Tascam Digital Portastudio 788 Owners Manual
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6 – Location operations–Direct location TASCAM 788 Digital PortaStudio 61 Direct location (ii) As well as the ABS and MTC timings just described, it is possible to locate to a “musical” time, when the display shows bars (measures) and beats, and the 788 is synchronized to a tempo map. NOTE This method of location only has any meaning when the 788 is synchronized to a tempo map (see “Synchroniza- tion” on page 94). If the 788 is not synchronized to such a tempo map, bars and beats in this screen have no meaning. 1Make sure the transport is stopped. You can- not perform this direct location when playing back or recording. 2If the “home” display is not shown, press the HOME/ESC key. 3There is an “underline” cursor at the top of the screen. If the top left of the screen does not show BAR (that is, it shows MTC or ABS), press the Ó key until the cursor is under the left field, and turn the dial clockwise until BAR is showing.4Use the Ó and Á keys to move the cursor to either of the following: bars (3 digits), or beats (2 digits). The tempo value cannot be altered here—it is set by the tempo map (see “Entering and edit- ing the tempo map” on page 98). 5Use the dial to increase or decrease the number over the cursor (in the illustration , the cursor is under the “bars” value). If you increase the “beats” value past the maxi- mum number of beats on a bar at that point in the tempo map, the number will “wrap round”; that is, the “bars” value will increase by one, and the “beats” value will be set to 0. 6When you change a value, the values on the top line will start to blink and will continue to blink for a few seconds. If you press the EXIT key (or the STOP key) while the values are blinking, the time value will be reset to the previous value before you started to edit it. 7Press ENTER while the values are blinking to set the value, or PLAY to start immediate play- back at that value. Also, if you do not press any keys or turn the dial for a few seconds, the val- ues stop blinking, and the new time value that has been set becomes the current playback position. Bars (measures)Beats
6 – Location operations–Location marks 62 TASCAM 788 Digital PortaStudio Location marks As mentioned earlier, the 788 allows you to set up to 999 location marks in each song. These location marks are stored in slots which may either be empty, or filled with a location point value.As each mark is entered, its slot is filled (from 1 through 999). If a mark is deleted, the slot it occupied becomes available for another mark to be entered, Location marks are handled in the following way: Entering location marks Location marks can be entered when playing back or recording, in jog mode, or when the transport is stopped. They cannot be entered when fast forward or rewind is taking place. There are two ways of entering location marks: 1Press and hold the SHIFT key and press the LOCATE key.or 1Press the MARK/CHAR INSERT (MOVE) key. 2When a mark has been entered, the location value is entered into the next available slot, and the number of this slot (now the number of the mark) is shown on the screen on the right, below the time line. Active location marks When you have entered location marks, as playback progresses, and the playback point passes the points at which the marks are located, the marks’ titles are displayed on the screen. The location mark which is shown on screen is referred to as the active mark. This active mark can be accessed easily for titling, deletion and editing, as explained below. Giving a title to the active location mark You can give a title to the active location mark while playing back or recording, or while the playback is stopped. 1When the active mark’s current title is dis- played (this will be Mark xxx when the mark is first set), press and hold down the SHIFT key and press theMENU/TITLE key. The pop-up screen appears on the display, and you can edit the title as described in “Entering and editing titles” on page 26. 2When you press ENTER after editing the name, the new name replaces the old mark name. TIP You can use the USER WORDs here (see “USER WORD” on page 33) to enter mark titles quickly. Deleting the active location mark You can delete the active location mark while play- back is stopped, but you cannot delete it while play- ing back or recording (a message, TRANSPORT MOVING , appears briefly if you try). 1To delete the active mark, press the MARK/ CHAR DELETE (SILENCE) key. You do not have to confirm the deletion, but the word Clear ! appears briefly on the display.2When the active mark has been deleted, the mark immediately before the active mark (if there is one) becomes the active mark, and its title is shown on screen. NOTE You cannot undo a mark deletion.
6 – Location operations–Using the location mark list TASCAM 788 Digital PortaStudio 63 Editing the active mark This process is sometimes referred to as trimming. This is a similar process to the jog positioning of the playback point (see “Jog positioning” on page 50), except that in this operation, the final position is stored as the position of the active mark. You can edit the active mark when playback is stopped. You cannot edit the active mark when recording or playing back. 1Make sure that the mark you want to edit is shown on the home display and that playback is stopped. 2Press the MARK/CHAR TRIM (COPY TO) key. The display shows TRIM and a view of the waveform of the currently selected track at the active mark. 3Press the SELECT key of the track that you want to view. The display changes to the wave- form of that track. Although the location mark applies to all tracks, if you have a track selected with noth- ing or little recorded on it at that point, it will be impossible to see or hear anything using this function. 4Use the Ó and Á keys to zoom out and in respectively horizontally. This is, pressing the Á key will increase the amount of space on the screen taken by a certain amount of time, and pressing the Ó key will make the same amount of time take less space on the screen. The three zoom levels available are: x 1, x 2 at about single-frame accuracy), and x 32 at about 10-sub-frame accuracy (shown below the time display). 5Use the § and ¶ keys to adjust the vertical scale (the way that the volume of the sound is shown). The zoom levels here are x 1, x 2, x 4, x 8, x 16 and x 32. Pressing the § key increases the vertical scaling of the dis- play, and pressing the ¶ key decreases the scale. TIP If you can’t see any waveforms when you first enter this display, press the § key to zoom the volume so that you can see the quiet passages. 6Use the dial to move the cursor. You can moni- tor the jogged sound of the selected track through the monitoring system. NOTE You cannot move the mark to a position before the previous mark or after the next mark. 7To move past the edge of the screen, press and hold the F FWD and REW keys to play the tracks forwards or backwards at normal speed for a rough position. When you release the keys, the playback will stop. 8Press ENTER to accept the new position as the location mark value (the playback position is now the new position), and return to the home screen. 9Press EXIT to return to the home screen with the playback position being the point which has just been set, but the location mark value is unchanged. Using the location mark list Every time a location mark is stored, it is entered into a list, and every time a mark is deleted, it is removed from the list. You can use this list to select a mark for location, or for giving a title to a mark. You cannot edit the time value of a mark, or delete a mark using the list.To see the list, press the LOCATE key:
6 – Location operations–Using the location mark list 64 TASCAM 788 Digital PortaStudio There are two ways in which the list can be viewed; by title ( TITLE) and by time value (TIME), as shown by the tabs on the top of the screen. Use the Ó and Á keys to change between the two views: NOTE Even when the time display on the home screen is shown in bars and beats, or the MTC time display is selected, the marks’ time values are always shown using the absolute time values. The IN, OUT and TO location marks are always dis- played at the top of the list. Other items in the list is always sorted in time order, not the order of the location mark names or numbers. Locating using the list To locate using the location mark list: 1Press the LOCATE key. 2Use the Ó and Á keys to change to either the TITLE or the NAME view of the list.3Select the location mark using the dial (or the § and ¶ keys). 4Press ENTER. The playback point jumps to the selected location mark. Using the IN OUT and TO marks These are special cases. When these marks have been set, you jump to them simply be pressing the IN, OUT or TO key, as appropriate. You can use the list as described above, but there is no need for this. Titling using the list 1Press the LOCATE key. 2Use the Ó and Á keys to change to either the TITLE or the TIME view of the list. 3Select the location mark to be renamed, using the dial (or the § and ¶ keys). 4Press and hold down the SHIFT key and press the TITLE (MENU) key. 5Give a title to the mark, using the procedure described in “Entering and editing titles” on page 26.6When you press ENTER to confirm the name, the screen returns to the list. NOTE You can select a mark for titling from either the TITLE or the TIME view of the list. Two marks can have the same title (but it is not a very sen- sible idea to give the same title to more than one mark), but they cannot have the same time value. It is not possible to rename the IN , OUT or TO marks— these have special functions, and cannot be renamed.
TASCAM 788 Digital PortaStudio 65 7 – Track editing About track editing One of the most useful features of a disk-based recorder such as the 788 is the ability to edit material easily. When working with a stereo tape recorder in the past, the usual editing method involved a white pencil, a razor blade and sticky splicing tape. This was not an easy process, and was very difficult to undo if there were any mistakes, The 788 allows you to edit songs, copying and mov- ing material from one part of a song to another. This editing is known as non-destructive editing, meaning that the operation does not actually destroy data, and you can undo mistaken editing operations easily. If you have ever used a word-processor on a com- puter, you will probably find most of the 788’s edit- ing operations pretty simple. If you have never used a computer, the 788’s editing operations are nothing to be scared about—just read through this section to see how it all works. IN, OUT and TO We have previously seen how the IN, OUT and TO points can be used for punching and for location. They are also used in these track editing operations. The IN point marks the start of the part of the track which is selected when editing a part of a track (rather than a whole track). The OUT point marks the end of the part of the track which is selected when editing part of a track. The TO point marks the final destination of a copy or a move operation. Entering the edit mode 1Make sure that the 788 is stopped (not playing back or recording). 2Press the TRACK EDIT key (just below the screen).3Use the JOG/DATA dial to highlight the track editing function you will be using. 4Press the ENTER key. 5Select the appropriate values, as described below. 6Press ENTER/YES to perform the operation, or EXIT/NO to exit without performing the operation, Track editing functions The track editing functions available on the 788 are: COPY->PASTE COPY->INSERT MOVE->PASTE MOVE->INSERT OPENCUT SILENCE CLONE TRACK CLEAN OUT See the sections below for details of how to use these functions. Remember! You can undo any of these operations (see “UNDO and REDO” on page 69). Even if you delete all the material on every track using these functions, you can still get it back with only a few key-presses.TIP Although you cannot use virtual tracks as the source for copy and move operations, you can assign a virtual track to a track temporarily to (say) copy part of a virtual track to an already-assigned track and then reassign the original.
7 – Track editing–COPY -> PASTE 66 TASCAM 788 Digital PortaStudio COPY -> PASTE This function takes the section of a track or tracks marked by the IN and OUT points, copies it, and places it at the TO point on the chosen track or tracks. The original source is left unchanged. The copy operation overwrites anything which is already recorded at the destination. The destination is the same length as it was before the operation. You can copy the section more than once in one oper- ation. You can change the following values: Src.Trk This sets the source track or tracks from which the section is copied. Choose 1,through 8 to select an individual track. Choose 1/2, 3/ 4 , 5/6 or 7/8 to select a pair of tracks. Choose 1-8 to select all active tracks. Dst. Trk This sets the destination track or tracks to which the selected section is pasted. What you can select here depends on what you have selected for the source track. If you have selected a single track, you can select tracks 1 through 8 here. If you have selected a pair of tracks (for instance, 1/2), you can only select track pairs here. If you have selected all active tracks ( 1-8), then this is the only option available to you here. Times This is the number of times that the selected section is pasted into the destination track or tracks. You can set this value from 1 to 99. Press YES to perform the operation or NO to leave this screen. TIP You can also use the SHIFT + TRIM key combination to enter this function easily. COPY -> INSERT This function takes the section of a track or tracks marked by the IN and OUT points, copies it, and places it on the chosen track or tracks, inserting it as new material, starting at the TO point. The original source is left unchanged. The insert operation adds the selected section as new material to the destination. Nothing is overwritten on the destination, as any existing material following the TO point is moved to the end of the newly-inserted section. The destination is longer than it was before the operation. You can copy the section more than once in one operation.You can change the following values: Src. Trk This sets the source track or tracks from which the section is copied. Choose 1,through 8 to select an individual track. Choose 1/2, 3/ 4 , 5/6 or 7/8 to select a pair of tracks. Choose 1-8 to select all active tracks. Dst. Trk This sets the destination track or tracks into which the selected section is inserted. What you can select here depends on what you have selected for the source track. If you have selected a single track, you can select tracks 1 through 8 here. If you have selected a pair of tracks (for instance, 1/2), you can only select track pairs here. If you have selected all active tracks ( 1-8), then this is the only option available to you here. Times This is the number of times that the selected section is inserted (end-to-end) in the desti- nation track or tracks. You can set this value from 1 to 99. Press YES to perform the operation or NO to leave this screen. OUT IN TO OUT IN TO OUT IN TO OUT IN TO
7 – Track editing–MOVE -> PASTE TASCAM 788 Digital PortaStudio 67 MOVE -> PASTE This function takes the section of a track or tracks marked by the IN and OUT points, and moves it to the chosen track or tracks, starting at the TO point. After the operation, the selected section of the source between the IN and OUT points is replaced by silence. This operation overwrites anything which is already recorded at the destination. The destination is there- fore the same length as it was before the operation. You can change the following values:Src. Trk This sets the source track or tracks from which the section is taken. Choose 1,through 8 to select an individual track. Choose 1/2, 3/ 4 , 5/6 or 7/8 to select a pair of tracks. Choose 1-8 to select all active tracks. Dst. Trk This sets the destination track or tracks to which the selected section is moved. What you can select here depends on what you have selected for the source track. If you have selected a single track, you can select tracks 1 through 8 here. If you have selected a pair of tracks (for instance, 1/2), you can only select track pairs here. If you have selected all active tracks ( 1-8), then this is the only option available to you here. Press YES to perform the operation or NO to leave this screen. TIP You can also use the SHIFT + INSERT key combination to enter this function easily. MOVE -> INSERT This function takes the section of a track or tracks marked by the IN and OUT points, and moves it to the chosen track or tracks, inserting it as new mate- rial, starting at the TO point. After the operation, the selected section of the source between the IN and OUT points is replaced by silence. The insert operation adds the selected section as new material to the destination. Nothing is overwritten on the destination, as any material following the TO point is moved to the end of the newly-inserted section. The destination is therefore longer than it was before the operation. You can change the following values: Src. Trk This sets the source track or tracks from which the section is taken. Choose 1,through 8 to select an individual track. Choose 1/2, 3/ 4 , 5/6 or 7/8 to select a pair of tracks. Choose 1-8 to select all active tracks. Dst. Trk This sets the destination track or tracks into which the selected section is inserted. What you can select here depends on what you have selected for the source track. If you have selected a single track, you can select tracks 1 through 8 here. If you have selected a pair of tracks (for instance, 1/2), you can only select track pairs here. If you have selected all active tracks ( 1-8), then this is the only option available to you here. Press YES to perform the operation or NO to leave this screen. OUT IN TO OUT IN TO OUT IN TO OUT IN TO
7 – Track editing–OPEN 68 TASCAM 788 Digital PortaStudio OPEN This function “opens up” a silent gap between the IN and OUT points on the chosen track or tracks. The source and destination are the same, and after the operation, the track is split at the IN point, with the material which followed the IN point now moved to follow the OUT point. The result is therefore longer than the original. There is only one value that you can change: Src. Trk Select an individual track (1 through 8), a pair of tracks (1/2, 3/4, 5/6, 7/8), all of the eight active tracks (1-8) or all tracks, including the virtual tracks ( all). Press YES to perform the operation or NO to leave this screen. CUT This function deletes the material between the IN and OUT points on the chosen track or tracks and “closes up” the gap. The source and destination are the same, and after the operation, the material which followed the OUT point now moved to follow the IN point. Material which was between the IN and OUT points is deleted. The result is therefore shorter than the original. There is only one value that you can change: Src. Trk Select an individual track (1 through 8), a pair of tracks (1/2, 3/4, 5/6, 7/8), all of the eight active tracks (1-8) or all tracks, including the virtual tracks ( all). Press YES to perform the operation or NO to leave this screen. SILENCE This function is equivalent to recording silence between the IN and OUT points on the chosen track or tracks.No material is added or deleted, and the length of the result is therefore the same as that of the original. There is only one value that you can change: Src. Trk Select an individual track (1 through 8), a pair of tracks (1/2, 3/4, 5/6, 7/8), or all of the eight active tracks (1-8). Press YES to perform the operation or NO to leave this screen. TIP You can also use the SHIFT + DELETE key combination to enter this function easily. OUT IN OUT IN OUT IN IN OUT OUT IN IN
7 – Track editing–CLONE TRACK TASCAM 788 Digital PortaStudio 69 CLONE TRACK This copies a track or pair of tracks to another track or pair of tracks. The IN and OUT points do not have any meaning here. There are two values that you can change: Src. Trk Select an individual track (1 through 8), or a pair of tracks (1/2, 3/4, 5/6, 7/8). Dst. Trk This sets the destination track or tracks to which the source track is cloned. What you can select here depends on what you have selected for the source track. If you have selected a single track, you can select tracks 1 through 8 here. If you have selected a pair of tracks (for instance, 1/2), you can only select track pairs here. Press YES to perform the operation or NO to leave this screen. If you try to select the same track as a destination that you have selected as the source, when you press the YES key, a message will appear: SAME TRACK . Redo the operation with a different set of tracks. CLEAN OUT This deletes all the material in a track or tracks. The IN and OUT points do not have any meaning here. There is only one value that you can change:Src. Trk Select an individual track (1 through 8), a pair of tracks (1/2, 3/4, 5/6, 7/8), or all of the eight active tracks (1-8). Press YES to perform the operation or NO to leave this screen. If you need to delete the contents of a virtual track that is not currently assigned to a track, you must assign it to a track and then perform this operation. UNDO and REDO Unlike a tape recorder, but like most word-proces- sors, you can undo your mistakes (the 788 remem- bers up to the last 999 operations you perform in each song). What is more, you can undo your undo operations (redo). The operations that you can undo are: The different track editing functions described in this section Recording operations Auto punch operations Mastering operations In addition, all these operations are stored as part of the song on the disk; even when you turn the machine off, the history of all the previous operations is stored ready for next time. What this means is that you can finish your work for the day, come back in the morning with fresh ears, and decide that maybe you didn’t want that overdub after all. With the 788, this is no problem.
7 – Track editing–UNDO and REDO 70 TASCAM 788 Digital PortaStudio Undoing and redoing actions 1Press the UNDO/REDO key and a list of the operations that you have done since the start of the song is shown on screen: The first action ( START UP) is numbered 0, and all the actions after this are then num- bered in order. They are named: RECORDING, AUTO PUNCH, COPY->PASTE, etc. 2Use the dial to scroll through the list until the cursor highlights the action to where you want to undo. 3Press ENTER, to return to the point in your work just before you made your mistake.You can also redo an action that you have undone in exactly the same way. TIP As well as using the dial to scroll through the list, you can also use the UNDO /REDO key to position the cursor automatically at the event before or after the current event. If you press the UNDO key (unshifted) , the cursor moves to the event immediately before the current event. Press ENTER to undo the last event. If you press REDO (SHIFT + UNDO), the cursor moves to the event immediately following the current event (i.e. the last action that has been undone). Press the ENTER key to redo this action. NOTEN Performing an action after the redo clears the list of re- doable actions (i.e. those actions which have been undone). An undo/redo example Here’s an extremely simplified example (in fact, it’s extremely unlikely that you’d work this way, but it shows the principles involved): This is the history of a recording session so far. Sup- pose that you decide that items 11 and 12 in the list are not needed (in other words, the first take (9) with its correction (10) have been overwritten by 11 and 12, but you feel that the original take (9) with its cor- rection (10) has more energy, so you want to retrieve it: 1Press the UNDO key.2Use the dial to scroll down to the step to where you want to undo (here it’s 10). 3Press ENTER. Now you have the track back again. If you press the UNDO key, you’ll see that there’s a check mark beside 10 - this shows that this is the “undo mark”. Notice that we can still see items 11 and 12. This is because we can still redo them, if we decide that the first vocal take (9 and 10) wasn’t so great after all. To redo them is just as simple as undoing them: press the UNDO key, highlight the step to which you want to return, and press ENTER. >RECORDING 12This is yet another retake of the lead vocal RECORDING 11Another attempt at the whole of the lead vocal AUTO PUNCH 10A try to correct a bad note in the lead vocal RECORDING 9First try at the lead vocal AUTO PUNCH 8Repairing the bad guitar bridge RECORDING 7Recording the guitar solo RECORDING 6Piano (alternative part) RECORDING 5Piano RECORDING 4 Guide vocals RECORDING 3Bass line COPY->PASTE 2Looping the drum part RECORDING 1Basic drum loop START UP 0Beginning of song RECORDING 12This is yet another retake of the lead vocal RECORDING 11Another attempt at the whole of the lead vocal>AUTO PUNCH 10A try to correct a bad note in the lead vocal RECORDING 9First try at the lead vocal AUTO PUNCH 8Repairing the bad guitar bridge RECORDING 7Recording the guitar solo RECORDING 6Piano (alternative part) RECORDING 5Piano RECORDING 4 Guide vocals RECORDING 3Bass line COPY->PASTE 2Looping the drum part RECORDING 1Basic drum loop START UP 0Beginning of song This line marks the point to where we have made the undo