.49 Zoom Lenses have less offset. See Specification section, Lenses for more details.
Section 2: Installation and Setup Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 2-7 020-100001-07 Rev. 1 (11-2009) Figure 2.1. Vertical Offset Examples
Section 2: Installation and Setup 2-8 Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 020-100001-07 Rev. 1 (11-2009) Figure 2.2. Lens Vertical Offsets
Section 2: Installation and Setup Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 2-9 020-100001-07 Rev. 1 (11-2009) The horizontal position of the image can be offset – that is moved to the left or right of lens center, by adjusting the fully motorized lens mount through software. The amount of horizontal offset available depends on the lens installed and if the image has already been vertically offset. Horizontal offset can also be expressed as the percent of half the image width – the number of pixels of shift to one side of lens center. Refer to Figure 2.3 for some illustrated examples of horizontal offset. See also Table 2.1 along with Figure 2.4 which shows the maximum horizontal offset of a lens or alternatively, how much of your projected image will appear to one side of lens center if the maximum horizontal offset is applied using that lens. Figure 2.3. Horizontal Offset Examples
Section 2: Installation and Setup 2-10 Mirage S+/HD/WU, Matrix S+/HD/WU, Christie HD/DS+/DW, DLV User Manual 020-100001-07 Rev. 1 (11-2009) Figure 2.4. Lens Horizontal Offsets