Tascam TM-D1000 Operations Manual

							21 TASCAM TM-D1000 Operations Manual
8 - Monitoring, etc.
The TM-D1000 allows you to connect an ampliÞer/
speaker monitoring system to the 
MONITOR OUT 
connectors. The level of the signal transmitted from 
there is controlled by the 
LEVEL control.
There is also a 
PHONES jack, into which you can 
plug standard headphones. The level here is indepen-
dently controllable with the 
PHONES LEVEL 
control.
WARNING
Do not connect a pair of monaural head-
phones to the stereo 
PHONES jack with a 
monaural jack plug. This can damage the TM-
D1000 headphone ampliÞer.
8.1 Choosing the monitoring 
source
Use the MONITOR SELECT switches to select the 
monitor source (the bottom 
MONO switch is not a 
source selection switch, but switches the stereo mon-
itored busses to a mono mix).
As explained earlier, when recording, you will prob-
ably want to listen to the L-R mix, as this is the mix 
to which all tracks can be assigned safely. However, 
you can also use the 
1-2 and 3-4 SELECT switches to 
check the group and aux outputs, as well as the 
EXT 
switch to check the input at the 
EXT IN jacks (see 
8.1.1, EXT INbelow).
NOTE
Signals corrseponding to the analog nominal 
level will be shown on the meters as Ð16 dB.
You can select more than one monitor source at a 
time (more than one of these switches can be pressed 
simultaneously).
NOTE
When the EXT IN switch is pressed, even if 
digital signal SELECT switches are also 
pressed, the meters will be in ÒanalogÓ mode, 
i.e. any peak hold or release time settings 
(see 14.2, Meter settings) will not be 
effective.
The MONO switch allows you to check the mono 
mix of any of these stereo pairs. However, you 
should note that the meters will still continue to 
meter the two stereo signals individually, rather than 
the summed stereo pair.
WARNING
As mentioned earlier, you should not assign 
the return from any recorded tracks to a pair 
of groups feeding those tracks, otherwise you 
will create a feedback loop.
8.1.1 EXT IN
The EXT IN switch is a little different from the other 
switches provided to select the monitor source.
The
 L-R, 1-2, and 3-4 show the digital signal levels 
on the meter, the 
EXT IN switch shows the analog 
levels received at the 
EXT INPUT jacks.
The options which affect the meter ballistics (see 
14.2, Meter settings) only apply to the digital mon-
itor selections, not to the analog 
EXT IN metering. 
8.2 Soloing
The TM-D1000 provides you with three solo modes: 
a pre-fade listen mode (PFL), an after (post)-fade lis-
ten (AFL) and an in-place solo mode (IPS).
The last two modes are mono modes (i.e. the pan or 
balance controls will have no effect on the Þnal solo 
mix).
The solo mode is activated by pressing the 
SOLO 
key (above group 
3 and 4 faders). Depending on the 
solo mode, this key will either light (IPS) or ßash 
(AFL or PFL) red. The current solo mode is also 
shown in the display for about a second after the solo 
mode is enabled.
The channel 
MUTE keys change function and 
become solo keys when the solo mode is activated. 
In addition to the ÒprimaryÓ solo mode, there is also 
a ÒsecondaryÓ solo mode, which is activated when 
the 
SHIFT key is pressed and held down and the 
SOLO key is pressed. The assignment of primary and 
secondary solo modes is explained below.
NOTE
One big difference between the AFL and the 
IPS modes is that when IPS is activated, 
unsoloed channels will be cut from the L-R  
						

							8 - Monitoring, etc.
 TASCAM TM-D1000 Operations Manual 22
mix as well as the monitor mix. If you are 
working in a sound reinforcement or mixdown 
application, you should take care not to use 
the in-place solo mode, as this will destroy the 
Þnal mix.
To select the solo mode:
1Press and hold down the SHIFT key and press 
the 
OPTION key.
2Turn the DATA ENTRY knob until the bottom 
line of the display shows 
Setup.
3Press ENTER and turn the DATA ENTRY 
knob until the bottom line of the display 
shows 
SOLO Mode.
4Press ENTER, and turn the DATA ENTRY 
knob to choose between the following pri-
mary solo modes (the secondary solo mode is 
shown in parentheses):
qIn-Place SOLO (PFL)
qIn-Place SOLO (AFL)
qPFL (In-Place Solo)
qAFL (In-Place SOLO) 
						

							23 TASCAM TM-D1000 Operations Manual
9 - Effects
The TM-D1000 includes high-quality digital effects. 
There are three types of processor, and these can be 
patterned together in various ways, depending on the 
current mode and buss function selected.The processor types are:
The patterns are:
Naturally, if the buss function that you have selected 
does not include any aux busses, but the aux/group 
busses are assigned as group busses, you cannot use the aux functions. See the table below for details of 
how the buss functions and effect patterns work 
together (
Y means that the effect pattern can be used 
1Stereo effectorÑprovides dynamic processor, delay, 
chorus, pitch shifter, ßanger, phaser, de-esser and 
exciter facilities
2Stereo effectorÑprovides the facilities of type 1, as 
well as reverberation and gated reverb
3Mono dynamic processorÑmay be used for channel 
compansion/gating, etc.
Ch Dynamics1
Up to four mono dynamic processors may be 
inserted into the channel signal path.
L-R:Dynamics
Aux1-2:Effect2
A stereo processor is inser ted into the L-R sig-
nal path, and a stereo effector is available for 
other purposes, with Aux busses 1 and 2 acting 
as the sends.
Aux1-2:Eff
[Cascade1-2]3
The Aux 1 and 2 busses are used as effect 
sends to a cascaded pair of stereo effectors.
Aux1-2:Eff
[Cascade2-1]4
The Aux 1 and 2 busses are used as effect 
sends to a cascaded pair of stereo effectors, 
but the order of the effectors is reversed relative 
to the above setting.
Aux1-
2:Eff[Para]5
The Aux 1 and 2 busses are used as effect 
sends to a pair of stereo effectors which are in 
parallel with each other.
Aux1-2/3-
4:Effect6
The Aux 1 and 2 busses are used as effect 
sends to one stereo effector, and Aux 3 and 4 
are used as effect sends to the second effector.
ADC
Dynamic processors
EQ
1
2
3
4 Channels 1 
through 16
Type 1 
processor
Type 2 
processorL-R
1-2
3-4 Effect 
return
AUX 1-2 L-R
DAC
Type 2 
processor
2 Type 2 
processor
1L-R
1-2
3-4 AUX 1
AUX 2cEffect 
return
Type 2 
processor
1 Type 2 
processor
2L-R
1-2
3-4 AUX 1
AUX 2Effect 
return
L-R
1-2
3-4 AUX 1
AUX 2Effect 
return Type 2 
processor
1
Type 2 
processor
2
L-R
1-2
3-4 L-R
1-2
3-4 Type 2 
processor
1
Type 2 
processor
2 AUX 1-2
AUX 3-4 
						

							9 - Effects
 TASCAM TM-D1000 Operations Manual 24
with the buss function, and N means that the effect 
pattern cannot be used with the buss function):
9.1 Selecting effect patterns
1Press and hold down the SHIFT key and press 
the 
OPTION key to enter the Option 
screen.
2Turn the DATA ENTRY knob until the bottom 
line shows 
Effect, and then press 
ENTER.
3Turn the DATA ENTRY knob until the bottom 
line shows 
Effect Pattern, and 
press 
ENTER:
4Select the appropriate effect pattern by turn-
ing the 
DATA ENTRY knob, and press ENTER.
Remember that not all options may be available, 
depending on the buss function that is currently 
selected.
9.2 External effects
As well as being routed to the internal effects, the 
aux busses can also be routed to external devices. 
For analog devices, the 
GROUP OUTPUTS/AUX 
SENDS
 should be used. If the external effectÕs 
returns are routed through input channels 1Ð8, equal-
ization, etc. may be used on these signals.
For digital devices, follow the procedure described in 
ÒConnecting a 2-track recorderÓ on page 14 to assign 
the aux busses to the digital outputs. The digital 
returns are assigned as described in ÒUsing digital 
effect returnsÓ on page 15.
9.3 Setting aux send levels
Follow the procedure below to send channel signals 
to the AUX busses:
1Press the PARAM SEL key until the AUX indi-
cator above it lights in green.
2Select the channel to be edited by pressing 
the 
CH SEL key (in the example below, the 
effect pattern with four separate aux sends 
has been chosen).
3Use the four data editing knobs under the 
display to change the value of the aux sends 
for the selected channel.
4View and change the assignments of the aux 
sends as pre- and post-fader sends by turning 
the 
DATA ENTRY knob clockwise:
5Use the data editing knobs under the display 
to change these values.
6Continue selecting channels with the CH SEL 
keys until you have set all the aux levels.
Operating Tip
To change all the aux sends from pre-fader to 
post-fader, go into the 
Option Setup 
sub-menu and select the 
All Ch Aux 
Pre/Post
 sub-menu, and then select 
pre-fader or post-fader for the aux sends of all 
channels.
9.4 Selecting the effect to use
When you have set up the routing for the effects, you 
can select the effect units to use. 
NOTE
Buss function Effect pattern (numbers 
from above table)
123456
ST+4GrpYNNNNN
ST+4Aux[1-2ST]YYYYYY
ST+2Grp+2AuxYYYYYN
ST+4Aux[Mono]YYYYYY
Effect Pattern
L-R:Dynmcs Aux1-2:Effct
123 4©
CH SEL !
123 4©
1000 0
123 4€
Pre Pre PostPost 
						

							9 - Effects
25  TASCAM TM-D1000 Operations Manual
In some effect patterns, the effect type is Þxed 
as a dynamic processor and cannot be 
changed.
1Press the PARAM SEL key until the EFFECT/
DYNAMICS
 indicator lights green.
2Push the DATA ENTRY knob so that you 
select the correct effect screen (1 or 2). The 
effect screen number is shown at the top left 
of the display:
3Press the ESCAPE/RECALL key.
The display will start to ßash.
4Turn the DATA ENTRY knob to select the 
effect to be used in this position.
5Press ENTER to recall the effect.
6Push the DATA ENTRY knob to view the sec-
ond effect position into which to select an 
effect.
9.5 Editing the parameters of the 
effect
1Use the data editing knobs under the screen 
to change the parameters above those knobs. 
Note that as the knobs are turned, the abbreviated 
parameter names are expanded to full names (for 
instance, FB-Lv will be expanded to 
Feedback Level).
2Turn the DATA ENTRY knob to view and set 
more parameters.
3To select the second effect, press the DATA  
ENTRY
 knob when the top right of the screen 
shows 
Ì (the down arrow symbol). 
Pressing the DATA ENTRY knob once more will 
take you back to the Þrst effect unit.
9.6 Storing an effect with your 
own parameters
1Press and hold down the SHIFT key and press 
the 
ESCAPE (STORE) key.
2Turn the DATA ENTRY knob while pushing it 
and holding it down to move the cursor 
around the bottom line of the display.
3Turn the DATA ENTRY knob (unpushed) to 
edit the title character at the cursor position.
Operating Tip
Use the 
SHIFT key to change between upper-
case and lowercase letters when entering the 
title of the effect.
4Move the cursor to the left of the screen 
(push and turn the 
DATA ENTRY knob) to 
highlight the effect memory into which you 
will store the new effect settings.
5Press ENTER when you have Þnished enter-
ing the name. The parameters will be stored 
into the memory that you have selected.
2-01 Concert Hall Ì ©
-REVERB-
Parameters STORE ?
U2-01 Concert Hall
Parameters STORE ?
U2-01 Albert Hall 
						

							 TASCAM TM-D1000 Operations Manual 26
10 - Snapshots
The settings of most of the parameters can be stored 
as a snapshot, which may be recalled manually, or 
under MIDI Program Change control. Snapshots 001 
through 128 are available for storing settings. 
Snapshot 000 is a special case, where all ÒinvisibleÓ 
controls (i.e. EQ, aux sends, etc. not faders or pan-
pots) are reset to ÒßatÓ positions.
When a snapshot is recalled, the TM-D1000 will 
fade from its prior values into the new snapshot val-
ues over a preset time, set when the snapshot is 
stored.
NOTE
Snapshots include the current mode (REC or 
MIX) setting. If the TM-D1000 is currently in 
one mode, and a snapshot is recalled (either 
manually or under MIDI control) which was 
stored in another mode, the mixer will change 
modes. This will take some time, and will also 
produce some noise at the output jacks. It is 
therefore strongly recommended that you do 
not recall snapshots which have been stored 
in a mode other than the current one.
10.1 Storing a snapshot
1Make sure that the EFFECT/DYNAMICS indi-
cator is not lit green.
2Press the SHIFT and ESCAPE/RECALL 
[STORE] 
keys until the screen is similar to the 
following:
3Turn the DATA ENTRY knob to select an area 
to store the snapshot (the TM-D1000 will 
always try to Þnd an unused area for you if 
possible), and press 
ENTER:
Note that although the TM-D1000 always tries to 
use the Þrst available unused area, you can use 
the DATA ENTRY knob to change the memory 
area to one which has previously used (overwrit-
ing the data already there), or to another area fol-
lowing the Þrst unused area.
4Turn the DATA ENTRY knob to change the 
character above the underline cursor, and 
push and turn the knob to move the cursor. 
Repeat until you have entered the name:
Operating Tip
You can use the 
SHIFT key to toggle between 
uppercase and lowercase letters when enter-
ing the characters for the name.
5Press ENTER to store the name:
6Adjust the time over which the TM-D1000 
will fade into this snapshot when it is 
recalled, and press 
ENTER to store the snap-
shot.
10.2 Recalling snapshots
1Make sure the EFFECT/DYNAMICS indicator 
is not lit green.
2Press the ESCAPE/RECALL key until the 
current snapshot name and number is shown 
on the top of the display, and the word 
RECALL is shown on the bottom:
3Turn the DATA ENTRY knob until the snap-
shot you want to recall is shown, and press 
ENTER.
Operating Tip
You can also use the 
CH SEL keys as number 
keys. The 
CH SEL keys of channels 1 through 
9 enter their respective numerals, and the 
CH 
SEL key of channel 10 acts as a 0 key. 
The TM-D1000 fader levels will change to the 
new settings stored in the recalled snapshot, over 
the period of time as set in ÒSnapshotsÓ on 
page 26.
S-001
STORE?
S-001 [NAME] O K ?
_
S-001 [NAME] O K ?
Koto Quarte t
S-001 [Transition Time]
0 ms?
S-001 Koto Quartet Ì
RECALL? 
						

							10 - Snapshots
27  TASCAM TM-D1000 Operations Manual
10.3 Renaming snapshots
1Press the ESCAPE/RECALL key until the 
current snapshot name and number is shown 
on the top of the display, and the word 
RECALL? is shown on the bottom.
2Push the DATA ENTRY knob so that the bot-
tom line reads 
RENAME:
3Turn the DATA ENTRY knob until the snap-
shot that you want to rename is shown on the 
top line of the display.
4ConÞrm this with the ENTER key.
5Rename the snapshot, following the proce-
dures described above, and press 
ENTER 
when you are Þnished.
10.4 ÒNullingÓ the faders and 
panpots
The term ÒnullingÓ the faders and panpots refers to 
the way in which the faders and panpots are adjusted 
so that their physical positions correspond to the 
positions which have been saved in a snapshot mem-
ory or adjusted through external MIDI control. 
When a snapshot memory is recalled, it is almost cer-
tain that the physical control settings will differ, and 
to make adjustments using the snapshot as a starting 
point, it may be necessary to adjust the faders and 
panpots accordingly.
Operating Tip
When the physical controls are used to 
change the settings from those memorized in 
the recalled snapshot, an asterisk appears by 
the number of the snapshot on the display:
To return the controls to the snapshot values:
1Press and hold down the SHIFT key, and 
press the 
ENTER key:
The numbers printed around the display (white 
on black) show which controls and channels cor-
respond to the on-screen symbols.
The top line of the display shows the positions of 
the panpots of the sixteen input channels, as well 
as the positions of the level controls of the 
EFFECT RETURN and AUX RETURN 
controls.
The bottom line of the display shows the position 
of the sixteen input channel faders, as well as the 
four GROUP/AUX faders and the L-R stereo 
faders.
2The symbols indicate the direction in which 
the fader should be moved (
ž up or å down) 
or the rotary control should be turned (
¸ 
clockwise or 
· counterclockwise). When the 
physical control matches the electronic Òvir-
tualÓ control, the symbol will change to a 
ƒ 
symbol.
3If you want to see numerical values for the 
channel whose controls you are adjusting, 
press the 
CH SEL key for that channel:
The physical control values are given in square 
brackets. The pan controls can be set from L50 
to R50. The center position is indicated by 
CTR. Fader values may be set from 
0to 
100.
To exit the ÒnullingÓ mode, enter any of the snapshot 
or effect recall or store screens, the location memory 
screens, or any of the option menus.
10.5 DIRECT RECALL
Direct recall allows you to recall the Þrst 16 user 
snapshots, using the 
ESCAPE/RECALL key with the 
CH SEL keys. The CH SEL key of channel 1 with the 
ESCAPE/RECALL key recalls snapshot 001, etc. 
The Þrst (initial setting) snapshot 000 cannot be 
recalled in this way.
S-001 Koto Quartet Ì
RENAME?
SNAPSHOT*012
Brandenburg 5
ƒƒƒ¸¸··ƒ ƒƒƒƒƒƒƒƒ ¸ ·
ƒžåå僃ž žžžžå僃 ƒƒ ž ž å
Ch: 3 Pan L40 [L50]
Fader 28 [ 3 1 ] 
						

							10 - Snapshots
 TASCAM TM-D1000 Operations Manual 28 1
Press and hold down the ESCAPE/RECALL 
key and press the 
CH SEL key whose channel 
number corresponds to the snapshot number 
that you want to recall.
Only the Þrst 16 user snapshots can be recalled in 
this way.
NOTE
If the Direct Recall Defeat feature is set to 
On 
(see below), this feature is not available.
10.5.1Direct recall defeat
To avoid accidental recall of snapshots, the TM-
D1000 provides a ÒsafetyÓ (defeat) mode.
1Press and hold down the SHIFT key and press 
the 
OPTION key to enter the Option 
screen.
2Turn the DATA ENTRY knob until the bottom 
line shows 
System, and then press 
ENTER.
3Turn the DATA ENTRY knob until the bottom 
line shows 
Direct Recall 
Defeat
, and press ENTER:
4Select Yes (direct recall is enabled) or No 
(direct recall is disabled) by turning the 
DATA ENTRY knob, and press ENTER.
Direct Recall Defeat
Yes 
						

							29 TASCAM TM-D1000 Operations Manual
11 - MIDI Machine control
The TM-D1000 can be used together with any 
recorder or other device that supports MIDI Machine 
Control commands, such as the TASCAM DA-88 
with the optional SY-88 synchronizer board, the 
TASCAM DA-38 with the optional MMC-38, or the 
TASCAM DA-98, as well as the TASCAM MMR-8 
and MMR-16 disk recorders.
NOTE
MIDI Machine Control must be implemented 
on your external device in order for the TMD-
1000 to control it. Not all MMC functions may 
be available with all units.
11.1 Connections
To use the TM-D1000 with MIDI Machine Control, 
you have the choice of a closed-loop (where the con-
trolled device is constantly informing the TM-D1000 
of its status) or an open-loop system, which may be 
regarded as a Òcommand and forgetÓ system.
You should consult the documentation of your device 
to discover which method is more appropriate for 
your system. 
The connections for these are made in the following 
way:
A closed-loop system should be connected with the 
TM-D1000Õs 
MIDI OUT connected to the MIDI IN 
of the remote device, and the remote deviceÕs MIDI 
OUT connected to the TM-D1000Õs 
MIDI IN.
An open-loop system needs the TM-D1000Õs 
MIDI 
OUT
 connected to the remote deviceÕs MIDI IN.
To choose the software setting appropriate to your 
conÞguration:
1Press and hold down the SHIFT key and press 
the 
OPTION key.
2Turn the DATA ENTRY knob until the bottom 
line of the display shows 
MIDI, and then 
press 
ENTER:
3Turn the DATA ENTRY knob until the bottom 
line shows 
MMC Communication, 
and press 
ENTER:
4Turn the DATA ENTRY knob to choose 
between 
Closed-loop and Open-
loop
, and press ENTER to conÞrm your 
choice.
If you select the closed-loop option, and the 
MIDI setup is not correctly connected, a message 
will appear on the display to warn you of this.
11.1.1Setting up the device IDs
Consult the documentation of the other unit for 
details of how to set it up for use with MIDI Machine 
Control, including the setting up of the MMC Device 
ID.
To set up the TM-D1000:
1Press and hold down the SHIFT key, and 
press the 
OPTION key.
2Turn the DATA ENTRY knob until the bottom 
line of the display shows 
MIDI, and then 
press the 
ENTER key.
3Turn the DATA ENTRY knob until the bottom 
line of the display shows 
MMC Device 
ID
, and press ENTER:
4Use the DATA ENTRY knob to set the MMC 
Device ID to a value between 
1 and 127, 
and use 
ENTER to conÞrm your selection.
11.1.2Transport control
Once the TMD-1000 and the other unit are set up, 
pressing and holding the 
SHIFT key will enable the 
shifted (blue) functions of the keys immediately 
below the 
TRIM controls (CH ASSIGN, EQ and 
DIRECT OUT).
These keys work in much the same way as the stan-
dard transport control keys on TASCAM equipment. 
If you are in any doubt as to how these work, consult 
the TM-D1000 Reference manual.
Operating Tip
You can ÒlockÓ the 
SHIFT key into transport 
control mode (similar to a SHIFT LOCK or 
CAPS LOCK key on a keyboard) by pressing 
it twice in quick succession (similar to a 
mouse double-click). The 
LOCK indicator by 
the 
SHIFT key lights to remind you of the cur-
rent status.MMC Communication
Closed-loop
MMC Device ID
1 
						

							11 - MIDI Machine control
 TASCAM TM-D1000 Operations Manual 30
When the indicator is lit, the transport keys 
(the 
CH ASSIGN 1-2, 3-4 and L-R keys, the EQ 
key and the 
DIRECT OUT key) take on the 
assignments printed in blue below these keys, 
and there is no need to press the 
SHIFT key to 
use them as transport keys.
However, the 
CH SEL (MMC LOC) and MUTE 
(
REC FUNCTION) keys do not use the shift 
lock mode. Regardless of the status of the 
MMC LOCK indicator, you must always hold 
down the 
SHIFT key when you need to use 
these keys in their shifted MMC function.
ÒDouble-clickÓ the 
SHIFT key once more to 
turn off the Òshift lockÓ made earlier.
11.2 Arming tracks
The MUTE keys serve another ÒshiftedÓ functionÑas 
track arming keys for the remote devices connected 
via MIDI. This function works with the 
SHIFT keyÑ
the Òdouble-clickÓ mode is not effective here.
When the appropriate tracks are armed, and the 
SHIFT key is held down, these indicators will ßash. 
When the appropriate tracks are actually recording 
and the 
SHIFT key is held down, these keys will light 
steadily.
11.3 Locations
Up to 16 location memories can be stored in the TM-
D1000. The values for these location memories are 
obtained from the MIDI Timecode (MTC) received 
at the 
MIDI IN connector.
These locations may then be used for location of a 
device controlled by the TM-D1000 using MMC (as 
described in the previous section).
11.4 Selecting the MTC type
MTC can be received in a variety of types. Select the 
type used by the TM-D1000 in the following way:
1Press and hold down the SHIFT key, and 
press the 
OPTION key.
2Turn the DATA ENTRY knob until the bottom 
line of the display shows 
MIDI, and press 
ENTER.
3Turn the DATA ENTRY knob until the bottom 
line of the display shows 
MTC Type, and 
press 
ENTER:
4Use the DATA ENTRY knob to select a time-
code type: 
30DF (equivalent to SMPTE, 
non drop-frame), 
30NDF (equivalent to 
30fps drop-frame, used with color NTSC 
video), 
25F (used with EBU video) and 
24F (Þlm). ConÞrm your choice with the 
ENTER key.
11.5 Capturing a location on the ßy
The TM-D1000 can store up to 16 memory locations 
for recall. These 16 locations are controlled by the 
CH SEL keys of the 16 input channels.
1While the unit is playing or recording, press 
the 
MEMO key. The timecode received from 
the device will be shown on the bottom line of 
the display. If the timecode is being received, 
the display will act as a timecode monitor, 
showing the incoming timecode.
Operating Tip
Remember that some units are capable of 
transmitting MTC while fast winding, or even 
in stop or pause mode.
2Press the CH SEL key of the channel (loca-
tion memory) in which you want to store the 
timecode value:
3The timecode value will ÒfreezeÓ and the dis-
play will blink for about a second to show 
that the memory is being stored.
NOTE
If you require location to sample accuracy, 
you will have to rely on the devicesÕs own 
location facilities, if it provides them.
MTC Type
29.97F
MEMO Entry30DF
00h21m12s21f