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Canon PowerShot SX260 HS User Guide

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    							111
    Enter E mode.
    zSet the mode dial to  E.
    Configure the settings to suit the 
    movie (pp. 230 – 237).
    Shoot.
    zPress the movie button.zTo stop movie recording, press the movie 
    button again.
    Before shooting, you can lock the exposure or change it in 1/3-stop increments 
    within a range of –2 to +2.
    Lock the exposure.
    zPress the o  button to lock the exposure. The 
    exposure shift bar is displayed.
    zTo unlock the exposure, press the  o button 
    again.
    Adjust the exposure.
    zTurn the  5 dial to adjust the exposure, as you 
    watch the screen.
    Shoot.
    Shooting Various Movies
    Shooting Movies in  E Mode
    Movies
    Locking or Changing Image Brightness Before Shooting
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    							Shooting Various Movies
    112
    You can shoot fast-moving subjects for playback later in slow motion.  
    Note that sound is not recorded.
    Choose .
    zFollow steps 1 – 2 on p. 111 and choose  .
    Choose a frame rate.
    zPress the m button, choose   in the menu, 
    and choose the desired frame rate (p. 39).
    XThe option you configured is now displayed.
    Shoot.
    zPress the movie button.XA bar showing the elapsed time is displayed. 
    Maximum clip length is approx. 30 sec.
    zTo stop movie recording, press the movie 
    button again.
    Shooting Super Slow Motion Movies
    Frame RateImage QualityPlayback Time (For a 30- sec. Clip)
    240 fps  (320x240)Approx. 4 min.
    120 fps  (640x480)Approx. 2 min.
    •Zooming is not available during recording, even if you move the zoom 
    lever.
    • Focus, exposure, and color are determined when you press the 
    movie button.
    • The movie will be played back in slow motion when you follow steps 1 – 3 on 
    p. 146.
    • You can change the playback speed of movies shot in   mode by using the 
    included software. For details, refer to the  ImageBrowser EX User Guide.
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    							Shooting Various Movies
    113
    Shoot movies that can be edited with iFrame-compatible software or devices. 
    You can quickly edit, save, and manage iFrame movies using the included 
    software.
    Choose .
    zFollow steps 1 – 2 on p. 111, choose  , and 
    shoot.
    XBlack bars displayed on the top and bottom 
    edges of the screen indicate image areas not 
    recorded.
    Shoot.
    Shooting iFrame Movies
    •The resolution is   (p. 82) and cannot be changed.
    • iFrame is a video format developed by Apple.
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    							115
    G mode
    • Instructions in this chapter apply to the camera with the mode dial set to  G
    mode.
    • G: Program AE; AE: Auto Exposure
    • Before using a function introduced in this chapter in modes other than G ,
    make sure the function is available in that mode (pp. 230 – 234).
    More discerning shots, in your preferred shooting style
    5
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    							116
    You can customize many function settings to suit your preferred shooting 
    style.
    Enter G mode.
    zSet the mode dial to  G.
    Customize the settings as desired 
    (pp. 116 – 138), and then shoot.
    The standard exposure set by the camera can be adjusted in 1/3-stop 
    increments, in a range of –2 to +2.
    zPress the o  button. As you watch the screen, 
    turn the 5  dial to adjust brightness, and then 
    press the o  button again when finished.
    XThe correction level you specified is now 
    displayed.
    Shooting in Program AE Mode ( G Mode)
    Still ImagesMovies
    •If adequate exposure cannot be obtained when you press the shutter button 
    halfway, shutter speeds and aperture values are displayed in orange. To obtain 
    adequate exposure, try adjusting the following settings.
    -Activate the flash (p. 134)
    - Choose a higher ISO speed (p. 118)
    • Movies can be recorded in  G mode as well, by pressing the movie button. 
    However, some H and  n settings may be automatically adjusted for 
    movie recording.
    • For details on the shooting range in  G mode, see “Specifications” in the  Getting 
    Started  guide.
    Image Brightness (Exposure 
    Compensation)
    Adjusting Image Brightness (Exposure 
    Compensation)
    Still Images
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    							Image Brightness (Exposure Compensation)
    117
    Before shooting, you can lock the exposure, or you can specify focus and 
    exposure separately.
    Lock the exposure.
    zAim the camera at the subject to shoot with 
    the exposure locked. With the shutter button 
    pressed halfway, press the o button.
    X is displayed, and the exposure is locked.zTo unlock AE, release the shutter button and 
    press the  o button again. In this case,   is 
    no longer displayed.
    Compose the shot and shoot.
    zAfter one shot, AE is unlocked and   is no 
    longer displayed.
    Adjust the metering method (how brightness is measured) to suit shooting 
    conditions as follows.
    zPress the m  button, choose   in the menu, 
    and choose the desired option (p. 39).
    XThe option you configured is now displayed.
    Locking Image Brightness/Exposure (AE Lock)
    • AE: Auto Exposure
    • After the exposure is locked, you can adjust the combination of shutter speed 
    and aperture value by turning the 5  dial (Program Shift).
    Changing the Metering Method
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    							Image Brightness (Exposure Compensation)
    118
    zPress the m button, choose   in the menu, 
    and choose the desired option (p. 39).
    XThe option you configured is now displayed.
    Evaluative For typical shooting conditions, including backlit shots. 
    Automatically adjusts exposure to match the shooting conditions.
    Center 
    Weighted Avg. Determines the average brightness of light across the entire image 
    area, calculated by treating brightness in the central area as more 
    important.
    Spot Metering restricted to within the   (Spot AE Point frame), 
    displayed in the center of the screen.
    Changing the ISO Speed
    Automatically adjusts the ISO speed to suit the 
    shooting mode and conditions.
    Low
    High For shooting outdoors in fair weather.
    For shooting in cloudy conditions, or at 
    twilight.
    For shooting night scenes, or in dark 
    rooms.
    • To view the automatically set ISO speed when the camera is set to  , press 
    the shutter button halfway.
    • Although choosing a lower ISO speed may reduce image graininess, there may 
    be a greater risk of subject blurriness in some shooting conditions.
    • Choosing a higher ISO speed will increase shutter speed, which may reduce 
    subject blurriness and increase the flash range. However, shots may look 
    grainy.
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    							Image Brightness (Exposure Compensation)
    119
    Before shooting, excessively bright or dark image areas (such as faces or 
    backgrounds) can be detected and automatically adjusted to the optimal 
    brightness. Insufficient overall image contrast can also be automatically 
    corrected before shooting to make subjects stand out better.
    zPress the n button, choose [i-Contrast] 
    on the  4 tab, and then choose [Auto] (p. 40).
    XOnce the setting is complete,  @ is displayed.
    Correcting Image Brightness (i-Contrast)
    •Under some shooting conditions, correction may be inaccurate or 
    may cause images to appear grainy.
    • You can also correct existing images (p. 176).
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    							120
    By adjusting white balance (WB), you can make image colors look more 
    natural for the scene you are shooting.
    zPress the m button, choose   in the menu, 
    and choose the desired option (p. 39).
    XThe option you configured is now displayed.
    Color and Continuous Shooting
    Adjusting White Balance
    Still ImagesMovies
    Auto Automatically sets the optimal white balance for the shooting 
    conditions.
    Day Light For shooting outdoors in fair weather.
    Cloudy For shooting in cloudy conditions, in the shade, or at twilight.
    Tungsten For shooting under ordinary incandescent (tungsten) lighting 
    and similarly colored fluorescent lighting.
    Fluorescent For shooting under warm-white, cool-white, and similarly colored 
    fluorescent lighting.
    Fluorescent H For shooting under daylight fluorescent and similarly colored 
    fluorescent lighting.
    Underwater Sets the optimal white balance for shooting underwater. Tones 
    down blues to produce natural-looking colors overall.
    Custom For manually setting a custom white balance (p. 121).
    S
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