Canon PowerShot SX260 HS User Guide
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Color and Continuous Shooting 121 For image colors that look natural under the light in your shot, adjust white balance to suit the light source where you are shooting. Set the white balance under the same light source that will illuminate your shot. zFollow the steps in “Adjusting White Balance” (p. 120) to choose . zAim the camera at a plain white subject, so that the entire screen is white. Press the l button. XThe tint of the screen changes once the white balance data has been recorded. Custom White Balance •Colors may look unnatural if you change camera settings after recording white balance data. COPY
Color and Continuous Shooting 122 Change image color tones as desired, such as converting images to sepia or black and white. zPress the m button, choose in the menu, and choose the desired option (p. 39). XThe option you configured is now displayed. Changing Image Color Tones (My Colors) Still ImagesMovies My Colors Off — Vivid Emphasizes contrast and color saturation, making images sharper. Neutral Tones down contrast and color saturation for subdued images. Sepia Creates sepia tone images. B/W Creates black and white images. Positive Film Combines the effects of Vivid Blue, Vivid Green, and Vivid Red to produce intense yet natural-looking colors resembling images on positive film. Lighter Skin Tone Lightens skin tones. Darker Skin Tone Darkens skin tones. Vivid Blue Emphasizes blues in images. Makes the sky, ocean, and other blue subjects more vivid. Vivid Green Emphasizes greens in images. Makes mountains, foliage, and other green subjects more vivid. Vivid Red Emphasizes reds in images. Makes red subjects more vivid. Custom Color Adjust contrast, sharpness, color saturation, and other qualities as desired (p. 123). COPY
Color and Continuous Shooting 123 Choose the desired level of image contrast, sharpness, color saturation, red, green, blue, and skin tones in a range of 1 – 5. Access the setting screen. zFollow the steps in “Changing Image Color Tones (My Colors)” (p. 122) to choose , and then press the l button. Configure the setting. zPress the op buttons to choose an option, and then specify the value by pressing the qr buttons or turning the 5 dial. zFor stronger/more intense effects (or darker skin tones), adjust the value to the right, and for weaker/lighter effects (or lighter skin tones), adjust the value to the left. zPress the l button to complete the setting. • White balance (p. 120) cannot be set in or modes. • With and modes, colors other than people’s skin tone may be modified. These settings may not produce the expected results with some skin tones. Custom Color COPY
Color and Continuous Shooting 124 Hold the shutter button all the way down to shoot continuously. Configure the setting. zPress the m button, choose in the menu, and choose the desired option (p. 39). XThe option you configured is now displayed. Shoot. XHold the shutter button all the way down to shoot continuously. *In t mode (p. 94), AF lock (p. 133), or manual focus mode (p. 125), is changed to . * For details on the continuous shooting speed in each mode, see “Specifications” in the Getting Started guide. Continuous Shooting Still Images ModeDescription Continuous Continuous shooting, with the focus and exposure determined when you press the shutter button halfway. Continuous Shooting AF Continuous shooting and focusing. [AF Frame] is set to [Center] and cannot be changed. Continuous Shooting LV * Continuous shooting, with the focus fixed at the position determined in manual focusing. In t mode, focus is determined by the first shot. • Cannot be used with the self-timer (p. 64) or [Blink Detection] (p. 86). • Shooting may stop momentarily or continuous shooting may slow down depending on shooting conditions, camera settings, and the zoom position. • As more shots are taken, shooting may slow down. • Shooting may slow down if the flash fires. • If you use Face ID (p. 69) in W, the name recorded in the image will be fixed to the location where it is displayed in the first shot. Even if the subject moves, the name will stay fixed in the same position for any subsequent shots. W COPY
125 To restrict the focus to subjects at close range, set the camera to e. For details on the focusing range, see “Specifications” in the Getting Started guide. zPress the q button, choose e (either press the qr buttons or turn the 5 dial), and then press the m button. XOnce the setting is complete, e is displayed. When focusing is not possible in AF mode, use manual focus. You can specify the general focal position and then press the shutter button halfway to have the camera determine the optimal focal position near the position you specified. For details on the focusing range, see “Specifications” in the Getting Started guide. Choose f. zPress the q button, choose f (either press the qr buttons or turn the 5 dial), and then press the m button. Xf and the MF indicator are displayed. Shooting Range and Focusing Shooting Close-ups (Macro) Still ImagesMovies •If the flash fires, vignetting may occur. • In the yellow bar display area below the zoom bar, e will turn gray and the camera will not focus. • To prevent camera shake, try mounting the camera on a tripod and shooting with the camera set to [ (p. 65). Shooting in Manual Focus Mode Still ImagesMovies COPY
Shooting Range and Focusing 126 Specify the general focal position. zReferring to the on-screen MF indicator bar (which shows the distance and focal position) and the magnified display area, turn the 5 dial to specify the general focal position. Fine-tune the focus. zPress the shutter button halfway to have the camera fine-tune the focal position (Safety MF).MF Indicator •AF frame mode or size cannot be changed while focusing manually (p. 127). If you want to change the AF frame mode or size, cancel manual focus mode first. • Focusing is possible when using the digital zoom (p. 63) or digital tele-converter (p. 127), or when using a TV as a display (p. 200), but the magnified display will not appear. • To focus more accurately, try attaching the camera to a tripod to stabilize it. • To hide the magnified display area, press the n button and set [MF-Point Zoom] on the 4 tab to [Off] (p. 40). • To deactivate automatic focus fine-tuning when the shutter button is pressed halfway, press the n button and set [Safety MF] on the 4 tab to [Off] (p. 40). COPY
Shooting Range and Focusing 127 The focal length of the lens can be increased by approximately 1.5x or 2.0x. This can reduce camera shake because the shutter speed is faster than it would be if you zoomed (including using digital zoom) in to the same zoom factor. zPress the n button, choose [Digital Zoom] on the 4 tab, and then choose the desired option (p. 40). XThe view is enlarged and the zoom factor is displayed on the screen. Change the AF (auto focus) frame mode to suit the shooting conditions as follows. zPress the n button, choose [AF Frame] on the 4 tab, and then choose the desired option (p. 40). Digital Tele-Converter Still ImagesMovies • The digital tele-converter cannot be used with digital zoom (p. 63) and AF-point zoom (p. 85). • The digital tele-converter is only available when the aspect ratio is . •The respective focal lengths when using [1.5x] and [2.0x] are 30.0 – 750 mm and 40.0 – 1000 mm (35mm film equivalent). • The shutter speed may be equivalent when you move the zoom lever all the way toward i for maximum telephoto, and when you zoom in to enlarge the subject to the same size following step 2 on p. 63. Changing the AF Frame Mode Still ImagesMovies COPY
Shooting Range and Focusing 128 One AF frame is displayed in the center. Effective for reliable focusing. As long as you keep the shutter button pressed halfway, the focus and exposure are locked. You can recompose shots as needed before shooting. This feature is called Focus Lock. Focus. zAim the camera so that the subject is centered, and then press the shutter button halfway. zConfirm that the AF frame displayed around the subject is green. Recompose the shot. zKeeping the shutter button pressed halfway, move the camera to recompose the shot. Shoot. zPress the shutter button all the way down. Center •A yellow AF frame is displayed with if the camera cannot focus when you press the shutter button halfway. Note that AF-point zooming (p. 85) is not possible. • To reduce the AF frame size, press the n button and set [AF Frame Size] on the 4 tab to [Small] (p. 40). • The AF frame size is set to [Normal] when you use the digital zoom (p. 63) or digital tele-converter (p. 127), and in manual focus mode (p. 125). • If [Face ID] is set to [On], names will not display when registered people are detected, but the names will be recorded in the still images (p. 148). Recomposing Shots While the Focus is Locked Still ImagesMovies Still Images COPY
Shooting Range and Focusing 129 •Detects people’s faces, and then sets the focus, exposure (evaluative metering only), and white balance ( only). • After you aim the camera at the subject, a white frame is displayed around the person’s face determined by the camera to be the main subject, and up to two gray frames are displayed around other detected faces. • When the camera detects movement, frames will follow moving subjects, within a certain range. • After you press the shutter button halfway, up to nine green frames are displayed around faces in focus. Face Detect •If faces are not detected, or when only gray frames are displayed (without a white frame), an AF frame is displayed in the center of the screen when you press the shutter button halfway. • If faces are not detected when Servo AF (p. 131) is set to [On], the AF frame is displayed in the center of the screen when you press the shutter button halfway. • Examples of faces that cannot be detected: -Subjects that are distant or extremely close - Subjects that are dark or light - Faces in profile, at an angle, or partly hidden • The camera may misinterpret non-human subjects as faces. • No AF frames are displayed if the camera cannot focus when you press the shutter button halfway. Still ImagesMovies COPY
Shooting Range and Focusing 130 Shoot after choosing a subject to focus on as follows. Choose [Tracking AF]. zFollow the steps in “Changing the AF Frame Mode” (p. 127) to choose [Tracking AF]. X is displayed in the center of the screen. Choose a subject to focus on. zAim the camera so that is on the desired subject, and then press the q button. XWhen the subject is detected, the camera beeps and is displayed. Even if the subject moves, the camera will continue to track the subject within a certain range. XIf no subject is detected, is displayed.zTo cancel tracking, press the q button again. Shoot. zPress the shutter button halfway. changes to a blue , which follows the subject as the camera continues to adjust the focus and exposure (Servo AF) (p. 131). zPress the shutter button all the way down to shoot. XEven after your shot, is still displayed and the camera continues to track the subject. Choosing Subjects to Focus On (Tracking AF) Still Images COPY